Written by
Rudyard Kipling |
1902
When the darkened Fifties dip to the North,
And frost and the fog divide the air,
And the day is dead at his breaking-forth,
Sirs, it is bitter beneath the Bear!
Far to Southward they wheel and glance,
The million molten spears of morn --
The spears of our deliverance
That shine on the house where we were born.
Flying-fish about our bows,
Flying sea-fires in our wake:
This is the road to our Father's House,
Whither we go for our souls' sake!
We have forfeited our birthright,
We have forsaken all things meet;
We have forgotten the look of light,
We have forgotten the scent of heart.
They that walk with shaded brows,
Year by year in a shining land,
They be men of our Father's House,
They shall receive us and understand.
We shall go back by the boltless doors,
To the life unaltered our childhood knew --
To the naked feet on the cool, dark floors,
And the high-ceiled rooms that the Trade blows through:
To the trumpet-flowers and the moon beyond,
And the tree-toad's chorus drowning all --
And the lisp of the split banana-frond
That talked us to sleep when we were small.
The wayside magic, the threshold spells,
Shall soon undo what the North has done --
Because of the sights and the sounds and the smells
That ran with our youth in the eye of the sun.
And Earth accepting shall ask no vows,
Nor the Sea our love, nor our lover the Sky.
When we return to our Father's House
Only the English shall wonder why!
|
Written by
Robert Lowell |
Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican.
"
I have a nine months' daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.
These are the tranquilized Fifties,
and I am forty.
Ought I to regret my seedtime?
I was a fire-breathing Catholic C.
O.
,
and made my manic statement,
telling off the state and president, and then
sat waiting sentence in the bull pen
beside a ***** boy with curlicues
of marijuana in his hair.
Given a year,
I walked on the roof of the West Street Jail, a short
enclosure like my school soccer court,
and saw the Hudson River once a day
through sooty clothesline entanglements
and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz,
a jaundice-yellow ("it's really tan")
and fly-weight pacifist,
so vegetarian,
he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown,
the Hollywood pimps, to his diet.
Hairy, muscular, suburban,
wearing chocolate double-breasted suits,
they blew their tops and beat him black and blue.
I was so out of things, I'd never heard
of the Jehovah's Witnesses.
"Are you a C.
O.
?" I asked a fellow jailbird.
"No," he answered, "I'm a J.
W.
"
He taught me the "hospital tuck,"
and pointed out the T-shirted back
of Murder Incorporated's Czar Lepke,
there piling towels on a rack,
or dawdling off to his little segregated cell full
of things forbidden to the common man:
a portable radio, a dresser, two toy American
flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized,
he drifted in a sheepish calm,
where no agonizing reappraisal
jarred his concentration on the electric chair
hanging like an oasis in his air
of lost connections.
.
.
.
|
Written by
Barry Tebb |
for Ken Kesey and his merry pranksters in a bus called ‘Further.
.
.
’
Dear _______ and here’s where the problem begins
For who shall I address this letter to?
Friends are few and very special, muses in the main
I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route
‘Bridge Over the Aire’ after that vision and that voice
“I am here.
I am waiting”.
I followed every lead
Margaret Gardiner last heard of in the Falmouth’s
Of Leeds 9, early fifties.
Barry Tebb your friend from then
Would love to hear from you.
”
The sole reply
A mis-directed estimate for papering a bungalow
In Penge.
I nearly came unhinged as weeks
Ran into months of silence.
Was it.
I wondered.
A voice from the beyond?
The vision was given
Complete with backcloth of resplendent stars
The bridge’s grey transmuted to a sheen of pearl
The chipped steps became transparent stairs to heaven
Our worn clothes, like Cinders’ at the ball, cloaks and gowns
Of infinite splendour but only for the night, remember!
I passed the muse’s diadem to Sheila Pritchard,
My genius-child-poet of whom Redgrove said
“Of course, you are in love” and wrote for her
‘My Perfect Rose!’
Last year a poet saw it
In the British Council Reading Room in distant Kazakstan
And sent his poems to me on paper diaphanous
As angels’ wings and delicate as ash
And tinted with a splash of lemon
And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven
Expelled from grammar school wearing a poncho
Hand-made from an army blanket
Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever,
By then installed as muse number three
Grew sadly jealous for the only time
In thirty-seven years: muse number two
Passed into the blue
There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three
And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and
Talk sometimes and in a crisis she is there for me,
Muse number four, though absent for a month in Indonesia.
Remains.
I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me
From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic
Of his gift for eloquent prose and poetry sublime
His elegy on David Gascoyne’s death quite takes my breath
And the title of his novel ‘Lipstick Boys’ I'll envy always,
There are some few I talk and write to
And occasionally meet.
David Lambert, poet and teacher
Of creative writing, doing it ‘my way’ in the nineties,
UEA found his services superfluous to their needs.
? ? you may **** like hell,
But I abhor your jealous narcissistic smell
And as for your much vaunted pc prose
I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters
are even longer than my own and Maggie Allen
Sent me the only Valentine I’ve had in sixty years
These two do know my longings and my fears,
Dear Simon Jenner, Eratica’s erratic editor, your speech
So like the staccato of a bren, yet loaded
With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’
Of the sixties, acknowledged my own youthful spasm of enthusiasm
But Simon you must share the honour with Jimmy Keery,
Of whom I will admit I’m somewhat leery,
His critical acuity so absolute and steely.
I ask you all to stay with me
Through time into infinity
Not even death can undo
The love I have for you.
|
Written by
Barry Tebb |
Dawn’s my Mr Right, already
Cocks have crowed, birds flown from nests,
The neon lights of Leeds last night still
Sovereign in my sights, limousines and
Pink baloons, tee shirts with green stencilled
Dates of wedding days to come, the worn dance floor,
Jingling arcades where chrome fendered fruit machines
Rest on plush carpets like the ghosts of fifties Chevies,
Dreams for sale on boulevards where forget-me-nots
Are flowing through the hyaline summer air.
I stood with you in Kings Cross on Thursday night
Waiting for a bus we saw the lighthouse on top
Of a triangle of empty shops and seedy bedsits,
Some relic of a nineteenth century’s eccentric’s dream come true.
But posing now the question "What to do with a listed building
And the Channel Tunnel coming through?" Its welded slats,
Timber frame and listing broken windows blew our minds-
Like discovering a Tintoretto in a gallery of fakes.
Leeds takes away the steely glare of Sutton
Weighing down on me like breeze-blocks by the ton,
When all I want to do is run away and make a home
In Keighley, catch a bus to Haworth and walk and walk
Till human talk is silenced by the sun.
|
Written by
Rudyard Kipling |
Your jar of Virginny
Will cost you a guinea,
Which you reckon too much by five shillings or ten;
But light your churchwarden
And judge it according,
When I've told you the troubles of poor honest men.
From the Capes of the Delaware,
As you are well aware,
We sail which tobacco for England-but then,
Our own British cruisers,
They watch us come through, sirs,
And they press half a score of us poor honest men!
Or if by quick sailing
(Thick weather prevailing )
We leave them behind ( as we do now and then)
We are sure of a gun from
Each frigate we run from,
Which is often destruction to poor honest men!
Broadsides the Atlantic
We tumble short-handed,
With shot-holes to plug and new canvas to bend;
And off the Azores,
Dutch, Dons and Monsieurs
Are waiting to terrify poor honest men.
Napoleon's embargo
Is laid on all cargo
Which comfort or aid to King George may intend;
And since roll, twist and leaf,
Of all comforts is chief,
They try for to steal it from poor honest men!
With no heart for fight,
We take refuge in flight,
But fire as we run, our retreat to defend;
Until our stern-chasers
Cut up her fore-braces,
And she flies off the wind from us poor honest men!
'Twix' the Forties and Fifties,
South-eastward the drift is,
And so, when we think we are making Land's End
Alas, it is Ushant
With half the King's Navy
Blockading French ports against poor honest men!
But they may not quit station
(Which is our salvation )
So swiftly we stand to the Nor'ard again;
And finding the tail of
A homeward-bound convoy,
We slip past the Scillies like poor honest men.
'Twix' the Lizard and Dover,
We hand our stuff over,
Though I may not inform how we do it, nor when.
But a light on each quarter,
Low down on the water,
Is well understanded by poor honest men.
Even then we have dangers,
From meddlesome strangers,
Who spy on our business and are not content
To take a smooth answer,
Except with a handspike .
.
.
And they say they are murdered by poor honest men!
To be drowned or be shot
Is our natural lot,
Why should we, moreover, be hanged in the end---
After all our great pains
For to dangle in chains
As though we were smugglers, not poor honest men?
|
Written by
Galway Kinnell |
He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich
and rebuke the forefathers
who cleared it all at once with ox and axe -
climbed to the top, probably to get out
of the shadow
not of those forefathers but of this father
and saw for the first time
down in its valley, Bruce Pond, giving off
its little steam in the afternoon,
pond where Clarence Akley came on Sunday mornings to cut
down
the cedars around the shore, I'd sometimes hear the slow
spondees
of his work, he's gone,
where Milton Norway came up behind me while I was
fishing and
stood awhile before I knew he was there, he's the one who
put the
cedar shingles on the house, some have curled or split, a
few have
blown off, he's gone,
where Gus Newland logged in the cold snap of '58, the only
man will-
ing to go into those woods that never got warmer than ten
below,
he's gone,
pond where two wards of the state wandered on Halloween,
the Na-
tional Guard searched for them in November, in vain, the
next fall a
hunter found their skeletons huddled together, in vain,
they're
gone,
pond where an old fisherman in a rowboat sits, drowning
hooked
worms, when he goes he's replaced and is never gone,
and when Fergus
saw the pond for the first time
in the clear evening, saw its oldness down there
in its old place in the valley, he became heavier suddenly
in his bones
the way fledglings do just before they fly,
and the soft pine cracked .
.
.
I would not have heard his cry
if my electric saw had been working,
its carbide teeth speeding through the bland spruce of our
time, or
burning
black arcs into some scavenged hemlock plank,
like dark circles under eyes
when the brain thinks too close to the skin,
but I was sawing by hand and I heard that cry
as though he were attacked; we ran out,
when we bent over him he said, "Galway, In¨¦s, I saw a
pond!"
His face went gray, his eyes fluttered close a frightening
moment .
.
.
Yes - a pond
that lets off its mist
on clear afternoons of August, in that valley
to which many have come, for their reasons,
from which many have gone, a few for their reasons, most
not,
where even now and old fisherman only the pinetops can see
sits in the dry gray wood of his rowboat, waiting for pickerel.
|
Written by
Barry Tebb |
Eggshell and Wedgwood Blue were just two
Of the range on the colour cards Dulux
Tailored to our taste in the fifties,
Brentford nylons, Formica table tops and
Fablon shelf-covering in original oak or
Spruce under neon tubes and Dayglo shades.
Wartime brown and green went out, along with
The Yorkist Range, the wire-mesh food safe
In the cellar, the scrubbed board bath lid
And marbled glass bowl over the light bulb
With its hidden hoard of dead flies and
Rusting three-tier chain.
We moved to the new estate, Airey semis
With their pebble-dash prefabricated slats,
Built-in kitchen units and made-to-measure gardens.
Every Saturday I went back to the streets,
Dinner at Auntie Nellie’s, Yorkies, mash and gravy,
Then the matinee at the Princess with Margaret,
The queen of my ten-year old heart.
Everybody was on the move, half the neighbours
To the new estates or death, newcomers with
Rough tongues from over the bridge slum clearance.
A drive-in Readymix cement works bruised the Hollows,
Ellerby Lane School closed, St.
Hilda’s bulldozed.
The trams stopped for good after the Coronation Special
In purple and gold toured the city's tracks and
The red-white and blue on the cake at the street party
Crumbled to dust and the river-bank rats fed on it
Like Miss Haversham’s wedding feast all over again.
The cobbled hill past the Mansions led nowhere,
The buses ran empty, then the route closed.
I returned again and again in friends’ cars,
Now alone, on foot, again and again.
|
Written by
Rudyard Kipling |
"You must choose between me and your cigar.
"
-- BREACH OF PROMISE CASE, CIRCA 1885.
Open the old cigar-box, get me a Cuba stout,
For things are running crossways, and Maggie and I are out.
We quarrelled about Havanas -- we fought o'er a good cheroot,
And I knew she is exacting, and she says I am a brute.
Open the old cigar-box -- let me consider a space;
In the soft blue veil of the vapour musing on Maggie's face.
Maggie is pretty to look at -- Maggie's a loving lass,
But the prettiest cheeks must wrinkle, the truest of loves must pass.
There's peace in a Larranaga, there's calm in a Henry Clay;
But the best cigar in an hour is finished and thrown away --
Thrown away for another as perfect and ripe and brown --
But I could not throw away Maggie for fear o' the talk o' the town!
Maggie, my wife at fifty -- grey and dour and old --
With never another Maggie to purchase for love or gold!
And the light of Days that have Been the dark of the Days that Are,
And Love's torch stinking and stale, like the butt of a dead cigar --
The butt of a dead cigar you are bound to keep in your pocket --
With never a new one to light tho' it's charred and black to the socket!
Open the old cigar-box -- let me consider a while.
Here is a mild Manila -- there is a wifely smile.
Which is the better portion -- bondage bought with a ring,
Or a harem of dusky beauties, fifty tied in a string?
Counsellors cunning and silent -- comforters true and tried,
And never a one of the fifty to sneer at a rival bride?
Thought in the early morning, solace in time of woes,
Peace in the hush of the twilight, balm ere my eyelids close,
This will the fifty give me, asking nought in return,
With only a Suttee's passion -- to do their duty and burn.
This will the fifty give me.
When they are spent and dead,
Five times other fifties shall be my servants instead.
The furrows of far-off Java, the isles of the Spanish Main,
When they hear my harem is empty will send me my brides again.
I will take no heed to their raiment, nor food for their mouths withal,
So long as the gulls are nesting, so long as the showers fall.
I will scent 'em with best vanilla, with tea will I temper their hides,
And the Moor and the Mormon shall envy who read of the tale of my brides.
For Maggie has written a letter to give me my choice between
The wee little whimpering Love and the great god Nick o' Teen.
And I have been servant of Love for barely a twelvemonth clear,
But I have been Priest of Cabanas a matter of seven year;
And the gloom of my bachelor days is flecked with the cheery light
Of stums that I burned to Friendship and Pleasure and Work and Fight.
And I turn my eyes to the future that Maggie and I must prove,
But the only light on the marshes is the Will-o'-the-Wisp of Love.
Will it see me safe through my journey or leave me bogged in the mire?
Since a puff of tobacco can cloud it, shall I follow the fitful fire?
Open the old cigar-box -- let me consider anew --
Old friends, and who is Maggie that I should abandon you?
A million surplus Maggies are willing to bear the yoke;
And a woman is only a woman, but a good Cigar is a Smoke.
Light me another Cuba -- I hold to my first-sworn vows.
If Maggie will have no rival, I'll have no Maggie for Spouse!
|
Written by
Henry Lawson |
Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.
But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.
"To arms! To arms!" the cry is out; "To arms and play your part;
For every pike upon a pole will find a tyrant's heart!"
Now Lalor comes to take the lead, the spirit does not lag,
And down the rough, wild diggers kneel beneath the Diggers' Flag;
Then, rising to their feet, they swear, while rugged hearts beat high,
To stand beside their leader and to conquer or to die!
Around Eureka's stockade now the shades of night close fast,
Three hundred sleep beside their arms, and thirty sleep their last.
About the streets of Melbourne town the sound of bells is borne
That call the citizens to prayer that fateful Sabbath morn;
But there upon Eureka's hill, a hundred miles away,
The diggers' forms lie white and still above the blood-stained clay.
The bells that toll the diggers' death might also ring a knell
For those few gallant soldiers, dead, who did their duty well.
The sight of murdered heroes is to hero-hearts a goad,
A thousand men are up in arms upon the Creswick road,
And wildest rumours in the air are flying up and down,
'Tis said the men of Ballarat will march on Melbourne town.
But not in vain those diggers died.
Their comrades may rejoice,
For o'er the voice of tyranny is heard the people's voice;
It says: "Reform your rotten law, the diggers' wrongs make right,
Or else with them, our brothers now, we'll gather to the fight.
"
'Twas of such stuff the men were made who saw our nation born,
And such as Lalor were the men who led the vanguard on;
And like such men may we be found, with leaders such as they,
In the roll-up of Australians on our darkest, grandest day!
|
Written by
Les Murray |
Back, in my fifties, fatter that I was then,
I step on the sand, belch down slight horror to walk
a wincing pit edge, waiting for the pistol shot
laughter.
Long greening waves cash themselves, foam change
sliding into Ocean's pocket.
She turns: ridicule looks down,
strappy, with faces averted, or is glare and families.
The great hawk of the beach is outstretched, point to point,
quivering and hunting.
Cars are the stuff at its back.
You peer, at this age, but it's still there, ridicule,
the pistol that kills women, that gets them killed, crippling men
on the towel-spattered sand.
Equality is dressed, neatly,
with mouth still shut.
Bared body is not equal ever.
Some are smiled to each other.
Many surf, swim, play ball:
like that red boy, holding his wet T shirt off his breasts.
|