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Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.
II I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs: the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful: And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers: She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which coloured all his objects;—he had ceased To live within himself: she was his life, The ocean to the river of his thoughts, Which terminated all; upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony.
But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more; 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honoured race.
—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.
III A change came o'er the spirit of my dream.
There was an ancient mansion, and before Its walls there was a steed caparisoned: Within an antique Oratory stood The Boy of whom I spake;—he was alone, And pale, and pacing to and fro: anon He sate him down, and seized a pen, and traced Words which I could not guess of; then he leaned His bowed head on his hands and shook, as 'twere With a convulsion—then rose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears.
And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The Lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved; she knew— For quickly comes such knowledge—that his heart Was darkened with her shadow, and she saw That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old Hall, And mounting on his steed he went his way; And ne'er repassed that hoary threshold more.
IV A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his Soul drank their sunbeams; he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man, Glad in a flowing garb, did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in heaven.
V A change came o'er the spirit of my dream.
The Lady of his love was wed with One Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing Infancy, Daughters and sons of Beauty,—but behold! Upon her face there was a tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.
VI A change came o'er the spirit of my dream.
The Wanderer was returned.
—I saw him stand Before an altar—with a gentle bride; Her face was fair, but was not that which made The Starlight of his Boyhood;—as he stood Even at the altar, o'er his brow there came The selfsame aspect and the quivering shock That in the antique Oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine, and the shade, All things pertaining to that place and hour, And her who was his destiny, came back And thrust themselves between him and the light; What business had they there at such a time? VII A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed, As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real! VIII A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore, The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With Hatred and Contention; Pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men, And made him friends of mountains; with the stars And the quick Spirit of the Universe He held his dialogues: and they did teach To him the magic of their mysteries; To him the book of Night was opened wide, And voices from the deep abyss revealed A marvel and a secret.
—Be it so.
IX My dream is past; it had no further change.
It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.


Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.
Written by Anna Akhmatova | Create an image from this poem

Requiem

 Not under foreign skies
 Nor under foreign wings protected -
 I shared all this with my own people
 There, where misfortune had abandoned us.
[1961] INSTEAD OF A PREFACE During the frightening years of the Yezhov terror, I spent seventeen months waiting in prison queues in Leningrad.
One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me, her lips blue with cold, who, of course, had never in her life heard my name.
Jolted out of the torpor characteristic of all of us, she said into my ear (everyone whispered there) - 'Could one ever describe this?' And I answered - 'I can.
' It was then that something like a smile slid across what had previously been just a face.
[The 1st of April in the year 1957.
Leningrad] DEDICATION Mountains fall before this grief, A mighty river stops its flow, But prison doors stay firmly bolted Shutting off the convict burrows And an anguish close to death.
Fresh winds softly blow for someone, Gentle sunsets warm them through; we don't know this, We are everywhere the same, listening To the scrape and turn of hateful keys And the heavy tread of marching soldiers.
Waking early, as if for early mass, Walking through the capital run wild, gone to seed, We'd meet - the dead, lifeless; the sun, Lower every day; the Neva, mistier: But hope still sings forever in the distance.
The verdict.
Immediately a flood of tears, Followed by a total isolation, As if a beating heart is painfully ripped out, or, Thumped, she lies there brutally laid out, But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends, Captives of my two satanic years? What miracle do you see in a Siberian blizzard? What shimmering mirage around the circle of the moon? I send each one of you my salutation, and farewell.
[March 1940] INTRODUCTION [PRELUDE] It happened like this when only the dead Were smiling, glad of their release, That Leningrad hung around its prisons Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang Short songs of farewell To the ranks of convicted, demented by suffering, As they, in regiments, walked along - Stars of death stood over us As innocent Russia squirmed Under the blood-spattered boots and tyres Of the black marias.
I You were taken away at dawn.
I followed you As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God.
.
.
The cold of an icon was on your lips, a death-cold sweat On your brow - I will never forget this; I will gather To wail with the wives of the murdered streltsy (1) Inconsolably, beneath the Kremlin towers.
[1935.
Autumn.
Moscow] II Silent flows the river Don A yellow moon looks quietly on Swanking about, with cap askew It sees through the window a shadow of you Gravely ill, all alone The moon sees a woman lying at home Her son is in jail, her husband is dead Say a prayer for her instead.
III It isn't me, someone else is suffering.
I couldn't.
Not like this.
Everything that has happened, Cover it with a black cloth, Then let the torches be removed.
.
.
Night.
IV Giggling, poking fun, everyone's darling, The carefree sinner of Tsarskoye Selo (2) If only you could have foreseen What life would do with you - That you would stand, parcel in hand, Beneath the Crosses (3), three hundredth in line, Burning the new year's ice With your hot tears.
Back and forth the prison poplar sways With not a sound - how many innocent Blameless lives are being taken away.
.
.
[1938] V For seventeen months I have been screaming, Calling you home.
I've thrown myself at the feet of butchers For you, my son and my horror.
Everything has become muddled forever - I can no longer distinguish Who is an animal, who a person, and how long The wait can be for an execution.
There are now only dusty flowers, The chinking of the thurible, Tracks from somewhere into nowhere And, staring me in the face And threatening me with swift annihilation, An enormous star.
[1939] VI Weeks fly lightly by.
Even so, I cannot understand what has arisen, How, my son, into your prison White nights stare so brilliantly.
Now once more they burn, Eyes that focus like a hawk, And, upon your cross, the talk Is again of death.
[1939.
Spring] VII THE VERDICT The word landed with a stony thud Onto my still-beating breast.
Nevermind, I was prepared, I will manage with the rest.
I have a lot of work to do today; I need to slaughter memory, Turn my living soul to stone Then teach myself to live again.
.
.
But how.
The hot summer rustles Like a carnival outside my window; I have long had this premonition Of a bright day and a deserted house.
[22 June 1939.
Summer.
Fontannyi Dom (4)] VIII TO DEATH You will come anyway - so why not now? I wait for you; things have become too hard.
I have turned out the lights and opened the door For you, so simple and so wonderful.
Assume whatever shape you wish.
Burst in Like a shell of noxious gas.
Creep up on me Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation, Or, with a simple tale prepared by you (And known by all to the point of nausea), take me Before the commander of the blue caps and let me glimpse The house administrator's terrified white face.
I don't care anymore.
The river Yenisey Swirls on.
The Pole star blazes.
The blue sparks of those much-loved eyes Close over and cover the final horror.
[19 August 1939.
Fontannyi Dom] IX Madness with its wings Has covered half my soul It feeds me fiery wine And lures me into the abyss.
That's when I understood While listening to my alien delirium That I must hand the victory To it.
However much I nag However much I beg It will not let me take One single thing away: Not my son's frightening eyes - A suffering set in stone, Or prison visiting hours Or days that end in storms Nor the sweet coolness of a hand The anxious shade of lime trees Nor the light distant sound Of final comforting words.
[14 May 1940.
Fontannyi Dom] X CRUCIFIXION Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour, The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!' But to his mother, 'Weep not for me.
.
.
' [1940.
Fontannyi Dom] 2.
Magdalena smote herself and wept, The favourite disciple turned to stone, But there, where the mother stood silent, Not one person dared to look.
[1943.
Tashkent] EPILOGUE 1.
I have learned how faces fall, How terror can escape from lowered eyes, How suffering can etch cruel pages Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair Can suddenly turn white.
I've learned to recognise The fading smiles upon submissive lips, The trembling fear inside a hollow laugh.
That's why I pray not for myself But all of you who stood there with me Through fiercest cold and scorching July heat Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you: The one who resisted the long drag to the open window; The one who could no longer feel the kick of familiar soil beneath her feet; The one who, with a sudden flick of her head, replied, 'I arrive here as if I've come home!' I'd like to name you all by name, but the list Has been removed and there is nowhere else to look.
So, I have woven you this wide shroud out of the humble words I overheard you use.
Everywhere, forever and always, I will never forget one single thing.
Even in new grief.
Even if they clamp shut my tormented mouth Through which one hundred million people scream; That's how I wish them to remember me when I am dead On the eve of my remembrance day.
If someone someday in this country Decides to raise a memorial to me, I give my consent to this festivity But only on this condition - do not build it By the sea where I was born, I have severed my last ties with the sea; Nor in the Tsar's Park by the hallowed stump Where an inconsolable shadow looks for me; Build it here where I stood for three hundred hours And no-one slid open the bolt.
Listen, even in blissful death I fear That I will forget the Black Marias, Forget how hatefully the door slammed and an old woman Howled like a wounded beast.
Let the thawing ice flow like tears From my immovable bronze eyelids And let the prison dove coo in the distance While ships sail quietly along the river.
[March 1940.
Fontannyi Dom] FOOTNOTES 1 An elite guard which rose up in rebellion against Peter the Great in 1698.
Most were either executed or exiled.
2 The imperial summer residence outside St Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the Finland Station, called The Crosses because of the shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
Written by Paul Eluard | Create an image from this poem

The Human Face

 I.
Soon Of all the springtimes of the world This one is the ugliest Of all of my ways of being To be trusting is the best Grass pushes up snow Like the stone of a tomb But I sleep within the storm And awaken eyes bright Slowness, brief time ends Where all streets must pass Through my innermost recesses So that I would meet someone I don’t listen to monsters I know them and all that they say I see only beautiful faces Good faces, sure of themselves Certain soon to ruin their masters II.
The women’s role As they sing, the maids dash forward To tidy up the killing fields Well-powdered girls, quickly to their knees Their hands -- reaching for the fresh air -- Are blue like never before What a glorious day! Look at their hands, the dead Look at their liquid eyes This is the toilet of transience The final toilet of life Stones sink and disappear In the vast, primal waters The final toilet of time Hardly a memory remains the dried-up well of virtue In the long, oppressive absences One surrenders to tender flesh Under the spell of weakness III.
As deep as the silence As deep as the silence Of a corpse under ground With nothing but darkness in mind As dull and deaf As autumn by the pond Covered with stale shame Poison, deprived of its flower And of its golden beasts out its night onto man IV.
Patience You, my patient one My patience My parent Head held high and proudly Organ of the sluggish night Bow down Concealing all of heaven And its favor Prepare for vengeance A bed where I'll be born V.
First march, the voice of another Laughing at sky and planets Drunk with their confidence The wise men wish for sons And for sons from their sons Until they all perish in vain Time burdens only fools While Hell alone prospers And the wise men are absurd VI.
A wolf Day surprises me and night scares me haunts me and winter follows me An animal walking on the snow has placed Its paws in the sand or in the mud Its paws have traveled From further afar than my own steps On a path where death Has the imprints of life VII.
A flawless fire The threat under the red sky Came from below -- jaws And scales and links Of a slippery, heavy chain Life was spread about generously So that death took seriously The debt it was paid without a thought Death was the God of love And the conquerors in a kiss Swooned upon their victims Corruption gained courage And yet, beneath the red sky Under the appetites for blood Under the dismal starvation The cavern closed The kind earth filled The graves dug in advance Children were no longer afraid Of maternal depths And madness and stupidity And vulgarity make way For humankind and brotherhood No longer fighting against life -- For an everlasting humankind VIII.
Liberty On my school notebooks On my desk, on the trees On the sand, on the snow I write your name On all the read pages On all the empty pages Stone, blood, paper or ash I write your name On the golden images On the weapons of warriors On the crown of kings I write your name On the jungle and the desert On the nests, on the broom On the echo of my childhood I write your name On the wonders of nights On the white bread of days On the seasons betrothed I write your name d'azur On all my blue rags On the sun-molded pond On the moon-enlivened lake I write your name On the fields, on the horizon On the wings of birds And on the mill of shadows I write your name On every burst of dawn On the sea, on the boats On the insane mountain I write your name On the foam of clouds On the sweat of the storm On the rain, thick and insipid I write your name On the shimmering shapes On the colorful bells On the physical truth I write your name On the alert pathways On the wide-spread roads On the overflowing places I write your name On the lamp that is ignited On the lamp that is dimmed On my reunited houses I write your name On the fruit cut in two Of the mirror and of my room On my bed, an empty shell I write your name On my dog, young and greedy On his pricked-up ears On his clumsy paw I write your name On the springboard of my door On the familiar objects On the wave of blessed fire I write your name On all harmonious flesh On the face of my friends On every out-stretched hand I write your name On the window-pane of surprises On the careful lips Well-above silence I write your name On my destroyed shelter On my collapsed beacon On the walls of my weariness I write your name On absence without want On naked solitude On the steps of death I write your name On regained health On vanished risk On hope free from memory I write your name And by the power of one word I begin my life again I am born to know you To call you by name: Liberty!
Written by Edgar Allan Poe | Create an image from this poem

Romance

 Romance, who loves to nod and sing
With drowsy head and folded wing
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—most familiar bird—
Taught me my alphabet to say,
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky; And when an hour with calmer wings Its down upon my spirit flings, That little time with lyre and rhyme To while away—forbidden things— My heart would feel to be a crime Unless it trembled with the strings.


Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells.
I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould.
All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp.
The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away.
And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way.
Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie.
I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me.
I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now.
I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown.
Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear.
Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed.
Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth.
And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now.
These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright.
Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky.
She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude.
But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie.
Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze.
Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay.
Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day.
But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared.
The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid.
I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made.
The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone.
And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky.
Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay.
You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien.
But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy.
Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused.
Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien.
Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain.
Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home.
And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe.
Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain.
She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart.
No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy.
If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill.
And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.
Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair.
So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell.
Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled.
I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved.
And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe.
'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days.
You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell.
They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity.
But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.
Written by Philip Larkin | Create an image from this poem

I Remember I Remember

 Coming up England by a different line
For once, early in the cold new year,
We stopped, and, watching men with number plates
Sprint down the platform to familiar gates,
'Why, Coventry!' I exclaimed.
'I was born here.
' I leant far out, and squinnied for a sign That this was still the town that had been 'mine' So long, but found I wasn't even clear Which side was which.
From where those cycle-crates Were standing, had we annually departed For all those family hols? .
.
.
A whistle went: Things moved.
I sat back, staring at my boots.
'Was that,' my friend smiled, 'where you "have your roots"?' No, only where my childhood was unspent, I wanted to retort, just where I started: By now I've got the whole place clearly charted.
Our garden, first: where I did not invent Blinding theologies of flowers and fruits, And wasn't spoken to by an old hat.
And here we have that splendid family I never ran to when I got depressed, The boys all biceps and the girls all chest, Their comic Ford, their farm where I could be 'Really myself'.
I'll show you, come to that, The bracken where I never trembling sat, Determined to go through with it; where she Lay back, and 'all became a burning mist'.
And, in those offices, my doggerel Was not set up in blunt ten-point, nor read By a distinguished cousin of the mayor, Who didn't call and tell my father There Before us, had we the gift to see ahead - 'You look as though you wished the place in Hell,' My friend said, 'judging from your face.
' 'Oh well, I suppose it's not the place's fault,' I said.
'Nothing, like something, happens anywhere.
'
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Shel Silverstein | Create an image from this poem

Messy Room

 Whosever room this is should be ashamed!
His underwear is hanging on the lamp.
His raincoat is there in the overstuffed chair, And the chair is becoming quite mucky and damp.
His workbook is wedged in the window, His sweater's been thrown on the floor.
His scarf and one ski are beneath the TV, And his pants have been carelessly hung on the door.
His books are all jammed in the closet, His vest has been left in the hall.
A lizard named Ed is asleep in his bed, And his smelly old sock has been stuck to the wall.
Whosever room this is should be ashamed! Donald or Robert or Willie or-- Huh? You say it's mine? Oh, dear, I knew it looked familiar!
Written by Erica Jong | Create an image from this poem

LoveSpell: Against Endings

 All the endings in my life
rise up against me
like that sea of troubles
Shakespeare mixed
with metaphors;
like Vikings in their boats
singing Wagner,
like witches
burning at
the stake--
I submit
to my fate.
I know beginnings, their sweetnesses, and endings, their bitternesses-- but I do not know continuance-- I do not know the sweet demi-boredom of life as it lingers, of man and wife regarding each other across a table of shared witnesses, of the hand-in-hand dreams of those who have slept a half-century together in a bed so used and familiar it is rutted with love.
I would know that before this life closes, a soulmate to share my roses-- I would make a spell with long grey beard hairs and powdered rosemary and rue, with the jacket of a tux for a tall man with broad shoulders, who loves to dance; with one blue contact lens for his bluest eyes; with honey in a jar for his love of me; with salt in a dish for his love of sex and skin; with crushed rose petals for our bed; with tubes of cerulean blue and vermilion and rose madder for his artist's eye; with a dented Land-Rover fender for his love of travel; with a poem by Blake for his love of innocence revealed by experience; with soft rain and a bare head; with hand-in-hand dreams on Mondays and the land of **** on Sundays; with mangoes, papayas and limes, and a house towering above the sea.
Muse, I surrender to thee.
Thy will be done, not mine.
If this love spell pleases you, send me this lover, this husband, this dancing partner for my empty bed and let him fill me from now until I die.
I offer my bones, my poems, my luck with roses, and the secret garden I have found walled in my center, and the sunflower who raises her head despite her heavy seeds.
I am ready now, Muse, to serve you faithfully even with a graceful dancing partner-- for I have learned to stand alone.
Give me your blessing.
Let the next epithalamion I write be my own.
And let it last more than the years of my life-- and without the least strain-- two lovers bareheaded in a summer rain.

Book: Reflection on the Important Things