Written by
Rainer Maria Rilke |
The First Elegy
Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
I that overwhelming existence.
For beauty is nothing
but the beginning of terror which we still are just able to endure
and we are so awed because it serenely disdains
to annihilate us.
Every angel is terrifying.
And so I hold myself back and swallow the call-note
Of my dark sobbing.
Ah whom can we ever turn to
in our need? Not angels not humans
and already the knowing animals are aware
that we are not really at home in
our interpreted world.
Perhaps there remains for us
some tree on a hillside which every day we can take
into our vision; there remains for us yesterday's street
and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space
gnaws at out faces.
Whom would it not remain for-that longed-after
mildly disillusioning presence which the solitary heart
so painfully meets.
Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms
Into the spaces we breathe; perhaps the birds
will feel the expanded air with more passionate flying.
Yes-the springtime needed you.
Often a star
was waiting for you to notice it.
A wave rolled toward you
out of the distant past or as you walked
under an open window a violin
yielded itself to your hearing.
All this was mission.
But could you accomplish it? Weren't you always
Distracted by expectation as if every event
announced a beloved? (Where can you find a place
to keep her with all the huge strange thoughts inside you
going and coming and often staying all night.
)
But when you feel longing sing of women in love;
for their famous passion is still not immortal.
Sing
of women abandoned and desolate (you envy them almost)
who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising;
remember: the hero lives on; even his downfall was
merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back
into herself as if there were not enough strength
to create them a second time.
Have you imagined
Gaspara Stampa intensely enough so that any girl
deserted by her beloved might be inspired
by that fierce example of soaring objectless love
and might say to herself Perhaps I can be like her ?
Shouldn't this most ancient suffering finally grow
more fruitful for us? Isn't it time that we lovingly
freed ourselves from the beloved and quivering endured:
as the arrow endures the bowstring's tension so that
gathered in the snap of release it can be more than
itself.
For there is no place where we can remain.
Voices.
Voices.
Listen my heart as only
Saints have listened: until the gigantic call lifted them
off the ground; yet they kept on impossibly
kneeling and didn't notice at all:
so complete was their listening.
Not that you could endure
God's voice-far from it.
But listen to the voice of the wind
and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church
In Naples or Rome quietly come to address you?
Or high up some eulogy entrusted you with a mission
as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance
of injustice about their death-which at times
slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer
to give up customs one barely had time to learn
not to see roses and other promising Things
in terms of a human future; no longer to be
what one was in infinitely anxious hands; to leave
even one's own first name behind forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.
Strange
to see meanings that clung together once floating away
in every direction.
And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity.
-Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living
they are moving among or the dead.
The eternal torrent
whirls all ages along in it through both realms
forever and their voices are drowned out in its thunderous roar.
In the end those who were carried off early no longer need us:
they are weaned from earth's sorrows and joys as gently as children
outgrow the soft breasts of their mothers.
But we who do need
such great mysteries we for whom grief is so often
the source of our spirit's growth-: could we exist without them?
Is the legend meaningless that tells how in the lament for Linus
the daring first notes of song pierced through the barren numbness;
and then in the startled space which a youth as lovely as a god
had suddenly left forever the Void felt for the first time
that harmony which now enraptures and comforts and helps us.
|
Written by
Pablo Neruda |
Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency,
and as the remote sea
in lifting the breasts of Aphrodite
duplicating the magnolia,
so did the earth
make you,
onion
clear as a planet
and destined
to shine,
constant constellation,
round rose of water,
upon
the table
of the poor.
You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone
and the fragrance of the earth lives
in your crystalline nature.
|
Written by
Phillis Wheatley |
Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.
Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:
"Go, Thebans! great Latona's will obey,
"And pious tribute at her altars pay:
"With rights divine, the goddess be implor'd,
"Nor be her sacred offspring unador'd.
"
Thus Manto spoke.
The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
"What madness drives the Theban ladies fair
"To give their incense to surrounding air?
"Say why this new sprung deity preferr'd?
"Why vainly fancy your petitions heard?
"Or say why Cæus offspring is obey'd,
"While to my goddesship no tribute's paid?
"For me no altars blaze with living fires,
"No bullock bleeds, no frankincense transpires,
"Tho' Cadmus' palace, not unknown to fame,
"And Phrygian nations all revere my name.
"Where'er I turn my eyes vast wealth I find,
"Lo! here an empress with a goddess join'd.
"What, shall a Titaness be deify'd,
"To whom the spacious earth a couch deny'd!
"Nor heav'n, nor earth, nor sea receiv'd your queen,
"Till pitying Delos took the wand'rer in.
"Round me what a large progeny is spread!
"No frowns of fortune has my soul to dread.
"What if indignant she decrease my train
"More than Latona's number will remain;
"Then hence, ye Theban dames, hence haste away,
"Nor longer off'rings to Latona pay;
"Regard the orders of Amphion's spouse,
"And take the leaves of laurel from your brows.
"
Niobe spoke.
The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.
The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
"Phoebus! behold, thy mother in disgrace,
"Who to no goddess yields the prior place
"Except to Juno's self, who reigns above,
"The spouse and sister of the thund'ring Jove.
"Niobe, sprung from Tantalus, inspires
"Each Theban bosom with rebellious fires;
"No reason her imperious temper quells,
"But all her father in her tongue rebels;
"Wrap her own sons for her blaspheming breath,
"Apollo! wrap them in the shades of death.
"
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.
"Cease thy complaints, mine be the task assign'd
"To punish pride, and scourge the rebel mind.
"
This Phoebe join'd.
--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.
With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.
Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
"Ah me," he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.
Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.
Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.
Young Ilioneus, the last, directs his pray'r,
And cries, "My life, ye gods celestial! spare.
"
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.
On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
"Why is such privilege to them allow'd?
"Why thus insulted by the Delian god?
"Dwells there such mischief in the pow'rs above?
"Why sleeps the vengeance of immortal Jove?"
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
"Be sated cruel Goddess! with my woe;
"If I've offended, let these streaming eyes,
"And let this sev'nfold funeral suffice:
"Ah! take this wretched life you deign'd to save,
"With them I too am carried to the grave.
"Rejoice triumphant, my victorious foe,
"But show the cause from whence your triumphs flow?
"Tho' I unhappy mourn these children slain,
"Yet greater numbers to my lot remain.
"
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
"Ye heav'nly pow'rs, ah spare me one," she cry'd,
"Ah! spare me one," the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
*"The queen of all her family bereft,
"Without or husband, son, or daughter left,
"Grew stupid at the shock.
The passing air
"Made no impression on her stiff'ning hair.
"The blood forsook her face: amidst the flood
"Pour'd from her cheeks, quite fix'd her eye-balls stood.
"Her tongue, her palate both obdurate grew,
"Her curdled veins no longer motion knew;
"The use of neck, and arms, and feet was gone,
"And ev'n her bowels hard'ned into stone:
"A marble statue now the queen appears,
"But from the marble steal the silent tears.
"
|
Written by
Rainer Maria Rilke |
Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.
Yes, the springtime were in need of you.
Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust.
But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts
coming and going and often staying for the night.
)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified.
Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth.
But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:
that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.
Voices, voices.
Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground.
Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening.
Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence.
They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.
Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space.
And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity.
-Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.
In the end the early departed have no longer
need of us.
One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast.
But we who have need
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
|
Written by
Mary Darby Robinson |
SWEET CHILD OF REASON! maid serene;
With folded arms, and pensive mien,
Who wand'ring near yon thorny wild,
So oft, my length'ning hours beguil'd;
Thou, who within thy peaceful call,
Canst laugh at LIFE'S tumultuous care,
While calm repose delights to dwell
On beds of fragrant roses there;
Where meek-ey'd PATIENCE waits to greet
The woe-worn Trav'ller's weary feet,
'Till by her blest and cheering ray
The clouds of sorrow fade away;
Where conscious RECTITUDE retires;
Instructive WISDOM; calm DESIRES;
Prolific SCIENCE,lab'ring ART;
And GENIUS, with expanded heart.
Far from thy lone and pure domain,
Steals pallid GUILT, whose scowling eye
Marks the rack'd soul's convulsive pain,
Tho' hid beneath the mask of joy;
Madd'ning AMBITION'S dauntless band;
Lean AVARICE with iron hand;
HYPOCRISY with fawning tongue;
Soft FLATT'RY with persuasive song;
Appall'd in gloomy shadows fly,
From MEDITATION'S piercing eye.
How oft with thee I've stroll'd unseen
O'er the lone valley's velvet green;
And brush'd away the twilight dew
That stain'd the cowslip's golden hue;
Oft, as I ponder'd o'er the scene,
Would mem'ry picture to my heart,
How full of grief my days have been,
How swiftly rapt'rous hours depart;
Then would'st thou sweetly reas'ning say,
"TIME journeys thro' the roughest day.
"
THE HERMIT, from the world retir'd,
By calm Religion's voice inspir'd,
Tells how serenely time glides on,
From crimson morn, 'till setting sun;
How guiltless, pure, and free from strife,
He journeys thro' the vale of Life;
Within his breast nor sorrows mourn,
Nor cares perplex, nor passions burn;
No jealous fears, or boundless joys,
The tenor of his mind destroys;
And when revolving mem'ry shows
The thorny world's unnumber'd woes;
He blesses HEAV'N's benign decree,
That gave his days to PEACE and THEE.
The gentle MAID, whose roseate bloom
Fades fast within a cloyster's gloom;
Far by relentless FATE remov'd,
From all her youthful fancy lov'd;
When her warm heart no longer bleeds,
And cool Reflection's hour succeeds;
Led by THY downy hand, she strays
Along the green dell's tangled maze;
Where thro' dank leaves, the whisp'ring show'rs
Awake to life the fainting flow'rs;
Absorb'd by THEE, she hears no more
The distant torrent's fearful roar;
The well-known VESPER's silver tone;
The bleak wind's desolating moan;
No more she sees the nodding spires,
Where the dark bird of night retires;
While Echo chaunts her boding song
The cloyster's mould'ring walls among;
No more she weeps at Fate's decree,
But yields her pensive soul to THEE.
THE SAGE, whose palsy'd head bends low
'Midst scatter'd locks of silv'ry snow;
Still by his MIND's clear lustre tells,
What warmth within his bosom dwells;
How glows his heart with treasur'd lore,
How rich in Wisdom's boundless store;
In fading Life's protracted hour,
He smiles at Death's terrific pow'r;
He lifts his radiant eyes, which gleam
With Resignation's sainted beam:
And, as the weeping star of morn,
Sheds lustre on the wither'd thorn,
His tear benign, calm comfort throws,
O'er rugged Life's corroding woes;
His pious soul's enlighten'd rays
Dart forth, to gild his wint'ry days;
He smiles serene at Heav'n's decree,
And his last hour resigns to THEE.
When Learning, with Promethean art,
Unveils to light the youthful heart;
When on the richly-budding spray,
The glorious beams of Genius play;
When the expanded leaves proclaim
The promis'd fruits of rip'ning Fame;
O MEDITATION, maid divine!
Proud REASON owns the work is THINE.
Oft, have I known thy magic pow'r,
Irradiate sorrow's wint'ry hour;
Oft, my full heart to THEE hath flown,
And wept for mis'ries not its own;
When pinch'd with agonizing PAIN,
My restless bosom dar'd complain;
Oft have I sunk upon THY breast,
And lull'd my weary mind to rest;
'Till I have own'd the blest decree,
That gave my soul to PEACE and THEE.
|
Written by
Rainer Maria Rilke |
This night, agitated by the growing storm,
how it has suddenly expanded its dimensions--,
that ordinarily would have gone unnoticed,
like a cloth folded, and hidden in the folds of time.
Where the stars give resistance it does not stop there,
neither does it begin within the forest's depths,
nor show upon the surface of my face
nor with your appearance.
The lamps keep swaying, fully unaware:
is our light lying?
Is night the only reality
that has endured through thousands of years?
|
Written by
Thomas Chatterton |
Where the rough Caigra rolls the surgy wave,
Urging his thunders thro' the echoing cave;
Where the sharp rocks, in distant horror seen,
Drive the white currents thro' the spreading green;
Where the loud tiger, pawing in his rage,
Bids the black archers of the wilds engage;
Stretch'd on the sand, two panting warriors lay,
In all the burning torments of the day;
Their bloody jav'lins reeked one living steam,
Their bows were broken at the roaring stream;
Heccar the Chief of Jarra's fruitful hill,
Where the dark vapours nightly dews distil,
Saw Gaira the companion of his soul,
Extended where loud Caigra's billows roll;
Gaira, the king of warring archers found,
Where daily lightnings plough the sandy ground,
Where brooding tempests bowl along the sky,
Where rising deserts whirl'd in circles fly.
Heccar.
Gaira, 'tis useless to attempt the chace,
Swifter than hunted wolves they urge the race;
Their lessening forms elude the straining eye,
Upon the plumage of macaws they fly.
Let us return, and strip the reeking slain
Leaving the bodies on the burning plain.
Gaira.
Heccar, my vengeance still exclaims for blood,
'Twould drink a wider stream than Caigra's flood.
This jav'lin, oft in nobler quarrels try'd,
Put the loud thunder of their arms aside.
Fast as the streaming rain, I pour'd the dart,
Hurling a whirlwind thro' the trembling heart;
But now my ling'ring feet revenge denies,
O could I throw my jav'lin from my eyes!
Heccar.
When Gaira the united armies broke,
Death wing'd the arrow; death impell'd the stroke.
See, pil'd in mountains, on the sanguine sand
The blasted of the lightnings of thy hand.
Search the brown desert, and the glossy green;
There are the trophies of thy valour seen.
The scatter'd bones mantled in silver white,
Once animated, dared the force in fight.
The children of the wave, whose pallid face,
Views the faint sun display a languid face,
From the red fury of thy justice fled,
Swifter than torrents from their rocky bed.
Fear with a sickened silver ting'd their hue;
The guilty fear, when vengeance is their due.
Gaira.
Rouse not Remembrance from her shadowy cell,
Nor of those bloody sons of mischief tell.
Cawna, O Cawna! deck'd in sable charms,
What distant region holds thee from my arms?
Cawna, the pride of Afric's sultry vales,
Soft as the cooling murmur of the gales,
Majestic as the many colour'd snake,
Trailing his glories thro' the blossom'd brake;
Black as the glossy rocks, where Eascal roars,
Foaming thro' sandy wastes to Jaghir's shores;
Swift as the arrow, hasting to the breast,
Was Cawna, the companion of my rest.
The sun sat low'ring in the western sky,
The swelling tempest spread around the eye;
Upon my Cawna's bosom I reclin'd,
Catching the breathing whispers of the wind
Swift from the wood a prowling tiger came;
Dreadful his voice, his eyes a glowing flame;
I bent the bow, the never-erring dart
Pierced his rough armour, but escaped his heart;
He fled, tho' wounded, to a distant waste,
I urg'd the furious flight with fatal haste;
He fell, he died-- spent in the fiery toil,
I strip'd his carcase of the furry spoil,
And as the varied spangles met my eye,
On this, I cried, shall my loved Cawna lie.
The dusky midnight hung the skies in grey;
Impell'd by love, I wing'd the airy way;
In the deep valley and mossy plain,
I sought my Cawna, but I sought in vain,
The pallid shadows of the azure waves
Had made my Cawna, and my children slaves.
Reflection maddens, to recall the hour,
The gods had given me to the demon's power.
The dusk slow vanished from the hated lawn,
I gain'd a mountain glaring with the dawn.
There the full sails, expanded to the wind,
Struck horror and distraction in my mind,
There Cawna mingled with a worthless train,
In common slavery drags the hated chain.
Now judge, my Heccar, have I cause for rage?
Should aught the thunder of my arm assuage?
In ever-reeking blood this jav'lin dyed
With vengeance shall be never satisfied;
I'll strew the beaches with the mighty dead
And tinge the lily of their features red.
Heccar.
When the loud shriekings of the hostile cry
Roughly salute my ear, enraged I'll fly;
Send the sharp arrow quivering thro' the heart
Chill the hot vitals with the venom'd dart;
Nor heed the shining steel or noisy smoke,
Gaira and Vengeance shall inspire the stroke.
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Written by
William Blake |
1.
Earth was not: nor globes of attraction
The will of the Immortal expanded
Or contracted his all flexible senses.
Death was not, but eternal life sprung
2.
The sound of a trumpet the heavens
Awoke & vast clouds of blood roll'd
Round the dim rocks of Urizen, so nam'd
That solitary one in Immensity
3.
Shrill the trumpet: & myriads of Eternity,
Muster around the bleak desarts
Now fill'd with clouds, darkness & waters
That roll'd perplex'd labring & utter'd
Words articulate, bursting in thunders
That roll'd on the tops of his mountains
4.
From the depths of dark solitude.
From
The eternal abode in my holiness,
Hidden set apart in my stern counsels
Reserv'd for the days of futurity,
I have sought for a joy without pain,
For a solid without fluctuation
Why will you die O Eternals?
Why live in unquenchable burnings?
5.
First I fought with the fire; consum'd
Inwards, into a deep world within:
A void immense, wild dark & deep,
Where nothing was: Natures wide womb
And self balanc'd stretch'd o'er the void
I alone, even I! the winds merciless
Bound; but condensing, in torrents
They fall & fall; strong I repell'd
The vast waves, & arose on the waters
A wide world of solid obstruction
6.
Here alone I in books formd of metals
Have written the secrets of wisdom
The secrets of dark contemplation
By fightings and conflicts dire,
With terrible monsters Sin-bred:
Which the bosoms of all inhabit;
Seven deadly Sins of the soul.
7.
Lo! I unfold my darkness: and on
This rock, place with strong hand the Book
Of eternal brass, written in my solitude.
8.
Laws of peace, of love, of unity:
Of pity, compassion, forgiveness.
Let each chuse one habitation:
His ancient infinite mansion:
One command, one joy, one desire,
One curse, one weight, one measure
One King, one God, one Law.
|
Written by
Paul Laurence Dunbar |
O'ER fallow plains and fertile meads,
AURORA lifts the torch of day;
The shad'wy brow of Night recedes,
Cold dew-drops fall from every spray;
Now o'er the thistle's rugged head,
Thin veils of filmy vapour fly,
On ev'ry violet's perfum'd bed
The sparkling gems of Nature lie.
The hill's tall brow is crown'd with gold,
The Milk-maid trills her jocund lay,
The Shepherd-boy unpens his fold,
The Lambs along the meadows play;
The pilf'ring LARK, with speckled breast,
From the ripe sheaf's rich banquet flies;
And lifting high his plumy crest,
Soars the proud tenant of the skies.
The PEASANT steals with timid feet,
And gently taps the cottage door;
Or on the green sod takes his seat,
And chaunts some well-known ditty o'er;
Wak'd by the strain, the blushing MAID,
Unpractis'd in Love's mazy wiles,
In clean, but homely garb array'd,
From the small casement peepsand smiles.
Proud CHANTICLEER unfolds his wing,
And flutt'ring struts in plumage gay;
The glades with vocal echoes ring,
Soft odours deck the hawthorn spray;
The SCHOOL-BOY saunters o'er the green,
With satchel, fill'd with Learning's store;
While with dejected, sullen mien,
He cons his tedious lesson o'er.
When WINTER spreads her banner chill,
And sweeps the vale with freezing pow'r;
And binds in spells the vagrant rill,
And shrivels ev'ry ling'ring flow'r;
When NATURE quits her verdant dress,
And drops to earth her icy tears;
E'EN THEN thy tardy glance can bless,
And soft thy weeping eye appears.
Then at the Horn's enliv'ning peal,
Keen Sportsmen for the chase prepare;
Thro' the young Copse shrill echoes steal,
Swift flies the tim'rous, panting hare;
From ev'ry straw-thatch'd cottage soars
Blue curling smoke in many a cloud;
Around the Barn's expanded doors,
The feather'd throng impatient crowd.
Such are thy charms! health-breathing scene!
Where Nature's children revel gay;
Where Plenty smiles with radiant mien,
And Labour crowns the circling day;
Where Peace, in conscious Virtue blest,
Invites the Heart to joy supreme;
While polish'd Splendour pants for rest
And pines in Fashion's fev'rish dream.
|
Written by
Walt Whitman |
TWO Rivulets side by side,
Two blended, parallel, strolling tides,
Companions, travelers, gossiping as they journey.
For the Eternal Ocean bound,
These ripples, passing surges, streams of Death and Life,
Object and Subject hurrying, whirling by,
The Real and Ideal,
Alternate ebb and flow the Days and Nights,
(Strands of a Trio twining, Present, Future, Past.
)
In You, whoe’er you are, my book perusing,
In I myself—in all the World—these ripples flow,
All, all, toward the mystic Ocean tending.
(O yearnful waves! the kisses of your lips!
Your breast so broad, with open arms, O firm, expanded shore!)
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