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Best Famous Fitful Poems

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Written by Robert Frost | Create an image from this poem

Maple

 Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.

So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"

 "Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."

 "No doubt you've heard the office call me Mabel.
I have to let them call me what they like."

 They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.

 They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."

 "You've never asked your father outright, have you?"

 "I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."

 "Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.

 "We would not see the secret if we could now:
We are not looking for it any more."

 Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.


Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.
Written by Margaret Atwood | Create an image from this poem

Sekhmet the Lion-headed Goddess of War

 He was the sort of man
who wouldn't hurt a fly.
Many flies are now alive
while he is not.
He was not my patron.
He preferred full granaries, I battle.
My roar meant slaughter.
Yet here we are together
in the same museum.
That's not what I see, though, the fitful
crowds of staring children
learning the lesson of multi-
cultural obliteration, sic transit
and so on.

I see the temple where I was born
or built, where I held power.
I see the desert beyond,
where the hot conical tombs, that look
from a distance, frankly, like dunces' hats,
hide my jokes: the dried-out flesh
and bones, the wooden boats
in which the dead sail endlessly
in no direction.

What did you expect from gods
with animal heads?
Though come to think of it
the ones made later, who were fully human
were not such good news either.
Favour me and give me riches,
destroy my enemies.
That seems to be the gist.
Oh yes: And save me from death.
In return we're given blood
and bread, flowers and prayer,
and lip service.

Maybe there's something in all of this
I missed. But if it's selfless
love you're looking for,
you've got the wrong goddess.

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise.
Written by Anne Bronte | Create an image from this poem

A Prisoner in a Dungeon Deep

 A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee. 
Turned he his thoughts to future times
Or are they backward cast?
For freedom is he pining now
Or mourning for the past?

No, he has lived so long enthralled
Alone in dungeon gloom
That he has lost regret and hope,
Has ceased to mourn his doom.

He pines not for the light of day
Nor sighs for freedom now;
Such weary thoughts have ceased at length
To rack his burning brow.

Lost in a maze of wandering thoughts
He sits unmoving there;
That posture and that look proclaim
The stupor of despair.

Yet not for ever did that mood
Of sullen calm prevail;
There was a something in his eye
That told another tale.

It did not speak of reason gone,
It was not madness quite;
It was a fitful flickering fire,
A strange uncertain light.

And sooth to say, these latter years
Strange fancies now and then
Had filled his cell with scenes of life
And forms of living men.

A mind that cannot cease to think
Why needs he cherish there?
Torpor may bring relief to pain
And madness to despair.

Such wildering scenes, such flitting shapes
As feverish dreams display:
What if those fancies still increase
And reason quite decay?

But hark, what sounds have struck his ear;
Voices of men they seem;
And two have entered now his cell;
Can this too be a dream?

'Orlando, hear our joyful news:
Revenge and liberty!
Your foes are dead, and we are come
At last to set you free.' 

So spoke the elder of the two,
And in the captive's eyes
He looked for gleaming ecstasy
But only found surprise. 

'My foes are dead! It must be then
That all mankind are gone.
For they were all my deadly foes
And friends I had not one.'
Written by Oscar Wilde | Create an image from this poem

In The Gold Room - A Harmony

 Her ivory hands on the ivory keys
Strayed in a fitful fantasy,
Like the silver gleam when the poplar trees
Rustle their pale-leaves listlessly,
Or the drifting foam of a restless sea
When the waves show their teeth in the flying breeze.

Her gold hair fell on the wall of gold
Like the delicate gossamer tangles spun
On the burnished disk of the marigold,
Or the sunflower turning to meet the sun
When the gloom of the dark blue night is done,
And the spear of the lily is aureoled.

And her sweet red lips on these lips of mine
Burned like the ruby fire set
In the swinging lamp of a crimson shrine,
Or the bleeding wounds of the pomegranate,
Or the heart of the lotus drenched and wet
With the spilt-out blood of the rose-red wine.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Footsteps of Angels

WHEN the hours of Day are numbered  
And the voices of the Night 
Wake the better soul that slumbered  
To a holy calm delight; 

Ere the evening lamps are lighted 5 
And like phantoms grim and tall  
Shadows from the fitful firelight 
Dance upon the parlor wall; 

Then the forms of the departed 
Enter at the open door; 10 
The beloved the true-hearted  
Come to visit me once more; 

He the young and strong who cherished 
Noble longings for the strife  
By the roadside fell and perished 15 
Weary with the march of life! 

They the holy ones and weakly  
Who the cross of suffering bore  
Folded their pale hands so meekly  
Spake with us on earth no more! 20 

And with them the Being Beauteous  
Who unto my youth was given  
More than all things else to love me  
And is now a saint in heaven. 

With a slow and noiseless footstep 25 
Comes that messenger divine  
Takes the vacant chair beside me  
Lays her gentle hand in mine. 

And she sits and gazes at me 
With those deep and tender eyes 30 
Like the stars so still and saint-like  
Looking downward from the skies. 

Uttered not yet comprehended  
Is the spirit's voiceless prayer  
Soft rebukes in blessings ended 35 
Breathing from her lips of air. 

Oh though oft depressed and lonely  
All my fears are laid aside  
If I but remember only 
Such as these have lived and died! 40 
Written by Algernon Charles Swinburne | Create an image from this poem

A Years Carols

 JANUARY
HAIL, January, that bearest here
On snowbright breasts the babe-faced year
That weeps and trembles to be born.
Hail, maid and mother, strong and bright,
Hooded and cloaked and shod with white,
Whose eyes are stars that match the morn.
Thy forehead braves the storm's bent bow,
Thy feet enkindle stars of snow.

FEBRUARY
Wan February with weeping cheer,
Whose cold hand guides the youngling year
Down misty roads of mire and rime,
Before thy pale and fitful face
The shrill wind shifts the clouds apace
Through skies the morning scarce may climb.
Thine eyes are thick with heavy tears,
But lit with hopes that light the year's.

MARCH
Hail, happy March, whose foot on earth
Rings as the blast of martial mirth
When trumpets fire men's hearts for fray.
No race of wild things winged or finned
May match the might that wings thy wind
Through air and sea, through scud and spray.
Strong joy and thou were powers twin-born
Of tempest and the towering morn.

APRIL
Crowned April, king whose kiss bade earth
Bring forth to time her lordliest birth
When Shakespeare from thy lips drew breath
And laughed to hold in one soft hand
A spell that bade the world's wheel stand,
And power on life, and power on death,
With quiring suns and sunbright showers
Praise him, the flower of all thy flowers.

MAY
Hail, May, whose bark puts forth full-sailed
For summer; May, whom Chaucer hailed
With all his happy might of heart,
And gave thy rosebright daisy-tips
Strange frarance from his amorous lips
That still thine own breath seems to part
And sweeten till each word they say
Is even a flower of flowering May.

JUNE
Strong June, superb, serene, elate
With conscience of thy sovereign state
Untouched of thunder, though the storm
Scathe here and there thy shuddering skies
And bid its lightning cross thine eyes
With fire, thy golden hours inform
Earth and the souls of men with life
That brings forth peace from shining strife.

JULY
Hail, proud July, whose fervent mouth
Bids even be morn and north be south
By grace and gospel of thy word,
Whence all the splendour of the sea
Lies breathless with delight in thee
And marvel at the music heard
From the ardent silent lips of noon
And midnight's rapturous plenilune.

AUGUST
Great August, lord of golden lands,
Whose lordly joy through seas and strands
And all the red-ripe heart of earth
Strikes passion deep as life, and stills
The folded vales and folding hills
With gladness too divine for mirth,
The gracious glories of thine eyes
Make night a noon where darkness dies.

SEPTEMBER
Hail, kind September, friend whose grace
Renews the bland year's bounteous face
With largess given of corn and wine
Through many a land that laughs with love
Of thee and all the heaven above,
More fruitful found than all save thine
Whose skies fulfil with strenuous cheer
The fervent fields that knew thee near.

OCTOBER
October of the tawny crown,
Whose heavy-laden hands drop down
Blessing, the bounties of thy breath
And mildness of thy mellowing might
Fill earth and heaven with love and light
Too sweet for fear to dream of death
Or memory, while thy joy lives yet,
To know what joy would fain forget.

NOVEMBER
Hail, soft November, though thy pale
Sad smile rebuke the words that hail
Thy sorrow with no sorrowing words
Or gratulate thy grief with song
Less bitter than the winds that wrong
Thy withering woodlands, where the birds
Keep hardly heart to sing or see
How fair thy faint wan face may be.

DECEMBER
December, thou whose hallowing hands
On shuddering seas and hardening lands
Set as a sacramental sign
The seal of Christmas felt on earth
As witness toward a new year's birth
Whose promise makes thy death divine,
The crowning joy that comes of thee
Makes glad all grief on land or sea.
Written by Henry Wadsworth Longfellow | Create an image from this poem

My Lost Youth

OFTEN I think of the beautiful town 
That is seated by the sea; 
Often in thought go up and down 
The pleasant streets of that dear old town, 
And my youth comes back to me. 5 
And a verse of a Lapland song 
Is haunting my memory still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I can see the shadowy lines of its trees, 10 
And catch, in sudden gleams, 
The sheen of the far-surrounding seas, 
And islands that were the Hesperides 
Of all my boyish dreams. 
And the burden of that old song, 15 
It murmurs and whispers still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the black wharves and the slips, 
And the sea-tides tossing free; 20 
And Spanish sailors with bearded lips, 
And the beauty and mystery of the ships, 
And the magic of the sea. 
And the voice of that wayward song 
Is singing and saying still: 25 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the bulwarks by the shore, 
And the fort upon the hill; 
The sunrise gun, with its hollow roar, 30 
The drum-beat repeated o'er and o'er, 
And the bugle wild and shrill. 
And the music of that old song 
Throbs in my memory still: 
"A boy's will is the wind's will, 35 
And the thoughts of youth are long, long thoughts." 

I remember the sea-fight far away, 
How it thundered o'er the tide! 
And the dead captains, as they lay 
In their graves, o'erlooking the tranquil bay, 40 
Where they in battle died. 
And the sound of that mournful song 
Goes through me with a thrill: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 45 

I can see the breezy dome of groves, 
The shadows of Deering's Woods; 
And the friendships old and the early loves 
Come back with a Sabbath sound, as of doves 
In quiet neighborhoods. 50 
And the verse of that sweet old song, 
It flutters and murmurs still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the gleams and glooms that dart 55 
Across the school-boy's brain; 
The song and the silence in the heart, 
That in part are prophecies, and in part 
Are longings wild and vain. 
And the voice of that fitful song 60 
Sings on, and is never still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

There are things of which I may not speak; 
There are dreams that cannot die; 65 
There are thoughts that make the strong heart weak, 
And bring a pallor into the cheek, 
And a mist before the eye. 
And the words of that fatal song 
Come over me like a chill: 70 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

Strange to me now are the forms I meet 
When I visit the dear old town; 
But the native air is pure and sweet, 75 
And the trees that o'ershadow each well-known street, 
As they balance up and down, 
Are singing the beautiful song, 
Are sighing and whispering still: 
"A boy's will is the wind's will, 80 
And the thoughts of youth are long, long thoughts." 

And Deering's Woods are fresh and fair, 
And with joy that is almost pain 
My heart goes back to wander there, 
And among the dreams of the days that were, 85 
I find my lost youth again. 
And the strange and beautiful song, 
The groves are repeating it still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 90 
Written by Oscar Wilde | Create an image from this poem

Impression - Le Reveillon

 The sky is laced with fitful red,
The circling mists and shadows flee,
The dawn is rising from the sea,
Like a white lady from her bed.

And jagged brazen arrows fall
Athwart the feathers of the night,
And a long wave of yellow light
Breaks silently on tower and hall,

And spreading wide across the wold
Wakes into flight some fluttering bird,
And all the chestnut tops are stirred,
And all the branches streaked with gold.
Written by Percy Bysshe Shelley | Create an image from this poem

Written among the Euganean Hills North Italy

MANY a green isle needs must be 
In the deep wide sea of Misery, 
Or the mariner, worn and wan, 
Never thus could voyage on 
Day and night, and night and day, 5 
Drifting on his dreary way, 
With the solid darkness black 
Closing round his vessel's track; 
Whilst above, the sunless sky 
Big with clouds, hangs heavily, 10 
And behind the tempest fleet 
Hurries on with lightning feet, 
Riving sail, and cord, and plank, 
Till the ship has almost drank 
Death from the o'er-brimming deep, 15 
And sinks down, down, like that sleep 
When the dreamer seems to be 
Weltering through eternity; 
And the dim low line before 
Of a dark and distant shore 20 
Still recedes, as ever still 
Longing with divided will, 
But no power to seek or shun, 
He is ever drifted on 
O'er the unreposing wave, 25 
To the haven of the grave. 

Ay, many flowering islands lie 
In the waters of wide Agony: 
To such a one this morn was led 
My bark, by soft winds piloted. 30 
¡ª'Mid the mountains Euganean 
I stood listening to the p?an 
With which the legion'd rooks did hail 
The Sun's uprise majestical: 
Gathering round with wings all hoar, 35 
Through the dewy mist they soar 
Like gray shades, till the eastern heaven 
Bursts; and then¡ªas clouds of even 
Fleck'd with fire and azure, lie 
In the unfathomable sky¡ª 40 
So their plumes of purple grain 
Starr'd with drops of golden rain 
Gleam above the sunlight woods, 
As in silent multitudes 
On the morning's fitful gale 45 
Through the broken mist they sail; 
And the vapours cloven and gleaming 
Follow down the dark steep streaming, 
Till all is bright, and clear, and still 
Round the solitary hill. 50 

Beneath is spread like a green sea 
The waveless plain of Lombardy, 
Bounded by the vaporous air, 
Islanded by cities fair; 
Underneath day's azure eyes, 55 
Ocean's nursling, Venice lies,¡ª 
A peopled labyrinth of walls, 
Amphitrite's destined halls, 
Which her hoary sire now paves 
With his blue and beaming waves. 60 
Lo! the sun upsprings behind, 
Broad, red, radiant, half-reclined 
On the level quivering line 
Of the waters crystalline; 
And before that chasm of light, 65 
As within a furnace bright, 
Column, tower, and dome, and spire, 
Shine like obelisks of fire, 
Pointing with inconstant motion 
From the altar of dark ocean 70 
To the sapphire-tinted skies; 
As the flames of sacrifice 
From the marble shrines did rise 
As to pierce the dome of gold 
Where Apollo spoke of old. 75 

Sun-girt City! thou hast been 
Ocean's child, and then his queen; 
Now is come a darker day, 
And thou soon must be his prey, 
If the power that raised thee here 80 
Hallow so thy watery bier. 
A less drear ruin then than now, 
With thy conquest-branded brow 
Stooping to the slave of slaves 
From thy throne among the waves 85 
Wilt thou be¡ªwhen the sea-mew 
Flies, as once before it flew, 
O'er thine isles depopulate, 
And all is in its ancient state, 
Save where many a palace-gate 90 
With green sea-flowers overgrown, 
Like a rock of ocean's own, 
Topples o'er the abandon'd sea 
As the tides change sullenly. 
The fisher on his watery way, 95 
Wandering at the close of day, 
Will spread his sail and seize his oar 
Till he pass the gloomy shore, 
Lest thy dead should, from their sleep, 
Bursting o'er the starlight deep, 100 
Lead a rapid masque of death 
O'er the waters of his path. 

Noon descends around me now: 
'Tis the noon of autumn's glow, 
When a soft and purple mist 105 
Like a vaporous amethyst, 
Or an air-dissolv¨¨d star 
Mingling light and fragrance, far 
From the curved horizon's bound 
To the point of heaven's profound, 110 
Fills the overflowing sky, 
And the plains that silent lie 
Underneath; the leaves unsodden 
Where the infant Frost has trodden 
With his morning-wing¨¨d feet 115 
Whose bright print is gleaming yet; 
And the red and golden vines 
Piercing with their trellised lines 
The rough, dark-skirted wilderness; 
The dun and bladed grass no less, 120 
Pointing from this hoary tower 
In the windless air; the flower 
Glimmering at my feet; the line 
Of the olive-sandall'd Apennine 
In the south dimly islanded; 125 
And the Alps, whose snows are spread 
High between the clouds and sun; 
And of living things each one; 
And my spirit, which so long 
Darken'd this swift stream of song,¡ª 130 
Interpenetrated lie 
By the glory of the sky; 
Be it love, light, harmony, 
Odour, or the soul of all 
Which from heaven like dew doth fall, 135 
Or the mind which feeds this verse, 
Peopling the lone universe. 

Noon descends, and after noon 
Autumn's evening meets me soon, 
Leading the infantine moon 140 
And that one star, which to her 
Almost seems to minister 
Half the crimson light she brings 
From the sunset's radiant springs: 
And the soft dreams of the morn 145 
(Which like wing¨¨d winds had borne 
To that silent isle, which lies 
'Mid remember'd agonies, 
The frail bark of this lone being), 
Pass, to other sufferers fleeing, 150 
And its ancient pilot, Pain, 
Sits beside the helm again. 

Other flowering isles must be 
In the sea of Life and Agony: 
Other spirits float and flee 155 
O'er that gulf: ev'n now, perhaps, 
On some rock the wild wave wraps, 
With folding wings they waiting sit 
For my bark, to pilot it 
To some calm and blooming cove, 160 
Where for me, and those I love, 
May a windless bower be built, 
Far from passion, pain, and guilt, 
In a dell 'mid lawny hills 
Which the wild sea-murmur fills, 165 
And soft sunshine, and the sound 
Of old forests echoing round, 
And the light and smell divine 
Of all flowers that breathe and shine. 
¡ªWe may live so happy there, 170 
That the Spirits of the Air 
Envying us, may ev'n entice 
To our healing paradise 
The polluting multitude: 
But their rage would be subdued 175 
By that clime divine and calm, 
And the winds whose wings rain balm 
On the uplifted soul, and leaves 
Under which the bright sea heaves; 
While each breathless interval 180 
In their whisperings musical 
The inspir¨¨d soul supplies 
With its own deep melodies; 
And the Love which heals all strife 
Circling, like the breath of life, 185 
All things in that sweet abode 
With its own mild brotherhood:¡ª 
They, not it, would change; and soon 
Every sprite beneath the moon 
Would repent its envy vain, 190 
And the Earth grow young again! 

Book: Radiant Verses: A Journey Through Inspiring Poetry