Written by
Rudyard Kipling |
This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate.
It is founded on fact.
.
.
.
At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo that grows through the gangrened flesh;
I had hove him down by the mangroves brown, where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,
And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true.
"
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman.
"
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair.
"
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm.
"
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
|
Written by
D. H. Lawrence |
If you live along with all the other people
and are just like them, and conform, and are nice
you're just a worm --
and if you live with all the other people
and you don't like them and won't be like them and won't conform
then you're just the worm that has turned,
in either case, a worm.
The conforming worm stays just inside the skin
respectably unseen, and cheerfully gnaws away at the heart of life,
making it all rotten inside.
The unconforming worm -- that is, the worm that has turned --
gnaws just the same, gnawing the substance out of life,
but he insists on gnawing a little hole in the social epidermis
and poking his head out and waving himself
and saying: Look at me, I am not respectable,
I do all the things the bourgeois daren't do,
I booze and fornicate and use foul language and despise your honest man.
--
But why should the worm that has turned protest so much?
The bonnie bonnie bourgeois goes a-whoring up back streets just the same.
The busy busy bourgeois imbibes his little share
just the same
if not more.
The pretty pretty bourgeois pinks his language just as pink
if not pinker,
and in private boasts his exploits even louder, if you ask me,
than the other.
While as to honesty, Oh look where the money lies!
So I can't see where the worm that has turned puts anything over
the worm that is too cunning to turn.
On the contrary, he merely gives himself away.
The turned worm shouts.
I bravely booze!
the other says.
Have one with me!
The turned worm boasts: I copulate!
the unturned says: You look it.
You're a d----- b----- b----- p----- bb-----, says the worm that's turned.
Quite! says the other.
Cuckoo!
|
Written by
George (Lord) Byron |
Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.
This bosom, responsive to rapture no more,
Shall hush thy wild notes, nor implore thee to sing;
The feelings of childhood, which taught thee to soar,
Are wafted far distant on Apathy's wing.
Though simple the themes of my rude flowing Lyre,
Yet even these themes are departed for ever;
No more beam the eyes which my dream could inspire,
My visions are flown, to return,---alas, never!
When drain'd is the nectar which gladdens the bowl,
How vain is the effort delight to prolong!
When cold is the beauty which dwelt in my soul,
What magic of Fancy can lengthen my song?
Can the lips sing of Love in the desert alone,
Of kisses and smiles which they now must resign ?
Or dwell with delight on the hours that are flown ?
Ah, no! for those hours can no longer be mine.
Can they speak of the friends that I lived but to love?
Ah, surely Affection ennobles the strain!
But how can my numbers in sympathy move,
When I scarcely can hope to behold them again?
Can I sing of the deeds which my Fathers have done,
And raise my loud harp to the fame of my Sires?
For glories like theirs, oh, how faint is my tone!
For Heroes' exploits how unequal my fires!
Untouch'd, then, my Lyre shall reply to the blast---
'Tis hush'd; and my feeble endeavors are o'er;
And those who have heard it will pardon the past,
When they know that its murmurs shall vibrate no more.
And soon shall its wild erring notes be forgot,
Since early affection and love is o'ercast:
Oh! blest had my Fate been, and happy my lot,
Had the first strain of love been the dearest, the last.
Farewell, my young Muse! since we now can ne'er meet;
If our songs have been languid, they surely are few:
Let us hope that the present at least will be sweet---
The present---which seals our eternal Adieu.
|
Written by
William Matthews |
Most of the time he worked, a sort of sleep
with a purpose, so far as I could tell.
How he got from the dark of sleep
to the dark of waking up I'll never know;
the lax sprawl sleep allowed him
began to set from the edges in,
like a custard, and then he was awake,
me too, of course, wriggling my ears
while he unlocked his bladder and stream
of dopey wake-up jokes.
The one
about the wine-dark pee I hated instantly.
I stood at the ready, like a god
in an epic, but there was never much
to do.
Oh now and then I'd make a sure
intervention, save a life, whatever.
But my exploits don't interest you
and of his life all I can say is that
when he'd poured out his work
the best of it was gone and then he died.
He was a great man and I loved him.
Not a whimper about his sex life --
how I detest your prurience --
but here's a farewell literary tip:
I myself am the model for Penelope.
Don't snicker, you hairless moron,
I know so well what faithful means
there's not even a word for it in Dog,
I just embody it.
I think you bipeds
have a catchphrase for it: "To thine own self
be true, .
.
.
" though like a blind man's shadow,
the second half is only there for those who know
it's missing.
Merely a dog, I'll tell you
what it is: " .
.
.
as if you had a choice.
"
|
Written by
Jean Cocteau |
.
.
.
Preamble
A rough draft
for an ars poetica
.
.
.
.
.
.
.
Let's get our dreams unstuck
The grain of rye
free from the prattle of grass
et loin de arbres orateurs
I
plant
it
It will sprout
But forget about
the rustic festivities
For the explosive word
falls harmlessly
eternal through
the compact generations
and except for you
nothing
denotates
its sweet-scented dynamite
Greetings
I discard eloquence
the empty sail
and the swollen sail
which cause the ship
to lose her course
My ink nicks
and there
and there
and there
and
there
sleeps
deep poetry
The mirror-paneled wardrobe
washing down ice-floes
the little eskimo girl
dreaming
in a heap
of moist *******
her nose was
flattened
against the window-pane
of dreary Christmases
A white bear
adorned with chromatic moire
dries himself in the midnight sun
Liners
The huge luxury item
Slowly founders
all its lights aglow
and so
sinks the evening-dress ball
into the thousand mirrors
of the palace hotel
And now
it is I
the thin Columbus of phenomena
alone
in the front
of a mirror-paneled wardrobe
full of linen
and locking with a key
The obstinate miner
of the void
exploits
his fertile mine
the potential in the rough
glitters there
mingling with its white rock
Oh
princess of the mad sleep
listen to my horn
and my pack of hounds
I deliver you
from the forest
where we came upon the spell
Here we are
by the pen
one with the other
wedded
on the page
Isles sobs of Ariadne
Ariadnes
dragging along
Aridnes seals
for I betray you my fair stanzas
to
run and awaken
elsewhere
I plan no architecture
Simply
deaf
like you Beethoven
blind
like you
Homer
numberless old man
born everywhere
I elaborate
in the prairies of inner
silence
and the work of the mission
and the poem of the work
and the stanza of the poem
and the group of the stanza
and the words of the group
and the letters of the word
and the least
loop of the letters
it's your foot
of attentive satin
that I place in position
pink
tightrope walker
sucked up by the void
to the left to the right
the god gives a shake
and I walk
towards the other side
with infinite precaution
|
Written by
Etheridge Knight |
Hard Rock/ was/ "known not to take no ****
From nobody," and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Across his temple and plowed through a thick
Canopy of kinky hair.
The WORD/ was/ that Hard Rock wasn't a mean ******
Anymore, that the doctors had bored a hole in his head,
Cut out part of his brain, and shot electricity
Through the rest.
When they brought Hard Rock back,
Handcuffed and chained, he was turned loose,
Like a freshly gelded stallion, to try his new status.
and we all waited and watched, like a herd of sheep,
To see if the WORD was true.
As we waited we wrapped ourselves in the cloak
Of his exploits: "Man, the last time, it took eight
Screws to put him in the Hole.
" "Yeah, remember when he
Smacked the captain with his dinner tray?" "he set
The record for time in the Hole-67 straight days!"
"Ol Hard Rock! man, that's one crazy ******.
"
And then the jewel of a myth that Hard Rock had once bit
A screw on the thumb and poisoned him with syphilitic spit.
The testing came to see if Hard Rock was really tame.
A hillbilly called him a black son of a *****
And didn't lose his teeth, a screw who knew Hard Rock
>From before shook him down and barked in his face
And Hard Rock did nothing.
Just grinned and look silly.
His empty eyes like knot holes in a fence.
And even after we discovered that it took Hard Rock
Exactly 3 minutes to tell you his name,
we told ourselves that he had just wised up,
Was being cool; but we could not fool ourselves for long.
And we turned away, our eyes on the ground.
Crushed.
He had been our Destroyer, the doer of things
We dreamed of doing but could not bring ourselves to do.
The fears of years like a biting whip,
Had cut deep bloody grooves
Across our backs.
|
Written by
Mary Darby Robinson |
Close on the margin of a brawling brook
That bathes the low dell's bosom, stands a Cot;
O'ershadow'd by broad Alders.
At its door
A rude seat, with an ozier canopy
Invites the weary traveller to rest.
'Tis a poor humble dwelling; yet within,
The sweets of joy domestic, oft have made
The long hour not unchearly, while the Moor
Was covered with deep snow, and the bleak blast
Swept with impetuous wing the mountain's brow!
On ev'ry tree of the near shelt'ring wood
The minstrelsy of Nature, shrill and wild,
Welcomes the stranger guest, and carolling
Love-songs, spontaneous, greets him merrily.
The distant hills, empurpled by the dawn
And thinly scatter'd with blue mists that float
On their bleak summits dimly visible,
Skirt the domain luxuriant, while the air
Breathes healthful fragrance.
On the Cottage roof
The gadding Ivy, and the tawny Vine
Bind the brown thatch, the shelter'd winter-hut
Of the tame Sparrow, and the Red-breast bold.
There dwells the Soldier's Widow! young and fair
Yet not more fair than virtuous.
Every day
She wastes the hour-glass, waiting his return,--
And every hour anticipates the day,
(Deceiv'd, yet cherish'd by the flatt'rer hope)
When she shall meet her Hero.
On the Eve
Of Sabbath rest, she trims her little hut
With blossoms, fresh and gaudy, still, herself
The queen-flow'r of the garland ! The sweet Rose
Of wood-wild beauty, blushing thro' her tears.
One little Son she has, a lusty Boy,
The darling of her guiltless, mourning heart,
The only dear and gay associate
Of her lone widowhood.
His sun-burnt cheek
Is never blanch'd with fear, though he will climb
The broad oak's branches, and with brawny arm
Sever the limpid wave.
In his blue eye
Beams all his mother's gentleness of soul;
While his brave father's warm intrepid heart
Throbs in his infant bosom.
'Tis a wight
Most valourous, yet pliant as the stem
Of the low vale-born lily, when the dew
Presses its perfum'd head.
Eight years his voice
Has chear'd the homely hut, for he could lisp
Soft words of filial fondness, ere his feet
Could measure the smooth path-way.
On the hills
He watches the wide waste of wavy green
Tissued with orient lustre, till his eyes
Ache with the dazzling splendour, and the main,
Rolling and blazing, seems a second Sun !
And, if a distant whitening sail appears,
Skimming the bright horizon while the mast
Is canopied with clouds of dappled gold,
He homeward hastes rejoicing.
An old Tree
Is his lone watch-tow'r; 'tis a blasted Oak
Which, from a vagrant Acorn, ages past,
Sprang up, to triumph like a Savage bold
Braving the Season's warfare.
There he sits
Silent and musing the long Evening hour,
'Till the short reign of Sunny splendour fades
At the cold touch of twilight.
Oft he sings;
Or from his oaten pipe, untiring pours
The tune mellifluous which his father sung,
When HE could only listen.
On the sands
That bind the level sea-shore, will he stray,
When morn unlocks the East, and flings afar
The rosy day-beam ! There the boy will stop
To gather the dank weeds which ocean leaves
On the bleak strand, while winter o'er the main
Howls its nocturnal clamour.
There again
He chaunts his Father's ditty.
Never more
Poor mountain minstrel, shall thy bosom throb
To the sweet cadence ! never more thy tear
Fall as the dulcet breathings give each word
Expression magical ! Thy Father, Boy,
Sleeps on the bed of death ! His tongue is mute,
His fingers have forgot their pliant art,
His oaten pipe will ne'er again be heard
Echoing along the valley ! Never more
Will thy fond mother meet the balmy smile
Of peace domestic, or the circling arm
Of valour, temper'd by the milder joys
Of rural merriment.
His very name
Is now forgotten! for no trophied tomb
Tells of his bold exploits; such heraldry
Befits not humble worth: For pomp and praise
Wait in the gilded palaces of Pride
To dress Ambition's Slaves.
Yet, on his grave,
The unmark'd resting place of Valour's Sons,
The morning beam shines lust'rous; The meek flow'r
Still drops the twilight tear, and the night breeze
Moans melancholy music!
Then, to ME,
O ! dearer far is the poor Soldier's grave,
The Widow's lone and unregarded Cot,
The brawling Brook, and the wide Alder-bough,
The ozier Canopy, and plumy choir,
Hymning the Morn's return, than the rich Dome
Of gilded Palaces ! and sweeter far--
O! far more graceful ! far more exquisite,
The Widow's tear bathing the living rose,
Than the rich ruby, blushing on the breast,
Of guilty greatness.
Welcome then to me--
The WIDOW'S LOWLY HOME : The Soldier's HEIR;
The proud inheritor of Heav'n's best gifts--
The mind unshackled--and the guiltless Soul!
|