Written by
Alec Derwent (A D) Hope |
To be put on the train and kissed and given my ticket,
Then the station slid backward, the shops and the neon lighting,
Reeling off in a drunken blur, with a whole pound note in my pocket
And the holiday packed with Perhaps. It used to be very exciting.
The present and past were enough. I did not mind having my back
To the engine. I sat like a spider and spun
Time backward out of my guts - or rather my eyes - and the track
Was a Now dwindling off to oblivion. I thought it was fun:
The telegraph poles slithered up in a sudden crescendo
As we sliced the hill and scattered its grazing sheep;
The days were a wheeling delirium that led without end to
Nights when we plunged into roaring tunnels of sleep.
But now I am tired of the train. I have learned that one tree
Is much like another, one hill the dead spit of the next
I have seen tailing off behind all the various types of country
Like a clock running down. I am bored and a little perplexed;
And weak with the effort of endless evacuation
Of the long monotonous Now, the repetitive, tidy
Officialdom of each siding, of each little station
Labelled Monday, Tuesday - and goodness ! what happened to - Friday ?
And the maddening way the other passengers alter:
The schoolgirl who goes to the Ladies' comes back to her seat
A lollipop blonde who leads you on to assault her,
And you've just got her skirts round her waist and her pants round her feet
When you find yourself fumbling about the nightmare knees
Of a pink hippopotamus with a permanent wave
Who sends you for sandwiches and a couple of teas,
But by then she has whiskers, no teeth and one foot in the grave.
I have lost my faith that the ticket tells where we are going.
There are rumours the driver is mad - we are all being trucked
To the abattoirs somewhere - the signals are jammed and unknowing
We aim through the night full speed at a wrecked viaduct.
But I do not believe them. The future is rumour and drivel;
Only the past is assured. From the observation car
I stand looking back and watching the landscape shrivel,
Wondering where we are going and just where the hell we are,
Remembering how I planned to break the journey, to drive
My own car one day, to have choice in my hands and my foot upon power,
To see through the trumpet throat of vertiginous perspective
My urgent Now explode continually into flower,
To be the Eater of Time, a poet and not that sly
Anus of mind the historian. It was so simple and plain
To live by the sole, insatiable influx of the eye.
But something went wrong with the plan: I am still on the train.
|
Written by
Marianne Moore |
Fanaticism?No.Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.(His spring
de-winged a bat swing.)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.We won."
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going . . . "Is
it?Roger Maris
has it, running fast.You will
never see a finer catch.Well . . .
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather."Strike! . . . Strike two!"
Fouled back.A blur.
It's gone.You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit."
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.)
They crowd him and curve him and aim for the knees.Trying
indeed!The secret implying:
"I can stand here, bat held steady."
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it."
Mr. Houk and Mr. Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
Stephen Dunn |
It was supposed to be Arts & Crafts for a week,
but when she came home
with the "Jesus Saves" button, we knew what art
was up, what ancient craft.
She liked her little friends. She liked the songs
they sang when they weren't
twisting and folding paper into dolls.
What could be so bad?
Jesus had been a good man, and putting faith
in good men was what
we had to do to stay this side of cynicism,
that other sadness.
OK, we said, One week. But when she came home
singing "Jesus loves me,
the Bible tells me so," it was time to talk.
Could we say Jesus
doesn't love you? Could I tell her the Bible
is a great book certain people use
to make you feel bad? We sent her back
without a word.
It had been so long since we believed, so long
since we needed Jesus
as our nemesis and friend, that we thought he was
sufficiently dead,
that our children would think of him like Lincoln
or Thomas Jefferson.
Soon it became clear to us: you can't teach disbelief
to a child,
only wonderful stories, and we hadn't a story
nearly as good.
On parents' night there were the Arts & Crafts
all spread out
like appetizers. Then we took our seats
in the church
and the children sang a song about the Ark,
and Hallelujah
and one in which they had to jump up and down
for Jesus.
I can't remember ever feeling so uncertain
about what's comic, what's serious.
Evolution is magical but devoid of heroes.
You can't say to your child
"Evolution loves you." The story stinks
of extinction and nothing
exciting happens for centuries. I didn't have
a wonderful story for my child
and she was beaming. All the way home in the car
she sang the songs,
occasionally standing up for Jesus.
There was nothing to do
but drive, ride it out, sing along
in silence.
|
Written by
William Cowper |
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with opium drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...
Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....
|
Written by
Robert William Service |
Within a pub that's off the Strand and handy to the bar,
With pipe in mouth and mug in hand sat Jobson of the Star.
"Come, sit ye down, ye wond'ring wight, and have a yarn," says he.
"I can't," says I, "because to-night I'm off to Tripoli;
To Tripoli and Trebizond and Timbuctoo mayhap,
Or any magic name beyond I find upon the map.
I go errant trail to try, to clutch the skirts of Chance,
To make once more before I die the gesture of Romance."
The Jobson yawned above his jug, and rumbled: "Is that so?
Well, anyway, sit down, you mug, and have a drink before you go."
Now Jobson is a chum of mine, and in a dusty den,
Within the street that's known as Fleet, he wields a wicked pen.
And every night it's his delight, above the fleeting show,
To castigate the living Great, and keep the lowly low.
And all there is to know he knows, for unto him is spurred
The knowledge of the knowledge of the Thing That Has Occurred.
And all that is to hear he hears, for to his ear is whirled
The echo of the echo of the Sound That Shocks The World.
Let Revolutions rage and rend, and Kingdoms rise and fall,
There Jobson sits and smokes and spits, and writes about it all.
And so we jawed a little while on matters small and great;
He told me his cynic smile of graves affairs of state.
Of princes, peers and presidents, and folks beyond my ken,
He spoke as you and I might speak of ordinary men.
For Jobson is a scribe of worth, and has respect for none,
And all the mighty ones of earth are targets for his fun.
So when I said good-bye, says he, with his satyric leer:
"Too bad to go, when life is so damned interesting here.
The Government rides for a fall, and things are getting hot.
You'd better stick around, old pal; you'll miss an awful lot."
Yet still I went and wandered far, by secret ways and wide.
Adventure was the shining star I took to be my guide.
For fifty moons I followed on, and every moon was sweet,
And lit as if for me alone the trail before my feet.
From cities desolate with doom my moons swam up and set,
On tower and temple, tent and tomb, on mosque and minaret.
To heights that hailed the dawn I scaled, by cliff and chasm sheer;
To far Cathy I found my way, and fabolous Kashmir.
From camel-back I traced the track that bars the barren bled,
And leads to hell-and-blazes, and I followed where it led.
Like emeralds in sapphire set, and ripe for human rape,
I passed with passionate regret the Islands of Escape.
With death I clinched a time or two, and gave the brute a fall.
Hunger and cold and thirst I knew, yet...how I loved it all!
Then suddenly I seemed to tire of trecking up and town,
And longed for some domestic fire, and sailed for London Town.
And in a pub that's off the Strand, and handy to the bar,
With pipe in mouth and mug in hand sat Jobson of the Star.
"Hullo!" says he, "come, take a pew, and tell me where you've been.
It seems to me that lately you have vanished from the scene."
"I've been," says I, "to Kordovan and Kong and Calabar,
To Sarawak and Samarkand, to Ghat and Bolivar;
To Caracas and Guayaquil, to Lhasa and Pekin,
To Brahmapurta and Brazil, to Bagdad and Benin.
I've sailed the Black Sea and the White, The Yellow and the Red,
The Sula and the Celebes, the Bering and the Dead.
I've climbed on Chimborazo, and I've wandered in Peru;
I've camped on Kinchinjunga, and I've crossed the Great Karoo.
I've drifted on the Hoang-ho, the Nile and Amazon;
I've swam the Tiber and the Po.." thus I was going on,
When Jobson yawned above his beer, and rumbled: "Is that so?...
It's been so damned exciting here, too bad you had to go.
We've had the devil of a slump; the market's gone to pot;
You should have stuck around, you chump, you've missed an awful lot."
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In haggard lands where ages brood, on plains burnt out and dim,
I broke the bread of brotherhood with ruthless men and grim.
By ways untrod I walked with God, by parched and bitter path;
In deserts dim I talked with Him, and learned to know His Wrath.
But in a pub that's off the Strand, sits Jobson every night,
And tells me what a fool I am, and maybe he is right.
For Jobson is a man of stamp, and proud of him am I;
And I am just a bloody tramp, and will be till I die.
|
Written by
Rg Gregory |
(i)
i believed in flower-power (the triumph of the meek)
the thought that what a wind could bend was not to be
derided for its weakness but known to draw its calm
from a corporate sense of self (its many-ed history)
that tyranny (in the long blow) lacked the will to break
that heaped-up suffering gave to sufferers a balm
and through such evolution (such dog-eared mystery)
there would grow an end to the strong is right mystique
and that ordinariness unarmed (however weak its knee)
could hymn its own upstanding (as honoured as a psalm)
i believed in flower-power (the triumph of the meek)
though evidence was mocking (less song than threnody)
i savoured the impossible without a qualm
(ii)
and sought to make it practical – to bed worn earth
with a seed that tried to answer those dire conundrums
(making of every longed-for scene a landscape bleak)
to bring exciting prospects to a life of humdrums
reveal the spirit-ordinary in its dancing worth
yet the visions my dreams gave voice to failed to speak
they fell foul (inevitably) of panjamdrums
but even amongst those who grasped a notion of their girth
not one could get the fullest beatings of these sun-drums
the simple clarity the dreams had turned opaque
and after thirty years (too frayed to fight such dearth)
who should know better (so much beaten by life’s tantrums)
i believe in flower-power (the triumph of the meek)
|
Written by
William Carlos (WCW) Williams |
The crowd at the ball game
is moved uniformly
by a spirit of uselessness
which delights them—
all the exciting detail
of the chase
and the escape, the error
the flash of genius—
all to no end save beauty
the eternal—
So in detail they, the crowd,
are beautiful
for this
to be warned against
saluted and defied—
It is alive, venomous
it smiles grimly
its words cut—
The flashy female with her
mother, gets it—
The Jew gets it straight— it
is deadly, terrifying—
It is the Inquisition, the
Revolution
It is beauty itself
that lives
day by day in them
idly—
This is
the power of their faces
It is summer, it is the solstice
the crowd is
cheering, the crowd is laughing
in detail
permanently, seriously
without thought
|
Written by
Lewis Carroll |
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.
For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -
I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?
To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!
But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE
And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
|
Written by
John Berryman |
He lay in the middle of the world, and twicht.
More Sparine for Pelides,
human (half) & down here as he is,
with probably insulting mail to open
and certainly unworthy words to hear
and his unforgiving memory.
—I seldom go to films. They are too exciting,
said the Honourable Possum.
—It takes me so long to read the 'paper,
said to me one day a novelist hot as a firecracker,
because I have to identify myself with everyone in it,
including the corpses, pal.'
Kierkegaard wanted a society, to refuse to read 'papers,
and that was not, friends, his worst idea.
Tiny Hardy, toward the end, refused to say anything,
a programme adopted early on by long Housman,
and Gottfried Benn
said:—We are using our own skins for wallpaper and we cannot win.
|
Written by
William Topaz McGonagall |
Ye sons of Mars, come join with me,
And sing in praise of Sir Herbert Stewart's little army,
That made ten thousand Arabs flee
At the charge of the bayonet at Abu Klea.
General Stewart's force was about fifteen hundred all told,
A brave little band, but, like lions bold,
They fought under their brave and heroic commander,
As gallant and as skilful as the great Alexander.
And the nation has every reason to be proud,
And in praise of his little band we cannot speak too loud,
Because that gallant fifteen hundred soon put to flight
Ten thousand Arabs, which was a most beautiful sight.
The enemy kept up a harmless fire all night,
And threw up works on General Stewart's right;
Therefore he tried to draw the enemy on to attack,
But they hesitated, and through fear drew back.
But General Stewart ordered his men forward in square,
All of them on foot, ready to die and to dare;
And he forced the enemy to engage in the fray,
But in a short time they were glad to run away.
But not before they penetrated through the British square,
Which was a critical moment to the British, I declare,
Owing to the great number of the Arabs,
Who rushed against their bayonets and received fearful stabs.
Then all was quiet again until after breakfast,
And when the brave little band had finished their repast,
Then the firing began from the heights on the right,
From the breastworks they had constructed during the night;
By eight o'clock the enemy was of considerable strength,
With their banners waving beautifully and of great length,
And creeping steadily up the grassy road direct to the wells,
But the British soon checked their advance by shot and shells.
At ten o'clock brave General Stewart made a counter-attack,
Resolved to turn the enemy on a diferent track;
And he ordered his men to form a hollow square,
Placing the Guards in the front, and teeing them to prepare.
And on the left was the Mounted Infantry,
Which truly was a magnificent sight to see;
Then the Sussex Regiment was on the right,
And the Heavy Cavalry and Naval Brigade all ready to fight.
Then General Stewart took up a good position on a slope,
Where he guessed the enemy could not with him cope,
Where he knew the rebels must advance,
All up hill and upon open ground, which was his only chance.
Then Captain Norton's battery planted shells amongst the densest mass,
Determined with shot and shell the enemy to harass;
Then carne the shock of the rebels against the British square,
While the fiendish shouts of the Arabs did rend the air.
But the steadiness of the Guards, Marines, and Infantry prevailed,
And for the loss of their brother officers they sadly bewailed,
Who fell mortally wounded in the bloody fray,
'Which they will remember for many a long day.
For ten minutes a desperate struggle raged from left to rear
While Gunner Smith saved Lieutenant guthrie's life without dread or fear;
When all the other gunners had been borne back,
He took up a handspike, and the Arabs he did whack.
The noble hero hard blows did strike,
As he swung round his head the handspike;
He seemed like a destroying angel in the midst of the fight
The way he scattered the Arabs left and right.
Oh! it was an exciting and terrible sight,
To see Colonel Burnaby engaged in the fight:
With sword in hand, fighting with might and main,
Until killed by a spear-thrust in the jugular vein.
A braver soldier ne'er fought on a battle-field,
Death or glory was his motto, rather than yield;
A man of noble stature and manly to behold,
And an honour to his country be it told.
It was not long before every Arab in the square was killed.
And with a dense smoke and dust the air was filled;
General Stewart's horse was shot, and he fell to the ground.
In the midst of shot and shell on every side around.
And when the victory was won they gave three British cheers.
While adown their cheeks flowed many tears
For their fallen comrades that lay weltering in their gore;
Then the square was re-formed, and the battle was o'er.
|