Written by
Walt Whitman |
1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
said;
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future,
Behold! these are vast words to be said.
Were you thinking that those were the words—those upright lines? those curves,
angles,
dots?
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you.
Were you thinking that those were the words—those delicious sounds out of your
friends’
mouths?
No, the real words are more delicious than they.
Human bodies are words, myriads of words;
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
gay,
Every part able, active, receptive, without shame or the need of shame.
2
Air, soil, water, fire—these are words;
I myself am a word with them—my qualities interpenetrate with theirs—my name is
nothing to
them;
Though it were told in the three thousand languages, what would air, soil, water, fire,
know of
my
name?
A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
also.
3
The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth’s words, and use them more than the audible words.
Amelioration is one of the earth’s words;
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump;
It is not half beautiful only—defects and excrescences show just as much as
perfections
show.
The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal’d either;
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly,
Conveying a sentiment and invitation of the earth—I utter and utter,
I speak not, yet if you hear me not, of what avail am I to you?
To bear—to better—lacking these, of what avail am I?
4
Accouche! Accouchez!
Will you rot your own fruit in yourself there?
Will you squat and stifle there?
The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.
5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
underneath;
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
bargainers,
Underneath these, possessing the words that never fail.
To her children, the words of the eloquent dumb great mother never fail;
The true words do not fail, for motion does not fail, and reflection does not fail;
Also the day and night do not fail, and the voyage we pursue does not fail.
6
Of the interminable sisters,
Of the ceaseless cotillions of sisters,
Of the centripetal and centrifugal sisters, the elder and younger sisters,
The beautiful sister we know dances on with the rest.
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age,
Sits she whom I too love like the rest—sits undisturb’d,
Holding up in her hand what has the character of a mirror, while her eyes glance back from
it,
Glance as she sits, inviting none, denying none,
Holding a mirror day and night tirelessly before her own face.
7
Seen at hand, or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions, or a companion,
Looking from no countenances of their own, but from the countenances of those who are with
them,
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things,
From the landscape or waters, or from the exquisite apparition of the sky,
From our countenances, mine and yours, faithfully returning them,
Every day in public appearing without fail, but never twice with the same companions.
8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
the
sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
the
first,
sure and necessary as they.
9
Tumbling on steadily, nothing dreading,
Sunshine, storm, cold, heat, forever withstanding, passing, carrying,
The Soul’s realization and determination still inheriting,
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking,
Swift, glad, content, unbereav’d, nothing losing,
Of all able and ready at any time to give strict account,
The divine ship sails the divine sea.
10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you.
Whoever you are! you are he or she for whom the earth is solid and liquid,
You are he or she for whom the sun and moon hang in the sky,
For none more than you are the present and the past,
For none more than you is immortality.
11
Each man to himself, and each woman to herself, such is the word of the past and present,
and
the
word of immortality;
No one can acquire for another—not one!
Not one can grow for another—not one!
The song is to the singer, and comes back most to him;
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him;
The theft is to the thief, and comes back most to him;
The love is to the lover, and comes back most to him;
The gift is to the giver, and comes back most to him—it cannot fail;
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
own.
12
I swear the earth shall surely be complete to him or her who shall be complete!
I swear the earth remains jagged and broken only to him or her who remains jagged and
broken!
I swear there is no greatness or power that does not emulate those of the earth!
I swear there can be no theory of any account, unless it corroborate the theory of the
earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
the
amplitude of the earth,
Unless it face the exactness, vitality, impartiality, rectitude of the earth.
13
I swear I begin to see love with sweeter spasms than that which responds love!
It is that which contains itself—which never invites, and never refuses.
I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth!
Toward him who sings the songs of the Body, and of the truths of the earth;
Toward him who makes the dictionaries of words that print cannot touch.
14
I swear I see what is better than to tell the best;
It is always to leave the best untold.
When I undertake to tell the best, I find I cannot,
My tongue is ineffectual on its pivots,
My breath will not be obedient to its organs,
I become a dumb man.
The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer;
Things are not dismiss’d from the places they held before;
The earth is just as positive and direct as it was before;
Facts, religions, improvements, politics, trades, are as real as before;
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it,
Undeniable growth has establish’d it.
15
This is a poem—a carol of words—these are hints of meanings,
These are to echo the tones of Souls, and the phrases of Souls;
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then?
I swear I will never henceforth have to do with the faith that tells the best!
I will have to do only with that faith that leaves the best untold.
16
Say on, sayers!
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;)
Work on, age after age! nothing is to be lost;
It may have to wait long, but it will certainly come in use;
When the materials are all prepared, the architects shall appear.
I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you;
I swear to you the greatest among them shall be he who best knows you, and encloses all,
and is
faithful to all;
I swear to you, he and the rest shall not forget you—they shall perceive that you are
not
an
iota less than they;
I swear to you, you shall be glorified in them.
|
Written by
Robert Burns |
KILMARNOCK wabsters, fidge an’ claw,
An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
An’ there tak up your stations;
Then aff to Begbie’s in a raw,
An’ pour divine libations
For joy this day.
Curst Common-sense, that imp o’ hell,
Cam in wi’ Maggie Lauder; 1
But Oliphant 2 aft made her yell,
An’ Russell 3 sair misca’d her:
This day Mackinlay 4 taks the flail,
An’ he’s the boy will blaud her!
He’ll clap a shangan on her tail,
An’ set the bairns to daud her
Wi’ dirt this day.
Mak haste an’ turn King David owre,
And lilt wi’ holy clangor;
O’ double verse come gie us four,
An’ skirl up the Bangor:
This day the kirk kicks up a stoure;
Nae mair the knaves shall wrang her,
For Heresy is in her pow’r,
And gloriously she’ll whang her
Wi’ pith this day.
Come, let a proper text be read,
An’ touch it aff wi’ vigour,
How graceless Ham 5 leugh at his dad,
Which made Canaan a ******;
Or Phineas 6 drove the murdering blade,
Wi’ whore-abhorring rigour;
Or Zipporah, 7 the scauldin jad,
Was like a bluidy tiger
I’ th’ inn that day.
There, try his mettle on the creed,
An’ bind him down wi’ caution,
That stipend is a carnal weed
He taks by for the fashion;
And gie him o’er the flock, to feed,
And punish each transgression;
Especial, rams that cross the breed,
Gie them sufficient threshin;
Spare them nae day.
Now, auld Kilmarnock, cock thy tail,
An’ toss thy horns fu’ canty;
Nae mair thou’lt rowt out-owre the dale,
Because thy pasture’s scanty;
For lapfu’s large o’ gospel kail
Shall fill thy crib in plenty,
An’ runts o’ grace the pick an’ wale,
No gi’en by way o’ dainty,
But ilka day.
Nae mair by Babel’s streams we’ll weep,
To think upon our Zion;
And hing our fiddles up to sleep,
Like baby-clouts a-dryin!
Come, screw the pegs wi’ tunefu’ cheep,
And o’er the thairms be tryin;
Oh, rare to see our elbucks wheep,
And a’ like lamb-tails flyin
Fu’ fast this day.
Lang, Patronage, with rod o’ airn,
Has shor’d the Kirk’s undoin;
As lately Fenwick, sair forfairn,
Has proven to its ruin: 8
Our patron, honest man! Glencairn,
He saw mischief was brewin;
An’ like a godly, elect bairn,
He’s waled us out a true ane,
And sound, this day.
Now Robertson 9 harangue nae mair,
But steek your gab for ever;
Or try the wicked town of Ayr,
For there they’ll think you clever;
Or, nae reflection on your lear,
Ye may commence a shaver;
Or to the Netherton 10 repair,
An’ turn a carpet weaver
Aff-hand this day.
Mu’trie 11 and you were just a match,
We never had sic twa drones;
Auld Hornie did the Laigh Kirk watch,
Just like a winkin baudrons,
And aye he catch’d the tither wretch,
To fry them in his caudrons;
But now his Honour maun detach,
Wi’ a’ his brimstone squadrons,
Fast, fast this day.
See, see auld Orthodoxy’s faes
She’s swingein thro’ the city!
Hark, how the nine-tail’d cat she plays!
I vow it’s unco pretty:
There, Learning, with his Greekish face,
Grunts out some Latin ditty;
And Common-sense is gaun, she says,
To mak to Jamie Beattie
Her plaint this day.
But there’s Morality himsel’,
Embracing all opinions;
Hear, how he gies the tither yell,
Between his twa companions!
See, how she peels the skin an’ fell,
As ane were peelin onions!
Now there, they’re packed aff to hell,
An’ banish’d our dominions,
Henceforth this day.
O happy day! rejoice, rejoice!
Come bouse about the porter!
Morality’s demure decoys
Shall here nae mair find quarter:
Mackinlay, Russell, are the boys
That heresy can torture;
They’ll gie her on a rape a hoyse,
And cowe her measure shorter
By th’ head some day.
Come, bring the tither mutchkin in,
And here’s—for a conclusion—
To ev’ry New Light 12 mother’s son,
From this time forth, Confusion!
If mair they deave us wi’ their din,
Or Patronage intrusion,
We’ll light a *****, and ev’ry skin,
We’ll rin them aff in fusion
Like oil, some day.
Note 1. Alluding to a scoffing ballad which was made on the admission of the late reverend and worthy Mr. Lihdsay to the “Laigh Kirk.”—R. B. [back]
Note 2. Rev. James Oliphant, minister of Chapel of Ease, Kilmarnock. [back]
Note 3. Rev. John Russell of Kilmarnock. [back]
Note 4. Rev. James Mackinlay. [back]
Note 5. Genesis ix. 22.—R. B. [back]
Note 6. Numbers xxv. 8.—R. B. [back]
Note 7. Exodus iv. 52.—R. B. [back]
Note 8. Rev. Wm. Boyd, pastor of Fenwick. [back]
Note 9. Rev. John Robertson. [back]
Note 10. A district of Kilmarnock. [back]
Note 11. The Rev. John Multrie, a “Moderate,” whom Mackinlay succeeded. [back]
Note 12. “New Light” is a cant phrase in the west of Scotland for those religious opinions which Dr. Taylor of Norwich has so strenuously defended.—R. B. [back]
|
Written by
Lewis Carroll |
The Landing
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"
"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark."
He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers. The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:
This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
|
Written by
Hilaire Belloc |
Who ran away from his Nurse and was eaten by a Lion
There was a Boy whose name was Jim;
His Friends were very good to him.
They gave him Tea, and Cakes, and Jam,
And slices of delicious Ham,
And Chocolate with pink inside
And little Tricycles to ride,
And read him Stories through and through,
And even took him to the Zoo--
But there it was the dreadful Fate
Befell him, which I now relate.
You know--or at least you ought to know,
For I have often told you so--
That Children never are allowed
To leave their Nurses in a Crowd;
Now this was Jim's especial Foible,
He ran away when he was able,
And on this inauspicious day
He slipped his hand and ran away!
He hadn't gone a yard when--Bang!
With open Jaws, a lion sprang,
And hungrily began to eat
The Boy: beginning at his feet.
Now, just imagine how it feels
When first your toes and then your heels,
And then by gradual degrees,
Your shins and ankles, calves and knees,
Are slowly eaten, bit by bit.
No wonder Jim detested it!
No wonder that he shouted ``Hi!''
The Honest Keeper heard his cry,
Though very fat he almost ran
To help the little gentleman.
``Ponto!'' he ordered as he came
(For Ponto was the Lion's name),
``Ponto!'' he cried, with angry Frown,
``Let go, Sir! Down, Sir! Put it down!''
The Lion made a sudden stop,
He let the Dainty Morsel drop,
And slunk reluctant to his Cage,
Snarling with Disappointed Rage.
But when he bent him over Jim,
The Honest Keeper's Eyes were dim.
The Lion having reached his Head,
The Miserable Boy was dead!
When Nurse informed his Parents, they
Were more Concerned than I can say:--
His Mother, as She dried her eyes,
Said, ``Well--it gives me no surprise,
He would not do as he was told!''
His Father, who was self-controlled,
Bade all the children round attend
To James's miserable end,
And always keep a-hold of Nurse
For fear of finding something worse.
|
Written by
Robert Frost |
Even the bravest that are slain
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel fore'er,
To find that the utmost reward
Of daring should be still to dare.
The light of heaven falls whole and white
And is not shattered into dyes,
The light forever is morning light;
The hills are verdured pasture-wise;
The angle hosts with freshness go,
And seek with laughter what to brave;--
And binding all is the hushed snow
Of the far-distant breaking wave.
And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!
And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.
And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, life's little dream,
But naught extenuates or dims,
Setting the thing that is supreme.
Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in it nakedness,
Against the uttermost of earth.
The tale of earth's unhonored things
Sounds nobler there than 'neath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.
But always God speaks at the end:
'One thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.'
And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.
'Tis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stipped of pride
In the pain that has but one close,
Bearing it crushed and mystified.
|
Written by
Lewis Carroll |
"AND did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly -
If not exactly in the sky,
Yet at a fairish height."
"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings -
Like many other pleasant things -
Cost more than they are worth.
"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below -
They're stupid company, you know,
For any but themselves:
"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt -
Just as no Turkey ever dreamt
Of noticing a Bantam."
"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive to know
So quickly that 'the place was low,'
And that I 'kept bad wine'?"
"Inspector Kobold came to you - "
The little Ghost began.
Here I broke in - "Inspector who?
Inspecting Ghosts is something new!
Explain yourself, my man!"
"His name is Kobold," said my guest:
"One of the Spectre order:
You'll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap with a border.
"He tried the Brocken business first,
But caught a sort of chill ;
So came to England to be nursed,
And here it took the form of THIRST,
Which he complains of still.
"Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE."
I bore it - bore it like a man -
This agonizing witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking criticism.
"Cooks need not be indulged in waste;
Yet still you'd better teach them
Dishes should have SOME SORT of taste.
Pray, why are all the cruets placed
Where nobody can reach them?
"That man of yours will never earn
His living as a waiter!
Is that ***** THING supposed to burn?
(It's far too dismal a concern
To call a Moderator).
"The duck was tender, but the peas
Were very much too old:
And just remember, if you please,
The NEXT time you have toasted cheese,
Don't let them send it cold.
"You'd find the bread improved, I think,
By getting better flour:
And have you anything to drink
That looks a LITTLE less like ink,
And isn't QUITE so sour?"
Then, peering round with curious eyes,
He muttered "Goodness gracious!"
And so went on to criticise -
"Your room's an inconvenient size:
It's neither snug nor spacious.
"That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!"
"I don't care who he was, Sir, or
On whom he pinned his faith!
Constructed by whatever law,
So poor a job I never saw,
As I'm a living Wraith!
"What a re-markable cigar!
How much are they a dozen?"
I growled "No matter what they are!
You're getting as familiar
As if you were my cousin!
"Now that's a thing I WILL NOT STAND,
And so I tell you flat."
"Aha," said he, "we're getting grand!"
(Taking a bottle in his hand)
"I'll soon arrange for THAT!"
And here he took a careful aim,
And gaily cried "Here goes!"
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my nose.
And I remember nothing more
That I can clearly fix,
Till I was sitting on the floor,
Repeating "Two and five are four,
But FIVE AND TWO are six."
What really passed I never learned,
Nor guessed: I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned -
The fire was getting low -
Through driving mists I seemed to see
A Thing that smirked and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a child.
|
Written by
Gerard Manley Hopkins |
felled 1879
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow and river and wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew—
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc únselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
|
Written by
Gerard Manley Hopkins |
The poet wishes well to the divine genius of Purcell
and praises him that, whereas other musicians have
given utterance to the moods of man's mind, he has,
beyond that, uttered in notes the very make and
species of man as created both in him and in all men
generally.
Have, fair fallen, O fair, fair have fallen, so dear
To me, so arch-especial a spirit as heaves in Henry Purcell,
An age is now since passed, since parted; with the reversal
Of the outward sentence low lays him, listed to a heresy, here.
Not mood in him nor meaning, proud fire or sacred fear,
Or love or pity or all that sweet notes not his might nursle:
It is the forgèd feature finds me; it is the rehearsal
Of own, of abrupt self there so thrusts on, so throngs the ear.
Let him Oh! with his air of angels then lift me, lay me! only I'll
Have an eye to the sakes of him, quaint moonmarks, to his pelted plumage under
Wings: so some great stormfowl, whenever he has walked his while
The thunder-purple seabeach plumèd purple-of-thunder,
If a wuthering of his palmy snow-pinions scatter a colossal smile
Off him, but meaning motion fans fresh our wits with wonder.
|
Written by
William Shakespeare |
Not undelightful, friend, our rustic ease
To grateful hearts; for by especial hap,
Deep nested in the hill's enormous lap,
With its own ring of walls and grove of trees,
Sits, in deep shelter, our small cottage - nor
Far-off is seen, rose carpeted and hung
With clematis, the quarry whence she sprung,
O mater pulchra filia pulchrior,
Whither in early spring, unharnessed folk,
We join the pairing swallows, glad to stay
Where, loosened in the hills, remote, unseen,
From its tall trees, it breathes a slender smoke
To heaven, and in the noon of sultry day
Stands, coolly buried, to the neck in green.
|
Written by
Eugene Field |
In an ocean, 'way out yonder,
(As all sapient people know)
Is the land of Wonder-Wander,
Whither children love to go;
It's their playing, romping, swinging,
That give great joy to me
While the Dinkey-Bird goes singing
In the amfalula tree!
There the gum-drops grow like cherries,
And taffy's thick as peas--
Caramels you pick like berries
When, and where, and how you please;
Big red sugar-plums are clinging
To the cliffs beside that sea
Where the Dinkey-Bird is singing
In the amfalula tree!
So when children shout and scamper
And make merry all the day,
When there's naught to put a damper
To the ardor of their play;
When I hear their laughter ringing,
Then I'm sure as sure can be
That the Dinkey-Bird is singing
In the amfalula tree!
For the Dinkey-Bird's bravuras
And staccatos are so sweet--
His roulades, appoggiaturas,
And robustos so complete,
That the youth of every nation--
Be they near or far away--
Have especial delectation
In that gladsome roundelay.
Their eyes grow bright and brighter,
Their lungs begin to crow,
Their hearts get light and lighter,
And their cheeks are all aglow;
For an echo cometh bringing
The news to all and me,
That the Dinkey-Bird is singing
In the amfalula tree.
I'm sure you like to go there
To see your feathered friend--
And so many goodies grow there
You would like to comprehend!
Speed, little dreams, your winging
To that land across the sea
Where the Dinkey-Bird is singing
In the amfalula tree!
|