Written by
D. H. Lawrence |
I wish it were spring in the world.
Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!
I trample on the snowdrops, it gives me pleasure to tread down the jonquils,
to destroy the chill Lent lilies;
for I am sick of them, their faint-bloodedness,
slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring,
gold, and of inconceivably fine, quintessential brightness,
rare almost as beams, yet overwhelmingly potent,
strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat
and rocks it, tons of grain, on the ripening wind;
the same that dangles the globe-shaped pleiads of fruit
temptingly in mid-air, between a playful thumb and finger;
oh, and suddenly, from out of nowhere, whirls the pear-bloom,
upon us, and apple- and almond- and apricot- and quince-blossom,
storms and cumulus clouds of all imaginable blossom
about our bewildered faces,
though we do not worship.
I wish it were spring
cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire,
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.
I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption
were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!
Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squirt of water
for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth
and heave it off among the stars, into the invisible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white strawberry flower,
is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring!
come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer
we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are puffed and furred,
then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business
of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet,
incipient purpling towards summer in the world of the heart of man.
Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets,
if the violets are coming out from under the rack of men, winter-rotten and fallen,
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with the violets,
stirring of new seasons.
Ah, do not let me die on the brink of such anticipation!
Worse, let me not deceive myself.
|
Written by
Elizabeth Bishop |
We'd rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We'd rather have the iceberg than the ship;
we'd rather own this breathing plain of snow
though the ship's sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?
This is a scene a sailor'd give his eyes for.
The ship's ignored.
The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical.
The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun.
Its weight the iceberg dares
upon a shifting stage and stands and stares.
The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another's waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.
|
Written by
Barry Tebb |
The women are all wearing imitation silk scarves,
Blackpool or Biarritz, sipping Woman, masticating
The morning’s post, new babies and bathrooms, going
To file, snip, fiddle and smile through fish-eyes,
Crinkly green gloss, store it in stocking-tops
For next year abroad, that Pill, so perfect!
Flashing smiles from shiny domes and polished eye-lenses,
The men are glossy all over, snapping mortgages and scores
They slap fellow-souls at a distance, gun down the abusive
Clacking conductress, apologise over-loudly for their too
Quiet cars.
Plump fingers stroke smooth cheeks - bounce
Bounce, bouncing baby- faces, so manly to wet-shave!
Head heavy from dreams of bronze-fleshed centaurs
Tense with ‘The New Poets’ - no rhythm, failure of connection,
Who slept with who to get in.
Aargh!
Forty rose-bearing ten-year old faces are waiting
And behind them in the staff-room corpses are coffined
In eternal celluloid faces.
|
Written by
Oliver Wendell Holmes |
THROUGH my north window, in the wintry weather,--
My airy oriel on the river shore,--
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.
The gull, high floating, like a sloop unladen,
Lets the loose water waft him as it will;
The duck, round-breasted as a rustic maiden,
Paddles and plunges, busy, busy still.
I see the solemn gulls in council sitting
On some broad ice-floe pondering long and late,
While overhead the home-bound ducks are flitting,
And leave the tardy conclave in debate,
Those weighty questions in their breasts revolving
Whose deeper meaning science never learns,
Till at some reverend elder's look dissolving,
The speechless senate silently adjourns.
But when along the waves the shrill north-easter
Shrieks through the laboring coaster's shrouds "Beware!"
The pale bird, kindling like a Christmas feaster
When some wild chorus shakes the vinous air,
Flaps from the leaden wave in fierce rejoicing,
Feels heaven's dumb lightning thrill his torpid nerves,
Now on the blast his whistling plumage poising,
Now wheeling, whirling in fantastic curves.
Such is our gull; a gentleman of leisure,
Less fleshed than feathered; bagged you'll find him such;
His virtue silence; his employment pleasure;
Not bad to look at, and not good for much.
What of our duck? He has some high-bred cousins,--
His Grace the Canvas-back, My Lord the Brant,--
Anas and Anser,-- both served up by dozens,
At Boston's Rocher, half-way to Nahant.
As for himself, he seems alert and thriving,--
Grubs up a living somehow-- what, who knows?
Crabs? mussels? weeds? Look quick! there's one just diving!
Flop! Splash! his white breast glistens-- down he goes!
And while he's under-- just about a minute--
I take advantage of the fact to say
His fishy carcase has no virtue in it
The gunning idiot's wortless hire to pay.
He knows you! "sportsmen" from suburban alleys,
Stretched under seaweed in the treacherous punt;
Knows every lazy, shiftless lout that sallies
Forth to waste powder-- as he says, to "hunt.
"
I watch you with a patient satisfaction,
Well pleased to discount your predestined luck;
The float that figures in your sly transaction
Will carry back a goose, but not a duck.
Shrewd is our bird; not easy to outwit him!
Sharp is the outlook of those pin-head eyes;
Still, he is mortal and a shot may hit him,
One cannot always miss him if he tries.
Look! there's a young one, dreaming not of danger
Sees a flat log come floating down the stream;
Stares undismayed upon the harmless stranger;
Ah! were all strangers harmless as they seem!
Habet! a leaden shower his breast has shattered;
Vainly he flutters, not again to rise;
His soft white plumes along the waves are scattered;
Helpless the wing that braved the tempest lies.
He sees his comrades high above him flying
To seek their nests among the island reeds;
Strong is their flight; all lonely he is lying
Washed by the crimsoned water as he bleeds.
O Thou who carest for the falling sparrow,
Canst Thou the sinless sufferer's pang forget?
Or is thy dread account-book's page so narrow
Its one long column scores thy creatures' debt?
Poor gentle guest, by nature kindly cherished,
A world grows dark with thee in blinding death;
One little gasp-- thy universe has perished,
Wrecked by the idle thief who stole thy breath!
Is this the whole sad story of creation,
Lived by its breathing myriads o'er and o'er,--
One glimpse of day, then black annhilation,
A sunlit passage to a sunless shore?
Give back our faith, ye mystery-solving lynxes!
Robe us once more in heaven-aspiring creeds!
Happier was dreaming Egypt with her sphinxes,
The stony convent with its cross and beads!
How often gazing where a bird reposes,
Rocked on the wavelets, drifting with the tide,
I lose myself in strange metempsychosis
And float a sea-fowl at a sea-fowl's side;
From rain, hail, snow in feathery mantle muffled,
Clear-eyed, strong-limbed, with keenest sense to hear
My mate soft murmuring, who, with plumes unruffled,
Where'er I wander still is nestling near;
The great blue hollow like a garment o'er me;
Space all unmeasured, unrecorded time;
While seen with inward eye moves on before me
Thought's pictured train in wordless pantomime.
A voice recalls me.
-- From my window turning
I find myself a plumeless biped still;
No beak, no claws, no sign of wings discerning,--
In fact with nothing bird-like but my quill.
|
Written by
Thomas Lux |
follows the river as it bends
along the valley floor,
going the way it must.
Where water goes, so goes the road,
if there's room (not in a ravine,
gorge), the river
on your right or left.
Left is better: when you're driving,
it's over your elbow across
the road.
You see the current, which is
what the river is: the river
in the river, a thing sliding fast forward
inside a thing sliding not so fast forward.
Driving with, beside, the river's flow is good.
Another pleasure, driving against it: it's the same river
someone else will see
somewhere else downstream -- same play,
new theater, different set.
Wide, shallow, fairly fast,
roundy-stone streambed, rocky-land river,
it turns there or here -- the ground
telling it so -- draining dull
mountains to the north,
migrating, feeding a few hard-fleshed fish
who live in it.
One small sandbar splits
the river, then it loops left,
the road right, and the river's silver
slips under the trees,
into the forest,
and over the sharp perpendicular
edge of the earth.
|
Written by
Marilyn Hacker |
Cherry-ripe: dark sweet burlats, scarlet reverchons
firm-fleshed and tart in the mouth
bigarreaux, peach-and-white napoléons
as the harvest moves north
from Provence to the banks of the Yonne
(they grow napoléons in Washington
State now).
Before that, garriguettes,
from Périgord, in wooden punnets
afterwards, peaches: yellow-fleshed, white,
moss-skinned ruby pêches de vigne.
The vendors cry out "Taste," my appetite
does, too.
.
Birdsong, from an unseen
source on this street-island, too close for the trees:
it’s a young woman with a tin basin
of plastic whistles moulded like canaries.
– which children warbled on in Claremont Park
one spring day in my third year.
Gísela
my father’s mother, took
me there.
I spent the days with her
now that my mother had gone back to work.
In her brocade satchel, crochet-work, a picture-book
for me.
But overnight the yellow bird
whistles had appeared
and I wanted one passionately.
Watching big girls play hopscotch at curb’s edge
or telling stories to V.
J
under the shiny leaves of privet hedge
were pale pastimes compared to my desire
Did I hector one of the privileged
warblers to tell us where they were acquired?
– the candy store on Tremont Avenue
Of course I don’t call her Gísela.
I call her Grandma.
.
"Grandma will buy it for you,"
– does she add "mammele "
not letting her annoyance filter through
as an old-world friend moves into view?
The toddler and the stout
grey-haired woman walk out
of the small park toward the shopping streets
into a present tense
where what’s ineffaceable repeats
itself.
Accidents.
I dash ahead, new whistle in my hand
She runs behind.
The car.
The almost-silent
thud.
Gísela, prone, also silent, on the ground.
Death is the scandal that was always hidden.
I never saw my grandmother again
Who took me home? Somebody did.
In
the next few days (because that afternoon
and night are blank) I don’t think I cried, I didn’t
know what to ask (I wasn’t three), and then I did, and
"She’s gone to live in Florida" they said
and I knew she was dead.
A black woman, to whom I wasn’t nice,
was hired to look after me.
Her name was Josephine – and that made twice
I’d heard that name: my grandmother’s park crony
was Josephine.
Where was Grandma; where was Gísela ?
she called me to her bench to ask one day.
I say, "She’s gone to live in Florida.
"
|
Written by
Gerard Manley Hopkins |
Felix Randal the farrier, O he is dead then? my duty all ended,
Who have watched his mould of man, big-boned and hardy-handsome
Pining, pining, till time when reason rambled in it and some
Fatal four disorders, fleshed there, all contended?
Sickness broke him.
Impatient he cursed at first, but mended
Being anointed and all; though a heavenlier heart began some
Months earlier, since I had our sweet reprieve and ransom
Tendered to him.
Ah well, God rest him all road ever he offended!
This seeing the sick endears them to us, us too it endears.
My tongue had taught thee comfort, touch had quenched thy tears,
Thy tears that touched my heart, child, Felix, poor Felix Randal;
How far from then forethought of, all thy more boisterous years,
When thou at the random grim forge, powerful amidst peers,
Didst fettle for the great grey drayhorse his bright and battering sandal!
|
Written by
Richard Wilbur |
Your voice, with clear location of June days,
Called me outside the window.
You were there,
Light yet composed, as in the just soft stare
Of uncontested summer all things raise
Plainly their seeming into seamless air.
Then your love looked as simple and entire
As that picked pear you tossed me, and your face
As legible as pearskin's fleck and trace,
Which promise always wine, by mottled fire
More fatal fleshed than ever human grace.
And your gay gift—Oh when I saw it fall
Into my hands, through all that naïve light,
It seemed as blessed with truth and new delight
As must have been the first great gift of all.
|
Written by
Philip Larkin |
Walking around in the park
Should feel better than work:
The lake, the sunshine,
The grass to lie on,
Blurred playground noises
Beyond black-stockinged nurses -
Not a bad place to be.
Yet it doesn't suit me.
Being one of the men
You meet of an afternoon:
Palsied old step-takers,
Hare-eyed clerks with the jitters,
Waxed-fleshed out-patients
Still vague from accidents,
And characters in long coats
Deep in the litter-baskets -
All dodging the toad work
By being stupid or weak.
Think of being them!
Hearing the hours chime,
Watching the bread delivered,
The sun by clouds covered,
The children going home;
Think of being them,
Turning over their failures
By some bed of lobelias,
Nowhere to go but indoors,
Nor friends but empty chairs -
No, give me my in-tray,
My loaf-haired secretary,
My shall-I-keep-the-call-in-Sir:
What else can I answer,
When the lights come on at four
At the end of another year?
Give me your arm, old toad;
Help me down Cemetery Road.
|
Written by
D. H. Lawrence |
We have bit no forbidden apple,
Eve and I,
Yet the splashes of day and night
Falling round us no longer dapple
The same Eden with purple and white.
This is our own still valley
Our Eden, our home,
But day shows it vivid with feeling
And the pallor of night does not tally
With dark sleep that once covered its ceiling.
My little red heifer, to-night I looked in her eyes,
--She will calve to-morrow:
Last night when I went with the lantern, the sow was grabbing her
litter
With red, snarling jaws: and I heard the cries
Of the new-born, and after that, the old owl, then the bats that
flitter.
And I woke to the sound of the wood-pigeons, and lay and listened,
Till I could borrow
A few quick beats of a wood-pigeon's heart, and when I did rise
The morning sun on the shaken iris glistened,
And I saw that home, this valley, was wider than Paradise.
I learned it all from my Eve
This warm, dumb wisdom.
She's a finer instructress than years;
She has taught my heart-strings to weave
Through the web of all laughter and tears.
And now I see the valley
Fleshed all like me
With feelings that change and quiver:
And all things seem to tally
With something in me,
Something of which she's the giver.
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