Written by
Alec Derwent (A D) Hope |
When, darkly brooding on this Modern Age,
The journalist with his marketable woes
Fills up once more the inevitable page
Of fatuous, flatulent, Sunday-paper prose;
Whenever the green aesthete starts to whoop
With horror at the house not made with hands
And when from vacuum cleaners and tinned soup
Another pure theosophist demands
Rebirth in other, less industrial stars
Where huge towns thrust up in synthetic stone
And films and sleek miraculous motor cars
And celluloid and rubber are unknown;
When from his vegetable Sunday School
Emerges with the neatly maudlin phrase
Still one more Nature poet, to rant or drool
About the "Standardization of the Race";
I see, stooping among her orchard trees,
The old, sound Earth, gathering her windfalls in,
Broad in the hams and stiffening at the knees,
Pause and I see her grave malicious grin.
For there is no manufacturer competes
With her in the mass production of shapes and things.
Over and over she gathers and repeats
The cast of a face, a million butterfly wings.
She does not tire of the pattern of a rose.
Her oldest tricks still catch us with surprise.
She cannot recall how long ago she chose
The streamlined hulls of fish, the snail's long eyes,
Love, which still pours into its ancient mould
The lashing seed that grows to a man again,
From whom by the same processes unfold
Unending generations of living men.
She has standardized his ultimate needs and pains.
Lost tribes in a lost language mutter in
His dreams: his science is tethered to their brains,
His guilt merely repeats Original Sin.
And beauty standing motionless before
Her mirror sees behind her, mile on mile,
A long queue in an unknown corridor,
Anonymous faces plastered with her smile.
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Written by
Barry Tebb |
I was never a film buff, give me Widmark and Wayne any day
Saturday matin?es with Margaret Gardener still hold sway
As my memory veers backwards this temperate Boxing Day-
Westerns and war films and a blurred Maigret,
Coupled with a worn-out sixties Penguin Mallarm?-
How about that mix for a character trait?
Try as I may I can’t get my head round the manifold virtues
Of Geraldine Monk or either Riley
Poetry has to have a meaning, not just patterns on a page,
Vertical words and snips of scores just make me rage.
Is Thom Gunn really the age-old sleaze-weasel Andrew Duncan says?
Is Tim Allen right to give Geraldine Monk an eleven page review?
At least they care for poetry to give their lives to it
As we do, too.
My syntax far from perfect, my writing illegible
But somehow I’ll get through, Bloodaxe and Carcourt
May jeer but an Indian printer’s busy with my ‘Collected’
And, Calcutta typesetters permitting, it will be out this year
With the red gold script of sari cloth on the spine
And **** those dusty grey contemporary voices
Those verses will be mine.
Haslam’s a whole lot better but touchy as a prima donna
And couldn’t take it when I said he’d be a whole lot better
If he’d unloose his affects and let them scatter
I’m envious of his habitat, The Haworth Moors
Living there should be the inspiration of my old age
But being monophobic I can’t face the isolation
Or persuade my passionate friend to join me.
What urban experiences can improve
Upon a cottage life with my own muse!
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Written by
Sidney Lanier |
What time I paced, at pleasant morn,
A deep and dewy wood,
I heard a mellow hunting-horn
Make dim report of Dian's lustihood
Far down a heavenly hollow.
Mine ear, though fain, had pain to follow:
`Tara!' it twanged, `tara-tara!' it blew,
Yet wavered oft, and flew
Most ficklewise about, or here, or there,
A music now from earth and now from air.
But on a sudden, lo!
I marked a blossom shiver to and fro
With dainty inward storm; and there within
A down-drawn trump of yellow jessamine
A bee
Thrust up its sad-gold body lustily,
All in a honey madness hotly bound
On blissful burglary.
A cunning sound
In that wing-music held me: down I lay
In amber shades of many a golden spray,
Where looping low with languid arms the Vine
In wreaths of ravishment did overtwine
Her kneeling Live-Oak, thousand-fold to plight
Herself unto her own true stalwart knight.
As some dim blur of distant music nears
The long-desiring sense, and slowly clears
To forms of time and apprehensive tune,
So, as I lay, full soon
Interpretation throve: the bee's fanfare,
Through sequent films of discourse vague as air,
Passed to plain words, while, fanning faint perfume,
The bee o'erhung a rich, unrifled bloom:
"O Earth, fair lordly Blossom, soft a-shine
Upon the star-pranked universal vine,
Hast nought for me?
To thee
Come I, a poet, hereward haply blown,
From out another worldflower lately flown.
Wilt ask, `What profit e'er a poet brings?'
He beareth starry stuff about his wings
To pollen thee and sting thee fertile: nay,
If still thou narrow thy contracted way,
-- Worldflower, if thou refuse me --
-- Worldflower, if thou abuse me,
And hoist thy stamen's spear-point high
To wound my wing and mar mine eye --
Nathless I'll drive me to thy deepest sweet,
Yea, richlier shall that pain the pollen beat
From me to thee, for oft these pollens be
Fine dust from wars that poets wage for thee.
But, O beloved Earthbloom soft a-shine
Upon the universal Jessamine,
Prithee, abuse me not,
Prithee, refuse me not,
Yield, yield the heartsome honey love to me
Hid in thy nectary!"
And as I sank into a dimmer dream
The pleading bee's song-burthen sole did seem:
"Hast ne'er a honey-drop of love for me
In thy huge nectary?"
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Written by
Kenn Nesbitt |
Poor Cinderella, whose stepmom was mean,
could never see films rated PG-13.
She hadn’t a cell phone and no DVD,
no notebook computer or pocket TV.
She wasn’t allowed to play video games.
The tags on her clothes had unfashionable names.
Her shoes were not trendy enough to be cool.
No limousine chauffeur would drive her to school.
Her house had no drawing room; only a den.
Her bedtime, poor darling, was quarter past ten!
Well one day Prince Charming declared that a ball
would be held in his honor and maidens from all
over the kingdom were welcome to come
and party to techno and jungle house drum.
But Poor Cinderella, with nothing to wear,
collapsed in her stepmother’s La-Z-Boy chair.
She let out a sigh, with a lump in her throat,
then sniffled and picked up the TV remote.
She surfed channel zero to channel one-ten
then went back to zero and started again.
She watched music videos, sitcoms and sports,
commercials and talkshows and weather reports.
But no fairy godmother came to her side
to offer a dress or a carriage to ride.
So Poor Cinderella’s been sitting there since,
while one of her stepsisters married the Prince.
She sits there and sadly complains to the screen,
if only her stepmother wasn’t so mean.
--Kenn Nesbitt
Copyright © Kenn Nesbitt 2009. All Rights Reserved.
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Written by
Dylan Thomas |
Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.
Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities' sails
Furled on the fishes' house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.
He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children's parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love's image till my heartbone breaks
By a dramatic sea.
Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
'Who could snap off the shapeless print
From your to-morrow-treading shade
With oracle for eye?'
Time kills me terribly.
'Time shall not murder you,' He said,
'Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?'
I saw time murder me.
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Written by
Helen Hunt Jackson |
My snowy eupatorium has dropped
Its silver threads of petals in the night;
No signal told its blossoming had stopped;
Its seed-films flutter silent, ghostly white:
No answer stirs the shining air,
As I ask, "Where?"
Beneath the glossy leaves of winter-green
Dead lilly-bells lie low, and in their place
A rounded disk of pearly pink is seen,
Which tells not of the lily's fragrant grace:
No answer stirs the shining air,
As I ask, "Where?"
This morning's sunrise does not show to me
Seed-film or fruit of my sweet yesterday;
Like falling flowers, to realms I cannot see
Its moments floated silently away:
No answer stirs the shining air,
As I ask, "Where?"
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Written by
Sir Henry Newbolt |
O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground --
How in a gleam have these revealed
The faith we had not found.
We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.
Brother of men, when now I see
The lads go forth in line,
Thou knowest my heart is hungry in me
As for thy bread and wine;
Thou knowest my heart is bowed in me
To take their death for mine.
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Written by
Lucy Maud Montgomery |
When the lucent skies of morning flush with dawning rose once more,
And waves of golden glory break adown the sunrise shore,
And o'er the arch of heaven pied films of vapor float.
There's joyance and there's freedom when the fishing boats go out.
The wind is blowing freshly up from far, uncharted caves,
And sending sparkling kisses o'er the brows of virgin waves,
While routed dawn-mists shiveroh, far and fast they flee,
Pierced by the shafts of sunrise athwart the merry sea!
Behind us, fair, light-smitten hills in dappled splendor lie,
Before us the wide ocean runs to meet the limpid sky
Our hearts are full of poignant life, and care has fled afar
As sweeps the white-winged fishing fleet across the harbor bar.
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The sea is calling to us in a blithesome voice and free,
There's keenest rapture on its breast and boundless liberty!
Each man is master of his craft, its gleaming sails out-blown,
And far behind him on the shore a home he calls his own.
Salt is the breath of ocean slopes and fresher blows the breeze,
And swifter still each bounding keel cuts through the combing seas,
Athwart our masts the shadows of the dipping sea-gulls float,
And all the water-world's alive when the fishing boats go out.
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Written by
Robert Herrick |
When I behold a forest spread
With silken trees upon thy head;
And when I see that other dress
Of flowers set in comeliness;
When I behold another grace
In the ascent of curious lace,
Which, like a pinnacle, doth shew
The top, and the top-gallant too;
Then, when I see thy tresses bound
Into an oval, square, or round,
And knit in knots far more than I.
Can tell by tongue, or True-love tie;
Next, when those lawny films I see
Play with a wild civility;
And all those airy silks to flow,
Alluring me, and tempting so--
I must confess, mine eye and heart
Dotes less on nature than on art.
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Written by
Vachel Lindsay |
I
The arts are old, old as the stones
From which man carved the sphinx austere.
Deep are the days the old arts bring:
Ten thousand years of yesteryear.
II
She is madonna in an art
As wild and young as her sweet eyes:
A frail dew flower from this hot lamp
That is today's divine surprise.
Despite raw lights and gloating mobs
She is not seared: a picture still:
Rare silk the fine director's hand
May weave for magic if he will.
When ancient films have crumbled like
Papyrus rolls of Egypt's day,
Let the dust speak: "Her pride was high,
All but the artist hid away:
"Kin to the myriad artist clan
Since time began, whose work is dear.
"
The deep new ages come with her,
Tomorrow's years of yesteryear.
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