Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”. Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr. Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
|
Written by
Charles Bukowski |
by God, I don't know what to
do.
they're so nice to have around.
they have a way of playing with
the balls
and looking at the cock very
seriously
turning it
tweeking it
examining each part
as their long hair falls on
your belly.
it's not the fucking and sucking
alone that reaches into a man
and softens him, it's the extras,
it's all the extras.
now it's raining tonight
and there's nobody
they are elsewhere
examining things
in new bedrooms
in new moods
or maybe in old
bedrooms.
anyhow, it's raining tonight,
on hell of a dashing, pouring
rain....
very little to do.
I've read the newspaper
paid the gas bill
the electric co.
the phone bill.
it keeps raining.
they soften a man
and then let him swim
in his own juice.
I need an old-fashioned whore
at the door tonight
closing her green umbrella,
drops her green umbrella,
drops of moonlit rain on her
purse, saying "****, man,
can't you get better music
than that on your radio?
and turn up the heat..."
it's always when a man's swollen
with love and everything
else
that keeps raining
splattering
flooding
rain
good for the trees and the
grass and the air...
good for things that
live alone.
I would give anything
for a female's hand on me
tonight.
they soften a man and
then leave him
listening to the rain.
|
Written by
Rudyard Kipling |
Ay, lay him 'neath the Simla pine --
A fortnight fully to be missed,
Behold, we lose our fourth at whist,
A chair is vacant where we dine.
His place forgets him; other men
Have bought his ponies, guns, and traps.
His fortune is the Great Perhaps
And that cool rest-house down the glen,
Whence he shall hear, as spirits may,
Our mundance revel on the height,
Shall watch each flashing 'rickshaw-light
Sweep on to dinner, dance, and play.
Benmore shall woo him to the ball
With lighted rooms and braying band;
And he shall hear and understand
"Dream Faces" better than us all.
For, think you, as the vapours flee
Across Sanjaolie after rain,
His soul may climb the hill again
To each of field of victory.
Unseen, who women held so dear,
The strong man's yearning to his kind
Shall shake at most the window-blind,
Or dull awhile the card-room's cheer.
In his own place of power unkown,
His Light o' Love another's flame,
And he and alien and alone!
Yet may he meet with many a friend --
Shrewd shadows, lingering long unseen
Among us when "God save the Queen"
Shows even "extras" have an end.
And, when we leave the heated room,
And, when at four the lights expire,
The crew shall gather round the fire
And mock our laughter in the gloom;
Talk as we talked, and they ere death --
Flirt wanly, dance in ghostly-wise,
With ghosts of tunes for melodies,
And vanish at the morning's breath.
|