Written by
Edgar Bowers |
Every month or so, Sundays, we walked the line,
The limit and the boundary.
Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it.
(Angry bumblebees
Stung the two mules.
They kicked.
Thirteen, I ran.
)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine.
Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square.
James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust.
Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to.
We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place.
A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause.
Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us.
The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us.
He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer.
Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother.
Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east.
Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
|
Written by
Johann Wolfgang von Goethe |
To the great archer--not to him
To meet whom flies the sun,
And who is wont his features dim
With clouds to overrun--
But to the boy be vow'd these rhymes,
Who 'mongst the roses plays,
Who hear us, and at proper times
To pierce fair hearts essays.
Through him the gloomy winter night,
Of yore so cold and drear,
Brings many a loved friend to our sight,
And many a woman dear.
Henceforward shall his image fair
Stand in yon starry skies,
And, ever mild and gracious there,
Alternate set and rise.
1815.
*
|
Written by
Victor Hugo |
("O douleur! j'ai voulu savoir.")
{XXXIV. i., October, 183-.}
I have wished in the grief of my heart to know
If the vase yet treasured that nectar so clear,
And to see what this beautiful valley could show
Of all that was once to my soul most dear.
In how short a span doth all Nature change,
How quickly she smoothes with her hand serene—
And how rarely she snaps, in her ceaseless range,
The links that bound our hearts to the scene.
Our beautiful bowers are all laid waste;
The fir is felled that our names once bore;
Our rows of roses, by urchins' haste,
Are destroyed where they leap the barrier o'er.
The fount is walled in where, at noonday pride,
She so gayly drank, from the wood descending;
In her fairy hand was transformed the tide,
And it turned to pearls through her fingers wending
The wild, rugged path is paved with spars,
Where erst in the sand her footsteps were traced,
When so small were the prints that the surface mars,
That they seemed to smile ere by mine effaced.
The bank on the side of the road, day by day,
Where of old she awaited my loved approach,
Is now become the traveller's way
To avoid the track of the thundering coach.
Here the forest contracts, there the mead extends,
Of all that was ours, there is little left—
Like the ashes that wildly are whisked by winds,
Of all souvenirs is the place bereft.
Do we live no more—is our hour then gone?
Will it give back naught to our hungry cry?
The breeze answers my call with a mocking tone,
The house that was mine makes no reply.
True! others shall pass, as we have passed,
As we have come, so others shall meet,
And the dream that our mind had sketched in haste,
Shall others continue, but never complete.
For none upon earth can achieve his scheme,
The best as the worst are futile here:
We awake at the selfsame point cf the dream—
All is here begun, and finished elsewhere.
Yes! others shall come in the bloom of the heart,
To enjoy in this pure and happy retreat,
All that nature to timid love can impart
Of solemn repose and communion sweet.
In our fields, in our paths, shall strangers stray,
In thy wood, my dearest, new lovers go lost,
And other fair forms in the stream shall play
Which of old thy delicate feet have crossed.
Author of "Critical Essays."
|
Written by
Mary Darby Robinson |
BLEST be thy song, sweet NIGHTINGALE,
Lorn minstrel of the lonely vale !
Where oft I've heard thy dulcet strain
In mournful melody complain;
When in the POPLAR'S trembling shade,
At Evening's purple hour I've stray'd,
While many a silken folded flow'r
Wept on its couch of Gossamer,
And many a time in pensive mood
Upon the upland mead I've stood,
To mark grey twilight's shadows glide
Along the green hill's velvet side;
To watch the perfum'd hand of morn
Hang pearls upon the silver thorn,
Till rosy day with lustrous eye
In saffron mantle deck'd the sky,
And bound the mountain's brow with fire,
And ting'd with gold the village spire:
While o'er the frosted vale below
The amber tints began to glow:
And oft I seek the daisied plain
To greet the rustic nymph and swain,
When cowslips gay their bells unfold,
And flaunt their leaves of glitt'ring gold,
While from the blushes of the rose
A tide of musky essence flows,
And o'er the odour-breathing flow'rs
The woodlands shed their diamond show'rs,
When from the scented hawthorn bud
The BLACKBIRD sips the lucid flood,
While oft the twitt'ring THRUSH essays
To emulate the LINNET'S lays;
While the poiz'd LARK her carol sings
And BUTTERFLIES expand their wings,
And BEES begin their sultry toils
And load their limbs with luscious spoils,
I stroll along the pathless vale,
And smile, and bless thy soothing tale.
But ah ! when hoary winter chills
The plumy raceand wraps the hills
In snowy vest, I tell my pains
Beside the brook in icy chains
Bound its weedy banks between,
While sad I watch night's pensive queen,
Just emblem of MY weary woes:
For ah ! where'er the virgin goes,
Each flow'ret greets her with a tear
To sympathetic sorrow dear;
And when in black obtrusive clouds
The chilly MOON her pale cheek shrouds,
I mark the twinkling starry train
Exulting glitter in her wane,
And proudly gleam their borrow'd light
To gem the sombre dome of night.
Then o'er the meadows cold and bleak,
The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze
On some bright planet's azure blaze,
And o'er the dizzy height inclin'd
I listen to the passing wind,
That loves my mournful song to seize,
And bears it to the mountain breeze.
Or where the sparry caves among
Dull ECHO sits with aëry tongue,
Or gliding on the ZEPHYR'S wings
From hill to hill her cadence flings,
O, then my melancholy tale
Dies on the bosom of the gale,
While awful stillness reigning round
Blanches my cheek with chilling fear;
Till from the bushy dell profound,
The woodman's song salutes mine ear.
When dark NOVEMBER'S boist'rous breath
Sweeps the blue hill and desart heath,
When naked trees their white tops wave
O'er many a famish'd REDBREAST'S grave,
When many a clay-built cot lays low
Beneath the growing hills of snow,
Soon as the SHEPHERD's silv'ry head
Peeps from his tottering straw-roof'd shed,
To hail the glimm'ring glimpse of day,
With feeble steps he ventures forth
Chill'd by the bleak breath of the North,
And to the forest bends his way,
To gather from the frozen ground
Each branch the night-blast scatter'd round.
If in some bush o'erspread with snow
He hears thy moaning wail of woe,
A flush of warmth his cheek o'erspreads,
With anxious timid care he treads,
And when his cautious hands infold
Thy little breast benumb'd with cold,
"Come, plaintive fugitive," he cries,
While PITY dims his aged eyes,
"Come to my glowing heart, and share
"My narrow cell, my humble fare,
"Tune thy sweet carolplume thy wing,
"And quaff with me the limpid spring,
"And peck the crumbs my meals supply,
"And round my rushy pillow fly.
"
O, MINSTREL SWEET, whose jocund lay
Can make e'en POVERTY look gay,
Who can the poorest swain inspire
And while he fans his scanty fire,
When o'er the plain rough Winter pours
Nocturnal blasts, and whelming show'rs,
Canst thro' his little mansion fling
The rapt'rous melodies of spring.
To THEE with eager gaze I turn,
Blest solace of the aching breast;
Each gaudy, glitt'ring scene I spurn,
And sigh for solitude and rest,
For art thou not, blest warbler, say,
My mind's best balm, my bosom's friend ?
Didst thou not trill thy softest lay,
And with thy woes my sorrows blend ?
YES, darling Songstress ! when of late
I sought thy leafy-fringed bow'r,
The victim of relentless fate,
Fading in life's dark ling'ring hour,
Thou heard'st my plaint, and pour'd thy strain
Thro' the sad mansion of my breast,
And softly, sweetly lull'd to rest
The throbbing anguish of my brain.
AH ! while I tread this vale of woe,
Still may thy downy measures flow,
To wing my solitary hours
With kind, obliterating pow'rs;
And tho' my pensive, patient heart
No wild, extatic bliss shall prove,
Tho' life no raptures shall impart,
No boundless joy, or, madd'ning love,
Sweet NIGHTINGALE, thy lenient strain
Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.
|
Written by
Walt Whitman |
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
|
Written by
William Shakespeare |
Alas, 'tis true, I have gone here and there,
And made myself a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new.
Most true it is that I have looked on truth
Askance and strangely.
But, by all above,
These blenches gave my heart another youth,
And worse essays proved thee my best of love.
Now all is done, have what shall have no end,
Mine appetite I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confined.
Then give me welcome, next my heaven the best,
Even to thy pure and most most loving breast.
|
Written by
Victor Hugo |
("Toutes les passions s'éloignent avec l'âge.")
{XXXIV. ii., October, 183-.}
As life wanes on, the passions slow depart,
One with his grinning mask, one with his steel;
Like to a strolling troupe of Thespian art,
Whose pace decreases, winding past the hill.
But naught can Love's all charming power efface,
That light, our misty tracks suspended o'er,
In joy thou'rt ours, more dear thy tearful grace,
The young may curse thee, but the old adore.
But when the weight of years bow down the head,
And man feels all his energies decline,
His projects gone, himself tomb'd with the dead,
Where virtues lie, nor more illusions shine,
When all our lofty thoughts dispersed and o'er,
We count within our hearts so near congealed,
Each grief that's past, each dream, exhausted ore!
As counting dead upon the battle-field.
As one who walks by the lamp's flickering blaze,
Far from the hum of men, the joys of earth—
Our mind arrives at last by tortuous ways,
At that drear gulf where but despair has birth.
E'en there, amid the darkness of that night,
When all seems closing round in empty air,
Is seen through thickening gloom one trembling light!
'Tis Love's sweet memory that lingers there!
Author of "Critical Essays."
|
Written by
Edgar Lee Masters |
I won the prize essay at school
Here in the village,
And published a novel before I was twenty-five.
I went to the city for themes and to enrich my art;
There married the banker’s daughter,
And later became president of the bank—
Always looking forward to some leisure
To write an epic novel of the war.
Meanwhile friend of the great, and lover of letters,
And host to Matthew Arnold and to Emerson.
An after dinner speaker, writing essays
For local clubs.
At last brought here—
My boyhood home, you know—
Not even a little tablet in Chicago
To keep my name alive.
How great it is to write the single line:
“Roll on, thou deep and dark blue Ocean, roll!”
|
Written by
Victor Hugo |
("Souvent quand mon esprit riche.")
{VII., May 18, 1828.}
When my mind, on the ocean of poesy hurled,
Floats on in repose round this wonderful world,
Oft the sacred fire from heaven—
Mysterious sun, that gives light to the soul—
Strikes mine with its ray, and above the pole
Its upward course is driven,
Like a wandering cloud, then, my eager thought
Capriciously flies, to no guidance brought,
With every quarter's wind;
It regards from those radiant vaults on high,
Earth's cities below, and again doth fly,
And leaves but its shadow behind.
In the glistening gold of the morning bright,
It shines, detaching some lance of light,
Or, as warrior's armor rings;
It forages forests that ferment around,
Or bathed in the sun-red gleams is found,
Where the west its radiance flings.
Or, on mountain peak, that rears its head
Where snow-clad Alps around are spread,
By furious gale 'tis thrown.
From the yawning abyss see the cloud scud away,
And the glacier appears, with its multiform ray,
The giant mountain's crown!
Like Parnassian pinnacle yet to be scaled,
In its form from afar, by the aspirant hailed;
On its side the rainbow plays,
And at eve, when the shadow sinks sleeping below,
The last slanting ray on its crest of snow
Makes its cap like a crater to blaze.
In the darkness, its front seems some pale orb of light,
The chamois with fear flashes on in its flight,
The eagle afar is driven;
The deluge but roars in despair to its feet,
And scarce dare the eye its aspect to meet,
So near doth it rise to heaven.
Alone on these altitudes, feeling no fear,
Forgetful of earth, my spirit draws near;
On the starry vault to gaze,
And nearer, to gaze on those glories of night,
On th' horizon high heaving, like arches of light,
Till again the sun shall blaze.
For then will the glacier with glory be graced,
On its prisms will light streaked with darkness be placed,
The morn its echoes greet;
Like a torrent it falls on the ocean of life,
Like Chaos unformed, with the sea-stormy strife,
When waters on waters meet.
As the spirit of poesy touches my thought,
It is thus my ideas in a circle are brought,
From earth, with the waters of pain.
As under a sunbeam a cloud ascends,
These fly to the heavens—their course never ends,
But descend to the ocean again.
Author of "Critical Essays."
|
Written by
Victor Hugo |
("Ainsi l'Hôtel de Ville illumine.")
{VI., May, 1833.}
Behold the ball-room flashing on the sight,
From step to cornice one grand glare of light;
The noise of mirth and revelry resounds,
Like fairy melody on haunted grounds.
But who demands this profuse, wanton glee,
These shouts prolonged and wild festivity—
Not sure our city—web, more woe than bliss,
In any hour, requiring aught but this!
Deaf is the ear of all that jewelled crowd
To sorrow's sob, although its call be loud.
Better than waste long nights in idle show,
To help the indigent and raise the low—
To train the wicked to forsake his way,
And find th' industrious work from day to day!
Better to charity those hours afford,
Which now are wasted at the festal board!
And ye, O high-born beauties! in whose soul
Virtue resides, and Vice has no control;
Ye whom prosperity forbids to sin,
So fair without—so chaste, so pure within—
Whose honor Want ne'er threatened to betray,
Whose eyes are joyous, and whose heart is gay;
Around whose modesty a hundred arms,
Aided by pride, protect a thousand charms;
For you this ball is pregnant with delight;
As glitt'ring planets cheer the gloomy night:—
But, O, ye wist not, while your souls are glad,
How millions wander, homeless, sick and sad!
Hazard has placed you in a happy sphere,
And like your own to you all lots appear;
For blinded by the sun of bliss your eyes
Can see no dark horizon to the skies.
Such is the chance of life! Each gallant thane,
Prince, peer, and noble, follow in your train;—
They praise your loveliness, and in your ear
They whisper pleasing things, but insincere;
Thus, as the moths enamoured of the light,
Ye seek these realms of revelry each night.
But as ye travel thither, did ye know
What wretches walk the streets through which you go.
Sisters, whose gewgaws glitter in the glare
Of your great lustre, all expectant there,
Watching the passing crowd with avid eye,
Till one their love, or lust, or shame may buy;
Or, with commingling jealousy and rage,
They mark the progress of your equipage;
And their deceitful life essays the while
To mask their woe beneath a sickly smile!
G.W.M. REYNOLDS.
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