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Best Famous Fi Poems

Here is a collection of the all-time best famous Fi poems. This is a select list of the best famous Fi poetry. Reading, writing, and enjoying famous Fi poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of fi poems.

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Written by Anne Sexton | Create an image from this poem

The Addict

 Sleepmonger,
deathmonger,
with capsules in my palms each night,
eight at a time from sweet pharmaceutical bottles
I make arrangements for a pint-sized journey.
I'm the queen of this condition.
I'm an expert on making the trip
and now they say I'm an addict.
Now they ask why.
WHY!

Don't they know that I promised to die!
I'm keeping in practice.
I'm merely staying in shape.
The pills are a mother, but better,
every color and as good as sour balls.
I'm on a diet from death.

Yes, I admit
it has gotten to be a bit of a habit-
blows eight at a time, socked in the eye,
hauled away by the pink, the orange,
the green and the white goodnights.
I'm becoming something of a chemical
mixture.
that's it!
My supply
of tablets
has got to last for years and years.
I like them more than I like me.
It's a kind of marriage.
It's a kind of war where I plant bombs inside
of myself.
Yes
I try
to kill myself in small amounts,
an innocuous occupation.
Actually I'm hung up on it.
But remember I don't make too much noise.
And frankly no one has to lug me out
and I don't stand there in my winding sheet.
I'm a little buttercup in my yellow nightie
eating my eight loaves in a row
and in a certain order as in
the laying on of hands
or the black sacrament.
It's a ceremony
but like any other sport
it's full of rules.
It's like a musical tennis match where
my mouth keeps catching the ball.
Then I lie on; my altar
elevated by the eight chemical kisses.
What a lay me down this is
with two pink, two orange,
two green, two white goodnights.
Fee-fi-fo-fum-
Now I'm borrowed.
Now I'm numb.


Written by Robert William Service | Create an image from this poem

Canine Conversation

 If dogs could speak, O Mademoiselle,
What funny stories they could tell!
For instance, take your little "peke,"
How awkward if the dear could speak!
How sad for you and all of us,
Who round you flutter, flirt and fuss;
Folks think you modest, mild and meek . . .
But would they - if Fi-Fi could speak?

If dogs could tell, Ah Madame Rose,
What secrets could they not disclose!
If your pet poodle Angeline
Could hint at half of what she's seen,
Your reputation would, I fear,
As absolutely disappear
As would a snowball dropped in hell . . .
If Angeline could only tell.

If dogs could speak, how dangerous
It would be for a lot of us!
At what they see and what they hear
They wink an eye and wag an ear.
How fortunate for old and young
The darlings have a silent tongue!
We love them, but it's just as well
For all of us that - dogs can't tell.
Written by Anne Sexton | Create an image from this poem

The Big Boots Of Pain

 There can be certain potions 
needled in the clock 
for the body's fall from grace, 
to untorture and to plead for. 
These I have known 
and would sell all my furniture 
and books and assorted goods 
to avoid, and more, more. 

But the other pain
I would sell my life to avoid 
the pain that begins in the crib 
with its bars or perhaps 
with your first breath 
when the planets drill 
your future into you 
for better of worse 
as you marry life 
and the love that gets doled out 
or doesn't. 

I find now, swallowing one teaspoon 
of pain, that it drops downward 
to the past where it mixes 
with last year's cupful 
and downward into a decade's quart 
and downward into a lifetime's ocean. 
I alternate treading water 
and deadman's float. 

The teaspoon ought to be hearable 
if it didn't mix into the reruns 
and thus enlarge into what it is not, 
a sea pest's sting turning promptly 
into the shark's neat biting off 
of a leg because the soul 
wears a magnifying glass. 
Kicking the heart 
with pain's big boots running up and down 
the intestines like a motorcycle racer. 

Yet one does get out of bed 
and start over, plunge into the day 
and put on a hopeful look 
and does not allow fear to build a wall 
between you and an old friend 
or a new friend and reach out your hand, 
shutting down the thought that 
an axe may cut it off unexpectedly. 
One learns not to blab about all this 
except to yourself or the typewriter keys 
who tell no one until they get brave 
and crawl off onto the printed page. 

I'm getting bored with it, 
I tell the typewriter, 
this constantly walking around 
in wet shoes and then, surprise! 
Somehow DECEASED keeps getting 
stamped in red over the word HOPE. 
And I who keep falling thankfully 
into each new pillow of belief, 
finding my Mercy Street, 
kissing it and tenderly gift-wrapping my love, 
am beginning to wonder just what 
the planets had in mind on November 9th, 1928. 
The pillows are ripped away, 
the hand guillotined, 
dog **** thrown into the middle of a laugh, 
a hornets' nest building into the hi-fi speaker 
and leaving me in silence, 
where, without music, 
I become a cracked orphan. 

Well, 
one gets out of bed 
and the planets don't always hiss 
or muck up the day, each day. 
As for the pain and its multiplying teaspoon, 
perhaps it is a medicine 
that will cure the soul 
of its greed for love 
next Thursday.
Written by Andrew Marvell | Create an image from this poem

A Letter To Doctor Ingelo then With My Lord Whitlock Amba

 Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.
Heu quae Cervices subnectunt Pectora tales.
Frigidiora Gelu, candidiora Nive.
Caetera non licuit, sed vix ea tota, videre;
Nam chau fi rigido stant Adamante Sinus.
Seu chlamys Artifici nimium succurrerit auso,
Sicque imperfectum fugerit impar Opus:
Sive tribus spernat Victrix certare Deabus,
Et pretium formae nec spoliata ferat.
Junonis properans & clara Trophaea Minervae;
Mollia nam Veneris praemia nosse piget.
Hinc neque consuluit fugitivae prodiga Formae,
Nectimuit seris invigilasse Libris.
Insommem quoties Nymphae monuere sequaces
Decedet roseis heu color ille Genis.
Jamque vigil leni cessit Philomela sopori,
Omnibus & Sylvis conticuere Ferae.
Acrior illa tamen pergit, Curasque fatigat:
Tanti est doctorum volvere scripta Virum.
Et liciti quae sint moderamina discere Regni,
Quid fuerit, quid sit, noscere quicquid erit.
Sic quod in ingenuas Gothus peccaverit Artes
Vindicat, & studiis expiat Una suis.
Exemplum dociles imitantur nobile Gentes,
Et geminis Infans imbuit Ora sonis.
Transpositos Suecis credas migrasse Latinos,
Carmine Romuleo sic strepit omne Nemus.
Upsala nec priscis impar memoratur Athenis,
Aegidaque & Currus hic sua Pallas habet.
Illinc O quales liceat sperasse Liquores,
Quum Dea praesideat fontibus ipsa sacris!
Illic Lacte ruant illic & flumina Melle,
Fulvaque inauratam tingat Arena Salam.
Upsalides Musae nunc & majora conemus,
Quaeque mihi Famae non levis Aura tulit.
Creditur haud ulli Christus signasse suorum
Occultam gemina de meliore Notam.
Quemque tenet charo descriptum Nomine semper,
Non minus exculptum Pectore fida refert.
Sola haec virgineas depascit Flamma Medullas,
Et licito pergit solvere corda foco.
Tu quoque Sanctorum fastos Christina sacrabis,
Unica nec Virgo Volsiniensis erit.
Discite nunc Reges (Majestas proxima coelo)
Discite proh magnos hinc coluisse Deos.
Ah pudeat Tanitos puerilia fingere coepta,
Nugas nescio quas, & male quaerere Opes.
Acer Equo cunctos dum praeterit illa Britanno,
Et pecoris spolium nescit inerme sequi.
Ast Aquilam poscit Germano pellere Nido,
Deque Palatino Monte fugare Lupam.
Vos etiam latos in praedam jungite Campos,
Impiaque arctatis cingite Lustra Plagis.
Victor Oliverus nudum Caput exerit Armis,
Ducere sive sequi nobile laetus Iter.
Qualis jam Senior Solymae Godfredus ad Arces,
Spina cui canis floruit alba comis.
Et lappos Christina potest & solvere Finnos,
Ultima quos Boreae carcere Claustra premunt.
Aeoliis quales Venti fremuere sub antris,
Et tentant Montis corripuisse moras.
Hanc Dea si summa demiserit Arce procellam
Quam gravis Austriacis Hesperiisque cadat!
Omnia sed rediens olim narraveris Ipse;
Nec reditus spero tempora longa petit.
Non ibi lenta pigro stringuntur frigore Verba,
Solibus, & tandem Vere liquanda novo.
Sed radiis hyemem Regina potentior urit;
Haecque magis solvit, quam ligat illa Polum.
Dicitur & nostros moerens andisse Labores,
Fortis & ingenuam Gentis amasse Fidem.
Oblatae Batavam nec paci commodat Aurem;
Nec versat Danos insidiosa dolos.
Sed pia festinat mutatis Foedera rebus,
Et Libertatem quae dominatur amat.
Digna cui Salomon meritos retulisset honores,
Et Saba concretum Thure cremasset Iter.
Hanc tua, sed melius, celebraverit, Ingele, Musa;
Et labor est vestrae debitus ille Lyrae.
Nos sine te frustra Thamisis saliceta subimus,
Sparsaque per steriles Turba vagamur Agros.
Et male tentanti querulum respondet Avena:
Quin & Rogerio dissiluere fides.
Haec tamen absenti memores dictamus Amico,
Grataque speramus qualiacumque fore.
Written by Andrew Barton Paterson | Create an image from this poem

Mulligans Mare

 Oh, Mulligan's bar was the deuce of a place 
To drink, and to fight, and to gamble and race; 
The height of choice spirits from near and from far 
Were all concentrated on Mulligan's bar. 

There was "Jerry the Swell", and the jockey-boy Ned, 
"Dog-bite-me" -- so called from the shape of his head -- 
And a man whom the boys, in their musical slang, 
Designated the "Gaffer of Mulligan's Gang". 

Now Mulligan's Gang had a racer to show, 
A bad un to look at, a good un to go; 
Whenever they backed her you safely might swear 
She'd walk in a winner, would Mulligan's mare. 

But Mulligan, having some radical views, 
Neglected his business and got on the booze; 
He took up with runners -- a treacherous troop -- 
Who gave him away, and he "fell in the soup". 

And so it turned out on a fine summer day, 
A bailiff turned up with a writ of "fi. fa."; 
He walked to the bar with a manner serene, 
"I levy," said he, "in the name of the Queen." 

Then Mulligan wanted, in spite of the law, 
To pay out the bailiff with "one on the jaw"; 
He drew out to hit him; but ere you could wink, 
He changed his intention and stood him a drink. 

A great consultation there straightway befell 
'Twixt jockey-boy Neddy and Jerry the Swell, 
And the man with the head, who remarked "Why, you bet! 
Dog-bite-me!" said he, "but we'll diddle 'em yet. 

"We'll slip out the mare from her stall in a crack, 
And put in her place the old broken-down hack; 
The hack is so like her, I'm ready to swear 
The bailiff will think he has Mulligan's mare. 

"So out with the racer and in with the screw, 
We'll show him what Mulligan's talent can do; 
And if he gets nasty and dares to say much, 
I'll knock him as stiff as my grandfather's crutch." 

Then off to the town went the mare and the lad; 
The bailiff came out, never dreamt he was "had"; 
But marched to the stall with a confident air -- 
"I levy," said he, "upon Mulligan's mare." 

He watched her by day and he watched her by night, 
She was never an instant let out of his sight, 
For races were coming away in the West 
And Mulligan's mare had a chance with the best. 

"Here's a slant," thought the bailiff, "to serve my own ends, 
I'll send off a wire to my bookmaking friends: 
'Get all you can borrow, beg, snavel or snare 
And lay the whole lot against Mulligan's mare.'" 

The races came round, and the crowd on the course 
Were laying the mare till they made themselves hoarse, 
And Mulligan's party, with ardour intense, 
They backed her for pounds and for shillings and pence. 

But think of the grief of the bookmaking host 
At the sound of the summons to go to the post -- 
For down to the start with her thoroughbred air 
As fit as a fiddle pranced Mulligan's mare! 

They started, and off went the boy to the front, 
He cleared out at once, and he made it a hunt; 
He steadied as rounding the corner they wheeled, 
Then gave her her head -- and she smothered the field. 

The race put her owner right clear of his debts; 
He landed a fortune in stakes and in bets, 
He paid the old bailiff the whole of his pelf, 
And gave him a hiding to keep for himself. 

So all you bold sportsmen take warning, I pray, 
Keep clear of the running, you'll find it don't pay; 
For the very best rule that you'll hear in a week 
Is never to bet on a thing that can speak. 

And whether you're lucky or whether you lose, 
Keep clear of the cards and keep clear of the booze, 
And fortune in season will answer your prayer 
And send you a flyer like Mulligan's mare.


Written by Allen Ginsberg | Create an image from this poem

First Party At Ken Keseys With Hells Angels

 Cool black night thru redwoods
cars parked outside in shade
behind the gate, stars dim above
the ravine, a fire burning by the side
porch and a few tired souls hunched over
in black leather jackets. In the huge
wooden house, a yellow chandelier 
at 3 A.M. the blast of loudspeakers
hi-fi Rolling Stones Ray Charles Beatles
Jumping Joe Jackson and twenty youths
dancing to the vibration thru the floor,
a little weed in the bathroom, girls in scarlet
tights, one muscular smooth skinned man
sweating dancing for hours, beer cans
bent littering the yard, a hanged man
sculpture dangling from a high creek branch,
children sleeping softly in their bedroom bunks.
And 4 police cars parked outside the painted
gate, red lights revolving in the leaves.

 December 1965
Written by Vachel Lindsay | Create an image from this poem

An Apology for the Bottle Volcanic

 Sometimes I dip my pen and find the bottle full of fire, 
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold. I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think."
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—
All demons of a bottle size have pranced from you to-day,
And seized my pen for hobby-horse as witches ride a broom,
And left a trail of brimstone words and blots and gobs of gloom.
And yet when I am extra good and say my prayers at night, 
And mind my ma, and do the chores, and speak to folks polite,
My bottle spreads a rainbow-mist, and from the vapor fine
Ten thousand troops from fairyland come riding in a line.
I've seen them on their chargers race around my study chair,
They opened wide the window and rode forth upon the air.
The army widened as it went, and into myriads grew,
O how the lances shimmered, how the silvery trumpets blew!
Written by Robert William Service | Create an image from this poem

Madam La Maquise

 Said Hongray de la Glaciere unto his proud Papa:
"I want to take a wife mon Père," The Marquis laughed: "Ha! Ha!
And whose, my son?" he slyly said; but Hongray with a frown
Cried, "Fi! Papa, I mean - to wed, I want to settle down."
The Marquis de la Glaciere responded with a smile;
"You're young my boy; I much prefer that you should wait awhile."
But Hongray sighed: "I cannot wait, for I am twenty-four;
And I have met my blessed fate: I worship and adore.
Such beauty, grace and charm has she, I'm sure you will approve,
For if I live a century none other can I love."
"I have no doubt," the Marquis shrugged, "that she's a proper pet;
But has she got a decent dot, and is she of our set?"
"Her dot," said Hongray, "will suffice; her family you know.
The girl with whom I fain would splice is Mirabelle du Veau."

What made the Marquis start and stare, and clutch his perfumed beard?
Why did he stagger to a chair and murmur: "As I feared?"
Dilated were his eyes with dread, and in a voice of woe
He wailed: "My son, you cannot wed with Mirabelle du Veau."
"Why not? my Parent," Hongray cried. "Her name's without a slur.
Why should you look so horrified that I should wed with her?"
The Marquis groaned: "Unhappy lad! Forget her if you can,
And see in your respected Dad a miserable man."
"What id the matter? I repeat," said Hongray growing hot.
"She's witty, pretty, rich and sweet... Then- mille diables!- what?"
The Marquis moaned: "Alas! that I your dreams of bliss should banish;
It happened in the days gone-by, when I was Don Juanish.
Her mother was your mother's friend, and we were much together.
Ah well! You know how such things end. (I blame it on the weather.)
We had a very sultry spell. One day, mon Dieu! I kissed her.
My son, you can't wed Mirabelle. She is... she is your sister."

So broken-hearted Hongray went and roamed the world around,
Till hunting in the Occident forgetfulness he found.
Then quite recovered, he returned to the paternal nest,
Until one day, with brow that burned, the Marquis he addresses:
"Felicitate me, Father mine; my brain s in a whirl;
For I have found the mate divine, the one, the perfect girl.
She's healthy, wealthy, witching, wise, with loveliness serene.
And Proud am I to win a prize, half angel and half queen."
"'Tis time to wed," the Marquis said, "You must be twenty-seven.
But who is she whose lot may be to make your life a heaven?"
"A friend of childhood," Hongray cried. "For whom regard you feel.
The maid I fain would be my bride is Raymonde de la Veal."

The Marquis de la Glaciere collapsed upon the floor,
And all the words he uttered were: "Forgive me, I implore.
My sins are heavy on my head. Profound remorse I feel.
My son, you simply cannot wed with Raymonde de la Veal."
Then Hongray spoke voice that broke, and corrugated brow:
"Inform me, Sir, why you demur. What is the matter now?"
The Marquis wailed: "My wicked youth! Ah! how it gives me pain.
But let me tell the awful truth, my agony explain...
A cursed Casanova I; a finished flirt her mother;
And so alas! it came to pass we fell for one another:
Our lives were blent in bliss and joy, The sequel you may gather:
You cannot wed Raymonde, my boy, because I am...her father."

Again sore-stricken Hongray fled, and sought his grief to smother,
And as he writhed upon his bed to him there came his Mother.
The Marquise de la Glaciere was snowy-haired and frigid.
Her wintry featured chiselled were, her manner stiff and rigid.
The pride of race was in her face, her bearing high and stately,
And sinking down by Hongray's side she spoke to him sedately:
"What ails you so, my precious child? What throngs of sorrow smite you?
Why are your eyes so wet and wild? Come tell me, I invite you."
"Ah! if I told you, Mother dear," said Hongray with a shiver,
"Another's honour would, I fear, be in the soup forever."
"Nay trust," she begged, "My only boy, the fond Mama who bore you.
Perhaps I may, your grief alloy. Please tell me, I implore you."

And so his story Hngray told, in accents choked and muffled.
The Marquise listened calm and cold, her visage quite unruffled.
He told of Mirabelle du Veau, his agony revealing.
For Raymonde de la Veal his woe was quite beyond concealing.
And still she sat without a word, her look so high and haughty,
You'd ne'er have thought it was her lord who had behaved so naughty.
Then Hongray finished up: "For life my hopes are doomed to slaughter;
For if I choose another wife, she's sure to be his daughter."
The Marquise rose. "Cheer up," said she, "the last word is not spoken.
A Mother cannot sit and see her boy's heart rudely broken.
So dry your tears and calm your fears; no longer need you tarry;
To-day your bride you may decide, to-morrow you may marry.
Yes, you may wed with Mirabelle, or Raymonde if you'd rather...
For I as well the truth may tell...Papa is not your father."
Written by Robert William Service | Create an image from this poem

Fi-Fi In Bed

 Up into the sky I stare;
All the little stars I see;
And I know that God is there
O, how lonely He must be!

Me, I laugh and leap all day,
Till my head begins to nod;
He's so great, He cannot play:
I am glad I am not God.

Poor kind God upon His throne,
Up there in the sky so blue,
Always, always all alone . . .
"Please, dear God, I pity You."

Book: Reflection on the Important Things