Best Famous Flanks Poems

Here is a collection of the all-time best famous Flanks poems. This is a select list of the best famous Flanks poetry. Reading, writing, and enjoying famous Flanks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flanks poems.

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• All Famous Flanks Poems

Written by Robinson Jeffers | The Broken Balance I. Reference to a Passage in Plutarch's Life of Sulla The people buying and selling, consuming pleasures, talking in the archways, Were all suddenly struck quiet And ran from under stone to look up at the sky: so shrill and mournful, So fierce and final, a brazen Pealing of trumpets high up in the air, in the summer blue over Tuscany. They marvelled; the soothsayers answered: "Although the Gods are little troubled toward men, at the end of each period A sign is declared in heaven Indicating new times, new customs, a changed people; the Romans Rule, and Etruria is finished; A wise mariner will trim the sails to the wind. " I heard yesterday So shrill and mournful a trumpet-blast, It was hard to be wise. . . . You must eat change and endure; not be much troubled For the people; they will have their happiness. When the republic grows too heavy to endure, then Caesar will carry It; When life grows hateful, there's power . . . II. To the Children Power's good; life is not always good but power's good. So you must think when abundance Makes pawns of people and all the loaves are one dough. The steep singleness of passion Dies; they will say, "What was that?" but the power triumphs. Loveliness will live under glass And beauty will go savage in the secret mountains. There is beauty in power also. You children must widen your minds' eyes to take mountains Instead of faces, and millions Instead of persons; not to hate life; and massed power After the lone hawk's dead. III That light blood-loving weasel, a tongue of yellow Fire licking the sides of the gray stones, Has a more passionate and more pure heart In the snake-slender flanks than man can imagine; But he is betrayed by his own courage, The man who kills him is like a cloud hiding a star. Then praise the jewel-eyed hawk and the tall blue heron; The black cormorants that fatten their sea-rock With shining slime; even that ruiner of anthills The red-shafted woodpecker flying, A white star between blood-color wing-clouds, Across the glades of the wood and the green lakes of shade. These live their felt natures; they know their norm And live it to the brim; they understand life. While men moulding themselves to the anthill have choked Their natures until the souls the in them; They have sold themselves for toys and protection: No, but consider awhile: what else? Men sold for toys. Uneasy and fractional people, having no center But in the eyes and mouths that surround them, Having no function but to serve and support Civilization, the enemy of man, No wonder they live insanely, and desire With their tongues, progress; with their eyes, pleasure; with their hearts, death. Their ancestors were good hunters, good herdsmen and swordsman, But now the world is turned upside down; The good do evil, the hope's in criminals; in vice That dissolves the cities and war to destroy them. Through wars and corruptions the house will fall. Mourn whom it falls on. Be glad: the house is mined, it will fall. IV Rain, hail and brutal sun, the plow in the roots, The pitiless pruning-iron in the branches, Strengthen the vines, they are all feeding friends Or powerless foes until the grapes purple. But when you have ripened your berries it is time to begin to perish. The world sickens with change, rain becomes poison, The earth is a pit, it Is time to perish. The vines are fey, the very kindness of nature Corrupts what her cruelty before strengthened. When you stand on the peak of time it is time to begin to perish. Reach down the long morbid roots that forget the plow, Discover the depths; let the long pale tendrils Spend all to discover the sky, now nothing is good But only the steel mirrors of discovery . . . And the beautiful enormous dawns of time, after we perish. V Mourning the broken balance, the hopeless prostration of the earth Under men's hands and their minds, The beautiful places killed like rabbits to make a city, The spreading fungus, the slime-threads And spores; my own coast's obscene future: I remember the farther Future, and the last man dying Without succession under the confident eyes of the stars. It was only a moment's accident, The race that plagued us; the world resumes the old lonely immortal Splendor; from here I can even Perceive that that snuffed candle had something . . . a fantastic virtue, A faint and unshapely pathos . . . So death will flatter them at last: what, even the bald ape's by-shot Was moderately admirable? VI. Palinode All summer neither rain nor wave washes the cormorants' Perch, and their droppings have painted it shining white. If the excrement of fish-eaters makes the brown rock a snow-mountain At noon, a rose in the morning, a beacon at moonrise On the black water: it is barely possible that even men's present Lives are something; their arts and sciences (by moonlight) Not wholly ridiculous, nor their cities merely an offense. VII Under my windows, between the road and the sea-cliff, bitter wild grass Stands narrowed between the people and the storm. The ocean winter after winter gnaws at its earth, the wheels and the feet Summer after summer encroach and destroy. Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color, Gray-blue or pale-green, will please the late stars; But laugh at the other, your seed shall enjoy wonderful vengeances and suck The arteries and walk in triumph on the faces.

Written by John Keats | Ode on a Grecian Urn THOU still unravish'd bride of quietness Thou foster-child of Silence and slow Time Sylvan historian who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape 5 Of deities or mortals or of both In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? 10 Heard melodies are sweet but those unheard Are sweeter; therefore ye soft pipes play on; Not to the sensual ear but more endear'd Pipe to the spirit ditties of no tone: Fair youth beneath the trees thou canst not leave 15 Thy song nor ever can those trees be bare; Bold Lover never never canst thou kiss Though winning near the goal¡ªyet do not grieve; She cannot fade though thou hast not thy bliss For ever wilt thou love and she be fair! 20 Ah happy happy boughs! that cannot shed Your leaves nor ever bid the Spring adieu; And happy melodist unweari¨¨d For ever piping songs for ever new; More happy love! more happy happy love! 25 For ever warm and still to be enjoy'd For ever panting and for ever young; All breathing human passion far above That leaves a heart high-sorrowful and cloy'd A burning forehead and a parching tongue. 30 Who are these coming to the sacrifice? To what green altar O mysterious priest Lead'st thou that heifer lowing at the skies And all her silken flanks with garlands drest? What little town by river or sea-shore 35 Or mountain-built with peaceful citadel Is emptied of its folk this pious morn? And little town thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate can e'er return. 40 O Attic shape! fair attitude! with brede Of marble men and maidens overwrought With forest branches and the trodden weed; Thou silent form! dost tease us out of thought As doth eternity: Cold Pastoral! 45 When old age shall this generation waste Thou shalt remain in midst of other woe Than ours a friend to man to whom thou say'st 'Beauty is truth truth beauty ¡ªthat is all Ye know on earth and all ye need to know. ' 50

Written by Sarojini Naidu | To My Children Jaya Surya GOLDEN sun of victory, born In my life's unclouded morn, In my lambent sky of love, May your growing glory prove Sacred to your consecration, To my heart and to my nation. Sun of victory, may you be Sun of song and liberty. Padmaja Lotus-maiden, you who claim All the sweetness of your name, Lakshmi, fortune's queen, defend you, Lotus-born like you, and send you Balmy moons of love to bless you, Gentle joy-winds to caress you. Lotus-maiden, may you be Fragrant of all ecstasy. Ranadheera Little lord of battle, hail In your newly-tempered mail! Learn to conquer, learn to fight In the foremost flanks of right, Like Valmiki's heroes bold, Rubies girt in epic gold. Lord of battle, may you be, Lord of love and chivalry. Lilamani Limpid jewel of delight Severed from the tender night Of your sheltering mother-mine, Leap and sparkle, dance and shine, Blithely and securely set In love's magic coronet. Living jewel, may you be Laughter-bound and sorrow-free.

Written by Sylvia Plath | Tale Of A Tub The photographic chamber of the eye records bare painted walls, while an electric light lays the chromium nerves of plumbing raw; such poverty assaults the ego; caught naked in the merely actual room, the stranger in the lavatory mirror puts on a public grin, repeats our name but scrupulously reflects the usual terror. Just how guilty are we when the ceiling reveals no cracks that can be decoded? when washbowl maintains it has no more holy calling than physical ablution, and the towel dryly disclaims that fierce troll faces lurk in its explicit folds? or when the window, blind with steam, will not admit the dark which shrouds our prospects in ambiguous shadow? Twenty years ago, the familiar tub bred an ample batch of omens; but now water faucets spawn no danger; each crab and octopus -- scrabbling just beyond the view, waiting for some accidental break in ritual, to strike -- is definitely gone; the authentic sea denies them and will pluck fantastic flesh down to the honest bone. We take the plunge; under water our limbs waver, faintly green, shuddering away from the genuine color of skin; can our dreams ever blur the intransigent lines which draw the shape that shuts us in? absolute fact intrudes even when the revolted eye is closed; the tub exists behind our back; its glittering surfaces are blank and true. Yet always the ridiculous nude flanks urge the fabrication of some cloth to cover such starkness; accuracy must not stalk at large: each day demands we create our whole world over, disguising the constant horror in a coat of many-colored fictions; we mask our past in the green of Eden, pretend future's shining fruit can sprout from the navel of this present waste. In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.

Written by Tony Hoagland | Lucky If you are lucky in this life, you will get to help your enemy the way I got to help my mother when she was weakened past the point of saying no. Into the big enamel tub half-filled with water which I had made just right, I lowered the childish skeleton she had become. Her eyelids fluttered as I soaped and rinsed her belly and her chest, the sorry ruin of her flanks and the frayed gray cloud between her legs. Some nights, sitting by her bed book open in my lap while I listened to the air move thickly in and out of her dark lungs, my mind filled up with praise as lush as music, amazed at the symmetry and luck that would offer me the chance to pay my heavy debt of punishment and love with love and punishment. And once I held her dripping wet in the uncomfortable air between the wheelchair and the tub, until she begged me like a child to stop, an act of cruelty which we both understood was the ancient irresistible rejoicing of power over weakness. If you are lucky in this life, you will get to raise the spoon of pristine, frosty ice cream to the trusting creature mouth of your old enemy because the tastebuds at least are not broken because there is a bond between you and sweet is sweet in any language.

Written by Rudyard Kipling | Beast and Man in India Written for John Lockwood Kipling's They killed a Child to please the Gods In Earth's young penitence, And I have bled in that Babe's stead Because of innocence. I bear the sins of sinful men That have no sin of my own, They drive me forth to Heaven's wrath Unpastured and alone. I am the meat of sacrifice, The ransom of man's guilt, For they give my life to the altar-knife Wherever shrine is built. The Goat. Between the waving tufts of jungle-grass, Up from the river as the twilight falls, Across the dust-beclouded plain they pass On to the village walls. Great is the sword and mighty is the pen, But over all the labouring ploughman's blade-- For on its oxen and its husbandmen An Empire's strength is laid. The Oxen. The torn boughs trailing o'er the tusks aslant, The saplings reeling in the path he trod, Declare his might--our lord the Elephant, Chief of the ways of God. The black bulk heaving where the oxen pant, The bowed head toiling where the guns careen, Declare our might--our slave the Elephant, And servant of the Queen. The Elephant. Dark children of the mere and marsh, Wallow and waste and lea, Outcaste they wait at the village gate With folk of low degree. Their pasture is in no man's land, Their food the cattle's scorn; Their rest is mire and their desire The thicket and the thorn. But woe to those that break their sleep, And woe to those that dare To rouse the herd-bull from his keep, The wild boar from his lair! Pigs and Buffaloes. The beasts are very wise, Their mouths are clean of lies, They talk one to the other, Bullock to bullock's brother Resting after their labours, Each in stall with his neighbours. But man with goad and whip, Breaks up their fellowship, Shouts in their silky ears Filling their soul with fears. When he has ploughed the land, He says: "They understand. " But the beasts in stall together, Freed from the yoke and tether, Say as the torn flanks smoke: "Nay, 'twas the whip that spoke. "

Written by Derek Walcott | The Saddhu Of Couva When sunset, a brass gong, vibrate through Couva, is then I see my soul, swiftly unsheathed, like a white cattle bird growing more small over the ocean of the evening canes, and I sit quiet, waiting for it to return like a hog-cattle blistered with mud, because, for my spirit, India is too far. And to that gong sometimes bald clouds in saffron robes assemble sacred to the evening, sacred even to Ramlochan, singing Indian hits from his jute hammock while evening strokes the flanks and silver horns of his maroon taxi, as the mosquitoes whine their evening mantras, my friend Anopheles, on the sitar, and the fireflies making every dusk Divali. I knot my head with a cloud, my white mustache bristle like horns, my hands are brittle as the pages of Ramayana. Once the sacred monkeys multiplied like branches in the ancient temples: I did not miss them, because these fields sang of Bengal, behind Ramlochan Repairs there was Uttar Pradesh; but time roars in my ears like a river, old age is a conflagration as fierce as the cane fires of crop time. I will pass through these people like a cloud, they will see a white bird beating the evening sea of the canes behind Couva, and who will point it as my soul unsheathed? Naither the bridegroom in beads, nor the bride in her veils, their sacred language on the cinema hoardings. I talked too damn much on the Couva Village Council. I talked too softly, I was always drowned by the loudspeakers in front of the stores or the loudspeakers with the greatest pictures. I am best suited to stalk like a white cattle bird on legs like sticks, with sticking to the Path between the canes on a district road at dusk. Playing the Elder. There are no more elders. Is only old people. My friends spit on the government. I do not think is just the government. Suppose all the gods too old, Suppose they dead and they burning them, supposing when some cane cutter start chopping up snakes with a cutlass he is severing the snake-armed god, and suppose some hunter has caught Hanuman in his mischief in a monkey cage. Suppose all the gods were killed by electric light? Sunset, a bonfire, roars in my ears; embers of brown swallows dart and cry, like women distracted, around its cremation. I ascend to my bed of sweet sandalwood.

Written by Rudyard Kipling | The Explorer There's no sense in going further -- it's the edge of cultivation," So they said, and I believed it -- broke my land and sowed my crop -- Built my barns and strung my fences in the little border station Tucked away below the foothills where the trails run out and stop. Till a voice, as bad as Conscience, rang interminable changes On one everlasting Whisper day and night repeated -- so: "Something hidden. Go and find it. Go and look behind the Ranges -- "Something lost behind the Ranges. Lost in wating for you. Go!" So I went, worn out of patience; never told my nearest neighbours -- Stole away with pack and ponies -- left 'em drinking in the town; And the faith that moveth mountains didn't seem to help my labours As I faced the sheer main-ranges, whipping up and leading down. March by march I puzzled through 'em, turning flanks and dodging shoulders, Hurried on in hope of water, headed back for lack of grass; Till I camped above the tree-line -- drifted snow and naked boulders -- Felt free air astir to windward -- knew I'd stumbled on the Pass. 'Thought to name it for the finder: but that night the Norther found me -- Froze and killed the plains-bred ponies; so I called the camp Despair (It's the Railway Gap to-day, though). Then my Whisper waked to hound me: -- "Something lost behind the Ranges. Over yonder! Go you there!" Then I knew, the while I doubted -- knew His Hand was certain o'er me. Still -- it might be self-delusion -- scores of better men had died -- I could reach the township living, but. . . He knows what terror tore me . . . But I didn't . . . but I didn't. I went down the other side, Till the snow ran out in flowers, and the flowers turned to aloes, And the aloes sprung to thickets and a brimming stream ran by; But the thickets dwined to thorn-scrub, and the water drained to shallows, And I dropped again on desert -- blasterd earth, and blasting sky. . . . I remember lighting fires; I remember sitting by 'em; I remember seeing faces, hearing voices, through the smoke; I remember they were fancy -- for I threw a stone to try 'em. "Something lost behind the Ranges" was the only word they spoke. But at last the country altered -- White Man's country past disputing -- Rolling grass and open timber, with a hint of hills behind -- There I found me food and water, and I lay a week recruiting. Got my strength and lost my nightmares. Then I entered on my find. Thence I ran my first rough survey -- chose my trees and blazed and ringed 'em -- Week by week I pried and smhampled -- week by week my findings grew. Saul he went to look for donkeys, and by God he found a kingdom! But by God, who sent His Whisper, I had struck the worth of two! Up along the hostile mountains, where the hair-poised snowslide shivers -- Down and through the big fat marshes that the virgin ore-bed stains, Till I heard the mile-wide mutterings of unimagined rivers, And beyond the nameless timber saw illimitable plains! 'Plotted sites of future cities, traced the easy grades between 'em; Watched unharnessed rapids wasting fifty thousand head an hour; Counted leagues of water-frontage through the axe-ripe woods that screen 'em -- Saw the plant to feed a people -- up and waiting for the power! Well, I know who'll take the credit -- all the clever chaps that followed -- Came, a dozen men together -- never knew my desert-fears; Tracked me by the camps I'd quitted, used the water-holes I hollowed. They'll go back and do the talking. They'll be called the Pioneers! They will find my sites of townships -- not the cities that I set there. They will rediscover rivers -- not my rivers heard at night. By my own old marks and bearings they will show me how to get there, By the lonely cairns I builded they will guide my feet aright. Have I named one single river? Have I claimed one single acre? Have I kept one single nugget -- (barring samples)? No, not I! Because my price was paid me ten times over by my Maker. But you wouldn't understand it. You go up and occupy. Ores you'll find there; wood and cattle; water-transit sure and steady (That should keep the railway rates down), coal and iron at your doors. God took care to hide that country till He judged His people ready, Then He chose me for His Whisper, and I've found it, and it's yours! Yes, your "Never-never country" -- yes, your "edge of cultivation" And "no sense in going further" -- till I crossed the range to see. God forgive me! No, I didn't. It's God's present to our nation. Anybody might have found it but -- His Whisper came to Me!

Written by Matthew Arnold | The Strayed Reveller 1 Faster, faster, 2 O Circe, Goddess, 3 Let the wild, thronging train 4 The bright procession 5 Of eddying forms, 6 Sweep through my soul! 7 Thou standest, smiling 8 Down on me! thy right arm, 9 Lean'd up against the column there, 10 Props thy soft cheek; 11 Thy left holds, hanging loosely, 12 The deep cup, ivy-cinctured, 13 I held but now. 14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe. 23 Whence art thou, sleeper? The Youth. 24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill. 40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl. 50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico. Circe. 53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl. 61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth. 63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe. 70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings. Ulysses. 75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe. 96 Hist! he wakes! 97 I lured him not hither, Ulysses. 98 Nay, ask him! The Youth. 99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses. 114 I am Ulysses. 115 And thou, too, sleeper? 116 Thy voice is sweet. 117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs. 124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea. -If so, then hail! 129 I honour and welcome thee. The Youth. 130 The Gods are happy. 131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men. 135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes. 143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind. 151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber. 157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them. 162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon. 165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers. 171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste. 181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones. 198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him. 201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea. 205 At sunset nearing 206 The Happy Islands. 207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing. 210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages. 223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing. 235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart. --They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring. 244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale. 247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home. 254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea. 261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon. 265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things. 270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus. 282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess. 294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!

Written by Robinson Jeffers | Carmel Point The extraordinary patience of things! This beautiful place defaced with a crop of surburban houses- How beautiful when we first beheld it, Unbroken field of poppy and lupin walled with clean cliffs; No intrusion but two or three horses pasturing, Or a few milch cows rubbing their flanks on the outcrop rockheads- Now the spoiler has come: does it care? Not faintly. It has all time. It knows the people are a tide That swells and in time will ebb, and all Their works dissolve. Meanwhile the image of the pristine beauty Lives in the very grain of the granite, Safe as the endless ocean that climbs our cliff. -As for us: We must uncenter our minds from ourselves; We must unhumanize our views a little, and become confident As the rock and ocean that we were made from.