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Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells.
I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould.
All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp.
The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away.
And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way.
Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie.
I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me.
I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now.
I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown.
Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear.
Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed.
Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth.
And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now.
These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright.
Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky.
She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude.
But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie.
Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze.
Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay.
Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day.
But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared.
The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid.
I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made.
The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone.
And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky.
Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay.
You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien.
But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy.
Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused.
Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien.
Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain.
Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home.
And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe.
Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain.
She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart.
No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy.
If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill.
And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.
Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair.
So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell.
Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled.
I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved.
And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe.
'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days.
You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell.
They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity.
But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.


Written by Edgar Allan Poe | Create an image from this poem

The Conqueror Worm

Lo! 't is a gala night

Within the lonesome latter years!
An angel throng bewinged bedight

In veils and drowned in tears 
Sit in a theatre to see

A play of hopes and fears 
While the orchestra breathes fitfully

The music of the spheres.
Mimes in the form of God on high Mutter and mumble low And hither and thither fly - Mere puppets they who come and go At bidding of vast formless things That shift the scenery to and fro Flapping from out their Condor wings Invisible Woe! That motley drama! - oh be sure It shall not be forgot! With its Phantom chased for evermore By a crowd that seize it not Through a circle that ever returneth in To the self-same spot And much of Madness and more of Sin And Horror the soul of the plot.
But see amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes! - it writhes! - with mortal pangs The mimes become its food And the seraphs sob at vermin fangs In human gore imbued.
Out - out are the lights - out all! And over each quivering form The curtain a funeral pall Comes down with the rush of a storm And the angels all pallid and wan Uprising unveiling affirm That the play is the tragedy "Man" And its hero the Conqueror Worm.
Written by Edgar Allan Poe | Create an image from this poem

The Sleeper

 At midnight, in the month of June,
I stand beneath the mystic moon.
An opiate vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley.
The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin molders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake.
All Beauty sleeps!- and lo! where lies Irene, with her Destinies! O, lady bright! can it be right- This window open to the night? The wanton airs, from the tree-top, Laughingly through the lattice drop- The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully- so fearfully- Above the closed and fringed lid 'Neath which thy slumb'ring soul lies hid, That, o'er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come O'er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress, Strange, above all, thy length of tress, And this all solemn silentness! The lady sleeps! Oh, may her sleep, Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the pale sheeted ghosts go by! My love, she sleeps! Oh, may her sleep As it is lasting, so be deep! Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold- Some vault that oft has flung its black And winged panels fluttering back, Triumphant, o'er the crested palls, Of her grand family funerals- Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood, many an idle stone- Some tomb from out whose sounding door She ne'er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
Written by Rupert Brooke | Create an image from this poem

Dining-Room Tea

 When you were there, and you, and you, 
Happiness crowned the night; I too, 
Laughing and looking, one of all, 
I watched the quivering lamplight fall 
On plate and flowers and pouring tea
And cup and cloth; and they and we 
Flung all the dancing moments by 
With jest and glitter.
Lip and eye Flashed on the glory, shone and cried, Improvident, unmemoried; And fitfully and like a flame The light of laughter went and came.
Proud in their careless transience moved The changing faces that I loved.
Till suddenly, and otherwhence, I looked upon your innocence.
For lifted clear and still and strange From the dark woven flow of change Under a vast and starless sky I saw the immortal moment lie.
One Instant I, an instant, knew As God knows all.
And it and you I, above Time, oh, blind! could see In witless immortality.
I saw the marble cup; the tea, Hung on the air, an amber stream; I saw the fire’s unglittering gleam, The painted flame, the frozen smoke.
No more the flooding lamplight broke On flying eyes and lips and hair; But lay, but slept unbroken there, On stiller flesh, and body breathless, And lips and laughter stayed and deathless, And words on which no silence grew.
Light was more alive than you.
For suddenly, and otherwhence, I looked on your magnificence.
I saw the stillness and the light, And you, august, immortal, white, Holy and strange; and every glint Posture and jest and thought and tint Freed from the mask of transiency, Triumphant in eternity, Immote, immortal.
Dazed at length Human eyes grew, mortal strength Wearied; and Time began to creep.
Change closed about me like a sleep.
Light glinted on the eyes I loved.
The cup was filled.
The bodies moved.
The drifting petal came to ground.
The laughter chimed its perfect round.
The broken syllable was ended.
And I, so certain and so friended, How could I cloud, or how distress, The heaven of your unconsciousness? Or shake at Time’s sufficient spell, Stammering of lights unutterable? The eternal holiness of you, The timeless end, you never knew, The peace that lay, the light that shone.
You never knew that I had gone A million miles away, and stayed A million years.
The laughter played Unbroken round me; and the jest Flashed on.
And we that knew the best Down wonderful hours grew happier yet.
I sang at heart, and talked, and eat, And lived from laugh to laugh, I too, When you were there, and you, and you.
Written by Kahlil Gibran | Create an image from this poem

Two Wishes XI

 In the silence of the night Death descended from God toward the earth.
He hovered above a city and pierced the dwellings with his eyes.
He say the spirits floating on wings of dreams, and the people who were surrendered to the Slumber.
When the moon fell below the horizon and the city became black, Death walked silently among the houses -- careful to touch nothing -- until he reached a palace.
He entered through the bolted gates undisturbed, and stood by the rich man's bed; and as Death touched his forehead, the sleeper's eyes opened, showing great fright.
When he saw the specter, he summoned a voice mingled with fear and anger, and said, "God away, oh horrible dream; leave me, you dreadful ghost.
Who are you? How did you enter this place? What do you want? Leave this place at once, for I am the lord of the house and will call my slaves and guards, and order them to kill you!" Then Death spoke, softly but with smoldering thunder, "I am Death.
Stand and bow!" The man responded, "What do you want? What have you come here when I have not yet finished my affairs? What see you from strength such as mine? Go to the weak man, and take him away! "I loathe the sight of your bloody paws and hollow face, and my eyes take sick at your horrible ribbed winds and cadaverous body.
" After a moment of fearful realization he added, "No, No, oh merciful Death! Mind not talk, for even fear reveals what the heart forbids.
"Take a bushelful of my gold, or a handful of my slave's souls, but leave me.
I have accounts with Life requiring settling; I have due from people much gold; my ships have not reached the harbor; my demand, but spare my life.
Death, I own harems of supernatural beauty; your choice is my gift to you.
Give heed, Death -- I have but one child, and I love him dearly for he is my only joy in this life.
I offer supreme sacrifice -- take him, but spare me!" Death murmured, "You are not rich, but pitifully poor.
" Then Death took the hand of that earthly slave, removed his reality, and gave to the angels the heavy task of correction.
And Death walked slowly amidst the dwellings of the poor until he reached the most miserable he could find.
He entered and approached a bed upon which a youth slept fitfully.
Death touched his eyes; the lad sprang up as he saw Death standing by, and, with a voice full of love and hope he said, "Here I am, my beautiful Death.
Accept my soul, for you are the hope of my dreams.
Be their accomplishment! Embrace me, oh beloved Death! You are merciful; do not leave me.
You are God's messenger; deliver me to Him.
You are the right hand of Truth and the heart of Kindness; do not neglect me.
"I have begged for you many times, but you did not come; I have sought you, but you avoided me; I called out to you, but you listened not.
You hear me now -- embrace my soul, beloved Death!" Death placed his softened hand upon the trembling lips, removed all reality, and enfolded it beneath his wings for secure conduct.
And returning to the sky, Death looked back and whispered his warning: "Only those return to Eternity Who on earth seek out Eternity.
"


Written by Francis Scott Key | Create an image from this poem

Defence of Fort MHenry

 Tune -- ANACREON IN HEAVEN 
O! say can you see, by the dawn's early light,
What so proudly we hail'd at the twilight's last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O'er the ramparts we watch'd, were so gallantly streaming?
And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there --
O! say, does that star-spangled banner yet wave
O'er the land of the free, and the home of the brave?
On the shore, dimly seen through the mists of the deep,
Where the foe's haughty host in dread silence reposes,
What is that which the breeze o'er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning's first beam,
In full glory reflected now shines on the stream --
'Tis the star-spangled banner, O! long may it wave
O'er the land of the free, and the home of the brave.
And where is that band who so vauntingly swore That the havock of war and the battle's confusion A home and a country should leave us no more? Their blood has wash'd out their foul foot-steps' pollution, No refuge could save the hireling and slave, From the terror of flight or the gloom of the grave; And the star-spangled banner in triumph doth wave O'er the land of the free, and the home of the brave.
O! thus be it ever when freemen shall stand Between their lov'd home, and the war's desolation, Blest with vict'ry and peace, may the heav'n-rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto -- "In God is our trust!" And the star-spangled banner in triumph shall wave O'er the land of the free, and the home of the brave.
Written by Walt Whitman | Create an image from this poem

Come up from the Fields Father

 1
COME up from the fields, father, here’s a letter from our Pete; 
And come to the front door, mother—here’s a letter from thy dear son.
2 Lo, ’tis autumn; Lo, where the trees, deeper green, yellower and redder, Cool and sweeten Ohio’s villages, with leaves fluttering in the moderate wind; Where apples ripe in the orchards hang, and grapes on the trellis’d vines; (Smell you the smell of the grapes on the vines? Smell you the buckwheat, where the bees were lately buzzing?) Above all, lo, the sky, so calm, so transparent after the rain, and with wondrous clouds; Below, too, all calm, all vital and beautiful—and the farm prospers well.
3 Down in the fields all prospers well; But now from the fields come, father—come at the daughter’s call; And come to the entry, mother—to the front door come, right away.
Fast as she can she hurries—something ominous—her steps trembling; She does not tarry to smoothe her hair, nor adjust her cap.
Open the envelope quickly; O this is not our son’s writing, yet his name is sign’d; O a strange hand writes for our dear son—O stricken mother’s soul! All swims before her eyes—flashes with black—she catches the main words only; Sentences broken—gun-shot wound in the breast, cavalry skirmish, taken to hospital, At present low, but will soon be better.
4 Ah, now, the single figure to me, Amid all teeming and wealthy Ohio, with all its cities and farms, Sickly white in the face, and dull in the head, very faint, By the jamb of a door leans.
Grieve not so, dear mother, (the just-grown daughter speaks through her sobs; The little sisters huddle around, speechless and dismay’d;) See, dearest mother, the letter says Pete will soon be better.
5 Alas, poor boy, he will never be better, (nor may-be needs to be better, that brave and simple soul;) While they stand at home at the door, he is dead already; The only son is dead.
But the mother needs to be better; She, with thin form, presently drest in black; By day her meals untouch’d—then at night fitfully sleeping, often waking, In the midnight waking, weeping, longing with one deep longing, O that she might withdraw unnoticed—silent from life, escape and withdraw, To follow, to seek, to be with her dear dead son.
Written by Andrew Barton Paterson | Create an image from this poem

Clancy Of The Overflow

 I had written him a letter which I had, for want of better
 Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
 Just on spec, addressed as follows, "Clancy, of The Overflow".
And an answer came directed in a writing unexpected, (And I think the same was written with a thumb-nail dipped in tar) 'Twas his shearing mate who wrote it, and verbatim I will quote it: "Clancy's gone to Queensland droving, and we don't know where he are.
" In my wild erratic fancy visions come to me of Clancy Gone a-droving "down the Cooper" where the Western drovers go; As the stock are slowly stringing, Clancy rides behind them singing, For the drover's life has pleasures that the townsfolk never know.
And the bush hath friends to meet him, and their kindly voices greet him In the murmur of the breezes and the river on its bars, And he sees the vision splendid of the sunlit plains extended, And at night the wond'rous glory of the everlasting stars.
I am sitting in my dingy little office, where a stingy Ray of sunlight struggles feebly down between the houses tall, And the foetid air and gritty of the dusty, dirty city Through the open window floating, spreads its foulness over all.
And in place of lowing cattle, I can hear the fiendish rattle Of the tramways and the buses making hurry down the street, And the language uninviting of the gutter children fighting, Comes fitfully and faintly through the ceaseless tramp of feet.
And the hurrying people daunt me, and their pallid faces haunt me As they shoulder one another in their rush and nervous haste, With their eager eyes and greedy, and their stunted forms and weedy, For townsfolk have no time to grow, they have no time to waste.
And I somehow rather fancy that I'd like to change with Clancy, Like to take a turn at droving where the seasons come and go, While he faced the round eternal of the cash-book and the journal— But I doubt he'd suit the office, Clancy, of The Overflow.
Written by Rg Gregory | Create an image from this poem

agapanthus - african lily

 [from agape (love); anthus (flower)]

you may not be willing to notice me
i have an awkward sense of myself
my name can be hard on the tongue
i do not grow easily in places
where the sun only fitfully appears

i've come a long way northwards
gardens do not flatter my needs
i am a shy sheltered plant - my leaves
first come above the earth slowly
serpenting about tasting the air

then my stalks flex tentatively
skywards uncertain of grace - people
walk by me curiously expecting dis-
appointment when my flowers deign
to curtsey boorishly into the light

they ignore i'm agape not eros
my passion is a mute kind of longing
a fund of good-feeling - i blend
much more than possess (respect
distance) bestow rather than demand

my flowers voice outwards - trumpets
toned down to temper their height
my scores are obliged to be gentle
i use only circumspect colours
love is better for not being showy
Written by Alan Seeger | Create an image from this poem

Broceliande

 Broceliande! in the perilous beauty of silence and menacing shade, 
Thou art set on the shores of the sea down the haze 
of horizons untravelled, unscanned.
Untroubled, untouched with the woes of this world are the moon-marshalled hosts that invade Broceliande.
Only at dusk, when lavender clouds in the orient twilight disband, Vanishing where all the blue afternoon they have drifted in solemn parade, Sometimes a whisper comes down on the wind from the valleys of Fairyland ---- Sometimes an echo most mournful and faint like the horn of a huntsman strayed, Faint and forlorn, half drowned in the murmur of foliage fitfully fanned, Breathes in a burden of nameless regret till I startle, disturbed and affrayed: Broceliande -- Broceliande -- Broceliande.
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Book: Reflection on the Important Things