Written by
George (Lord) Byron |
I
Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power—
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.
II
I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful:
And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects;—he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.
III
A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake;—he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion—then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew—
For quickly comes such knowledge—that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.
IV
A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.
V
A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty,—but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.
VI
A change came o'er the spirit of my dream.
The Wanderer was returned.—I saw him stand
Before an altar—with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood;—as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then—
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been—
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?
VII
A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!
VIII
A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret.—Be it so.
IX
My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.
|
Written by
Henry Kendall |
RIFTED mountains, clad with forests, girded round by gleaming pines,
Where the morning, like an angel, robed in golden splendour shines;
Shimmering mountains, throwing downward on the slopes a mazy glare
Where the noonday glory sails through gulfs of calm and glittering air;
Stately mountains, high and hoary, piled with blocks of amber cloud,
Where the fading twilight lingers, when the winds are wailing loud;
Grand old mountains, overbeetling brawling brooks and deep ravines,
Where the moonshine, pale and mournful, flows on rocks and evergreens.
Underneath these regal ridges - underneath the gnarly trees,
I am sitting, lonely-hearted, listening to a lonely breeze!
Sitting by an ancient casement, casting many a longing look
Out across the hazy gloaming - out beyond the brawling brook!
Over pathways leading skyward - over crag and swelling cone,
Past long hillocks looking like to waves of ocean turned to stone;
Yearning for a bliss unworldly, yearning for a brighter change,
Yearning for the mystic Aidenn, built beyond this mountain range.
Happy years, amongst these valleys, happy years have come and gone,
And my youthful hopes and friendships withered with them one by one;
Days and moments bearing onward many a bright and beauteous dream,
All have passed me like to sunstreaks flying down a distant stream.
Oh, the love returned by loved ones! Oh, the faces that I knew!
Oh, the wrecks of fond affection! Oh, the hearts so warm and true!
But their voices I remember, and a something lingers still,
Like a dying echo roaming sadly round a far off hill.
I would sojourn here contented, tranquil as I was of yore,
And would never wish to clamber, seeking for an unknown shore;
I have dwelt within this cottage twenty summers, and mine eyes
Never wandered erewhile round in search of undiscovered skies;
But a spirit sits beside me, veiled in robes of dazzling white,
And a dear one's whisper wakens with the symphonies of night;
And a low sad music cometh, borne along on windy wings,
Like a strain familiar rising from a maze of slumbering springs.
And the Spirit, by my window, speaketh to my restless soul,
Telling of the clime she came from, where the silent moments roll;
Telling of the bourne mysterious, where the sunny summers flee
Cliffs and coasts, by man untrodden, ridging round a shipless sea.
There the years of yore are blooming - there departed life-dreams dwell,
There the faces beam with gladness that I loved in youth so well;
There the songs of childhood travel, over wave-worn steep and strand -
Over dale and upland stretching out behind this mountain land.
``Lovely Being, can a mortal, weary of this changeless scene,
Cross these cloudy summits to the land where man hath never been?
Can he find a pathway leading through that wildering mass of pines,
So that he shall reach the country where ethereal glory shines;
So that he may glance at waters never dark with coming ships;
Hearing round him gentle language floating from angelic lips;
Casting off his earthly fetters, living there for evermore;
All the blooms of Beauty near him, gleaming on that quiet shore?
``Ere you quit this ancient casement, tell me, is it well to yearn
For the evanescent visions, vanished never to return?
Is it well that I should with to leave this dreary world behind,
Seeking for your fair Utopia, which perchance I may not find?
Passing through a gloomy forest, scaling steeps like prison walls,
Where the scanty sunshine wavers and the moonlight seldom falls?
Oh, the feelings re-awakened! Oh, the hopes of loftier range!
Is it well, thou friendly Being, well to wish for such a change?''
But the Spirit answers nothing! and the dazzling mantle fades;
And a wailing whisper wanders out from dismal seaside shades!
``Lo, the trees are moaning loudly, underneath their hood-like shrouds,
And the arch above us darkens, scarred with ragged thunder clouds!''
But the spirit answers nothing, and I linger all alone,
Gazing through the moony vapours where the lovely Dream has flown;
And my heart is beating sadly, and the music waxeth faint,
Sailing up to holy Heaven, like the anthems of a Saint.
|
Written by
Anna Akhmatova |
Not under foreign skies
Nor under foreign wings protected -
I shared all this with my own people
There, where misfortune had abandoned us.
[1961]
INSTEAD OF A PREFACE
During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad. One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name. Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957. Leningrad]
DEDICATION
Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict. Immediately a flood of tears,
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]
INTRODUCTION
[PRELUDE]
It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along -
Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.
I
You were taken away at dawn. I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God. . .
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather
To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935. Autumn. Moscow]
II
Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.
III
It isn't me, someone else is suffering. I couldn't.
Not like this. Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed. . .
Night.
IV
Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you -
That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away. . .
[1938]
V
For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever -
I can no longer distinguish
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]
VI
Weeks fly lightly by. Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939. Spring]
VII
THE VERDICT
The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.
I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again. . .
But how. The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939. Summer. Fontannyi Dom (4)]
VIII
TO DEATH
You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish. Burst in
Like a shell of noxious gas. Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore. The river Yenisey
Swirls on. The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939. Fontannyi Dom]
IX
Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.
That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.
However much I nag
However much I beg
It will not let me take
One single thing away:
Not my son's frightening eyes -
A suffering set in stone,
Or prison visiting hours
Or days that end in storms
Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940. Fontannyi Dom]
X
CRUCIFIXION
Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me. . .'
[1940. Fontannyi Dom]
2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943. Tashkent]
EPILOGUE
1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white. I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,
'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use. Everywhere, forever and always,
I will never forget one single thing. Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940. Fontannyi Dom]
FOOTNOTES
1 An elite guard which rose up in rebellion
against Peter the Great in 1698. Most were either
executed or exiled.
2 The imperial summer residence outside St
Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
Finland Station, called The Crosses because of the
shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
|
Written by
Paul Eluard |
I. Soon
Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best
Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright
Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone
I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters
II. The women’s role
As they sing, the maids dash forward
To tidy up the killing fields
Well-powdered girls, quickly to their knees
Their hands -- reaching for the fresh air --
Are blue like never before
What a glorious day!
Look at their hands, the dead
Look at their liquid eyes
This is the toilet of transience
The final toilet of life
Stones sink and disappear
In the vast, primal waters
The final toilet of time
Hardly a memory remains
the dried-up well of virtue
In the long, oppressive absences
One surrenders to tender flesh
Under the spell of weakness
III. As deep as the silence
As deep as the silence
Of a corpse under ground
With nothing but darkness in mind
As dull and deaf
As autumn by the pond
Covered with stale shame
Poison, deprived of its flower
And of its golden beasts
out its night onto man
IV. Patience
You, my patient one
My patience
My parent
Head held high and proudly
Organ of the sluggish night
Bow down
Concealing all of heaven
And its favor
Prepare for vengeance
A bed where I'll be born
V. First march, the voice of another
Laughing at sky and planets
Drunk with their confidence
The wise men wish for sons
And for sons from their sons
Until they all perish in vain
Time burdens only fools
While Hell alone prospers
And the wise men are absurd
VI. A wolf
Day surprises me and night scares me
haunts me and winter follows me
An animal walking on the snow has placed
Its paws in the sand or in the mud
Its paws have traveled
From further afar than my own steps
On a path where death
Has the imprints of life
VII. A flawless fire
The threat under the red sky
Came from below -- jaws
And scales and links
Of a slippery, heavy chain
Life was spread about generously
So that death took seriously
The debt it was paid without a thought
Death was the God of love
And the conquerors in a kiss
Swooned upon their victims
Corruption gained courage
And yet, beneath the red sky
Under the appetites for blood
Under the dismal starvation
The cavern closed
The kind earth filled
The graves dug in advance
Children were no longer afraid
Of maternal depths
And madness and stupidity
And vulgarity make way
For humankind and brotherhood
No longer fighting against life --
For an everlasting humankind
VIII. Liberty
On my school notebooks
On my desk, on the trees
On the sand, on the snow
I write your name
On all the read pages
On all the empty pages
Stone, blood, paper or ash
I write your name
On the golden images
On the weapons of warriors
On the crown of kings
I write your name
On the jungle and the desert
On the nests, on the broom
On the echo of my childhood
I write your name
On the wonders of nights
On the white bread of days
On the seasons betrothed
I write your name
d'azur On all my blue rags
On the sun-molded pond
On the moon-enlivened lake
I write your name
On the fields, on the horizon
On the wings of birds
And on the mill of shadows
I write your name
On every burst of dawn
On the sea, on the boats
On the insane mountain
I write your name
On the foam of clouds
On the sweat of the storm
On the rain, thick and insipid
I write your name
On the shimmering shapes
On the colorful bells
On the physical truth
I write your name
On the alert pathways
On the wide-spread roads
On the overflowing places
I write your name
On the lamp that is ignited
On the lamp that is dimmed
On my reunited houses
I write your name
On the fruit cut in two
Of the mirror and of my room
On my bed, an empty shell
I write your name
On my dog, young and greedy
On his pricked-up ears
On his clumsy paw
I write your name
On the springboard of my door
On the familiar objects
On the wave of blessed fire
I write your name
On all harmonious flesh
On the face of my friends
On every out-stretched hand
I write your name
On the window-pane of surprises
On the careful lips
Well-above silence
I write your name
On my destroyed shelter
On my collapsed beacon
On the walls of my weariness
I write your name
On absence without want
On naked solitude
On the steps of death
I write your name
On regained health
On vanished risk
On hope free from memory
I write your name
And by the power of one word
I begin my life again
I am born to know you
To call you by name: Liberty!
|
Written by
Edgar Allan Poe |
Romance, who loves to nod and sing
With drowsy head and folded wing
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—most familiar bird—
Taught me my alphabet to say,
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky;
And when an hour with calmer wings
Its down upon my spirit flings,
That little time with lyre and rhyme
To while away—forbidden things—
My heart would feel to be a crime
Unless it trembled with the strings.
|
Written by
Charlotte Bronte |
ARRANGING long-locked drawers and shelves
Of cabinets, shut up for years,
What a strange task we've set ourselves !
How still the lonely room appears !
How strange this mass of ancient treasures,
Mementos of past pains and pleasures;
These volumes, clasped with costly stone,
With print all faded, gilding gone;
These fans of leaves, from Indian trees
These crimson shells, from Indian seas
These tiny portraits, set in rings
Once, doubtless, deemed such precious things;
Keepsakes bestowed by Love on Faith,
And worn till the receiver's death,
Now stored with cameos, china, shells,
In this old closet's dusty cells.
I scarcely think, for ten long years,
A hand has touched these relics old;
And, coating each, slow-formed, appears,
The growth of green and antique mould.
All in this house is mossing over;
All is unused, and dim, and damp;
Nor light, nor warmth, the rooms discover
Bereft for years of fire and lamp.
The sun, sometimes in summer, enters
The casements, with reviving ray;
But the long rains of many winters
Moulder the very walls away.
And outside all is ivy, clinging
To chimney, lattice, gable grey;
Scarcely one little red rose springing
Through the green moss can force its way.
Unscared, the daw, and starling nestle,
Where the tall turret rises high,
And winds alone come near to rustle
The thick leaves where their cradles lie.
I sometimes think, when late at even
I climb the stair reluctantly,
Some shape that should be well in heaven,
Or ill elsewhere, will pass by me.
I fear to see the very faces,
Familiar thirty years ago,
Even in the old accustomed places
Which look so cold and gloomy now.
I've come, to close the window, hither,
At twilight, when the sun was down,
And Fear, my very soul would wither,
Lest something should be dimly shown.
Too much the buried form resembling,
Of her who once was mistress here;
Lest doubtful shade, or moonbeam trembling,
Might take her aspect, once so dear.
Hers was this chamber; in her time
It seemed to me a pleasant room,
For then no cloud of grief or crime
Had cursed it with a settled gloom;
I had not seen death's image laid
In shroud and sheet, on yonder bed.
Before she married, she was blest
Blest in her youth, blest in her worth;
Her mind was calm, its sunny rest
Shone in her eyes more clear than mirth.
And when attired in rich array,
Light, lustrous hair about her brow,
She yonder sata kind of day
Lit upwhat seems so gloomy now.
These grim oak walls, even then were grim;
That old carved chair, was then antique;
But what around looked dusk and dim
Served as a foil to her fresh cheek;
Her neck, and arms, of hue so fair,
Eyes of unclouded, smiling, light;
Her soft, and curled, and floating hair,
Gems and attire, as rainbow bright.
Reclined in yonder deep recess,
Ofttimes she would, at evening, lie
Watching the sun; she seemed to bless
With happy glance the glorious sky.
She loved such scenes, and as she gazed,
Her face evinced her spirit's mood;
Beauty or grandeur ever raised
In her, a deep-felt gratitude.
But of all lovely things, she loved
A cloudless moon, on summer night;
Full oft have I impatience proved
To see how long, her still delight
Would find a theme in reverie.
Out on the lawn, or where the trees
Let in the lustre fitfully,
As their boughs parted momently,
To the soft, languid, summer breeze.
Alas ! that she should e'er have flung
Those pure, though lonely joys away
Deceived by false and guileful tongue,
She gave her hand, then suffered wrong;
Oppressed, ill-used, she faded young,
And died of grief by slow decay.
Open that casketlook how bright
Those jewels flash upon the sight;
The brilliants have not lost a ray
Of lustre, since her wedding day.
But seeupon that pearly chain
How dim lies time's discolouring stain !
I've seen that by her daughter worn:
For, e'er she died, a child was born;
A child that ne'er its mother knew,
That lone, and almost friendless grew;
For, ever, when its step drew nigh,
Averted was the father's eye;
And then, a life impure and wild
Made him a stranger to his child;
Absorbed in vice, he little cared
On what she did, or how she fared.
The love withheld, she never sought,
She grew uncherishedlearnt untaught;
To her the inward life of thought
Full soon was open laid.
I know not if her friendlessness
Did sometimes on her spirit press,
But plaint she never made.
The book-shelves were her darling treasure,
She rarely seemed the time to measure
While she could read alone.
And she too loved the twilight wood,
And often, in her mother's mood,
Away to yonder hill would hie,
Like her, to watch the setting sun,
Or see the stars born, one by one,
Out of the darkening sky.
Nor would she leave that hill till night
Trembled from pole to pole with light;
Even then, upon her homeward way,
Longlong her wandering steps delayed
To quit the sombre forest shade,
Through which her eerie pathway lay.
You ask if she had beauty's grace ?
I know notbut a nobler face
My eyes have seldom seen;
A keen and fine intelligence,
And, better still, the truest sense
Were in her speaking mien.
But bloom or lustre was there none,
Only at moments, fitful shone
An ardour in her eye,
That kindled on her cheek a flush,
Warm as a red sky's passing blush
And quick with energy.
Her speech, too, was not common speech,
No wish to shine, or aim to teach,
Was in her words displayed:
She still began with quiet sense,
But oft the force of eloquence
Came to her lips in aid;
Language and voice unconscious changed,
And thoughts, in other words arranged,
Her fervid soul transfused
Into the hearts of those who heard,
And transient strength and ardour stirred,
In minds to strength unused.
Yet in gay crowd or festal glare,
Grave and retiring was her air;
'Twas seldom, save with me alone,
That fire of feeling freely shone;
She loved not awe's nor wonder's gaze,
Nor even exaggerated praise,
Nor even notice, if too keen
The curious gazer searched her mien.
Nature's own green expanse revealed
The world, the pleasures, she could prize;
On free hill-side, in sunny field,
In quiet spots by woods concealed,
Grew wild and fresh her chosen joys,
Yet Nature's feelings deeply lay
In that endowed and youthful frame;
Shrined in her heart and hid from day,
They burned unseen with silent flame;
In youth's first search for mental light,
She lived but to reflect and learn,
But soon her mind's maturer might
For stronger task did pant and yearn;
And stronger task did fate assign,
Task that a giant's strength might strain;
To suffer long and ne'er repine,
Be calm in frenzy, smile at pain.
Pale with the secret war of feeling,
Sustained with courage, mute, yet high;
The wounds at which she bled, revealing
Only by altered cheek and eye;
She bore in silencebut when passion
Surged in her soul with ceaseless foam,
The storm at last brought desolation,
And drove her exiled from her home.
And silent still, she straight assembled
The wrecks of strength her soul retained;
For though the wasted body trembled,
The unconquered mind, to quail, disdained.
She crossed the seanow lone she wanders
By Seine's, or Rhine's, or Arno's flow;
Fain would I know if distance renders
Relief or comfort to her woe.
Fain would I know if, henceforth, ever,
These eyes shall read in hers again,
That light of love which faded never,
Though dimmed so long with secret pain.
She will return, but cold and altered,
Like all whose hopes too soon depart;
Like all on whom have beat, unsheltered,
The bitter blasts that blight the heart.
No more shall I behold her lying
Calm on a pillow, smoothed by me;
No more that spirit, worn with sighing,
Will know the rest of infancy.
If still the paths of lore she follow,
'Twill be with tired and goaded will;
She'll only toil, the aching hollow,
The joyless blank of life to fill.
And oh ! full oft, quite spent and weary,
Her hand will pause, her head decline;
That labour seems so hard and dreary,
On which no ray of hope may shine.
Thus the pale blight of time and sorrow
Will shade with grey her soft, dark hair
Then comes the day that knows no morrow,
And death succeeds to long despair.
So speaks experience, sage and hoary;
I see it plainly, know it well,
Like one who, having read a story,
Each incident therein can tell.
Touch not that ring, 'twas his, the sire
Of that forsaken child;
And nought his relics can inspire
Save memories, sin-defiled.
I, who sat by his wife's death-bed,
I, who his daughter loved,
Could almost curse the guilty dead,
For woes, the guiltless proved.
And heaven did cursethey found him laid,
When crime for wrath was rife,
Coldwith the suicidal blade
Clutched in his desperate gripe.
'Twas near that long deserted hut,
Which in the wood decays,
Death's axe, self-wielded, struck his root,
And lopped his desperate days.
You know the spot, where three black trees,
Lift up their branches fell,
And moaning, ceaseless as the seas,
Still seem, in every passing breeze,
The deed of blood to tell.
They named him mad, and laid his bones
Where holier ashes lie;
Yet doubt not that his spirit groans,
In hell's eternity.
But, lo ! night, closing o'er the earth,
Infects our thoughts with gloom;
Come, let us strive to rally mirth,
Where glows a clear and tranquil hearth
In some more cheerful room.
|
Written by
Philip Larkin |
Coming up England by a different line
For once, early in the cold new year,
We stopped, and, watching men with number plates
Sprint down the platform to familiar gates,
'Why, Coventry!' I exclaimed. 'I was born here.'
I leant far out, and squinnied for a sign
That this was still the town that had been 'mine'
So long, but found I wasn't even clear
Which side was which. From where those cycle-crates
Were standing, had we annually departed
For all those family hols? . . . A whistle went:
Things moved. I sat back, staring at my boots.
'Was that,' my friend smiled, 'where you "have your roots"?'
No, only where my childhood was unspent,
I wanted to retort, just where I started:
By now I've got the whole place clearly charted.
Our garden, first: where I did not invent
Blinding theologies of flowers and fruits,
And wasn't spoken to by an old hat.
And here we have that splendid family
I never ran to when I got depressed,
The boys all biceps and the girls all chest,
Their comic Ford, their farm where I could be
'Really myself'. I'll show you, come to that,
The bracken where I never trembling sat,
Determined to go through with it; where she
Lay back, and 'all became a burning mist'.
And, in those offices, my doggerel
Was not set up in blunt ten-point, nor read
By a distinguished cousin of the mayor,
Who didn't call and tell my father There
Before us, had we the gift to see ahead -
'You look as though you wished the place in Hell,'
My friend said, 'judging from your face.' 'Oh well,
I suppose it's not the place's fault,' I said.
'Nothing, like something, happens anywhere.'
|
Written by
William Vaughn Moody |
After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I
Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his ***** band,
For all their gaze is fixed so stern ahead,
For all the fatal rhythm of their tread.
The land they died to save from death and shame
Trembles and waits, hearing the spring's great name,
And by her pangs these resolute ghosts are stirred.
II
Through street and mall the tides of people go
Heedless; the trees upon the Common show
No hint of green; but to my listening heart
The still earth doth impart
Assurance of her jubilant emprise,
And it is clear to my long-searching eyes
That love at last has might upon the skies.
The ice is runneled on the little pond;
A telltale patter drips from off the trees;
The air is touched with southland spiceries,
As if but yesterday it tossed the frond
Of pendant mosses where the live-oaks grow
Beyond Virginia and the Carolines,
Or had its will among the fruits and vines
Of aromatic isles asleep beyond
Florida and the Gulf of Mexico.
III
Soon shall the Cape Ann children shout in glee,
Spying the arbutus, spring's dear recluse;
Hill lads at dawn shall hearken the wild goose
Go honking northward over Tennessee;
West from Oswego to Sault Sainte-Marie,
And on to where the Pictured Rocks are hung,
And yonder where, gigantic, wilful, young,
Chicago sitteth at the northwest gates,
With restless violent hands and casual tongue
Moulding her mighty fates,
The Lakes shall robe them in ethereal sheen;
And like a larger sea, the vital green
Of springing wheat shall vastly be outflung
Over Dakota and the prairie states.
By desert people immemorial
On Arizonan mesas shall be done
Dim rites unto the thunder and the sun;
Nor shall the primal gods lack sacrifice
More splendid, when the white Sierras call
Unto the Rockies straightway to arise
And dance before the unveiled ark of the year,
Sounding their windy cedars as for shawms,
Unrolling rivers clear
For flutter of broad phylacteries;
While Shasta signals to Alaskan seas
That watch old sluggish glaciers downward creep
To fling their icebergs thundering from the steep,
And Mariposa through the purple calms
Gazes at far Hawaii crowned with palms
Where East and West are met, --
A rich seal on the ocean's bosom set
To say that East and West are twain,
With different loss and gain:
The Lord hath sundered them; let them be sundered yet.
IV
Alas! what sounds are these that come
Sullenly over the Pacific seas, --
Sounds of ignoble battle, striking dumb
The season's half-awakened ecstasies?
Must I be humble, then,
Now when my heart hath need of pride?
Wild love falls on me from these sculptured men;
By loving much the land for which they died
I would be justified.
My spirit was away on pinions wide
To soothe in praise of her its passionate mood
And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay
On me and the companions of my day.
I would remember now
My country's goodliness, make sweet her name.
Alas! what shade art thou
Of sorrow or of blame
Liftest the lyric leafage from her brow,
And pointest a slow finger at her shame?
V
Lies! lies! It cannot be! The wars we wage
Are noble, and our battles still are won
By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat
And scramble in the market-place of war;
Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son,
This delicate and proud New England soul
Who leads despisèd men, with just-unshackled feet,
Up the large ways where death and glory meet,
To show all peoples that our shame is done,
That once more we are clean and spirit-whole.
VI
Crouched in the sea fog on the moaning sand
All night he lay, speaking some simple word
From hour to hour to the slow minds that heard,
Holding each poor life gently in his hand
And breathing on the base rejected clay
Till each dark face shone mystical and grand
Against the breaking day;
And lo, the shard the potter cast away
Was grown a fiery chalice crystal-fine
Fulfilled of the divine
Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed
Huge on the mountain in the wet sea light,
Whence now, and now, infernal flowerage bloomed,
Bloomed, burst, and scattered down its deadly seed, --
They swept, and died like freemen on the height,
Like freemen, and like men of noble breed;
And when the battle fell away at night
By hasty and contemptuous hands were thrust
Obscurely in a common grave with him
The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb
In nature's busy old democracy
To flush the mountain laurel when she blows
Sweet by the southern sea,
And heart with crumbled heart climbs in the rose: --
The untaught hearts with the high heart that knew
This mountain fortress for no earthly hold
Of temporal quarrel, but the bastion old
Of spiritual wrong,
Built by an unjust nation sheer and strong,
Expugnable but by a nation's rue
And bowing down before that equal shrine
By all men held divine,
Whereof his band and he were the most holy sign.
VII
O bitter, bitter shade!
Wilt thou not put the scorn
And instant tragic question from thine eye?
Do thy dark brows yet crave
That swift and angry stave --
Unmeet for this desirous morn --
That I have striven, striven to evade?
Gazing on him, must I not deem they err
Whose careless lips in street and shop aver
As common tidings, deeds to make his cheek
Flush from the bronze, and his dead throat to speak?
Surely some elder singer would arise,
Whose harp hath leave to threaten and to mourn
Above this people when they go astray.
Is Whitman, the strong spirit, overworn?
Has Whittier put his yearning wrath away?
I will not and I dare not yet believe!
Though furtively the sunlight seems to grieve,
And the spring-laden breeze
Out of the gladdening west is sinister
With sounds of nameless battle overseas;
Though when we turn and question in suspense
If these things be indeed after these ways,
And what things are to follow after these,
Our fluent men of place and consequence
Fumble and fill their mouths with hollow phrase,
Or for the end-all of deep arguments
Intone their dull commercial liturgies --
I dare not yet believe! My ears are shut!
I will not hear the thin satiric praise
And muffled laughter of our enemies,
Bidding us never sheathe our valiant sword
Till we have changed our birthright for a gourd
Of wild pulse stolen from a barbarian's hut;
Showing how wise it is to cast away
The symbols of our spiritual sway,
That so our hands with better ease
May wield the driver's whip and grasp the jailer's keys.
VIII
Was it for this our fathers kept the law?
This crown shall crown their struggle and their ruth?
Are we the eagle nation Milton saw
Mewing its mighty youth,
Soon to possess the mountain winds of truth,
And be a swift familiar of the sun
Where aye before God's face his trumpets run?
Or have we but the talons and the maw,
And for the abject likeness of our heart
Shall some less lordly bird be set apart? --
Some gross-billed wader where the swamps are fat?
Some gorger in the sun? Some prowler with the bat?
IX
Ah no!
We have not fallen so.
We are our fathers' sons: let those who lead us know!
'T was only yesterday sick Cuba's cry
Came up the tropic wind, "Now help us, for we die!"
Then Alabama heard,
And rising, pale, to Maine and Idaho
Shouted a burning word.
Proud state with proud impassioned state conferred,
And at the lifting of a hand sprang forth,
East, west, and south, and north,
Beautiful armies. Oh, by the sweet blood and young
Shed on the awful hill slope at San Juan,
By the unforgotten names of eager boys
Who might have tasted girls' love and been stung
With the old mystic joys
And starry griefs, now the spring nights come on,
But that the heart of youth is generous, --
We charge you, ye who lead us,
Breathe on their chivalry no hint of stain!
Turn not their new-world victories to gain!
One least leaf plucked for chaffer from the bays
Of their dear praise,
One jot of their pure conquest put to hire,
The implacable republic will require;
With clamor, in the glare and gaze of noon,
Or subtly, coming as a thief at night,
But surely, very surely, slow or soon
That insult deep we deeply will requite.
Tempt not our weakness, our cupidity!
For save we let the island men go free,
Those baffled and dislaureled ghosts
Will curse us from the lamentable coasts
Where walk the frustrate dead.
The cup of trembling shall be drainèd quite,
Eaten the sour bread of astonishment,
With ashes of the hearth shall be made white
Our hair, and wailing shall be in the tent;
Then on your guiltier head
Shall our intolerable self-disdain
Wreak suddenly its anger and its pain;
For manifest in that disastrous light
We shall discern the right
And do it, tardily. -- O ye who lead,
Take heed!
Blindness we may forgive, but baseness we will smite.
|
Written by
Shel Silverstein |
Whosever room this is should be ashamed!
His underwear is hanging on the lamp.
His raincoat is there in the overstuffed chair,
And the chair is becoming quite mucky and damp.
His workbook is wedged in the window,
His sweater's been thrown on the floor.
His scarf and one ski are beneath the TV,
And his pants have been carelessly hung on the door.
His books are all jammed in the closet,
His vest has been left in the hall.
A lizard named Ed is asleep in his bed,
And his smelly old sock has been stuck to the wall.
Whosever room this is should be ashamed!
Donald or Robert or Willie or--
Huh? You say it's mine? Oh, dear,
I knew it looked familiar!
|
Written by
Erica Jong |
All the endings in my life
rise up against me
like that sea of troubles
Shakespeare mixed
with metaphors;
like Vikings in their boats
singing Wagner,
like witches
burning at
the stake--
I submit
to my fate.
I know beginnings,
their sweetnesses,
and endings,
their bitternesses--
but I do not know
continuance--
I do not know
the sweet demi-boredom
of life as it lingers,
of man and wife
regarding each other
across a table of shared witnesses,
of the hand-in-hand dreams
of those who have slept
a half-century together
in a bed so used and familiar
it is rutted
with love.
I would know that
before this life closes,
a soulmate to share my roses--
I would make a spell
with long grey beard hairs
and powdered rosemary and rue,
with the jacket of a tux
for a tall man
with broad shoulders,
who loves to dance;
with one blue contact lens
for his bluest eyes;
with honey in a jar
for his love of me;
with salt in a dish
for his love of sex and skin;
with crushed rose petals
for our bed;
with tubes of cerulean blue
and vermilion and rose madder
for his artist's eye;
with a dented Land-Rover fender
for his love of travel;
with a poem by Blake
for his love of innocence
revealed by experience;
with soft rain
and a bare head;
with hand-in-hand dreams on Mondays
and the land of ****
on Sundays;
with mangoes, papayas
and limes,
and a house towering
above the sea.
Muse, I surrender
to thee.
Thy will be done,
not mine.
If this love spell
pleases you,
send me this lover,
this husband,
this dancing partner
for my empty bed
and let him fill me
from now
until I die.
I offer my bones,
my poems,
my luck with roses,
and the secret garden
I have found
walled in my center,
and the sunflower
who raises her head
despite her heavy seeds.
I am ready now, Muse,
to serve you faithfully
even with
a graceful dancing partner--
for I have learned
to stand alone.
Give me your blessing.
Let the next
epithalamion I write
be my own.
And let it last
more than the years
of my life--
and without the least
strain--
two lovers bareheaded
in a summer rain.
|