Written by
Walt Whitman |
1
GREAT are the myths—I too delight in them;
Great are Adam and Eve—I too look back and accept them;
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
warriors,
and priests.
Great is Liberty! great is Equality! I am their follower;
Helmsmen of nations, choose your craft! where you sail, I sail,
I weather it out with you, or sink with you.
Great is Youth—equally great is Old Age—great are the Day and Night;
Great is Wealth—great is Poverty—great is Expression—great is Silence.
Youth, large, lusty, loving—Youth, full of grace, force, fascination!
Do you know that Old Age may come after you, with equal grace, force, fascination?
Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter,
The Night follows close, with millions of suns, and sleep, and restoring darkness.
Wealth, with the flush hand, fine clothes, hospitality;
But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love;
(Who goes for men and women showing Poverty richer than wealth?)
Expression of speech! in what is written or said, forget not that Silence is also
expressive,
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without
words.
2
Great is the Earth, and the way it became what it is;
Do you imagine it has stopt at this? the increase abandon’d?
Understand then that it goes as far onward from this, as this is from the times when it
lay in
covering waters and gases, before man had appear’d.
Great is the quality of Truth in man;
The quality of truth in man supports itself through all changes,
It is inevitably in the man—he and it are in love, and never leave each other.
The truth in man is no dictum, it is vital as eyesight;
If there be any Soul, there is truth—if there be man or woman there is truth—if
there
be physical or moral, there is truth;
If there be equilibrium or volition, there is truth—if there be things at all upon
the
earth, there is truth.
O truth of the earth! I am determin’d to press my way toward you;
Sound your voice! I scale mountains, or dive in the sea after you.
3
Great is Language—it is the mightiest of the sciences,
It is the fulness, color, form, diversity of the earth, and of men and women, and of all
qualities and processes;
It is greater than wealth—it is greater than buildings, ships, religions, paintings,
music.
Great is the English speech—what speech is so great as the English?
Great is the English brood—what brood has so vast a destiny as the English?
It is the mother of the brood that must rule the earth with the new rule;
The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul
rule.
Great is Law—great are the few old land-marks of the law,
They are the same in all times, and shall not be disturb’d.
4
Great is Justice!
Justice is not settled by legislators and laws—it is in the Soul;
It cannot be varied by statutes, any more than love, pride, the attraction of gravity,
can;
It is immutable—it does not depend on majorities—majorities or what not, come at
last
before the same passionless and exact tribunal.
For justice are the grand natural lawyers, and perfect judges—is it in their Souls;
It is well assorted—they have not studied for nothing—the great includes the
less;
They rule on the highest grounds—they oversee all eras, states, administrations.
The perfect judge fears nothing—he could go front to front before God;
Before the perfect judge all shall stand back—life and death shall stand
back—heaven
and hell shall stand back.
5
Great is Life, real and mystical, wherever and whoever;
Great is Death—sure as life holds all parts together, Death holds all parts together.
Has Life much purport?—Ah, Death has the greatest purport.
|
Written by
D. H. Lawrence |
A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.
He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.
Someone was before me at my water-trough,
And I, like a second comer, waiting.
He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.
And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.
But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?
Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.
And yet those voices:
If you were not afraid, you would kill him!
And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.
He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.
And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.
I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.
I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.
And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.
And I thought of the albatross
And I wished he would come back, my snake.
For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.
And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.
Taormina, 1923
|
Written by
Edward Estlin (E E) Cummings |
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when (being fool to fancy) i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination, when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
-turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
|
Written by
Walt Whitman |
O MAGNET-SOUTH! O glistening, perfumed South! My South!
O quick mettle, rich blood, impulse, and love! Good and evil! O all dear to me!
O dear to me my birth-things—All moving things, and the trees where I was
born—the
grains,
plants, rivers;
Dear to me my own slow sluggish rivers where they flow, distant, over flats of silvery
sands,
or
through swamps;
Dear to me the Roanoke, the Savannah, the Altamahaw, the Pedee, the Tombigbee, the Santee,
the
Coosa, and the Sabine;
O pensive, far away wandering, I return with my Soul to haunt their banks again;
Again in Florida I float on transparent lakes—I float on the Okeechobee—I cross
the
hummock land, or through pleasant openings, or dense forests;
I see the parrots in the woods—I see the papaw tree and the blossoming titi;
Again, sailing in my coaster, on deck, I coast off Georgia—I coast up the Carolinas,
I see where the live-oak is growing—I see where the yellow-pine, the scented
bay-tree, the
lemon and orange, the cypress, the graceful palmetto;
I pass rude sea-headlands and enter Pamlico Sound through an inlet, and dart my vision
inland;
O the cotton plant! the growing fields of rice, sugar, hemp!
The cactus, guarded with thorns—the laurel-tree, with large white flowers;
The range afar—the richness and barrenness—the old woods charged with mistletoe
and
trailing moss,
The piney odor and the gloom—the awful natural stillness, (Here in these dense swamps
the
freebooter carries his gun, and the fugitive slave has his conceal’d hut;)
O the strange fascination of these half-known, half-impassable swamps, infested by
reptiles,
resounding with the bellow of the alligator, the sad noises of the night-owl and the
wild-cat,
and
the whirr of the rattlesnake;
The mocking-bird, the American mimic, singing all the forenoon—singing through the
moon-lit
night,
The humming-bird, the wild turkey, the raccoon, the opossum;
A Tennessee corn-field—the tall, graceful, long-leav’d corn—slender,
flapping,
bright
green with tassels—with beautiful ears, each well-sheath’d in its husk;
An Arkansas prairie—a sleeping lake, or still bayou;
O my heart! O tender and fierce pangs—I can stand them not—I will depart;
O to be a Virginian, where I grew up! O to be a Carolinian!
O longings irrepressible! O I will go back to old Tennessee, and never wander more!
|
Written by
Alec Derwent (A D) Hope |
At noon thepaper tigers roar
-- Miroslav Holub
The paper tigers roar at noon;
The sun is hot, the sun is high.
They roar in chorus, not in tune,
Their plaintive, savage hunting cry.
O, when you hear them, stop your ears
And clench your lids and bite your tongue.
The harmless paper tiger bears
Strong fascination for the young.
His forest is the busy street;
His dens the forum and the mart;
He drinks no blood, he tastes no meat:
He riddles and corrupts the heart.
But when the dusk begins to creep
From tree to tree, from door to door,
The jungle tiger wakes from sleep
And utters his authentic roar.
It bursts the night and shakes the stars
Till one breaks blazing from the sky;
Then listen! If to meet it soars
Your heart's reverberating cry,
My child, then put aside your fear:
Unbar the door and walk outside!
The real tiger waits you there;
His golden eyes shall be your guide.
And, should he spare you in his wrath,
The world and all the worlds are yours;
And should he leap thejungle path
And clasp you with his bloody jaws,
Then say, as his divine embrace
Destroys the mortal parts of you:
I too am of that royal race
Who do what we are born to do.
|
Written by
D. H. Lawrence |
My world is a painted fresco, where coloured shapes
Of old, ineffectual lives linger blurred and warm;
An endless tapestry the past has women drapes
The halls of my life, compelling my soul to conform.
The surface of dreams is broken,
The picture of the past is shaken and scattered.
Fluent, active figures of men pass along the railway, and I am woken
From the dreams that the distance flattered.
Along the railway, active figures of men.
They have a secret that stirs in their limbs as they move
Out of the distance, nearer, commanding my dreamy world.
Here in the subtle, rounded flesh
Beats the active ecstasy.
In the sudden lifting my eyes, it is clearer,
The fascination of the quick, restless Creator moving through the mesh
Of men, vibrating in ecstasy through the rounded flesh.
Oh my boys, bending over your books,
In you is trembling and fusing
The creation of a new-patterned dream, dream of a generation:
And I watch to see the Creator, the power that patterns the dream.
The old dreams are beautiful, beloved, soft-toned, and sure,
But the dream-stuff is molten and moving mysteriously,
Alluring my eyes; for I, am I not also dream-stuff,
Am I not quickening, diffusing myself in the pattern, shaping and shapen?
Here in my class is the answer for the great yearning:
Eyes where I can watch the swim of old dreams reflected on the molten metal of dreams,
Watch the stir which is rhythmic and moves them all as a heart-beat moves the blood,
Here in the swelling flesh the great activity working,
Visible there in the change of eyes and the mobile features.
Oh the great mystery and fascination of the unseen Shaper,
The power of the melting, fusing Force—heat, light, all in one,
Everything great and mysterious in one, swelling and shaping the dream in the flesh,
As it swells and shapes a bud into blossom.
Oh the terrible ecstasy of the consciousness that I am life!
Oh the miracle of the whole, the widespread, labouring concentration
Swelling mankind like one bud to bring forth the fruit of a dream,
Oh the terror of lifting the innermost I out of the sweep of the impulse of life,
And watching the great Thing labouring through the whole round flesh of the world;
And striving to catch a glimpse of the shape of the coming dream,
As it quickens within the labouring, white-hot metal,
Catch the scent and the colour of the coming dream,
Then to fall back exhausted into the unconscious, molten life!
|
Written by
Conrad Aiken |
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often .
.
.
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry .
.
.
Here, by the river,
She listened to the water slapping the wall,
And felt ***** fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins .
.
.
And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out .
.
.
How could she say it? That was the hideous thing.
She'd rather die than say it! .
.
.
and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her .
.
.
well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue .
.
.
She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again .
.
.
she bit her lips, and trembled,
And looked away, and said .
.
.
'Say Paul, boy,—listen—
There's something I must tell you .
.
.
' There she stopped,
Wondering what he'd say .
.
.
What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick .
.
.
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much.
But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he .
.
.
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.
'
And then she'd die .
.
.
But that was hard on Paul .
.
.
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her .
.
.
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late.
No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
|
Written by
Walt Whitman |
IN a faraway northern county, in the placid, pastoral region,
Lives my farmer friend, the theme of my recitative, a famous Tamer of Oxen:
There they bring him the three-year-olds and the four-year-olds, to break them;
He will take the wildest steer in the world, and break him and tame him;
He will go, fearless, without any whip, where the young bullock chafes up and down the
yard;
The bullock’s head tosses restless high in the air, with raging eyes;
Yet, see you! how soon his rage subsides—how soon this Tamer tames him:
See you! on the farms hereabout, a hundred oxen, young and old—and he is the man who
has
tamed them;
They all know him—all are affectionate to him;
See you! some are such beautiful animals—so lofty looking!
Some are buff color’d—some mottled—one has a white line running along his
back—some are brindled,
Some have wide flaring horns (a good sign)—See you! the bright hides;
See, the two with stars on their foreheads—See, the round bodies and broad backs;
See, how straight and square they stand on their legs—See, what fine, sagacious eyes;
See, how they watch their Tamer—they wish him near them—how they turn to look
after
him!
What yearning expression! how uneasy they are when he moves away from them:
—Now I marvel what it can be he appears to them, (books, politics, poems
depart—all
else departs;)
I confess I envy only his fascination—my silent, illiterate friend,
Whom a hundred oxen love, there in his life on farms,
In the northern county far, in the placid, pastoral region.
|
Written by
William Butler Yeats |
The fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart.
There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road-metal.
My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt.
|
Written by
Robert William Service |
The Sergeant of a Highland Reg-
-Iment was drilling of his men;
With temper notably on edge
He blest them every now and then.
A sweet old lady standing by,
Was looking on with fascination,
And then she dared this question shy,
That pertubates the Celtic nation.
"Oh gentle Sergeant do not scold;
Please tell me, though your tone so curt is:
These bare-legged boys look sadly cold -
Do they wear wool beneath their skirties?
The Sergeant's face grew lobster red,
As one who sends a bloke to blazes .
.
.
Then: "round about turn, squad," he said;
"Now blast you! bend and pick up daises.
"
|