Written by
Robert William Service |
Now wouldn't you expect to find a man an awful crank
That's staked out nigh three hundred claims, and every one a blank;
That's followed every fool stampede, and seen the rise and fall
Of camps where men got gold in chunks and he got none at all;
That's prospected a bit of ground and sold it for a song
To see it yield a fortune to some fool that came along;
That's sunk a dozen bed-rock holes, and not a speck in sight,
Yet sees them take a million from the claims to left and right?
Now aren't things like that enough to drive a man to booze?
But Hard-Luck Smith was hoodoo-proof--he knew the way to lose.
'Twas in the fall of nineteen four--leap-year I've heard them say--
When Hard-Luck came to Hunker Creek and took a hillside lay.
And lo! as if to make amends for all the futile past,
Late in the year he struck it rich, the real pay-streak at last.
The riffles of his sluicing-box were choked with speckled earth,
And night and day he worked that lay for all that he was worth.
And when in chill December's gloom his lucky lease expired,
He found that he had made a stake as big as he desired.
One day while meditating on the waywardness of fate,
He felt the ache of lonely man to find a fitting mate;
A petticoated pard to cheer his solitary life,
A woman with soft, soothing ways, a confidant, a wife.
And while he cooked his supper on his little Yukon stove,
He wished that he had staked a claim in Love's rich treasure-trove;
When suddenly he paused and held aloft a Yukon egg,
For there in pencilled letters was the magic name of Peg.
You know these Yukon eggs of ours--some pink, some green, some blue--
A dollar per, assorted tints, assorted flavors too.
The supercilious cheechako might designate them high,
But one acquires a taste for them and likes them by-and-by.
Well, Hard-Luck Henry took this egg and held it to the light,
And there was more faint pencilling that sorely taxed his sight.
At last he made it out, and then the legend ran like this--
"Will Klondike miner write to Peg, Plumhollow, Squashville, Wis.?"
That night he got to thinking of this far-off, unknown fair;
It seemed so sort of opportune, an answer to his prayer.
She flitted sweetly through his dreams, she haunted him by day,
She smiled through clouds of nicotine, she cheered his weary way.
At last he yielded to the spell; his course of love he set--
Wisconsin his objective point; his object, Margaret.
With every mile of sea and land his longing grew and grew.
He practised all his pretty words, and these, I fear, were few.
At last, one frosty evening, with a cold chill down his spine,
He found himself before her house, the threshold of the shrine.
His courage flickered to a spark, then glowed with sudden flame--
He knocked; he heard a welcome word; she came--his goddess came.
Oh, she was fair as any flower, and huskily he spoke:
"I'm all the way from Klondike, with a mighty heavy poke.
I'm looking for a lassie, one whose Christian name is Peg,
Who sought a Klondike miner, and who wrote it on an egg."
The lassie gazed at him a space, her cheeks grew rosy red;
She gazed at him with tear-bright eyes, then tenderly she said:
"Yes, lonely Klondike miner, it is true my name is Peg.
It's also true I longed for you and wrote it on an egg.
My heart went out to someone in that land of night and cold;
But oh, I fear that Yukon egg must have been mighty old.
I waited long, I hoped and feared; you should have come before;
I've been a wedded woman now for eighteen months or more.
I'm sorry, since you've come so far, you ain't the one that wins;
But won't you take a step inside--I'll let you see the twins."
|
Written by
George (Lord) Byron |
I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other's face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shrieked, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!
|
Written by
Marilyn Hacker |
After Joseph Roth
Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië
The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?
When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.
You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?
Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.
With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.
The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?
|
Written by
Donald Hall |
In the mid August, in the second year
of my First Polar Expedition, the snow and ice of winter
almost upon us, Kantiuk and I
attempted to dash the sledge
along Crispin Bay, searching again for relics
of the Frankline Expedition. Now a storm blew,
and we turned back, and we struggled slowly
in snow, lest we depart land and venture onto ice
from which a sudden fog and thaw
would abandon us to the Providence
of the sea.
Near nightfall I thought I heard snarling behind us.
Kantiuk told me that two wolves, lean as the bones of a wrecked ship,
had followed us the last hour, and snapped their teeth
as if already feasting.
I carried the one cartridge only
in my riffle, since, approaching the second winter,
we rationed stores.
As it turned dark,
we could push no further, and made
camp in a corner of ice hummocks,
and the wolves stopped also, growling
just past the limits of vision,
coming closer, until I could hear
the click of their feet on ice. Kantiuk laughed
and remarked that the wolves appeared to be most hungry.
I raised my rifle, prepared to shoot the first that
ventured close, hoping
to frighten the other.
Kantiuk struck my rifle down and said again
that the wolves were hungry, and laughed.
I feared that my old companion
was mad, here in the storm, among ice-hummocks,
stalked by wolves. Now Kantiuk searched
in his pack, and extracted
two knives--turnoks, the Innuits called them--
which by great labor were sharpened, on both sides,
to the sharpness like the edge of a barber's razor,
and approached our dogs
and plunged both knives
into the body of our youngest dog
who had limped all day.
I remember that I consider turning my rifle on Kantiuk
as he approached, then passed me,
carrying knives red with the gore of our dog--
who had yowled, moaned, and now lay
expired, surrounded
by curious cousins and uncles, possibly
hungry--and he trusted the knives
handle-down in the snow.
Immediately after he left the knives, the vague, gray
shape of wolves
turned solid, out of the darkness and the snow, and set ravenously
to licking blood from the honed steel.
the double-edge of the knives
so lacerated the tongues of the starved beasts
that their own blood poured
copiously forth
to replenish the dog's blood, and they ate
more furiously than before, while Knatiuk laughed,
and held his sides
laughing.
And I laughed also, perhaps in relief that Providence had delivered us
yet again, or perhaps--under conditions of extremity--
far from Connecticut--finding there creatures
acutely ridiculous, so avid
to swallow their own blood. First one, and then the other collapsed, dying,
bloodless in the snow black with their own blood,
and Kantiuk retrieved
his turnoks, and hacked lean meat
from the thigh of the larger wolf, which we ate
grateful, blessing the Creator, for we were hungry.
|
Written by
Charles Baudelaire |
LONG since, I lived beneath vast porticoes,
By many ocean-sunsets tinged and fired,
Where mighty pillars, in majestic rows,
Seemed like basaltic caves when day expired.
The rolling surge that mirrored all the skies
Mingled its music, turbulent and rich,
Solemn and mystic, with the colours which
The setting sun reflected in my eyes.
And there I lived amid voluptuous calms,
In splendours of blue sky and wandering wave,
Tended by many a naked, perfumed slave,
Who fanned my languid brow with waving palms.
They were my slaves--the only care they had
To know what secret grief had made me sad.
|
Written by
Edgar Allan Poe |
I saw thee once- once only- years ago:
I must not say how many- but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturned faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses,
And on thine own, upturn'd- alas, in sorrow!
Was it not Fate, that, on this July midnight-
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred: the hated world an slept,
Save only thee and me. (Oh, Heaven!- oh, God!
How my heart beats in coupling those two words!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me!
I saw but them- saw only them for hours,
Saw only them until the moon went down.
What wild heart-histories seemed to he enwritten
Upon those crystalline, celestial spheres!
How dark a woe, yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition; yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained;
They would not go- they never yet have gone;
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since;
They follow me- they lead me through the years.
They are my ministers- yet I their slave.
Their office is to illumine and enkindle-
My duty, to be saved by their bright light,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in Heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
|
Written by
Thomas Campbell |
All worldly shapes shall melt in gloom,
The Sun himself must die,
Before this mortal shall assume
Its Immortality!
I saw a vision in my sleep
That gave my spirit strength to sweep
Adown the gulf of Time!
I saw the last of human mould,
That shall Creation's death behold,
As Adam saw her prime!
The Sun's eye had a sickly glare,
The Earth with age was wan,
The skeletons of nations were
Around that lonely man!
Some had expired in fight,--the brands
Still rested in their bony hands;
In plague and famine some!
Earth's cities had no sound nor tread;
And ships were drifting with the dead
To shores where all was dumb!
Yet, prophet-like, that lone one stood
With dauntless words and high,
That shook the sere leaves from the wood
As if a storm passed by,
Saying, "We are twins in death, proud Sun,
Thy face is cold, thy race is run,
'Tis Mercy bids thee go.
For thou ten thousand thousand years
Hast seen the tide of human tears,
That shall no longer flow.
"What though beneath thee man put forth
His pomp, his pride, his skill;
And arts that made fire, floods, and earth,
The vassals of his will;--
Yet mourn not I thy parted sway,
Thou dim discrowned king of day:
For all those trophied arts
And triumphs that beneath thee sprang,
Healed not a passion or a pang
Entailed on human hearts.
"Go, let oblivion's curtain fall
Upon the stage of men,
Nor with thy rising beams recall
Life's tragedy again.
Its piteous pageants bring not back,
Nor waken flesh, upon the rack
Of pain anew to writhe;
Stretched in disease's shapes abhorred,
Or mown in battle by the sword,
Like grass beneath the scythe.
"Ee'n I am weary in yon skies
To watch thy fading fire;
Test of all sumless agonies
Behold not me expire.
My lips that speak thy dirge of death--
Their rounded gasp and gurgling breath
To see thou shalt not boast.
The eclipse of Nature spreads my pall,--
The majesty of Darkness shall
Receive my parting ghost!
"This spirit shall return to Him
That gave its heavenly spark;
Yet think not, Sun, it shall be dim
When thou thyself art dark!
No! it shall live again, and shine
In bliss unknown to beams of thine,
By Him recalled to breath,
Who captive led captivity.
Who robbed the grave of Victory,--
And took the sting from Death!
"Go, Sun, while Mercy holds me up
On Nature's awful waste
To drink this last and bitter cup
Of grief that man shall taste--
Go, tell the night that hides thy face,
Thou saw'st the last of Adam's race,
On Earth's sepulchral clod,
The darkening universe defy
To quench his Immortality,
Or shake his trust in God!"
|
Written by
Johann Wolfgang von Goethe |
THOUGHTS ON JESUS CHRIST'S DESCENT INTO HELL.
[THE remarkable Poem of which this is a literal
but faint representation, was written when Goethe was only sixteen
years old. It derives additional interest from the fact of its being
the very earliest piece of his that is preserved. The few other
pieces included by Goethe under the title of Religion and Church
are polemical, and devoid of interest to the English reader.]
WHAT wondrous noise is heard around!
Through heaven exulting voices sound,
A mighty army marches on
By thousand millions follow'd, lo,
To yon dark place makes haste to go
God's Son, descending from His throne!
He goes--the tempests round Him break,
As Judge and Hero cometh He;
He goes--the constellations quake,
The sun, the world quake fearfully.
I see Him in His victor-car,
On fiery axles borne afar,
Who on the cross for us expired.
The triumph to yon realms He shows,--
Remote from earth, where star ne'er glows,
The triumph He for us acquired.
He cometh, Hell to extirpate,
Whom He, by dying, wellnigh kill'd;
He shall pronounce her fearful fate
Hark! now the curse is straight fulfill'd.
Hell sees the victor come at last,
She feels that now her reign is past,
She quakes and fears to meet His sight;
She knows His thunders' terrors dread,
In vain she seeks to hide her head,
Attempts to fly, but vain is flight;
Vainly she hastes to 'scape pursuit
And to avoid her Judge's eye;
The Lord's fierce wrath restrains her foot
Like brazen chains,--she cannot fly.
Here lies the Dragon, trampled down,
He lies, and feels God's angry frown,
He feels, and grinneth hideously;
He feels Hell's speechless agonies,
A thousand times he howls and sighs:
"Oh, burning flames! quick, swallow me!"
There lies he in the fiery waves,
By torments rack'd and pangs infernal,
Instant annihilation craves,
And hears, those pangs will be eternal.
Those mighty squadrons, too, are here,
The partners of his cursed career,
Yet far less bad than he were they.
Here lies the countless throng combined,
In black and fearful crowds entwined,
While round him fiery tempests play;
He sees how they the Judge avoid,
He sees the storm upon them feed,
Yet is not at the sight o'erjoy'd,
Because his pangs e'en theirs exceed.
The Son of Man in triumph passes
Down to Hell's wild and black morasses,
And there unfolds His majesty.
Hell cannot bear the bright array,
For, since her first created day.
Darkness alone e'er govern'd she.
She lay remote from ev'ry light
With torments fill'd in Chaos here;
God turn'd for ever from her sight
His radiant features' glory clear.
Within the realms she calls her own,
She sees the splendour of the Son,
His dreaded glories shining forth;
She sees Him clad in rolling thunder,
She sees the rocks all quake with wonder,
When God before her stands in wrath.
She sees He comes her Judge to be,
She feels the awful pangs inside her,
Herself to slay endeavours she,
But e'en this comfort is denied her.
Now looks she back, with pains untold,
Upon those happy times of old,
When those glories gave her joy;
When yet her heart revered the truth,
When her glad soul, in endless youth
And rapture dwelt, without alloy.
She calls to mind with madden'd thought
How over man her wiles prevail'd;
To take revenge on God she sought,
And feels the vengeance it entail'd.
God was made man, and came to earth.
Then Satan cried with fearful mirth:
"E'en He my victim now shall be!"
He sought to slay the Lord Most High,
The world's Creator now must die;
But, Satan, endless woe to thee!
Thou thought'st to overcome Him then,
Rejoicing in His suffering;
But he in triumph comes again
To bind thee: Death! where is thy sting?
Speak, Hell! where is thy victory?
Thy power destroy'd and scatter'd see!
Know'st thou not now the Highest's might?
See, Satan, see thy rule o'erthrown!
By thousand-varying pangs weigh'd down,
Thou dwell'st in dark and endless night.
As though by lightning struck thou liest,
No gleam of rapture far or wide;
In vain! no hope thou there decriest,--
For me alone Messiah died!
A howling rises through the air,
A trembling fills each dark vault there,
When Christ to Hell is seen to come.
She snarls with rage, but needs must cower
Before our mighty hero's power;
He signs--and Hell is straightway dumb.
Before his voice the thunders break,
On high His victor-banner blows;
E'en angels at His fury quake,
When Christ to the dread judgment goes.
Now speaks He, and His voice is thunder,
He speaks, the rocks are rent in sunder,
His breath is like devouring flames.
Thus speaks He: "Tremble, ye accurs'd!
He who from Eden hurl'd you erst,
Your kingdom's overthrow proclaims.
Look up! My children once were ye,
Your arms against Me then ye turn'd,
Ye fell, that ye might sinners be,
Ye've now the wages that ye earn'd.
"My greatest foeman from that day,
Ye led my dearest friends astray,--
As ye had fallen, man must fall.
To kill him evermore ye sought,
'They all shall die the death,' ye thought;
But howl! for Me I won them all.
For them alone did I descend,
For them pray'd, suffer'd, perish'd I.
Ye ne'er shall gain your wicked end;
Who trusts in Me shall never die.
"In endless chains here lie ye now,
Nothing can save you from the slough.
Not boldness, not regret for crime.
Lie, then, and writhe in brimstone fire!
'Twas ye yourselves drew down Mine ire,
Lie and lament throughout all time!
And also ye, whom I selected,
E'en ye forever I disown,
For ye My saving grace rejected
Ye murmur? blame yourselves alone!
"Ye might have lived with Me in bliss,
For I of yore had promis'd this;
Ye sinn'd, and all My precepts slighted
Wrapp'd in the sleep of sin ye dwelt,
Now is My fearful judgment felt,
By a just doom your guilt requited."--
Thus spake He, and a fearful storm
From Him proceeds, the lightnings glow,
The thunders seize each wicked form,
And hurl them in the gulf below.
The God-man closeth Hell's sad doors,
In all His majesty He soars
From those dark regions back to light.
He sitteth at the Father's side;
Oh, friends, what joy doth this betide!
For us, for us He still will fight!
The angels sacred quire around
Rejoice before the mighty Lord,
So that all creatures hear the sound:
"Zebaoth's God be aye ador'd!"
1765.
-----
|
Written by
Johann Wolfgang von Goethe |
[Published in the Gottingen Musen Almanach,
having been written "to express his feelings and caprices" after
his separation from Frederica.]
WANDERER.
YOUNG woman, may God bless thee,
Thee, and the sucking infant
Upon thy breast!
Let me, 'gainst this rocky wall,
Neath the elm-tree's shadow,
Lay aside my burden,
Near thee take my rest.
WOMAN.
What vocation leads thee,
While the day is burning,
Up this dusty path?
Bring'st thou goods from out the town
Round the country?
Smil'st thou, stranger,
At my question?
WANDERER.
From the town no goods I bring.
Cool is now the evening;
Show to me the fountain
'Whence thou drinkest,
Woman young and kind!
WOMAN.
Up the rocky pathway mount;
Go thou first! Across the thicket
Leads the pathway tow'rd the cottage
That I live in,
To the fountain
Whence I drink.
WANDERER.
Signs of man's arranging hand
See I 'mid the trees!
Not by thee these stones were join'd,
Nature, who so freely scatterest!
WOMAN.
Up, still up!
WANDERER.
Lo, a mossy architrave is here!
I discern thee, fashioning spirit!
On the stone thou hast impress'd thy seal.
WOMAN.
Onward, stranger!
WANDERER.
Over an inscription am I treading!
'Tis effaced!
Ye are seen no longer,
Words so deeply graven,
Who your master's true devotion
Should have shown to thousand grandsons!
WOMAN.
At these stones, why
Start'st thou, stranger?
Many stones are lying yonder
Round my cottage.
WANDERER.
Yonder?
WOMAN.
Through the thicket,
Turning to the left,
Here!
WANDERER.
Ye Muses and ye Graces!
WOMAN.
This, then, is my cottage.
WANDERER.
'Tis a ruin'd temple! *
WOMAN.
Just below it, see,
Springs the fountain
Whence I drink.
WANDERER.
Thou dost hover
O'er thy grave, all glowing,
Genius! while upon thee
Hath thy master-piece
Fallen crumbling,
Thou Immortal One!
WOMAN.
Stay, a cup I'll fetch thee
Whence to drink.
WANDERER.
Ivy circles thy slender
Form so graceful and godlike.
How ye rise on high
From the ruins,
Column-pair
And thou, their lonely sister yonder,--
How thou,
Dusky moss upon thy sacred head,--
Lookest down in mournful majesty
On thy brethren's figures
Lying scatter'd
At thy feet!
In the shadow of the bramble
Earth and rubbish veil them,
Lofty grass is waving o'er them
Is it thus thou, Nature, prizest
Thy great masterpiece's masterpiece?
Carelessly destroyest thou
Thine own sanctuary,
Sowing thistles there?
WOMAN.
How the infant sleeps!
Wilt thou rest thee in the cottage,
Stranger? Wouldst thou rather
In the open air still linger?
Now 'tis cool! take thou the child
While I go and draw some water.
Sleep on, darling! sleep!
WANDERER.
Sweet is thy repose!
How, with heaven-born health imbued,
Peacefully he slumbers!
Oh thou, born among the ruins
Spread by great antiquity,
On thee rest her spirit!
He whom it encircles
Will, in godlike consciousness,
Ev'ry day enjoy.
Full, of germ, unfold,
As the smiling springtime's
Fairest charm,
Outshining all thy fellows!
And when the blossom's husk is faded,
May the full fruit shoot forth
From out thy breast,
And ripen in the sunshine!
WOMAN.
God bless him!--Is he sleeping still?
To the fresh draught I nought can add,
Saving a crust of bread for thee to eat.
WANDERER.
I thank thee well.
How fair the verdure all around!
How green!
WOMAN.
My husband soon
Will home return
From labour. Tarry, tarry, man,
And with us eat our evening meal.
WANDERER.
Is't here ye dwell?
WOMAN.
Yonder, within those walls we live.
My father 'twas who built the cottage
Of tiles and stones from out the ruins.
'Tis here we dwell.
He gave me to a husbandman,
And in our arms expired.--
Hast thou been sleeping, dearest heart
How lively, and how full of play!
Sweet rogue!
WANDERER.
Nature, thou ever budding one,
Thou formest each for life's enjoyments,
And, like a mother, all thy children dear,
Blessest with that sweet heritage,--a home
The swallow builds the cornice round,
Unconscious of the beauties
She plasters up.
The caterpillar spins around the bough,
To make her brood a winter house;
And thou dost patch, between antiquity's
Most glorious relics,
For thy mean use,
Oh man, a humble cot,--
Enjoyest e'en mid tombs!--
Farewell, thou happy woman!
WOMAN.
Thou wilt not stay, then?
WANDERER.
May God preserve thee,
And bless thy boy!
WOMAN.
A happy journey!
WANDERER.
Whither conducts the path
Across yon hill?
WOMAN.
To Cuma.
WANDERER.
How far from hence?
WOMAN.
'Tis full three miles.
WANDERER.
Farewell!
Oh Nature, guide me on my way!
The wandering stranger guide,
Who o'er the tombs
Of holy bygone times
Is passing,
To a kind sheltering place,
From North winds safe,
And where a poplar grove
Shuts out the noontide ray!
And when I come
Home to my cot
At evening,
Illumined by the setting sun,
Let me embrace a wife like this,
Her infant in her arms!
1772.
* Compare with the beautiful description contained
in the subsequent lines, an account of a ruined temple of Ceres,
given by Chamberlayne in his Pharonnida (published in 1659)
".... With mournful majesiy
A heap of solitary ruins lie,
Half sepulchred in dust, the bankrupt heir
To prodigal antiquity...."
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Written by
Barry Tebb |
You were the one I wanted most to know
So like yet unlike, like fire and snow,
The casual voice, the sharp invective,
The barbed wit, the lapsed Irish Protestant
Who never gave a ****, crossed the palms
Of the great and good with coins hot with contempt
For the fakers and the tricksters whose poetry
Deftly bent to fashion’s latest slant.
You wrote from the heart, feelings on your sleeve,
But feelings are all a master poet needs:
You broke all the taboos, whores and fags and booze,
While I sighed over books and began to snooze
Until your voice broke through the haze
Of a quarter century’s sleep. “Wake up you git
And bloody write!” I did and never stopped
And like you told the truth about how bad poetry
Rots the soul and slapped a New Gen face or two
And kicked some arses in painful places,
And so like you, got omitted from the posh anthologies
Where Penguin and Picador fill the pages
With the boring poetasters you went for in your rages,
Ex-friends like Harrison who missed you out.
You never could see the envy in their enmity.
Longley was the worst, a hypocrite to boot,
All you said about him never did come out;
I’ve tried myself to nail others of that ilk
Hither and thither they slide and slither
And crawl out of the muck white as brides’
Fat with OBE’s, sinecures and sighs
And Collected Poems no one buys.
Yet ‘Mainstrem’, your last but one collection,
I had to wait months for, the last borrower
Kept it for two years and likely I’ll do the same
Your poetry’s like no other, no one could tame
Your roaring fury or your searing pain.
You bared your soul in a most unfashionable way
But everything in me says your verse will stay,
Your love for your fourth and final wife,
The last chance marriage that went right
The children you loved so much but knew
You wouldn’t live to see grown up, so caught
Their growing pains and joys with a painter’s eye
And lyric skill as fine as Wordsworth’s best
they drank her welcome to his heritage
of grey, grey-green, wet earth and shapes of stone.
Who weds a landscape will not die alone.
Those you castigated never forgave.
Omitted you as casually as passing an unmarked grave,
Armitage, I name you, a blackguard and a knave,
Who knows no more of poetry than McGonagall the brave,
Yet tops the list of Faber’s ‘Best Poets of Our Age’.
Longley gave you just ten lines in ‘Irish Poets Now’
Most missed you out entirely for the troubles you gave
Accusing like Zola those poetic whores
Who sold themselves to fashion when time after time
Your passions brought you to your knees, lashing
At those poetasters when their puffed-up slime
Won the medals and the prizes time after time
And got them all the limelight while your books
Were quietly ignored, the better you wrote,
The fewer got bought.
Belatedly I found a poem of yours ‘Leeds 2’
In ‘Flashpoint’, a paint-stained worn out
School anthology from 1962. Out of the blue
I wrote to you but the letter came back ‘Gone away
N.F.A.’ then I tried again and had a marvellous letter back
Full of stories of the great and good and all their private sins,
You knew where the bodies were buried.
Who put the knife in, who slept with who
For what reward. They never could shut you up
Or put you in a pen or pay you off and then came
Morley, Hulse and Kennedy’s ‘New Poetry’
Which did more damage to the course of poetry
Than anything I’ve read - poets unembarrassed
By the need to know more than what’s politically
White as snow. Constantine and Jackie Kay
And Hoffman with the right connections.
Sweeney and O’Brien bleeding in all the politically
Sensitive places, Peter Reading lifting
Horror headlines from the Sun to make a splash.
Sansom and Maxwell, Jamie and Greenlaw.
Proving lack of talent is no barrier to fame
If you lick the right arses and say how nice they taste.
Crawling up the ladder, declaring **** is grace.
A talented drunken public servant
Has the world’s ear and hates me.
He ought to be in prison for misuse
Of public funds and bigotry;
But there’s some sparkle in his poetry.
You never flinched in the attack
But gave the devils their due:
The ‘Honest Ulsterman’ you founded
Lost its honesty the day you withdrew
But floundered on, publicly sighed and
Ungraciously expired as soon as you died.
You went with fallen women, smoked and sang and boozed,
Loved your many children, wrote poetry
As good as Yeats but the ignominy you had to bear
Bred an immortality impossible to share.
You showed us your own peccadilloes,
Your early lust for fame, but you learned
The cost of suffering, love and talent winning through,
Your best books your last, just two, like the letters
You wrote before your life was through.
The meeting you wanted could never happen:
I didn’t know about the stroke
That stilled your tongue and pen
But if you passed your mantle on to me
I’ll try and take up where you left off,
Give praise where praise is due
And blast the living daylights from those writers who
Betray the sacred art of making poetry true
To suffering and love, to passion and remorse
And try to steer a flimsy world upon a saner course.
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