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Best Famous Favorites Poems

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found. 

During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along 
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple, 
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump 
Thirty feet down the mountain’s granite foot. 

Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range 
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view. 
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.


Written by John Dryden | Create an image from this poem

Heroic Stanzas

 Consecrated to the Glorious Memory of His 
Most Serene and Renowned Highness, Oliver,
Late Lord Protector of This Commonwealth, etc.
(Oliver Cromwell)

Written After the Celebration of his Funeral 


1

And now 'tis time; for their officious haste, 
Who would before have borne him to the sky, 
Like eager Romans ere all rites were past 
Did let too soon the sacred eagle fly. 

2

Though our best notes are treason to his fame 
Join'd with the loud applause of public voice; 
Since Heav'n, what praise we offer to his name, 
Hath render'd too authentic by its choice; 

3

Though in his praise no arts can liberal be, 
Since they whose Muses have the highest flown 
Add not to his immortal memory, 
But do an act of friendship to their own; 

4

Yet 'tis our duty and our interest too 
Such monuments as we can build to raise, 
Lest all the world prevent what we should do 
And claim a title in him by their praise. 

5

How shall I then begin, or where conclude 
To draw a fame so truly circular? 
For in a round what order can be shew'd, 
Where all the parts so equal perfect are? 

6

His grandeur he deriv'd from Heav'n alone, 
For he was great ere fortune made him so, 
And wars like mists that rise against the sun 
Made him but greater seem, not greater grown. 

7

No borrow'd bays his temples did adorn, 
But to our crown he did fresh jewels bring. 
Nor was his virtue poison'd soon as born 
With the too early thoughts of being king. 

8

Fortune (that easy mistress of the young 
But to her ancient servant coy and hard) 
Him at that age her favorites rank'd among 
When she her best-lov'd Pompey did discard. 

9

He, private, mark'd the faults of others' sway, 
And set as sea-marks for himself to shun, 
Not like rash monarchs who their youth betray 
By acts their age too late would wish undone. 

10

And yet dominion was not his design; 
We owe that blessing not to him but Heaven, 
Which to fair acts unsought rewards did join, 
Rewards that less to him than us were given. 

11

Our former chiefs like sticklers of the war 
First sought t'inflame the parties, then to poise, 
The quarrel lov'd, but did the cause abhor, 
And did not strike to hurt but make a noise. 

12

War, our consumption, was their gainfull trade; 
We inward bled whilst they prolong'd our pain; 
He fought to end our fighting and assay'd 
To stanch the blood by breathing of the vein. 

13

Swift and resistless through the land he pass'd 
Like that bold Greek who did the east subdue, 
And made to battles such heroic haste 
As if on wings of victory he flew. 

14

He fought secure of fortune as of fame, 
Till by new maps the island might be shown, 
Of conquests which he strew'd where'er he came 
Thick as a galaxy with stars is sown. 

15

His palms, though under weights they did not stand, 
Still thriv'd; no winter could his laurels fade; 
Heav'n in his portrait shew'd a workman's hand 
And drew it perfect yet without a shade. 

16

Peace was the prize of all his toils and care, 
Which war had banish'd and did now restore; 
Bologna's walls thus mounted in the air 
To seat themselves more surely than before. 

17

Her safety rescu'd Ireland to him owes, 
And treacherous Scotland, to no int'rest true, 
Yet bless'd that fate which did his arms dispose 
Her land to civilize as to subdue. 

18

Nor was he like those stars which only shine 
When to pale mariners they storms portend; 
He had his calmer influence, and his mien 
Did love and majesty together blend. 

19

'Tis true, his count'nance did imprint an awe, 
And naturally all souls to his did bow, 
As wands of divination downward draw 
And points to beds where sov'reign gold doth grow. 

20

When past all offerings to Feretrian Jove, 
He Mars depos'd and arms to gowns made yield; 
Successful councils did him soon approve 
As fit for close intrigues as open field. 

21

To suppliant Holland he vouchsaf'd a peace, 
Our once bold rival in the British main, 
Now tamely glad her unjust claim to cease 
And buy our friendship with her idol, gain. 

22

Fame of th' asserted sea through Europe blown 
Made France and Spain ambitious of his love; 
Each knew that side must conquer he would own, 
And for him fiercely as for empire strove. 

23

No sooner was the Frenchman's cause embrac'd 
Than the light monsieur the grave don outweigh'd; 
His fortune turn'd the scale where it was cast, 
Though Indian mines were in the other laid. 

24

When absent, yet we conquer'd in his right, 
For though some meaner artist's skill were shown 
In mingling colours, or in placing light, 
Yet still the fair designment was his own. 

25

For from all tempers he could service draw; 
The worth of each with its alloy he knew, 
And as the confidant of Nature saw 
How she complexions did divide and brew. 

26

Or he their single virtues did survey 
By intuition in his own large breast, 
Where all the rich ideas of them lay, 
That were the rule and measure to the rest. 

27

When such heroic virtue Heav'n sets out, 
The stars like Commons sullenly obey, 
Because it drains them when it comes about, 
And therefore is a tax they seldom pay. 

28

From this high spring our foreign conquests flow, 
Which yet more glorious triumphs do portend, 
Since their commencement to his arms they owe, 
If springs as high as fountains may ascend. 

29

He made us freemen of the continent 
Whom Nature did like captives treat before, 
To nobler preys the English lion sent, 
And taught him first in Belgian walks to roar. 

30

That old unquestion'd pirate of the land, 
Proud Rome, with dread the fate of Dunkirk heard, 
And trembling wish'd behind more Alps to stand, 
Although an Alexander were here guard. 

31

By his command we boldly cross'd the line 
And bravely fought where southern stars arise, 
We trac'd the far-fetch'd gold unto the mine 
And that which brib'd our fathers made our prize. 

32

Such was our prince; yet own'd a soul above 
The highest acts it could produce to show: 
Thus poor mechanic arts in public move 
Whilst the deep secrets beyond practice go. 

33

Nor di'd he when his ebbing fame went less, 
But when fresh laurels courted him to live; 
He seem'd but to prevent some new success, 
As if above what triumphs earth could give. 

34

His latest victories still thickest came, 
As near the center motion does increase, 
Till he, press'd down by his own weighty name, 
Did, like the vestal, under spoils decrease. 

35

But first the ocean as a tribute sent 
That giant prince of all her watery herd, 
And th' isle when her protecting genius went 
Upon his obsequies loud sighs conferr'd. 

36

No civil broils have since his death arose, 
But faction now by habit does obey, 
And wars have that respect for his repose, 
As winds for halycons when they breed at sea. 

37

His ashes in a peaceful urn shall rest; 
His name a great example stands to show 
How strangely high endeavours may be blest, 
Where piety and valour jointly go.
Written by Elizabeth Bishop | Create an image from this poem

The Map

 Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges
showing the line of long sea-weeded ledges
where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?

The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
--the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.

Mapped waters are more quiet than the land is,
lending the land their waves' own conformation:
and Norway's hare runs south in agitation,
profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors?
--What suits the character or the native waters best.
Topography displays no favorites; North's as near as West.
More delicate than the historians' are the map-makers' colors.
Written by Isaac Watts | Create an image from this poem

Hymn 138

 Saints in the hands of Christ

Jn. 10:28,29. 

Firm as the earth thy gospel stands,
My Lord, my hope, my trust;
If I am found in Jesus' hands,
My soul can ne'er be lost.

His honor is engaged to save
The meanest of his sheep;
All that his heav'nly Father gave
His hands securely keep.

Nor death nor hell shall e'er remove
His favorites from his breast;
In the dear bosom of his love
They must for ever rest.
Written by Rainer Maria Rilke | Create an image from this poem

The Second Elegy

Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door  
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?

Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.

But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡­ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them? Appearance ceaselessly rises
in their face and is gone. Like dew from the morning grass
what is ours floats into the air like steam from a dish
of hot food. O smile where are you going? O upturned glance:
new warm receding wave on the sea of the heart¡­
alas but that is what we are. Does the infinite space
we dissolve into taste of us then? Do the angels really
reabsorb only the radiance that streamed out from themselves or
sometimes as if by an oversight is there a trace
of our essence in it as well? Are we mixed in with their
features even as slightly as that vague look
in the faces of pregnant women? They do not notice it
(how could they notice) in their swirling return to themselves.

Lovers if they knew how might utter strange marvelous
Words in the night air. For it seems that everything
hides us. Look: trees do exist; the houses
that we live in still stand. We alone
fly past all things as fugitive as the wind.
And all things conspire to keep silent about us half
out of shame perhaps half as unutterable hope.

Lovers gratified in each other I am asking you
about us. You hold each other. Where is your proof?
Look sometimes I find that my hands have become aware
of each other or that my time-worn face
shelters itself inside them. That gives me a slight
sensation. But who would dare to exist just for that?
You though who in the other's passion
grow until overwhelmed he begs you:
No more¡­ ; you who beneath his hands
swell with abundance like autumn grapes;
you who may disappear because the other has wholly
emerged: I am asking you about us. I know
you touch so blissfully because the caress preserves
because the place you so tenderly cover
does not vanish; because underneath it 
you feel pure duration. So you promise eternity almost
from the embrace. And yet when you have survived
the terror of the first glances the longing at the window
and the first walk together once only through the garden:
lovers are you the same? When you lift yourselves up
to each other's mouth and your lips join drink against drink:
oh how strangely each drinker seeps away from his action.

Weren't you astonished by the caution of human gestures
on Attic gravestones? Wasn't love and departure
placed so gently on shoulders that is seemed to be made
of a different substance than in our world? Remember the hands
how weightlessly they rest though there is power in the torsos.
These self-mastered figures know: "We can go this far
This is ours to touch one another this lightly; the gods
Can press down harder upon us. But that is the gods' affair."

If only we too could discover a pure contained
human place our own strip of fruit-bearing soil
between river and rock. For our own heart always exceeds us
as theirs did. And we can no longer follow it gazing
into images that soothe it into the godlike bodies
where measured more greatly if achieves a greater repose.


Written by Walt Whitman | Create an image from this poem

Drum-Taps

 1
FIRST, O songs, for a prelude, 
Lightly strike on the stretch’d tympanum, pride and joy in my city, 
How she led the rest to arms—how she gave the cue, 
How at once with lithe limbs, unwaiting a moment, she sprang; 
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!) 
How you sprang! how you threw off the costumes of peace with indifferent hand; 
How your soft opera-music changed, and the drum and fife were heard in their stead; 
How you led to the war, (that shall serve for our prelude, songs of soldiers,) 
How Manhattan drum-taps led.

2
Forty years had I in my city seen soldiers parading; 
Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city, 
Sleepless amid her ships, her houses, her incalculable wealth, 
With her million children around her—suddenly, 
At dead of night, at news from the south,
Incens’d, struck with clench’d hand the pavement. 

A shock electric—the night sustain’d it; 
Till with ominous hum, our hive at day-break pour’d out its myriads. 

From the houses then, and the workshops, and through all the doorways, 
Leapt they tumultuous—and lo! Manhattan arming.

3
To the drum-taps prompt, 
The young men falling in and arming; 
The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost
 aside
 with
 precipitation;) 
The lawyer leaving his office, and arming—the judge leaving the court; 
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly
 down on
 the
 horses’ backs;
The salesman leaving the store—the boss, book-keeper, porter, all leaving; 
Squads gather everywhere by common consent, and arm; 
The new recruits, even boys—the old men show them how to wear their
 accoutrements—they
 buckle the straps carefully; 
Outdoors arming—indoors arming—the flash of the musket-barrels; 
The white tents cluster in camps—the arm’d sentries around—the sunrise
 cannon,
 and
 again at sunset;
Arm’d regiments arrive every day, pass through the city, and embark from the wharves;

(How good they look, as they tramp down to the river, sweaty, with their guns on their
 shoulders! 
How I love them! how I could hug them, with their brown faces, and their clothes and
 knapsacks
 cover’d with dust!) 
The blood of the city up—arm’d! arm’d! the cry everywhere; 
The flags flung out from the steeples of churches, and from all the public buildings and
 stores;
The tearful parting—the mother kisses her son—the son kisses his mother; 
(Loth is the mother to part—yet not a word does she speak to detain him;) 
The tumultuous escort—the ranks of policemen preceding, clearing the way; 
The unpent enthusiasm—the wild cheers of the crowd for their favorites; 
The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over
 the
 stones;
(Silent cannons—soon to cease your silence! 
Soon, unlimber’d, to begin the red business;) 
All the mutter of preparation—all the determin’d arming; 
The hospital service—the lint, bandages, and medicines; 
The women volunteering for nurses—the work begun for, in earnest—no mere parade
 now;
War! an arm’d race is advancing!—the welcome for battle—no turning away; 
War! be it weeks, months, or years—an arm’d race is advancing to welcome it. 

4
Mannahatta a-march!—and it’s O to sing it well! 
It’s O for a manly life in the camp! 
And the sturdy artillery!
The guns, bright as gold—the work for giants—to serve well the guns: 
Unlimber them! no more, as the past forty years, for salutes for courtesies merely; 
Put in something else now besides powder and wadding. 

5
And you, Lady of Ships! you Mannahatta! 
Old matron of this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frown’d amid all your
 children; 
But now you smile with joy, exulting old Mannahatta!
Written by Isaac Watts | Create an image from this poem

Hymn 148

 The names and titles of Christ. From several scriptures.

With cheerful voice I sing
The titles of my Lord,
And borrow all the names
Of honor from his word:
Nature and art can ne'er supply
Sufficient forms of majesty.

In Jesus we behold
His Father's glorious face,
Shining for ever bright,
With mild and lovely rays
Th' eternal God's eternal Son
Inherits and partakes the throne.]

The sovereign King of kings,
The Lord of lords most high,
Writes his own name upon
His garment and his thigh:
His name is called The Word of God;
He rules the earth with iron rod.

Where promises and grace
Can neither melt nor move,
The angry Lamb resents
The injuries of his love;
Awakes his wrath without delay,
As lions roar, and tear the prey.

But when for works of peace
The great Redeemer comes,
What gentle characters,
What titles he assumes!
Light of the world, and Life of men;
Nor will he bear those names in vain.

Immense compassion reigns
In our Immanuel's heart,
When he descends to act
A Mediator's part:
He is a Friend and Brother too;
Divinely kind, divinely true.

At length the Lord the Judge
His awful throne ascends,
And drives the rebels far
From favorites and friends:
Then shall the saints completely prove
The heights and depths of all his love.
Written by Emily Dickinson | Create an image from this poem

The Souls Superior instants

 The Soul's Superior instants
Occur to Her -- alone --
When friend -- and Earth's occasion
Have infinite withdrawn --

Or She -- Herself -- ascended
To too remote a Height
For lower Recognition
Than Her Omnipotent --

This Mortal Abolition
Is seldom -- but as fair
As Apparition -- subject
To Autocratic Air --

Eternity's disclosure
To favorites -- a few --
Of the Colossal substance
Of Immortality
Written by Omar Khayyam | Create an image from this poem

This wheel of heaven which tells its secrets to no man,

This wheel of heaven which tells its secrets to no man,
has killed a thousand Mahmouds [Sultans] and a thousand
Ayaz [favorites]; drink wine, for the life of none
shall ever be restored. Alas! not one of all those who
left the world can again return!

Book: Radiant Verses: A Journey Through Inspiring Poetry