Written by
Barry Tebb |
I
Eddie Linden
Dear Eddie we’ve not met
Except upon the written page
And at your age the wonder
Is that you write at all
When so many have gone under
Or been split asunder by narcissistic humours
Blunder following blunder
Barker and Graham, godfathering my verse
Bearing me cloud-handed to Haworth moor
From my chained metropolitan moorings,
O hyaline March morning with Leeds
At its thrusting best, the thirsty beasts
Of night quenched as the furnaces
Of Hunslet where Hudswell Clarke’s locos
Rust in their skeletal sheds, rails skewed
To graveyards platforms and now instead
Skyscrapers circle the city, cranes, aeroplanes,
Electric trains but even they cannot hinder
Branches bursting with semen
Seraphic cloud sanctuaries shunting
Us homeward to the beckoning moors.
II
Brenda Williams
Leeds voices soothe the turbulence
‘Ey’ ‘sithee’ and ‘love’, lastingly lilt
From cradle to grave, from backstreet
On the social, our son, beat his way
To Eton, Balliol, to Calcatta’s Shantiniketan
And all the way back to a locked ward.
While I in the meantime fondly fiddled
With rhyme and unreason, publishing pamphlets
And Leeds Poetry Weekly while under the bane
Of his tragic illness, poet and mother,
You were driven from pillar to post
By the taunting yobbery of your family
And the crass insensitivity of wild therapy
To the smoking dark of despair,
Locked in your flat in the Abbey Road
With seven cats and poetry.
O stop and strop your bladed darkness
On the rock of ages while plangent tollings
Mock your cradled rockings, knock by knock.
III
Debjani Chatterjee
In these doom-laden days
You are steady as a pilot nursing tired ships homeward
Through churning seas
Where grey gulls scream
Forlornly and for ever.
I am the red-neck,
Bear-headed blaster
Shifting sheer rock
To rape the ore of poetry’s plunder
Or bulldozing trees to glean mines of silver
While you sail serenely onward
Ever the diplomat’s daughter
Toujours de la politesse.
IV
Daisy Abey
Daisy, dearest of all, safest
And kindest, watcher and warner
Of chaotic corners looming
Round poetry’s boomerang bends
I owe you most a letter
While you are here beside me
Patient as a miller waiting on wind
To drive the great sails
Through summer.
When the muse takes over
I am snatched from order and duty
Blowing routine into a riot of going
And coming, blind, backwards, tip
Over ****, sea waves crashing in suburbia,
Saturnalia in Sutton, headlines of mad poet
Striding naked over moors, roaring
"I am here I am waiting".
V
Jeremy Reed
Niagaras of letters on pink sheets
In sheaths of silver envelopes
Mutually exchanged. I open your missives
Like undressing a girl in my teens
Undoing the flap like a recalcitrant
Bra strap, the letters stiff as nipples
While I stroke the creviced folds
Of amber and mauve and lick
As I stick stamps like the ********
Of a reluctant virgin, urgent for
Defloration and the pulse of ******.
|
Written by
T S (Thomas Stearns) Eliot |
After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience 330
Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink
Amongst the rock one cannot stop or think
Sweat is dry and feet are in the sand
If there were only water amongst the rock
Dead mountain mouth of carious teeth that cannot spit
Here one can neither stand nor lie nor sit 340
There is not even silence in the mountains
But dry sterile thunder without rain
There is not even solitude in the mountains
But red sullen faces sneer and snarl
From doors of mudcracked houses
If there were water
And no rock
If there were rock
And also water
And water 350
A spring
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock
Where the hermit-thrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water
Who is the third who walks always beside you? 360
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
—But who is that on the other side of you?
What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth 370
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal
A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light 380
Whistled, and beat their wings
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.
In this decayed hole among the mountains
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind's home.
It has no windows, and the door swings, 390
Dry bones can harm no one.
Only a cock stood on the rooftree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain
Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder 400
DA
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment's surrender
Which an age of prudence can never retract
By this, and this only, we have existed
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms 410
DA
Dayadhvam: I have heard the key
Turn in the door once and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aetherial rumours
Revive for a moment a broken Coriolanus
DA
Damyata: The boat responded
Gaily, to the hand expert with sail and oar 420
The sea was calm, your heart would have responded
Gaily, when invited, beating obedient
To controlling hands
I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?
London Bridge is falling down falling down falling down
Poi s'ascose nel foco che gli affina
Quando fiam ceu chelidon— O swallow swallow
Le Prince d'Aquitaine a la tour abolie 430
These fragments I have shored against my ruins
Why then Ile fit you. Hieronymo's mad againe.
Datta. Dayadhvam. Damyata.
Shantih shantih shantih
Line 416 aetherial] aethereal
Line 429 ceu] uti— Editor
|
Written by
Alfred Lord Tennyson |
MY father left a park to me,
But it is wild and barren,
A garden too with scarce a tree,
And waster than a warren:
Yet say the neighbours when they call,
It is not bad but good land,
And in it is the germ of all
That grows within the woodland.
O had I lived when song was great
In days of old Amphion,
And ta'en my fiddle to the gate,
Nor cared for seed or scion!
And had I lived when song was great,
And legs of trees were limber,
And ta'en my fiddle to the gate,
And fiddled in the timber!
'Tis said he had a tuneful tongue,
Such happy intonation,
Wherever he sat down and sung
He left a small plantation;
Wherever in a lonely grove
He set up his forlorn pipes,
The gouty oak began to move,
And flounder into hornpipes.
The mountain stirr'd its bushy crown,
And, as tradition teaches,
Young ashes pirouetted down
Coquetting with young beeches;
And briony-vine and ivy-wreath
Ran forward to his rhyming,
And from the valleys underneath
Came little copses climbing.
The linden broke her ranks and rent
The woodbine wreaths that bind her,
And down the middle, buzz! she went
With all her bees behind her:
The poplars, in long order due,
With cypress promenaded,
The shock-head willows two and two
By rivers gallopaded.
Came wet-shod alder from the wave,
Came yews, a dismal coterie;
Each pluck'd his one foot from the grave,
Poussetting with a sloe-tree:
Old elms came breaking from the vine,
The vine stream'd out to follow,
And, sweating rosin, plump'd the pine
From many a cloudy hollow.
And wasn't it a sight to see,
When, ere his song was ended,
Like some great landslip, tree by tree,
The country-side descended;
And shepherds from the mountain-eaves
Look'd down, half-pleased, half-frighten'd,
As dash'd about the drunken leaves
The random sunshine lighten'd!
Oh, nature first was fresh to men,
And wanton without measure;
So youthful and so flexile then,
You moved her at your pleasure.
Twang out, my fiddle! shake the twigs'
And make her dance attendance;
Blow, flute, and stir the stiff-set sprigs,
And scirrhous roots and tendons.
'Tis vain ! in such a brassy age
I could not move a thistle;
The very sparrows in the hedge
Scarce answer to my whistle;
'Or at the most, when three-parts-sick
With strumming and with scraping,
A jackass heehaws from the rick,
The passive oxen gaping.
But what is that I hear ? a sound
Like sleepy counsel pleading;
O Lord !--'tis in my neighbour's ground,
The modern Muses reading.
They read Botanic Treatises,
And Works on Gardening thro' there,
And Methods of transplanting trees
To look as if they grew there.
The wither'd Misses! how they prose
O'er books of travell'd seamen,
And show you slips of all that grows
From England to Van Diemen.
They read in arbours clipt and cut,
And alleys, faded places,
By squares of tropic summer shut
And warm'd in crystal cases.
But these, tho' fed with careful dirt,
Are neither green nor sappy;
Half-conscious of the garden-squirt,
The spindlings look unhappy.
Better to me the meanest weed
That blows upon its mountain,
The vilest herb that runs to seed
Beside its native fountain.
And I must work thro' months of toil,
And years of cultivation,
Upon my proper patch of soil
To grow my own plantation.
I'll take the showers as they fall,
I will not vex my bosom:
Enough if at the end of all
A little garden blossom.
|
Written by
Dylan Thomas |
Incarnate devil in a talking snake,
The central plains of Asia in his garden,
In shaping-time the circle stung awake,
In shapes of sin forked out the bearded apple,
And God walked there who was a fiddling warden
And played down pardon from the heavens' hill.
When we were strangers to the guided seas,
A handmade moon half holy in a cloud,
The wisemen tell me that the garden gods
Twined good and evil on an eastern tree;
And when the moon rose windily it was
Black as the beast and paler than the cross.
We in our Eden knew the secret guardian
In sacred waters that no frost could harden,
And in the mighty mornings of the earth;
Hell in a horn of sulphur and the cloven myth,
All heaven in the midnight of the sun,
A serpent fiddled in the shaping-time.
|
Written by
Edgar Lee Masters |
I had fiddled all day at the county fair.
But driving home "Butch" Weldy and Jack McGuire,
Who were roaring full, made me fiddle and fiddle
To the song of Susie Skinner, while whipping the horses
Till they ran away.
Blind as I was, I tried to get out
As the carriage fell in the ditch,
And was caught in the wheels and killed.
There's a blind man here with a brow
As big and white as a cloud.
And all we fiddlers, from highest to lowest,
Writers of music and tellers of stories
Sit at his feet,
And hear him sing of the fall of Troy.
|
Written by
Marriott Edgar |
I'll tell you the tale of an old country pub
As fancied itself up to date,
It had the word " Garage" wrote on t' stable door
And a petrol pump outside the gate.
The " George and the Dragon" were t' name of the pub,
And it stood in a spot wild and bleak,
Where nowt ever seemed to be passing that way
Except Carrier's cart once a week.
The Carrier's cart were a sturdy old Ford
And its driver were known as " Old Joe
He had passed pub each week but he'd never been in,
It's name even he didn't know.
One cold winter night, about quarter to one,
He were driving home over the moor,
And had just reached the pub, when his engine stopped dead
A thing it had ne'er done before.
He lifted the bonnet and fiddled around
And gave her a bit of a crank;
When he looked at his petrol he found what were wrong,
There wasn't a drop in the tank.
He had eight miles to go and 'twere starting to rain,
And he thought he were there for the night,
Till he saw the word " Garage" wrote on t' stable door;
Then he said, " Lizzie, Lass... we're all right."
He went up to t' pub and he hammered at door
Till a voice up above said " Hello!"
It were t' Publican's Wife-she said,
"Now what's to do?", "I've run out of petrol," said Joe.
She said " Who are you? " He said " Carrier Joe."
" Oh, so that's who it is," she replied
You've been passing this door now for close on ten years
And never once set foot inside."
"A nice time of night to come knocking folks up,
She continued. "Away with your truck,
" You'd best get your petrol where you buy your beer...
" You only come here when you re stuck."
Said Joe, "Aye, I'll go if you'll sell me some fuel,
"I can't start my engine without.
"I'm willing to pay." but she told him to go
Where he'd get his fuel for nowt.
"Coom, coom, Lass!" said Joe, conci-latory like,
"Let bygones be bygones, and when
I come round next time I'll look in."
She said, "Oh, Well, your petrol can wait until then."
With these few remarks th' old girl took in her head
And slammed winder to in his face;
He took a look round and for t' very first time
He noticed the name of the place.
He picked up some pebbles he found in the road
And tossed them against winder pane,
And before very long lattice opened above
And out came the old girl again.
What d'ye want? " she enquired. And " Not you," Joe replied,
For this treatment had fair raised his gorge
"I see George and t' Dragon's the name on the house,
"And I'd just like a word now with George."
|
Written by
William Ernest Henley |
The beach was crowded. Pausing now and then,
He groped and fiddled doggedly along,
His worn face glaring on the thoughtless throng
The stony peevishness of sightless men.
He seemed scarce older than his clothes. Again,
Grotesquing thinly many an old sweet song,
So cracked his fiddle, his hand so frail and wrong,
You hardly could distinguish one in ten.
He stopped at last, and sat him on the sand,
And, grasping wearily his bread-winner,
Staring dim towards the blue immensity,
Then leaned his head upon his poor old hand.
He may have slept: he did not speak nor stir:
His gesture spoke a vast despondency.
|
Written by
Carl Sandburg |
IF I should pass the tomb of Jonah
I would stop there and sit for awhile;
Because I was swallowed one time deep in the dark
And came out alive after all.
If I pass the burial spot of Nero
I shall say to the wind, “Well, well!”—
I who have fiddled in a world on fire,
I who have done so many stunts not worth doing.
I am looking for the grave of Sinbad too.
I want to shake his ghost-hand and say,
“Neither of us died very early, did we?”
And the last sleeping-place of Nebuchadnezzar—
When I arrive there I shall tell the wind:
“You ate grass; I have eaten crow—
Who is better off now or next year?”
Jack Cade, John Brown, Jesse James,
There too I could sit down and stop for awhile.
I think I could tell their headstones:
“God, let me remember all good losers.”
I could ask people to throw ashes on their heads
In the name of that sergeant at Belleau Woods,
Walking into the drumfires, calling his men,
“Come on, you … Do you want to live forever?”
|
Written by
Marriott Edgar |
One day, little Albert Ramsbottom
To see 'ow much money 'e'd got
Stuck a knife in 'is money-box slot 'ole
And fiddled and fished out the lot.
It amounted to fifteen and fourpence
Which 'e found by a few simple sums
Were ninety two tuppenny ices
Or twice that in penn'orths of gums.
The sound of the chinkin' of money
Soon brought father's 'ead round the door
He said, "Whats that there, on the table?"
Albert said it were, "Fifteen and four."
"You're not going to spend all that money..."
Said Pa, in an admonitory tone
"On toffee an' things for your stomach."
Said Mother, "Why not?... it's his own."
Said Pa, "Nay, with that fifteen shillings,
We'll buy National Savings and then...
In five years we'll have seventeen and six
And one pound and sixpence, in ten!"
Young Albert weren't what you'd call eager
He saw his sweet dreams fade away,
Ma said, "Let 'im 'ave the odd fourpence."
Pa lovingly answered, "Nay... nay!"
"It's our duty in crisis... what's 'appened
For every child, woman and man
To strain every muscle and sinew
To raise every penny we can!"
He said, "Even this little fourpence...
Might help us, the Germans to drub!"
Then 'e dropped the four coins in 'is pocket
And made for the neighbouring pub.
These words stirred the 'eart of young Albert
He made up 'is mind then and there
To take up 'is part in the straining
And sell everything 'e could spare.
So off 'e went down to the junk shop
With some toys and a flashlamp, he'd got.
And the stick with the 'orses 'ead 'andle
He received half a crown for the lot.
He went off to the Post Office counter
Where National Savings was bought
But found that they cost fifteen shillings
Which meant he were twelve and six short.
The little lad wasn't down 'earted
He went off without wastin' words
And sold 'is dad's smoking companion
And 'is Mother's glass case of stuffed birds.
At the Post Office counter they gave 'im
A certificate all crisp and clean
Then back 'e went 'ome, to his parents
To say what a good boy he'd been.
They didn't 'alf shout, when he told 'em
By Gumm... but 'e were in the wars
But at finish, they 'ad to forgive 'im
It were all done in such a grand cause.
There's a moral, of course. to this story
That's pointing to you and to me...
Let's all be young Alberts and tend
To defend the right to be free.
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