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Best Famous Flipped Poems

Here is a collection of the all-time best famous Flipped poems. This is a select list of the best famous Flipped poetry. Reading, writing, and enjoying famous Flipped poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flipped poems.

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Written by Charles Bukowski | Create an image from this poem

A Man

 George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag. 
"George, I left that son of a *****, I couldn't stand that son of a *****
anymore." 
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled. 
"I took his damn money too. I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a *****." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her. 
"You son of a *****," she said, "I missed you." 
"I miss those good legs of yours , Connie. I've really missed those good
legs." 
"You still like 'em?" 
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was." 
"Drink up, you'll feel better." 
"And he couldn't make love." 
"You mean he couldn't get it up?" 
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless." 
"I wish I had a college education." 
"You don't need one. You have everything you need, George." 
"I'm just a flunkey. All the **** jobs." 
"I said you have everything you need, George. You know how to make a woman
happy." 
"Yeh?" 
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a whore. Like I was a big bad whore stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my pussy, Walter!' And he wouldn't look at my pussy. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my pussy, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have." 
"And you've licked it , sucked it?" 
"I suppose so." 
"You know damn well, George, what you've done." 
"How much money did you get?" 
"Six hundred dollars." 
"I don't like people who rob other people, Connie." 
"That's why you're a fucking dishwasher. You're honest. But he's such an ass,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
wants, George." 
"Thanks for the whiskey, Connie. Lemme have another cigarette." 
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ass; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
dishwasher."
"You know what I'd really like to do?" 
"What?" 
"I'd like to whip you with my belt on the legs, the ass, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
pure love." 
"I don't want that, George. You've never talked like that to me before. You've
always done right with me." 
"Pull your dress up higher." 
"What?" 
"Pull your dress up higher, I want to see more of your legs." 
"You like my legs, don't you, George?" 
"Let the light shine on them!" 
Constance hiked her dress.
"God christ ****," said George. 
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?" 
"You fucked Walter! You fucked Walter!" 
"So what the hell?" 
"So pull your dress up higher!" 
"No!" 
"Do what I say!" George slapped again, harder. Constance hiked her skirt. 
"Just up to the panties!" shouted George. "I don't quite want to see the
panties!" 
"Christ, george, what's gone wrong with you?" 
"You fucked Walter!" 
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
George!"
"Don't move or I'll kill you!" 
"You'd kill me?" 
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away. 
"I'm a man , baby, understand that?" 
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms. 
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!" 
Constance felt one of the arms, then the other. 
"Yes, you have a beautiful body, George." 
"I'm a man. I'm a dishwasher but I'm a man, a real man." 
"I know it, George." "I'm not the milkshit you left." 
"I know it."
"And I can sing, too. You ought to hear my voice." 
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
that cigarette." 
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.


Written by Robert William Service | Create an image from this poem

Romance

 In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.

'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.

It brought a ripple of romance
Into that postal bureau dreary;
He gave me such a smiling glance
That somehow I felt gay and cheery.
For information on my case
The postal folk searched nook and cranny;
He gently tapped, with smiling face,
His reassurance on my fanny.

So I'll go back to Tennessee,
And they will ask: "How have you spent your
Brief holiday in gay Paree?"
But I'll not speak of my adventure.
Oh say I'm spectacled and grey,
Oh say I'm sixty and a grannie -
But say that morn of May
A Frenchman flipped me on the fanny!
Written by Rg Gregory | Create an image from this poem

eight roundels

 (roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)



1.
the blind rose

today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
 what blindly grows

imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)

the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
 what blindly grows


2. 
squeaking

there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
 my truth's not been gazumped

love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped

if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
 my truth's not been gazumped


3. 
ease of mind

the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
 that is love's overspill

wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still

hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
 that is love's overspill


4. 
a roundel for ptolemy

the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
 space then equal to a digit

the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget

ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos - 
 space then equal to a digit


5. 
reflection

everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
 your guilt turns mine about

love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout

i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
 my guilt turns yours about


6. 
the round

the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
 the moment makes complete

notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat

impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
 the moment makes complete 


7. 
the actor

acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
 being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console

the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
 being what prometheus stole


8. 
roundels in honour of the round

(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
 dad pointed with his sexual gear

so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear

she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
 dad pointed with his sexual gear

(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
 my way the truth flows best

dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed

in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best
Written by Jennifer Reeser | Create an image from this poem

This Night Slip In His Honor (after Komachi)

 This night slip, in his honor
flipped inside out – of lace-
edged netting – is the color
of Shaka Zulu’s face;

of panther flower at midnight
where crow and boa doze;
of vertigo and stage fright
in frail Ophelia’s clothes.

I wear it as a symbol.
Its ripped, Chantilly trim
I fixed without a thimble,
was pricked and bled for him.

A torn band may be mended,
but what if he and I
disband, no longer blended?
My spine turned to the sky,

reflecting on my dresser
from mirror-fine sateens:
the Great Bear with the Lesser…
I dream of Shoji screens,

and when desire becomes
an overlaying itch,
the throbbing in my thumbs
untenable to stitch,

sleek, fitted, with the passion
of Shaka Zulu’s face,
reversed and fringe-of-fashion,
I put it on, in place

of achromatic egrets,
the vacant crystal ball.
Victoria has secrets.
I am her baby doll.
Written by Russell Edson | Create an image from this poem

The Rats Tight Schedule

 A man stumbled on some rat droppings.
 Hey, who put those there? That's dangerous, he said.
 His wife said, those are pieces of a rat.
 Wait, he's coming apart, he's all over the floor, said the
husband.
 He can't help it; you don't think he wants to drop pieces of
himself all over the floor, do you? said the wife.
 But I could have flipped and fallen through the floor, said
the husband.
 Well, he's been thinking of turning into a marsupial, so try
to have a little patience. I'm sure if you were thinking of
turning into a marsupial he'd be patient with you. But, on the
other hand, don't embarrass him if he decides to remain
placental, he's on a very tight schedule, said the wife.
 A marsupial, a wonderful choice, cried the husband . . .



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