Written by
Gerard Manley Hopkins |
Glory be to God for dappled things—
For skies of couple-color as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
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Written by
Kahlil Gibran |
The gold-hoarder walked in his palace park and with him walked his troubles.
And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden.
His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish.
He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high.
Today I am a prisoner of greed.
Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields.
Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man.
I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian.
Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth.
Today I find myself among the people like a frightened lamb among the wolves.
As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects.
Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity.
What I thought was glory is naught but an eternal inferno.
"
He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?"
As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem.
He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity.
.
.
until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil.
The house of true fortune is being destroyed; it is time to rebuild it and guard it.
The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!"
At that moment a poor man stood before him and stretched forth his hand for alms.
As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness.
It was as if the yesterday he had lamented by the lake had come to greet him.
He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers.
All your possessions will be restored.
"
He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson.
Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music.
Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man.
"
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Written by
Percy Bysshe Shelley |
The pale, the cold, and the moony smile
Which the meteor beam of a starless night
Sheds on a lonely and sea-girt isle,
Ere the dawning of morn's undoubted light,
Is the flame of life so fickle and wan
That flits round our steps till their strength is gone.
O man! hold thee on in courage of soul
Through the stormy shades of thy wordly way,
And the billows of clouds that around thee roll
Shall sleep in the light of a wondrous day,
Where hell and heaven shall leave thee free
To the universe of destiny.
This world is the nurse of all we know,
This world is the mother of all we feel,
And the coming of death is a fearful blow
To a brain unencompass'd by nerves of steel:
When all that we know, or feel, or see,
Shall pass like an unreal mystery.
The secret things of the grave are there,
Where all but this frame must surely be,
Though the fine-wrought eye and the wondrous ear
No longer will live, to hear or to see
All that is great and all that is strange
In the boundless realm of unending change.
Who telleth a tale of unspeaking death?
Who lifteth the veil of what is to come?
Who painteth the shadows that are beneath
The wide-winding caves of the peopled tomb?
Or uniteth the hopes of what shall be
With the fears and the love for that which we see?
|
Written by
Countee Cullen |
I doubt not God is good, well-meaning, kind
And did He stoop to quibble could tell why
The little buried mole continues blind,
Why flesh that mirrors Him must some day die,
Make plain the reason tortured Tantalus
Is baited by the fickle fruit, declare
If merely brute caprice dooms Sisyphus
To struggle up a never-ending stair.
Inscrutable His ways are, and immune
To catechism by a mind too strewn
With petty cares to slightly understand
What awful brain compels His awful hand.
Yet do I marvel at this curious thing:
To make a poet black, and bid him sing!
|
Written by
Erica Jong |
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the dirty ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day.
.
.
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.
I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.
Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.
The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.
I look forward and see myself looking back.
|
Written by
George (Lord) Byron |
In law an infant, and in years a boy,
In mind a slave to every vicious joy;
From every sense of shame and virtue wean'd;
In lies an adept, in deceit a fiend;
Versed in hypocrisy, while yet a child;
Fickle as wind, of inclinations wild;
Women his dupe, his heedless friend a tool;
Old in the world, though scarcely broke from school;
Dam?tas ran through all the maze of sin,
And found the goal when others just begin:
Even still conflicting passions shake his soul,
And bid him drain the dregs of pleasure's bowl;
But, pall'd with vice, he breaks his former chain,
And what was once his bliss appears his bane.
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Written by
Rg Gregory |
from late december onwards the day comes back
but not till february do we see those glimpses
that let us take deep darkness off the rack
and shake it free of lethargy that cramps us
through those dim months we’re made amanuensis
to what loud rain and bitter spells dictate
we seek bed early and must get up late
long january’s puffing in the right direction
but its early mornings keep that midnight feel
it still is subject to the date’s dejection
but once it’s over – see how light can steal
through cracks of trees and curtains - beneath the keel
of the eastern skyline (rocking like a boat
surprised so early to find itself afloat)
and from the earth presentiments are rustling
as cheeky snowdrops hoist their periscopes
within a week a mass of them is bustling
and white becomes the flavour of the slopes
and people flock invigorating hopes
seasons (they say) have forfeited effect on
one snowdrop-look and instantly dejection
is whipped (though biting winds and brooding skies)
away from the pure white cream the eyes are lapping
a frisson blooms as every bloodstream tries
to come to terms with its own natural sapping
and from the earth reorganise that mapping
that reaches out to plot those far endeavours
a spirit yearns for (wishing its forevers)
so walk away – no spread of simple flowers
can change the limitations we must live with
snowdrops come and go – our fickle powers
play havoc with the talents we can thrive with
it’s just that february comes and lo - forthwith
for one brief snowdrop moment there’s a blaze
that lights the world up with its splash of praise
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Written by
Thomas Hood |
A Pathetic Ballad
Ben Battle was a soldier bold,
And used to war's alarms;
But a cannon-ball took off his legs,
So he laid down his arms.
Now as they bore him off the field,
Said he, 'Let others shoot;
For here I leave my second leg,
And the Forty-second Foot.
'
The army-surgeons made him limbs:
Said he, 'They're only pegs;
But there's as wooden members quite,
As represent my legs.
'
Now Ben he loved a pretty maid, --
Her name was Nelly Gray;
So he went to pay her his devours,
When he devoured his pay.
But when he called on Nelly Gray,
She made him quite a scoff;
And when she saw his wooden legs,
Began to take them off.
'O Nelly Gray! O Nelly Gray!'
Is this your love so warm?
The love that loves a scarlet coat
Should be a little more uniform.
Said she, ' I loved a soldier once,
For he was blithe and brave;
But I will never have a man
With both legs in the grave
'Before you had those timber toes
Your love I did allow;
But then, you know, you stand upon
Another footing now.
'
'O Nelly Gray! O Nelly Gray!
For all your jeering speeches,
At duty's call I left my legs
In Badajos's breaches.
'
'Why, then,' said she, 'you've lost the feet
Of legs in war's alarms,
And now you cannot wear your shoes
Upon your feats of arms!'
'O false and fickle Nelly Gray!
I know why you refuse:
Though I've no feet, some other man
Is standing in my shoes.
'I wish I ne'er had seen your face;
But, now, a long farewell!
For you will be my death' -- alas!
You will not be my Nell!'
Now when he went from Nelly Gray
His heart so heavy got,
And life was such a burden grown,
It made him take a knot.
So round his melancholy neck
A rope he did intwine,
And, for his second time in life,
Enlisted in the Line.
One end he tied around a beam,
And then removed his pegs;
And, as his legs were off -- of course
He soon was off his legs.
And there he hung till he was dead
As any nail in town;
For, though distress had cut him up,
It could not cut him down.
A dozen men sat on his corpse,
To find out why he died, --
And they buried Ben in four cross-roads
With a stake in his inside.
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Written by
Robert William Service |
Said darling daughter unto me:
"oh Dad, how funny it would be
If you had gone to Mexico
A score or so of years ago.
Had not some whimsey changed your plan
I might have been a Mexican.
With lissome form and raven hair,
Instead of being fat and fair.
"Or if you'd sailed the Southern Seas
And mated with a Japanese
I might have been a squatty girl
With never golden locks to curl,
Who flirted with a painted fan,
And tinkled on a samisan,
And maybe slept upon a mat -
I'm very glad I don't do that.
"When I consider the romance
Of all your youth of change and chance
I might, I fancy, just as well
Have bloomed a bold Tahitian belle,
Or have been born .
.
.
but there - ah no!
I draw the line - and Esquimeaux.
It scares me stiff to think of what
I might have been - thank God! I'm not.
"
Said I: "my dear, don't be absurd,
Since everything that has occurred,
Through seeming fickle in your eyes,
Could not a jot be otherwise.
For in this casual cosmic biz
The world can be but what it is;
And nobody can dare deny
Part of this world is you and I.
Or call it fate or destiny
No other issue could there be.
Though half the world I've wandered through
Cause and effect have linked us two.
Aye, all the aeons of the past
Conspired to bring us here at last,
And all I ever chanced to do
Inevitably led to you.
To you, to make you what you are,
A maiden in a Morris car,
IN Harris tweeds, an airedale too,
But Anglo-Saxon through and through.
And all the good and ill I've done
In every land beneath the sun
Magnificently led to this -
A country cottage and - your kiss.
"
|
Written by
Robert Burns |
NAE gentle dames, tho’ e’er sae fair,
Shall ever be my muse’s care:
Their titles a’ arc empty show;
Gie me my Highland lassie, O.
Chorus.
—Within the glen sae bushy, O,
Aboon the plain sae rashy, O,
I set me down wi’ right guid will,
To sing my Highland lassie, O.
O were yon hills and vallies mine,
Yon palace and yon gardens fine!
The world then the love should know
I bear my Highland Lassie, O.
But fickle fortune frowns on me,
And I maun cross the raging sea!
But while my crimson currents flow,
I’ll love my Highland lassie, O.
Altho’ thro’ foreign climes I range,
I know her heart will never change,
For her bosom burns with honour’s glow,
My faithful Highland lassie, O.
For her I’ll dare the billow’s roar,
For her I’ll trace a distant shore,
That Indian wealth may lustre throw
Around my Highland lassie, O.
She has my heart, she has my hand,
By secret troth and honour’s band!
Till the mortal stroke shall lay me low,
I’m thine, my Highland lassie, O.
Farewell the glen sae bushy, O!
Farewell the plain sae rashy, O!
To other lands I now must go,
To sing my Highland lassie, O.
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