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Best Famous Exhalations Poems

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Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.


Written by Wole Soyinka | Create an image from this poem

IN THE SMALL HOURS

Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers Comb seaweed hair, stroke acquamarine veins Of marooned mariners, captives Of Circe's sultry notes.
The barman Dispenses igneous potions ? Somnabulist, the band plays on.
Cocktail mixer, silvery fish Dances for limpet clients.
Applause is steeped in lassitude, Tangled in webs of lovers' whispers And artful eyelash of the androgynous.
The hovering notes caress the night Mellowed deep indigo ?still they play.
Departures linger.
Absences do not Deplete the tavern.
They hang over the haze As exhalations from receded shores.
Soon, Night repossesses the silence, but till dawn The notes hold sway, smoky Epiphanies, possessive of the hours.
This music's plaint forgives, redeems The deafness of the world.
Night turns Homewards, sheathed in notes of solace, pleats The broken silence of the heart.
Written by Percy Bysshe Shelley | Create an image from this poem

Epipsychidion (excerpt)

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies, Beautiful as a wreck of Paradise, And, for the harbours are not safe and good, This land would have remain'd a solitude But for some pastoral people native there, Who from the Elysian, clear, and golden air Draw the last spirit of the age of gold, Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home, With ever-changing sound and light and foam, Kissing the sifted sands, and caverns hoar; And all the winds wandering along the shore Undulate with the undulating tide: There are thick woods where sylvan forms abide; And many a fountain, rivulet and pond, As clear as elemental diamond, Or serene morning air; and far beyond, The mossy tracks made by the goats and deer (Which the rough shepherd treads but once a year) Pierce into glades, caverns and bowers, and halls Built round with ivy, which the waterfalls Illumining, with sound that never fails Accompany the noonday nightingales; And all the place is peopled with sweet airs; The light clear element which the isle wears Is heavy with the scent of lemon-flowers, Which floats like mist laden with unseen showers, And falls upon the eyelids like faint sleep; And from the moss violets and jonquils peep And dart their arrowy odour through the brain Till you might faint with that delicious pain.
And every motion, odour, beam and tone, With that deep music is in unison: Which is a soul within the soul--they seem Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea, Cradled and hung in clear tranquillity; Bright as that wandering Eden Lucifer, Wash'd by the soft blue Oceans of young air.
It is a favour'd place.
Famine or Blight, Pestilence, War and Earthquake, never light Upon its mountain-peaks; blind vultures, they Sail onward far upon their fatal way: The wingèd storms, chanting their thunder-psalm To other lands, leave azure chasms of calm Over this isle, or weep themselves in dew, From which its fields and woods ever renew Their green and golden immortality.
And from the sea there rise, and from the sky There fall, clear exhalations, soft and bright, Veil after veil, each hiding some delight, Which Sun or Moon or zephyr draw aside, Till the isle's beauty, like a naked bride Glowing at once with love and loveliness, Blushes and trembles at its own excess: Yet, like a buried lamp, a Soul no less Burns in the heart of this delicious isle, An atom of th' Eternal, whose own smile Unfolds itself, and may be felt not seen O'er the gray rocks, blue waves and forests green, Filling their bare and void interstices.
But the chief marvel of the wilderness Is a lone dwelling, built by whom or how None of the rustic island-people know: 'Tis not a tower of strength, though with its height It overtops the woods; but, for delight, Some wise and tender Ocean-King, ere crime Had been invented, in the world's young prime, Rear'd it, a wonder of that simple time, An envy of the isles, a pleasure-house Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art, But, as it were, Titanic; in the heart Of Earth having assum'd its form, then grown Out of the mountains, from the living stone, Lifting itself in caverns light and high: For all the antique and learned imagery Has been eras'd, and in the place of it The ivy and the wild-vine interknit The volumes of their many-twining stems; Parasite flowers illume with dewy gems The lampless halls, and when they fade, the sky Peeps through their winter-woof of tracery With moonlight patches, or star atoms keen, Or fragments of the day's intense serene; Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers And terraces, the Earth and Ocean seem To sleep in one another's arms, and dream Of waves, flowers, clouds, woods, rocks, and all that we Read in their smiles, and call reality.
This isle and house are mine, and I have vow'd Thee to be lady of the solitude.
And I have fitted up some chambers there Looking towards the golden Eastern air, And level with the living winds, which flow Like waves above the living waves below.
I have sent books and music there, and all Those instruments with which high Spirits call The future from its cradle, and the past Out of its grave, and make the present last In thoughts and joys which sleep, but cannot die, Folded within their own eternity.
Our simple life wants little, and true taste Hires not the pale drudge Luxury to waste The scene it would adorn, and therefore still, Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet Keeps up her love-lament, and the owls flit Round the evening tower, and the young stars glance Between the quick bats in their twilight dance; The spotted deer bask in the fresh moonlight Before our gate, and the slow, silent night Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap Their wither'd hours, like leaves, on our decay, Let us become the overhanging day, The living soul of this Elysian isle, Conscious, inseparable, one.
Meanwhile We two will rise, and sit, and walk together, Under the roof of blue Ionian weather, And wander in the meadows, or ascend The mossy mountains, where the blue heavens bend With lightest winds, to touch their paramour; Or linger, where the pebble-paven shore, Under the quick, faint kisses of the sea, Trembles and sparkles as with ecstasy-- Possessing and possess'd by all that is Within that calm circumference of bliss, And by each other, till to love and live Be one: or, at the noontide hour, arrive Where some old cavern hoar seems yet to keep The moonlight of the expir'd night asleep, Through which the awaken'd day can never peep; A veil for our seclusion, close as night's, Where secure sleep may kill thine innocent lights; Sleep, the fresh dew of languid love, the rain Whose drops quench kisses till they burn again.
And we will talk, until thought's melody Become too sweet for utterance, and it die In words, to live again in looks, which dart With thrilling tone into the voiceless heart, Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound, And our veins beat together; and our lips With other eloquence than words, eclipse The soul that burns between them, and the wells Which boil under our being's inmost cells, The fountains of our deepest life, shall be Confus'd in Passion's golden purity, As mountain-springs under the morning sun.
We shall become the same, we shall be one Spirit within two frames, oh! wherefore two? One passion in twin-hearts, which grows and grew, Till like two meteors of expanding flame, Those spheres instinct with it become the same, Touch, mingle, are transfigur'd; ever still Burning, yet ever inconsumable: In one another's substance finding food, Like flames too pure and light and unimbu'd To nourish their bright lives with baser prey, Which point to Heaven and cannot pass away: One hope within two wills, one will beneath Two overshadowing minds, one life, one death, One Heaven, one Hell, one immortality, And one annihilation.
Woe is me! The winged words on which my soul would pierce Into the height of Love's rare Universe, Are chains of lead around its flight of fire-- I pant, I sink, I tremble, I expire!
Written by Mark Doty | Create an image from this poem

Metro North

 Over the terminal,
 the arms and chest
 of the god

brightened by snow.
Formerly mercury, formerly silver, surface yellowed by atmospheric sulphurs acid exhalations, and now the shining thing's descendant.
Obscure passages, dim apertures: these clouded windows show a few faces or some empty car's filmstrip of lit flames --remember them from school, how they were supposed to teach us something?-- waxy light hurrying inches away from the phantom smudge of us, vague in spattered glass.
Then daylight's soft charcoal lusters stone walls and we ascend to what passes for brightness, this February, scumbled sky above graduated zones of decline: dead rowhouses, charred windows' wet frames around empty space, a few chipboard polemics nailed over the gaps, speeches too long and obsessive for anyone on this train to read, sealing the hollowed interiors --some of them grand once, you can tell by the fillips of decoration, stone leaves, the frieze of sunflowers.
Desolate fields--open spaces, in a city where you can hardly turn around!-- seem to center on little flames, something always burning in a barrel or can As if to represent inextinguishable, dogged persistence? Though whether what burns is will or rage or harsh amalgam I couldn't say.
But I can tell you this, what I've seen that won my allegiance most, though it was also the hallmark of our ruin, and quick as anything seen in transit: where Manhattan ends in the narrowing geographical equivalent of a sigh (asphalt, arc of trestle, dull-witted industrial tanks and scaffoldings, ancient now, visited by no one) on the concrete embankment just above the river, a sudden density and concentration of trash, so much I couldn't pick out any one thing from our rising track as it arced onto the bridge over the fantastic accumulation of jetsam and contraband strewn under the uncompromising vault of heaven.
An unbelievable mess, so heaped and scattered it seemed the core of chaos itself-- but no, the junk was arranged in rough aisles, someone's intimate clutter and collection, no walls but still a kind of apartment and a fire ribboned out of a ruined stove, and white plates were laid out on the table beside it.
White china! Something was moving, and --you understand it takes longer to tell this than to see it, only a train window's worth of actuality-- I knew what moved was an arm, the arm of the (man or woman?) in the center of that hapless welter in layer upon layer of coats blankets scarves until the form constituted one more gray unreadable; whoever was lifting a hammer, and bringing it down again, tapping at what work I couldn't say; whoever, under the great exhausted dome of winter light, which the steep and steel surfaces of the city made both more soft and more severe, was making something, or repairing, was in the act (sheer stubborn nerve of it) of putting together.
Who knows what.
(And there was more, more I'd take all spring to see.
I'd pick my seat and set my paper down to study him again --he, yes, some days not at home though usually in, huddled by the smoldering, and when my eye wandered --five-second increments of apprehension--I saw he had a dog! Who lay half in half out his doghouse in the rain, golden head resting on splayed paws.
He had a ruined car, and heaps of clothes, and things to read-- was no emblem, in other words, but a citizen, who'd built a citizen's household, even on the literal edge, while I watched from my quick, high place, hurtling over his encampment by the waters of Babylon.
) Then we were gone, in the heat and draft of our silver, rattling over the river into the South Bronx, against whose greasy skyline rose that neoned billboard for cigarettes which hostages my attention, always, as it is meant to do, its motto ruby in the dark morning: ALIVE WITH PLEASURE.
Written by George Herbert | Create an image from this poem

Lent

 Welcome dear feast of Lent: who loves not thee, 
He loves not Temperance, or Authority, 
But is compos'd of passion.
The Scriptures bid us fast; the Church says, now: Give to thy Mother, what thou wouldst allow To ev'ry Corporation.
The humble soul compos'd of love and fear Begins at home, and lays the burden there, When doctrines disagree, He says, in things which use hath justly got, I am a scandal to the Church, and not The Church is so to me.
True Christians should be glad of an occasion To use their temperance, seeking no evasion, When good is seasonable; Unless Authority, which should increase The obligation in us, make it less, And Power itself disable.
Besides the cleanness of sweet abstinence, Quick thoughts and motions at a small expense, A face not fearing light: Whereas in fulness there are sluttish fumes, Sour exhalations, and dishonest rheums, Revenging the delight.
Then those same pendant profits, which the spring And Easter intimate, enlarge the thing, And goodness of the deed.
Neither ought other men's abuse of Lent Spoil the good use; lest by that argument We forfeit all our Creed.
It's true, we cannot reach Christ's forti'eth day; Yet to go part of that religious way, Is better than to rest: We cannot reach our Saviour's purity; Yet we are bid, 'Be holy ev'n as he, ' In both let's do our best.
Who goeth in the way which Christ hath gone, Is much more sure to meet with him, than one That travelleth by-ways: Perhaps my God, though he be far before, May turn and take me by the hand, and more: May strengthen my decays.
Yet Lord instruct us to improve our fast By starving sin and taking such repast, As may our faults control: That ev'ry man may revel at his door, Not in his parlour; banqueting the poor, And among those his soul.


Written by Jane Kenyon | Create an image from this poem

Twilight: After Haying

 Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?

The men sprawl near the baler, 
too tired to leave the field.
They talk and smoke, and the tips of their cigarettes blaze like small roses in the night air.
(It arrived and settled among them before they were aware.
) The moon comes to count the bales, and the dispossessed-- Whip-poor-will, Whip-poor-will --sings from the dusty stubble.
These things happen.
.
.
the soul's bliss and suffering are bound together like the grasses.
.
.
The last, sweet exhalations of timothy and vetch go out with the song of the bird; the ravaged field grows wet with dew.
Written by | Create an image from this poem

IN THE SMALL HOURS

 Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze, 
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers Comb seaweed hair, stroke acquamarine veins Of marooned mariners, captives Of Circe's sultry notes.
The barman Dispenses igneous potions ? Somnabulist, the band plays on.
Cocktail mixer, silvery fish Dances for limpet clients.
Applause is steeped in lassitude, Tangled in webs of lovers' whispers And artful eyelash of the androgynous.
The hovering notes caress the night Mellowed deep indigo ?still they play.
Departures linger.
Absences do not Deplete the tavern.
They hang over the haze As exhalations from receded shores.
Soon, Night repossesses the silence, but till dawn The notes hold sway, smoky Epiphanies, possessive of the hours.
This music's plaint forgives, redeems The deafness of the world.
Night turns Homewards, sheathed in notes of solace, pleats The broken silence of the heart.
Written by Alan Seeger | Create an image from this poem

The Bayadere

 Flaked, drifting clouds hide not the full moon's rays 
More than her beautiful bright limbs were hid 
By the light veils they burned and blushed amid, 
Skilled to provoke in soft, lascivious ways, 
And there was invitation in her voice 
And laughing lips and wonderful dark eyes, 
As though above the gates of Paradise 
Fair verses bade, Be welcome and rejoice! 


O'er rugs where mottled blue and green and red 
Blent in the patterns of the Orient loom, 
Like a bright butterfly from bloom to bloom, 
She floated with delicious arms outspread.
There was no pose she took, no move she made, But all the feverous, love-envenomed flesh Wrapped round as in the gladiator's mesh And smote as with his triple-forked blade.
I thought that round her sinuous beauty curled Fierce exhalations of hot human love, -- Around her beauty valuable above The sunny outspread kingdoms of the world; Flowing as ever like a dancing fire Flowed her belled ankles and bejewelled wrists, Around her beauty swept like sanguine mists The nimbus of a thousand hearts' desire.

Book: Shattered Sighs