Written by
Andrew Barton Paterson |
Scene: Federal Political Arena
A darkened cave.
In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time,
Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake
Fillet of a tariff snake,
Home-made flannels -- mostly cotton,
Apples full of moths, and rotten,
Lamb that perished in the drought,
Starving stock from "furthest out",
Drops of sweat from cultivators,
Sweating to feed legislators.
Grime from a white stoker's nob,
Toiling at a ******'s job.
Thus the great Australian Nation,
Seeks political salvation.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars,
Ash from Socialist cigars.
Leathern tongue of boozer curst
With the great Australian thirst,
Two-up gambler keeping dark,
Loafer sleeping in the park --
Drop them in to prove the sequel,
All men are born free and equal.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator,
Gall of Isaacs turning traitor;
Spleen that Kingston has revealed,
Sawdust stuffing out of Neild;
Mix them up, and then combine
With duplicity of Lyne,
Alfred Deakin's gift of gab,
Mix the gruel thick and slab.
ALL: Double, double, toil and trouble,
Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains,
And everyone shall share i' the gains,
And now about the cauldron sing,
Enchanting all that you put in.
Round about the cauldron go,
In the People's rights we'll throw,
Cool it with an Employer's blood,
Then the charm stands firm and good,
And thus with chaos in possession,
Ring in the coming Fed'ral Session.
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Written by
Robert Pinsky |
Some of us believe
We would have conceived romantic
Love out of our own passions
With no precedents,
Without songs and poetry--
Or have invented poetry and music
As a comb of cells for the honey.
Shaped by ignorance,
A succession of new worlds,
Congruities improvised by
Immigrants or children.
I once thought most people were Italian,
Jewish or Colored.
To be white and called
Something like Ed Ford
Seemed aristocratic,
A rare distinction.
Possibly I believed only gentiles
And blonds could be left-handed.
Already famous
After one year in the majors,
Whitey Ford was drafted by the Army
To play ball in the flannels
Of the Signal Corps, stationed
In Long Branch, New Jersey.
A night game, the silver potion
Of the lights, his pink skin
Shining like a burn.
Never a player
I liked or hated: a Yankee,
A mere success.
But white the chalked-off lines
In the grass, white and green
The immaculate uniform,
And white the unpigmented
Halo of his hair
When he shifted his cap:
So ordinary and distinct,
So close up, that I felt
As if I could have made him up,
Imagined him as I imagined
The ball, a scintilla
High in the black backdrop
Of the sky.
Tight red stitches.
Rawlings.
The bleached
Horsehide white: the color
Of nothing.
Color of the past
And of the future, of the movie screen
At rest and of blank paper.
"I could have.
" The mind.
The black
Backdrop, the white
Fly picked out by the towering
Lights.
A few years later
On a blanket in the grass
By the same river
A girl and I came into
Being together
To the faint muttering
Of unthinkable
Troubadours and radios.
The emerald
Theater, the night.
Another time,
I devised a left-hander
Even more gifted
Than Whitey Ford: A Dodger.
People were amazed by him.
Once, when he was young,
He refused to pitch on Yom Kippur.
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Written by
Carl Sandburg |
(Chirstmas Day, 1917)THE FIVE O’CLOCK prairie sunset is a strong man going to sleep after a long day in a cornfield.
The red dust of a rusty crimson is fixed with two fingers of lavender.
A hook of smoke, a woman’s nose in charcoal and … nothing.
The timberline turns in a cover of purple.
A grain elevator humps a shoulder.
One steel star whisks out a pointed fire.
Moonlight comes on the stubble.
“Jesus in an Illinois barn early this morning, the baby Jesus … in flannels …”
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Written by
Carl Sandburg |
SLEEP is a maker of makers.
Birds sleep.
Feet cling to a perch.
Look at the balance.
Let the legs loosen, the backbone untwist, the head go heavy over, the whole works tumbles a done bird off the perch.
Fox cubs sleep.
The pointed head curls round into hind legs and tail.
It is a ball of red hair.
It is a **** waiting.
A wind might whisk it in the air across pastures and rivers, a cocoon, a pod of seeds.
The snooze of the black nose is in a circle of red hair.
Old men sleep.
In chimney corners, in rocking chairs, at wood stoves, steam radiators.
They talk and forget and nod and are out of talk with closed eyes.
Forgetting to live.
Knowing the time has come useless for them to live.
Old eagles and old dogs run and fly in the dreams.
Babies sleep.
In flannels the papoose faces, the bambino noses, and dodo, dodo the song of many matushkas.
Babies—a leaf on a tree in the spring sun.
A nub of a new thing sucks the sap of a tree in the sun, yes a new thing, a what-is-it? A left hand stirs, an eyelid twitches, the milk in the belly bubbles and gets to be blood and a left hand and an eyelid.
Sleep is a maker of makers.
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