Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
"
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam.
They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn.
.
.
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.
"
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
John Gould Fletcher |
In the night of weariness
let me give myself up to sleep without struggle,
resting my trust upon thee.
Let me not force my flagging spirit into a poor preparation for thy worship.
It is thou who drawest the veil of night upon the tired eyes of the day
to renew its sight in a fresher gladness of awakening.
|
Written by
Thomas Gray |
A Pindaric Ode
Awake, Aeolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon's harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro' verdant vales, and Ceres' golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.
Oh! Sov'reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia's hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.
Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O'er Idalia's velvet-green
The rosy-crowned Loves are seen
On Cytherea's day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen's approach declare:
Where'er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.
Man's feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow's weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv'n in vain the heav'nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion's march they spy, and glitt'ring shafts of war.
In climes beyond the solar road,
Where shaggy forms o'er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native's dull abode.
And oft, beneath the od'rous shade
Of Chili's boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where'er the Goddess roves,
Glory pursue, and gen'rous Shame,
Th' unconquerable Mind, and Freedom's holy flame.
Woods, that wave o'er Delphi's steep,
Isles, that crown th' Aegean deep,
Fields that cool Ilissus laves,
Or where Maeander's amber waves
In lingering lab'rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev'ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece's evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.
Far from the sun and summer-gale,
In thy green lap was Nature's Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
"This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.
"
Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th' Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden's less presumptuous car
Wide o'er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.
Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! 'tis heard no more—
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse's ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate,
Beneath the Good how far—but far above the Great.
|
Written by
Walt Whitman |
1
WHERE the city’s ceaseless crowd moves on, the live-long day,
Withdrawn, I join a group of children watching—I pause aside with them.
By the curb, toward the edge of the flagging,
A knife-grinder works at his wheel, sharpening a great knife;
Bending over, he carefully holds it to the stone—by foot and knee,
With measur’d tread, he turns rapidly—As he presses with light but firm hand,
Forth issue, then, in copious golden jets,
Sparkles from the wheel.
2
The scene, and all its belongings—how they seize and affect me!
The sad, sharp-chinn’d old man, with worn clothes, and broad shoulder-band of
leather;
Myself, effusing and fluid—a phantom curiously floating—now here absorb’d
and
arrested;
The group, (an unminded point, set in a vast surrounding;)
The attentive, quiet children—the loud, proud, restive base of the streets;
The low, hoarse purr of the whirling stone—the light-press’d blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.
|
Written by
Johann Wolfgang von Goethe |
In this noble ring to-day
Let my warning shame ye!
Listen to my solemn voice,--
Seldom does it name ye.
Many a thing have ye intended,
Many a thing have badly ended,
And now I must blame ye.
At some moment in our lives
We must all repent us!
So confess, with pious trust,
All your sins momentous!
Error's crooked pathways shunning.
Let us, on the straight road running,
Honestly content us!
Yes! we've oft, when waking, dream'd,
Let's confess it rightly;
Left undrain'd the brimming cup,
When it sparkled brightly;
Many a shepherd's-hour's soft blisses,
Many a dear mouth's flying kisses
We've neglected lightly.
Mute and silent have we sat,
Whilst the blockheads prated,
And above e'en song divine
Have their babblings rated;
To account we've even call'd us
For the moments that enthrall'd us,
With enjoyment freighted.
If thou'lt absolution grant
To thy true ones ever,
We, to execute thy will,
Ceaseless will endeavour,
From half-measures strive to wean us,
Wholly, fairly, well demean us,
Resting, flagging never.
At all blockheads we'll at once
Let our laugh ring clearly,
And the pearly-foaming wine
Never sip at merely.
Ne'er with eye alone give kisses,
But with boldness suck in blisses
From those lips loved dearly.
1803.
*
|
Written by
Robert William Service |
My brother Tim has children ten,
While I have none.
Maybe that's why he's toiling when
To ease I've won.
But though I would some of his brood
Give hearth and care,
I know that not a one he would
Have heart to spare.
'Tis children that have kept him poor;
He's clad them neat.
They've never wanted, I am sure,
For bite to eat.
And though their future may be dim,
They laugh a lot.
Am I tearful for Brother Tim?
Oh no, I'm not.
I know he goes to work each day
With flagging feet.
'Tis hard, even with decent pay,
To make ends meet.
But when my sterile home I see,
So smugly prim,
Although my banker bows to me,
I envy Tim.
|