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Best Famous Fingered Poems

Here is a collection of the all-time best famous Fingered poems. This is a select list of the best famous Fingered poetry. Reading, writing, and enjoying famous Fingered poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of fingered poems.

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Written by Gary Soto | Create an image from this poem

Oranges

The first time I walked
With a girl, I was twelve,
Cold, and weighted down
With two oranges in my jacket.
December.
Frost cracking Beneath my steps, my breath Before me, then gone, As I walked toward Her house, the one whose Porch light burned yellow Night and day, in any weather.
A dog barked at me, until She came out pulling At her gloves, face bright With rouge.
I smiled, Touched her shoulder, and led Her down the street, across A used car lot and a line Of newly planted trees, Until we were breathing Before a drugstore.
We Entered, the tiny bell Bringing a saleslady Down a narrow aisle of goods.
I turned to the candies Tiered like bleachers, And asked what she wanted - Light in her eyes, a smile Starting at the corners Of her mouth.
I fingered A nickle in my pocket, And when she lifted a chocolate That cost a dime, I didn't say anything.
I took the nickle from My pocket, then an orange, And set them quietly on The counter.
When I looked up, The lady's eyes met mine, And held them, knowing Very well what it was all About.
Outside, A few cars hissing past, Fog hanging like old Coats between the trees.
I took my girl's hand In mine for two blocks, Then released it to let Her unwrap the chocolate.
I peeled my orange That was so bright against The gray of December That, from some distance, Someone might have thought I was making a fire in my hands.


Written by Sappho | Create an image from this poem

To Atthis

My Atthis, although our dear Anaktoria
lives in distant Sardis,
she thinks of us constantly, and

of the life we shared in days when for her
you were a splendid goddess,
and your singing gave her deep joy.
Now she shines among Lydian women as when the red-fingered moon rises after sunset, erasing stars around her, and pouring light equally across the salt sea and over densely flowered fields; and lucent dew spreads on the earth to quicken roses and fragile thyme and the sweet-blooming honey-lotus.
Now while our darling wanders she thinks of lovely Atthis's love, and longing sinks deep in her breast.
She cries loudly for us to come! We hear, for the night's many tongues carry her cry across the sea.
Written by Anne Sexton | Create an image from this poem

Christmas Eve

 Oh sharp diamond, my mother! 
I could not count the cost 
of all your faces, your moods-- 
that present that I lost.
Sweet girl, my deathbed, my jewel-fingered lady, your portrait flickered all night by the bulbs of the tree.
Your face as calm as the moon over a mannered sea, presided at the family reunion, the twelve grandchildren you used to wear on your wrist, a three-months-old baby, a fat check you never wrote, the red-haired toddler who danced the twist, your aging daughters, each one a wife, each one talking to the family cook, each one avoiding your portrait, each one aping your life.
Later, after the party, after the house went to bed, I sat up drinking the Christmas brandy, watching your picture, letting the tree move in and out of focus.
The bulbs vibrated.
They were a halo over your forehead.
Then they were a beehive, blue, yellow, green, red; each with its own juice, each hot and alive stinging your face.
But you did not move.
I continued to watch, forcing myself, waiting, inexhaustible, thirty-five.
I wanted your eyes, like the shadows of two small birds, to change.
But they did not age.
The smile that gathered me in, all wit, all charm, was invincible.
Hour after hour I looked at your face but I could not pull the roots out of it.
Then I watched how the sun hit your red sweater, your withered neck, your badly painted flesh-pink skin.
You who led me by the nose, I saw you as you were.
Then I thought of your body as one thinks of murder-- Then I said Mary-- Mary, Mary, forgive me and then I touched a present for the child, the last I bred before your death; and then I touched my breast and then I touched the floor and then my breast again as if, somehow, it were one of yours.
Written by William Butler Yeats | Create an image from this poem

Among School Children

 I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way - the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
II I dream of a Ledaean body, bent Above a sinking fire.
a tale that she Told of a harsh reproof, or trivial event That changed some childish day to tragedy - Told, and it seemed that our two natures blent Into a sphere from youthful sympathy, Or else, to alter Plato's parable, Into the yolk and white of the one shell.
III And thinking of that fit of grief or rage I look upon one child or t'other there And wonder if she stood so at that age - For even daughters of the swan can share Something of every paddler's heritage - And had that colour upon cheek or hair, And thereupon my heart is driven wild: She stands before me as a living child.
IV Her present image floats into the mind - Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat? And I though never of Ledaean kind Had pretty plumage once - enough of that, Better to smile on all that smile, and show There is a comfortable kind of old scarecrow.
V What youthful mother, a shape upon her lap Honey of generation had betrayed, And that must sleep, shriek, struggle to escape As recollection or the drug decide, Would think her Son, did she but see that shape With sixty or more winters on its head, A compensation for the pang of his birth, Or the uncertainty of his setting forth? VI Plato thought nature but a spume that plays Upon a ghostly paradigm of things; Solider Aristotle played the taws Upon the bottom of a king of kings; World-famous golden-thighed Pythagoras Fingered upon a fiddle-stick or strings What a star sang and careless Muses heard: Old clothes upon old sticks to scare a bird.
VII Both nuns and mothers worship images, But thos the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose.
And yet they too break hearts - O presences That passion, piety or affection knows, And that all heavenly glory symbolise - O self-born mockers of man's enterprise; VIII Labour is blossoming or dancing where The body is not bruised to pleasure soul.
Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?
Written by Allen Ginsberg | Create an image from this poem

Please Master

 Please master can I touch your cheeck
please master can I kneel at your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ass
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your balls,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your prick-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot prick barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over 
 the table
please master grab my thighs and lift my ass to your waist
please master your hand's rough stroke on my neck your palm down to my
 backside
please master push me, my feet on chairs, till my hole feels the breath of 
 your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my balls and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your cock head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the prick trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ass, give body to center, & **** me
 for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or fucked in a maiden in Paris
 carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
 loved
Please master call me a dog, an ass beast, a wet *******, 
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your semen heat
over & over, bamming it in while I cry out your name I do love you
please Master.
May 1968


Written by Anne Sexton | Create an image from this poem

Her Kind

 I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

this is the garden: colours come and go

this is the garden: colours come and go 
frail azures fluttering from night's outer wing
strong silent greens serenely lingering 
absolute lights like baths of golden snow.
This is the garden: pursed lips do blow upon cool flutes within wide glooms and sing (of harps celestial to the quivering string) invisible faces hauntingly and slow.
This is the garden.
Time shall surely reap and on Death's blade lie many a flower curled in other lands where other songs be sung; yet stand They here enraptured as among The slow deep trees perpetual of sleep some silver-fingered fountain steals the world.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Black Fox Skin

 I

There was Claw-fingered Kitty and Windy Ike living the life of shame,
When unto them in the Long, Long Night came the man-who-had-no-name;
Bearing his prize of a black fox pelt, out of the Wild he came.
His cheeks were blanched as the flume-head foam when the brown spring freshets flow; Deep in their dark, sin-calcined pits were his sombre eyes aglow; They knew him far for the fitful man who spat forth blood on the snow.
"Did ever you see such a skin?" quoth he; "there's nought in the world so fine-- Such fullness of fur as black as the night, such lustre, such size, such shine; It's life to a one-lunged man like me; it's London, it's women, it's wine.
"The Moose-hides called it the devil-fox, and swore that no man could kill; That he who hunted it, soon or late, must surely suffer some ill; But I laughed at them and their old squaw-tales.
Ha! Ha! I'm laughing still.
"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.
By gun or by trap, whatever the hap, I swore I would capture it; By star and by star afield and afar, I hunted and would not quit.
"For the devil-fox, it was swift and sly, and it seemed to fleer at me; I would wake in fright by the camp-fire light, hearing its evil glee; Into my dream its eyes would gleam, and its shadow would I see.
"It sniffed and ran from the ptarmigan I had poisoned to excess; Unharmed it sped from my wrathful lead ('twas as if I shot by guess); Yet it came by night in the stark moonlight to mock at my weariness.
"I tracked it up where the mountains hunch like the vertebrae of the world; I tracked it down to the death-still pits where the avalanche is hurled; From the glooms to the sacerdotal snows, where the carded clouds are curled.
"From the vastitudes where the world protrudes through clouds like seas up-shoaled, I held its track till it led me back to the land I had left of old-- The land I had looted many moons.
I was weary and sick and cold.
"I was sick, soul-sick, of the futile chase, and there and then I swore The foul fiend fox might scathless go, for I would hunt no more; Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.
"A rifle raised in the wraith-like gloom, and a vengeful shot that sped; A howl that would thrill a cream-faced corpse-- and the demon fox lay dead.
.
.
.
Yet there was never a sign of wound, and never a drop he bled.
"So that was the end of the great black fox, and here is the prize I've won; And now for a drink to cheer me up--I've mushed since the early sun; We'll drink a toast to the sorry ghost of the fox whose race is run.
" II Now Claw-fingered Kitty and Windy Ike, bad as the worst were they; In their road-house down by the river-trail they waited and watched for prey; With wine and song they joyed night long, and they slept like swine by day.
For things were done in the Midnight Sun that no tongue will ever tell; And men there be who walk earth-free, but whose names are writ in hell-- Are writ in flames with the guilty names of Fournier and Labelle.
Put not your trust in a poke of dust would ye sleep the sleep of sin; For there be those who would rob your clothes ere yet the dawn comes in; And a prize likewise in a woman's eyes is a peerless black fox skin.
Put your faith in the mountain cat if you lie within his lair; Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear; But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware! Wherefore it was beyond all laws that lusts of man restrain, A man drank deep and sank to sleep never to wake again; And the Yukon swallowed through a hole the cold corpse of the slain.
III The black fox skin a shadow cast from the roof nigh to the floor; And sleek it seemed and soft it gleamed, and the woman stroked it o'er; And the man stood by with a brooding eye, and gnashed his teeth and swore.
When thieves and thugs fall out and fight there's fell arrears to pay; And soon or late sin meets its fate, and so it fell one day That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.
"The skin is mine, all mine," she cried; "I did the deed alone.
" "It's share and share with a guilt-yoked pair", he hissed in a pregnant tone; And so they snarled like malamutes over a mildewed bone.
And so they fought, by fear untaught, till haply it befell One dawn of day she slipped away to Dawson town to sell The fruit of sin, this black fox skin that had made their lives a hell.
She slipped away as still he lay, she clutched the wondrous fur; Her pulses beat, her foot was fleet, her fear was as a spur; She laughed with glee, she did not see him rise and follow her.
The bluffs uprear and grimly peer far over Dawson town; They see its lights a blaze o' nights and harshly they look down; They mock the plan and plot of man with grim, ironic frown.
The trail was steep; 'twas at the time when swiftly sinks the snow; All honey-combed, the river ice was rotting down below; The river chafed beneath its rind with many a mighty throe.
And up the swift and oozy drift a woman climbed in fear, Clutching to her a black fox fur as if she held it dear; And hard she pressed it to her breast--then Windy Ike drew near.
She made no moan--her heart was stone--she read his smiling face, And like a dream flashed all her life's dark horror and disgrace; A moment only--with a snarl he hurled her into space.
She rolled for nigh an hundred feet; she bounded like a ball; From crag to crag she carromed down through snow and timber fall; .
.
.
A hole gaped in the river ice; the spray flashed--that was all.
A bird sang for the joy of spring, so piercing sweet and frail; And blinding bright the land was dight in gay and glittering mail; And with a wondrous black fox skin a man slid down the trail.
IV A wedge-faced man there was who ran along the river bank, Who stumbled through each drift and slough, and ever slipped and sank, And ever cursed his Maker's name, and ever "hooch" he drank.
He travelled like a hunted thing, hard harried, sore distrest; The old grandmother moon crept out from her cloud-quilted nest; The aged mountains mocked at him in their primeval rest.
Grim shadows diapered the snow; the air was strangely mild; The valley's girth was dumb with mirth, the laughter of the wild; The still, sardonic laughter of an ogre o'er a child.
The river writhed beneath the ice; it groaned like one in pain, And yawning chasms opened wide, and closed and yawned again; And sheets of silver heaved on high until they split in twain.
From out the road-house by the trail they saw a man afar Make for the narrow river-reach where the swift cross-currents are; Where, frail and worn, the ice is torn and the angry waters jar.
But they did not see him crash and sink into the icy flow; They did not see him clinging there, gripped by the undertow, Clawing with bleeding finger-nails at the jagged ice and snow.
They found a note beside the hole where he had stumbled in: "Here met his fate by evil luck a man who lived in sin, And to the one who loves me least I leave this black fox skin.
" And strange it is; for, though they searched the river all around, No trace or sign of black fox skin was ever after found; Though one man said he saw the tread of HOOFS deep in the ground.
Written by G K Chesterton | Create an image from this poem

On the Disastrous Spread of Aestheticism in all Classes

 Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From the day's first golden cup.
In swift devouring ecstasy Each toil in turn was done; I had done lying on the lawn Three minutes after one.
For me, as Mr.
Wordsworth says, The duties shine like stars; I formed my uncle's character, Decreasing his cigars.
But could my kind engross me? No! Stern Art-what sons escape her? Soon I was drawing Gladstone's nose On scraps of blotting paper.
Then on-to play one-fingered tunes Upon my aunt's piano.
In short, I have a headlong soul, I much resemble Hanno.
(Forgive the entrance of the not Too cogent Carthaginian.
It may have been to make a rhyme; I lean to that opinion.
) Then my great work of book research Till dusk I took in hand- The forming of a final, sound Opinion on The Strand.
But when I quenched the midnight oil, And closed the Referee, Whose thirty volumes folio I take to bed with me, I had a rather funny dream, Intense, that is, and mystic; I dreamed that, with one leap and yell, The world became artistic.
The Shopmen, when their souls were still, Declined to open shops- And Cooks recorded frames of mind In sad and subtle chops.
The stars were weary of routine: The trees in the plantation Were growing every fruit at once, In search of sensation.
The moon went for a moonlight stroll, And tried to be a bard, And gazed enraptured at itself: I left it trying hard.
The sea had nothing but a mood Of 'vague ironic gloom,' With which t'explain its presence in My upstairs drawing-room.
The sun had read a little book That struck him with a notion: He drowned himself and all his fires Deep in a hissing ocean.
Then all was dark, lawless, and lost: I heard great devilish wings: I knew that Art had won, and snapt The Covenant of Things.
I cried aloud, and I awoke, New labours in my head.
I set my teeth, and manfully Began to lie in bed.
Toiling, rejoicing, sorrowing, So I my life conduct.
Each morning see some task begun, Each evening see it chucked.
But still, in sudden moods of dusk, I hear those great weird wings, Feel vaguely thankful to the vast Stupidity of things.
Envoi Clear was the night: the moon was young The larkspurs in the plots Mingled their orange with the gold Of the forget-me-nots.
The poppies seemed a silver mist: So darkly fell the gloom.
You scarce had guessed yon crimson streaks Were buttercups in bloom.
But one thing moved: a little child Crashed through the flower and fern: And all my soul rose up to greet The sage of whom I learn.
I looked into his awful eyes: I waited his decree: I made ingenious attempts To sit upon his knee.
The babe upraised his wondering eyes, And timidly he said, "A trend towards experiment In modern minds is bred.
"I feel the will to roam, to learn By test, experience, nous, That fire is hot and ocean deep, And wolves carnivorous.
"My brain demands complexity," The lisping cherub cried.
I looked at him, and only said, "Go on.
The world is wide.
" A tear rolled down his pinafore, "Yet from my life must pass The simple love of sun and moon, The old games in the grass; "Now that my back is to my home Could these again be found?" I looked on him and only said, "Go on.
The world is round.
"
Written by John Crowe Ransom | Create an image from this poem

Necrological

 The friar had said his paternosters duly 
And scourged his limbs, and afterwards would have slept; 
But with much riddling his head became unruly, 
He arose, from the quiet monastery he crept.
Dawn lightened the place where the battle had been won.
The people were dead -- it is easy he thought to die -- These dead remained, but the living were all gone, Gone with the wailing trumps of victory.
The dead men wore no raiment against the air, Bartholomew's men had spoiled them where they fell; In defeat the heroes' bodies were whitely bare, The field was white like meads of asphodel.
Not all were white; some gory and fabulous Whom the sword had pierced and then the grey wolf eaten; But the brother reasoned that heroes' flesh was thus.
Flesh fails, and the postured bones lie weather-beaten.
The lords of chivalry lay prone and shattered.
The gentle and the bodyguard of yeomen; Bartholomew's stroke went home -- but little it mattered, Bartholomew went to be stricken of other foemen.
Beneath the blue ogive of the firmament Was a dead warrior, clutching whose mighty knees Was a leman, who with her flame had warmed his tent, For him enduring all men's pleasantries.
Close by the sable stream that purged the plain Lay the white stallion and his rider thrown, The great beast had spilled there his little brain, And the little groin of the knight was spilled by a stone.
The youth possessed him then of a crooked blade Deep in the belly of a lugubrious wight; He fingered it well, and it was cunningly made; But strange apparatus was if for a Carmelite.
Then he sat upon a hill and bowed his head As under a riddle, and in deep surmise So still that he likened himself unto those dead Whom the kites of Heaven solicited with sweet cries.

Book: Reflection on the Important Things