Get Your Premium Membership

Best Famous Exhibits Poems

Here is a collection of the all-time best famous Exhibits poems. This is a select list of the best famous Exhibits poetry. Reading, writing, and enjoying famous Exhibits poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of exhibits poems.

Search and read the best famous Exhibits poems, articles about Exhibits poems, poetry blogs, or anything else Exhibits poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance, And lovers fall from perseverance, When eyes grow dim and charms decay, And all your roses fade away, First know yourselves; lay by those airs, Which well might suit your former years, Nor ape in vain the childish mien, And airy follies of sixteen.
We pardon faults in youth's gay flow, While beauty prompts the cheek to glow, While every glance has power to warm, And every turn displays a charm, Nor view a spot in that fair face, Which smiles inimitable grace.
But who, unmoved with scorn, can see The grey coquette's affected glee, Her ambuscading tricks of art To catch the beau's unthinking heart, To check th' assuming fopling's vows, The bridling frown of wrinkled brows; Those haughty airs of face and mind, Departed beauty leaves behind.
Nor let your sullen temper show Spleen louring on the envious brow, The jealous glance of rival rage, The sourness and the rust of age.
With graceful ease, avoid to wear The gloom of disappointed care: And oh, avoid the sland'rous tongue, By malice tuned, with venom hung, That blast of virtue and of fame, That herald to the court of shame; Less dire the croaking raven's throat, Though death's dire omens swell the note.
Contented tread the vale of years, Devoid of malice, guilt and fears; Let soft good humour, mildly gay, Gild the calm evening of your day, And virtue, cheerful and serene, In every word and act be seen.
Virtue alone with lasting grace, Embalms the beauties of the face, Instructs the speaking eye to glow, Illumes the cheek and smooths the brow, Bids every look the heart engage, Nor fears the wane of wasting age.
Nor think these charms of face and air, The eye so bright, the form so fair, This light that on the surface plays, Each coxcomb fluttering round its blaze, Whose spell enchants the wits of beaux, The only charms, that heaven bestows.
Within the mind a glory lies, O'erlook'd and dim to vulgar eyes; Immortal charms, the source of love, Which time and lengthen'd years improve, Which beam, with still increasing power, Serene to life's declining hour; Then rise, released from earthly cares, To heaven, and shine above the stars.
Thus might I still these thoughts pursue, The counsel wise, and good, and true, In rhymes well meant and serious lay, While through the verse in sad array, Grave truths in moral garb succeed: Yet who would mend, for who would read? But when the force of precept fails, A sad example oft prevails.
Beyond the rules a sage exhibits, Thieves heed the arguments of gibbets, And for a villain's quick conversion, A pillory can outpreach a parson.
To thee, Eliza, first of all, But with no friendly voice I call.
Advance with all thine airs sublime, Thou remnant left of ancient time! Poor mimic of thy former days, Vain shade of beauty, once in blaze! We view thee, must'ring forth to arms The veteran relics of thy charms; The artful leer, the rolling eye, The trip genteel, the heaving sigh, The labour'd smile, of force too weak, Low dimpling in th' autumnal cheek, The sad, funereal frown, that still Survives its power to wound or kill; Or from thy looks, with desperate rage, Chafing the sallow hue of age, And cursing dire with rueful faces, The repartees of looking-glasses.
Now at tea-table take thy station, Those shambles vile of reputation, Where butcher'd characters and stale Are day by day exposed for sale: Then raise the floodgates of thy tongue, And be the peal of scandal rung; While malice tunes thy voice to rail, And whispering demons prompt the tale-- Yet hold thy hand, restrain thy passion, Thou cankerworm of reputation; Bid slander, rage and envy cease, For one short interval of peace; Let other's faults and crimes alone, Survey thyself and view thine own; Search the dark caverns of thy mind, Or turn thine eyes and look behind: For there to meet thy trembling view, With ghastly form and grisly hue, And shrivel'd hand, that lifts sublime The wasting glass and scythe of Time, A phantom stands: his name is Age; Ill-nature following as his page.
While bitter taunts and scoffs and jeers, And vexing cares and torturing fears, Contempt that lifts the haughty eye, And unblest solitude are nigh; While conscious pride no more sustains, Nor art conceals thine inward pains, And haggard vengeance haunts thy name, And guilt consigns thee o'er to shame, Avenging furies round thee wait, And e'en thy foes bewail thy fate.
But see, with gentler looks and air, Sophia comes.
Ye youths beware! Her fancy paints her still in prime, Nor sees the moving hand of time; To all her imperfections blind, Hears lovers sigh in every wind, And thinks her fully ripen'd charms, Like Helen's, set the world in arms.
Oh, save it but from ridicule, How blest the state, to be a fool! The bedlam-king in triumph shares The bliss of crowns, without the cares; He views with pride-elated mind, His robe of tatters trail behind; With strutting mien and lofty eye, He lifts his crabtree sceptre high; Of king's prerogative he raves, And rules in realms of fancied slaves.
In her soft brain, with madness warm, Thus airy throngs of lovers swarm.
She takes her glass; before her eyes Imaginary beauties rise; Stranger till now, a vivid ray Illumes each glance and beams like day; Till furbish'd every charm anew, An angel steps abroad to view; She swells her pride, assumes her power, And bids the vassal world adore.
Indulge thy dream.
The pictured joy No ruder breath should dare destroy; No tongue should hint, the lover's mind Was ne'er of virtuoso-kind, Through all antiquity to roam For what much fairer springs at home.
No wish should blast thy proud design; The bliss of vanity be thine.
But while the subject world obey, Obsequious to thy sovereign sway, Thy foes so feeble and so few, With slander what hadst thou to do? What demon bade thine anger rise? What demon glibb'd thy tongue with lies? What demon urged thee to provoke Avenging satire's deadly stroke? Go, sink unnoticed and unseen, Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade In clouds hangs dismal o'er thy head.
Fill the short circle of thy day, Then fade from all the world away; Nor leave one fainting trace behind, Of all that flutter'd once and shined; The vapoury meteor's dancing light Deep sunk and quench'd in endless night


Written by Sylvia Plath | Create an image from this poem

Death and Co

 Two, of course there are two.
It seems perfectly natural now—— The one who never looks up, whose eyes are lidded And balled¸ like Blake's.
Who exhibits The birthmarks that are his trademark—— The scald scar of water, The nude Verdigris of the condor.
I am red meat.
His beak Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet The babies look in their hospital Icebox, a simple Frill at the neck Then the flutings of their Ionian Death-gowns.
Then two little feet.
He does not smile or smoke.
The other does that His hair long and plausive Bastard Masturbating a glitter He wants to be loved.
I do not stir.
The frost makes a flower, The dew makes a star, The dead bell, The dead bell.
Somebody's done for.
Written by Walt Whitman | Create an image from this poem

In Paths Untrodden

 IN paths untrodden, 
In the growth by margins of pond-waters, 
Escaped from the life that exhibits itself, 
From all the standards hitherto publish’d—from the pleasures, profits,
 eruditions,
 conformities, 
Which too long I was offering to feed my soul;
Clear to me, now, standards not yet publish’d—clear to me that my Soul, 
That the Soul of the man I speak for, feeds, rejoices most in comrades; 
Here, by myself, away from the clank of the world, 
Tallying and talk’d to here by tongues aromatic, 
No longer abash’d—for in this secluded spot I can respond as I would not dare
 elsewhere,
Strong upon me the life that does not exhibit itself, yet contains all the rest, 
Resolv’d to sing no songs to-day but those of manly attachment, 
Projecting them along that substantial life, 
Bequeathing, hence, types of athletic love, 
Afternoon, this delicious Ninth-month, in my forty-first year,
I proceed, for all who are, or have been, young men, 
To tell the secret of my nights and days, 
To celebrate the need of comrades.
Written by John Davidson | Create an image from this poem

Snow

 'Who affirms that crystals are alive?'
I affirm it, let who will deny:
Crystals are engendered, wax and thrive,
Wane and wither; I have seen them die.
Trust me, masters, crystals have their day, Eager to attain the perfect norm, Lit with purpose, potent to display Facet, angle, colour, beauty, form.
Water-crystals need for flower and root Sixty clear degrees, no less, no more; Snow, so fickle, still in this acute Angle thinks, and learns no other lore: Such its life, and such its pleasure is, Such its art and traffic, such its gain, Evermore in new conjunctions this Admirable angle to maintain.
Crystalcraft in every flower and flake Snow exhibits, of the welkin free: Crystalline are crystals for the sake, All and singular, of crystalry.
Yet does every crystal of the snow Individualize, a seedling sown Broadcast, but instinct with power to grow Beautiful in beauty of its own.
Every flake with all its prongs and dints Burns ecstatic as a new-lit star: Men are not more diverse, finger prints More dissimilar than snow-flakes are.
Worlds of men and snow endure, increase, Woven of power and passion to defy Time and travail: only races cease, Individual men and crystals die.
Written by Emily Dickinson | Create an image from this poem

The Souls distinct connection

 The Soul's distinct connection
With immortality
Is best disclosed by Danger
Or quick Calamity --

As Lightning on a Landscape
Exhibits Sheets of Place --
Not yet suspected -- but for Flash --
And Click -- and Suddenness.


Written by Johann Wolfgang von Goethe | Create an image from this poem

PREFACE TO THE SECOND EDITION

 I have taken advantage of the publication of a Second Edition 
of my translation of the Poems of Goethe (originally published in 
1853), to add to the Collection a version of the much admired classical 
Poem of Hermann and Dorothea, which was previously omitted by me 
in consequence of its length.
Its universal popularity, however, and the fact that it exhibits the versatility of Goethe's talents to a greater extent than, perhaps, any other of his poetical works, seem to call for its admission into the present volume.
On the other hand I have not thought it necessary to include the sketch of Goethe's Life that accompanied the First Edition.
At the time of its publication, comparatively little was known in this country of the incidents of his career, and my sketch was avowedly written as a temporary stop-gap, as it were, pending the production of some work really deserving the tittle of a life of Goethe.
Not to mention other contributions to the literature of the subject, Mr.
Lewis's important volumes give the English reader all the information he is likely to require respecting Goethe's career, and my short memoir appeared to be no longer required.
I need scarcely add that I have availed myself of this opportunity to make whatever improvements have suggested themselves to me in my original version of these Poems.
Written by Badger Clark | Create an image from this poem

The Song of the Leather

  There is some that likes the city--
    Grass that's curried smooth and green,
  Theaytres and stranglin' collars,
    Wagons run by gasoline--
  But for me it's hawse and saddle
    Every day without a change,
  And a desert sun a-blazin'
    On a hundred miles of range.

  _Just a-ridin', a-ridin'--_
    _Desert ripplin' in the sun,_
  _Mountains blue along the skyline--_
    _I don't envy anyone_
        _When I'm ridin'._

  When my feet is in the stirrups
    And my hawse is on the bust,
  With his hoofs a-flashin' lightnin'
    From a cloud of golden dust,
  And the bawlin' of the cattle
    Is a-coming' down the wind
  Then a finer life than ridin'
    Would be mighty hard to find.

  _Just a-ridin, a-ridin'--_
    _Splittin' long cracks through the air,_
  _Stirrin' up a baby cyclone,_
    _Rippin' up the prickly pear_
        _As I'm ridin'._

  I don't need no art exhibits
    When the sunset does her best,
  Paintin' everlastin' glory
    On the mountains to the west
  And your opery looks foolish
    When the night-bird starts his tune
  And the desert's silver mounted
    By the touches of the moon.

  _Just a-ridin', a-ridin',_
    _Who kin envy kings and czars_
  _When the coyotes down the valley_
    _Are a-singin' to the stars,_
        _If he's ridin'?_

  When my earthly trail is ended
    And my final bacon curled
  And the last great roundup's finished
    At the Home Ranch of the world
  I don't want no harps nor haloes,
    Robes nor other dressed up things--
  Let me ride the starry ranges
    On a pinto hawse with wings!

  _Just a-ridin', a-ridin'--_
    _Nothin' I'd like half so well_
  _As a-roundin' up the sinners_
    _That have wandered out of Hell,_
        _And a-ridin'._
Written by Badger Clark | Create an image from this poem

Ridin'

  There is some that likes the city--
    Grass that's curried smooth and green,
  Theaytres and stranglin' collars,
    Wagons run by gasoline--
  But for me it's hawse and saddle
    Every day without a change,
  And a desert sun a-blazin'
    On a hundred miles of range.

  _Just a-ridin', a-ridin'--_
    _Desert ripplin' in the sun,_
  _Mountains blue along the skyline--_
    _I don't envy anyone_
        _When I'm ridin'._

  When my feet is in the stirrups
    And my hawse is on the bust,
  With his hoofs a-flashin' lightnin'
    From a cloud of golden dust,
  And the bawlin' of the cattle
    Is a-coming' down the wind
  Then a finer life than ridin'
    Would be mighty hard to find.

  _Just a-ridin, a-ridin'--_
    _Splittin' long cracks through the air,_
  _Stirrin' up a baby cyclone,_
    _Rippin' up the prickly pear_
        _As I'm ridin'._

  I don't need no art exhibits
    When the sunset does her best,
  Paintin' everlastin' glory
    On the mountains to the west
  And your opery looks foolish
    When the night-bird starts his tune
  And the desert's silver mounted
    By the touches of the moon.

  _Just a-ridin', a-ridin',_
    _Who kin envy kings and czars_
  _When the coyotes down the valley_
    _Are a-singin' to the stars,_
        _If he's ridin'?_

  When my earthly trail is ended
    And my final bacon curled
  And the last great roundup's finished
    At the Home Ranch of the world
  I don't want no harps nor haloes,
    Robes nor other dressed up things--
  Let me ride the starry ranges
    On a pinto hawse with wings!

  _Just a-ridin', a-ridin'--_
    _Nothin' I'd like half so well_
  _As a-roundin' up the sinners_
    _That have wandered out of Hell,_
        _And a-ridin'._

Book: Shattered Sighs