Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
|
Written by
Erin Belieu |
Writing from Boston, where sky is simply
property, a flourish topping crowds
of condos and historic real estate,
I'm trying to imagine blue sky:
the first time, where it happened,
what I was becoming. Being taken there
by car, from a town so newly born that grass
still accounted all distance, an explanation
drawn in measureless yellows, a tone
stubbling the whole world, ten minutes away.
Consider now how the single pussy willow
edging a cattle pond in winter becomes
a wind-shivered monument to what this mean
a placid loneliness asking nothing, nothing?...
Not knowing then the proper name for things
green chubs of milo, the husbandry of soy,
bovine patience, the rhythm of the cud,
sea green foam washing round
a cow's mouth, its tender udders,
the surprise of an animal's dignity...
but something comes before
Before car or cow, before
sky becomes...
That sky, I mean, disregarded
as buried memory ...
Yes. There was a time before.
Remember when the tiny sightless hand
could not know, not say hand, but knew it
in its straying, knew it in the cool
condensation steaming the station wagon windows,
thrums of heat blowing a brand of idiot's safety
over the brightly-wrapped package
that was then your body, well-loved?
This must have been you, looking out at that world
of flat, buttered fields and blackbirds ascending... '
But what was sky then?
Today, I receive a postcard of
a blue guitar. Here, snow falls with wings,
tumbling in its feathered body, melting
on the window glass. How each evening becomes
another beautiful woman holding
the color of expensive sapphires
against her throat, I'll never know.
It is an ordinary clarity.
So then was it music?
Something like love or
words, a sentimental moment once
years ago, that blue sky?
How soon the sky and I have grown apart.
On the postcard, an old man hangs
half-dead, strung over his instrument, and what
I have imagined is half-dead, too. Our bones
end hollow, sky blue; the flute comes untuned.
|
Written by
Erin Belieu |
Ferdinand was systematic when
he drove his daughter mad.
With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.
Imagine how quietly
the servants must have worked,
loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.
Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.
Paloma, you call her, little dove;
she sleeps in a room beyond you.
Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.
You've confessed, you can't feel things
when they touch you;
take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.
No one remembers Juana; almost
everything's forgotten in time,
and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.
God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
|
Written by
Thomas Moore |
Avenging and bright fall the swift sword of Erin
On him who the brave sons of Usna betray'd! --
For every fond eye he hath waken'd a tear in
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,
When Ulad's three champions lay sleeping in gore --
By the billows of war, which so often, high swelling,,
Have wafted these heroes to victory's shore --
We swear to avenge them! -- no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute, and our fields shall lie wasted,
Till vengeance is wreak'd on the murderer's head.
Yes, monarch! though sweet are our home recollections,
Though sweet are the tears that from tenderness fall;
Though sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
|
Written by
Gerard Manley Hopkins |
ACT I. SC. I
Enter Teryth from riding, Winefred following.
T. WHAT is it, Gwen, my girl? why do you hover and haunt me?
W. You came by Caerwys, sir?
T. I came by Caerwys.
W. There
Some messenger there might have met you from my uncle.
T. Your uncle met the messenger—met me; and this the message:
Lord Beuno comes to-night.
W. To-night, sir!
T. Soon, now: therefore
Have all things ready in his room.
W. There needs but little doing.
T. Let what there needs be done. Stay! with him one companion,
His deacon, Dirvan Warm: twice over must the welcome be,
But both will share one cell.—This was good news, Gwenvrewi.
W. Ah yes!
T. Why, get thee gone then; tell thy mother I want her.
Exit Winefred.
No man has such a daughter. The fathers of the world
Call no such maiden ‘mine’. The deeper grows her dearness
And more and more times laces round and round my heart,
The more some monstrous hand gropes with clammy fingers there,
Tampering with those sweet bines, draws them out, strains them, strains them;
Meantime some tongue cries ‘What, Teryth! what, thou poor fond father!
How when this bloom, this honeysuckle, that rides the air so rich about thee,
Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral,
Some pageant which takes tears and I must foot with feeling that
Alive or dead my girl is carried in it, endlessly
Goes marching thro’ my mind. What sense is this? It has none.
This is too much the father; nay the mother. Fanciful!
I here forbid my thoughts to fool themselves with fears.
Enter Gwenlo.
. . . . . . . .
ACT II.—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within. Re-enter Caradoc with a bloody sword.
C. My heart, where have we been? What have we seen, my mind?
What stroke has Caradoc’s right arm dealt? what done? Head of a rebel
Struck off it has; written upon lovely limbs,
In bloody letters, lessons of earnest, of revenge;
Monuments of my earnest, records of my revenge,
On one that went against me wh?reas I had warned her—
Warned her! well she knew. I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet;
Perhaps we struck no blow, Gwenvrewi lives perhaps;
To makebelieve my mood was—mock. O I might think so
But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still,
Still the scarlet swings and dances on the blade.
So be it. Thou steel, thou butcher,
I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops
Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what,
What have we seen? Her head, sheared from her shoulders, fall,
And lapped in shining hair, roll to the bank’s edge; then
Down the beetling banks, like water in waterfalls,
It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes!
In all her beauty, and sunlight to it is a pit, den, darkness,
Foam-falling is not fresh to it, rainbow by it not beaming,
In all her body, I say, no place was like her eyes,
No piece matched those eyes kept most part much cast down
But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning;
Round and round they came and flashed towards heaven: O there,
There they did appeal. Therefore airy vengeances
Are afoot; heaven-vault fast purpling portends, and what first lightning
Any instant falls means me. And I do not repent;
I do not and I will not repent, not repent.
The blame bear who aroused me. What I have done violent
I have like a lion done, lionlike done,
Honouring an uncontrolled royal wrathful nature,
Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece. Henceforth
In a wide world of defiance Caradoc lives alone,
Loyal to his own soul, laying his own law down, no law nor
Lord now curb him for ever. O daring! O deep insight!
What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering
Who, like me, knowing his nature to the heart home, nature’s business,
Despatches with no flinching. But will flesh, O can flesh
Second this fiery strain? Not always; O no no!
We cannot live this life out; sometimes we must weary
And in this darksome world what comfort can I find?
Down this darksome world c?mfort wh?re can I find
When ’ts light I quenched; its rose, time’s one rich rose, my hand,
By her bloom, fast by her fresh, her fleec?d bloom,
Hideous dashed down, leaving earth a winter withering
With no now, no Gwenvrewi. I must miss her most
That might have spared her were it but for passion-sake. Yes,
To hunger and not have, y?t hope ?n for, to storm and strive and
Be at every assault fresh foiled, worse flung, deeper disappointed,
The turmoil and the torment, it has, I swear, a sweetness,
Keeps a kind of joy in it, a zest, an edge, an ecstasy,
Next after sweet success. I am not left even this;
I all my being have hacked in half with her neck: one part,
Reason, selfdisposal, choice of better or worse way,
Is corpse now, cannot change; my other self, this soul,
Life’s quick, this k?nd, this k?en self-feeling,
With dreadful distillation of thoughts sour as blood,
Must all day long taste murder. What do n?w then? Do? Nay,
Deed-bound I am; one deed treads all down here cramps all doing. What do? Not yield,
Not hope, not pray; despair; ay, that: brazen despair out,
Brave all, and take what comes—as here this rabble is come,
Whose bloods I reck no more of, no more rank with hers
Than sewers with sacred oils. Mankind, that mobs, comes. Come!
Enter a crowd, among them Teryth, Gwenlo, Beuno.
. . . . . . . .
After Winefred’s raising from the dead and the breaking out of the fountain.
BEUNO. O now while skies are blue, now while seas are salt,
While rushy rains shall fall or brooks shall fleet from fountains,
While sick men shall cast sighs, of sweet health all despairing,
While blind men’s eyes shall thirst after daylight, draughts of daylight,
Or deaf ears shall desire that lipmusic that ’s lost upon them,
While cripples are, while lepers, dancers in dismal limb-dance,
Fallers in dreadful frothpits, waterfearers wild,
Stone, palsy, cancer, cough, lung wasting, womb not bearing,
Rupture, running sores, what more? in brief; in burden,
As long as men are mortal and God merciful,
So long to this sweet spot, this leafy lean-over,
This Dry Dene, now no longer dry nor dumb, but moist and musical
With the uproll and the downcarol of day and night delivering
Water, which keeps thy name, (for not in r?ck wr?tten,
But in pale water, frail water, wild rash and reeling water,
That will not wear a print, that will not stain a pen,
Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be,
And not from purple Wales only nor from elmy England,
But from beyond seas, Erin, France and Flanders, everywhere,
Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
. . . . . . . .
What sights shall be when some that swung, wretches, on crutches
Their crutches shall cast from them, on heels of air departing,
Or they go rich as roseleaves hence that loathsome c?me hither!
Not now to n?me even
Those dearer, more divine boons whose haven the heart is.
. . . . . . . .
As sure as what is most sure, sure as that spring primroses
Shall new-dapple next year, sure as to-morrow morning,
Amongst come-back-again things, th?ngs with a revival, things with a recovery,
Thy name…
. . . . . . . .
|
Written by
Thomas Moore |
Sublime was the warning that liberty spoke,
And grand was the moment when Spaniards awoke
Into life and revenge from the conqueror's chain.
Oh, Liberty! let not this spirit have rest,
Till it move, like a breeze, o'er the waves of the west --
Give the light of your look to each sorrowing spot,
Nor, oh, be the Shamrock of Erin forgot
While you add to your garland the Olive of Spain.
If the fame of our fathers, bequeathed with their rights,
Give to country its charm, and to home its delights;
If deceit be a wound, and suspicion a stain,
Then, ye men of Iberia, our cause is the same!
And oh! may his tomb want a tear and a name,
Who would ask for a nobler, a holier death,
Than to turn his last sigh into victory's breath,
For the Shamrock of Erin and the Olive of Spain!
Ye Blakes and O'Donnels, whose fathers resign'd
The green hills of their youth, among strangers to find
That repose which, at home, they had sigh'd for in vain,
Join, join in our hope that the flame, which you light,
May be felt yet in Erin, as calm and as bright,
And forgive even Albion while blushing she draws,
Like a truant, her sword, in the long-slighted cause
Of the Shamrock of Erin and Olive of Spain!
God prosper the cause! -- oh, it cannot but thrive,
While the pulse of one patriot heart is alive,
Its devotion to feel, and its rights to maintain;
Then, how sainted by sorrow its martyrs will die!
The finger of Glory shall point where they lie;
While, far from the footstep of coward or slave,
The young spirit of Freedom shall shelter their grave,
Beneath Shamrocks of Erin and Olives of Spain!
|
Written by
Rudyard Kipling |
Help for a patriot distressed, a spotless spirit hurt,
Help for an honourable clan sore trampled in the dirt!
From Queenstown Bay to Donegal, O listen to my song,
The honourable gentlemen have suffered grievous wrong.
Their noble names were mentioned -- O the burning black disgrace! --
By a brutal Saxon paper in an Irish shooting-case;
They sat upon it for a year, then steeled their heart to brave it,
And "coruscating innocence" the learned Judges gave it.
Bear witness, Heaven, of that grim crime beneath the surgeon's knife,
The honourable gentlemen deplored the loss of life!
Bear witness of those chanting choirs that burk and shirk and snigger,
No man laid hand upon the knife or finger to the trigger!
Cleared in the face of all mankind beneath the winking skies,
Like ph]oenixes from Ph]oenix Park (and what lay there) they rise!
Go shout it to the emerald seas -- give word to Erin now,
Her honourable gentlemen are cleared -- and this is how: --
They only paid the Moonlighter his cattle-hocking price,
They only helped the murderer with counsel's best advice,
But -- sure it keeps their honour white -- the learned Court believes
They never gave a piece of plate to murderers and thieves.
They never told the ramping crowd to card a woman's hide,
They never marked a man for death -- what fault of theirs he died? --
They only said "intimidate", and talked and went away --
By God, the boys that did the work were braver men than they!
Their sin it was that fed the fire -- small blame to them that heard --
The "bhoys" get drunk on rhetoric, and madden at a word --
They knew whom they were talking at, if they were Irish too,
The gentlemen that lied in Court, they knew, and well they knew.
They only took the Judas-gold from Fenians out of jail,
They only fawned for dollars on the blood-dyed Clanna-Gael.
If black is black or white is white, in black and white it's down,
They're only traitors to the Queen and rebels to the Crown.
"Cleared", honourable gentlemen! Be thankful it's no more: --
The widow's curse is on your house, the dead are at your door.
On you the shame of open shame, on you from North to South
The hand of every honest man flat-heeled across your mouth.
"Less black than we were painted"? -- Faith, no word of black was said;
The lightest touch was human blood, and that, you know, runs red.
It's sticking to your fist to-day for all your sneer and scoff,
And by the Judge's well-weighed word you cannot wipe it off.
Hold up those hands of innocence -- go, scare your sheep together,
The blundering, tripping tups that bleat behind the old bell-wether;
And if they snuff the taint and break to find another pen,
Tell them it's tar that glistens so, and daub them yours again!
"The charge is old"? -- As old as Cain -- as fresh as yesterday;
Old as the Ten Commandments -- have ye talked those laws away?
If words are words, or death is death, or powder sends the ball,
You spoke the words that sped the shot -- the curse be on you all.
"Our friends believe"? -- Of course they do -- as sheltered women may;
But have they seen the shrieking soul ripped from the quivering clay?
They! -- If their own front door is shut,
they'll swear the whole world's warm;
What do they know of dread of death or hanging fear of harm?
The secret half a county keeps, the whisper in the lane,
The shriek that tells the shot went home behind the broken pane,
The dry blood crisping in the sun that scares the honest bees,
And shows the "bhoys" have heard your talk -- what do they know of these?
But you -- you know -- ay, ten times more; the secrets of the dead,
Black terror on the country-side by word and whisper bred,
The mangled stallion's scream at night, the tail-cropped heifer's low.
Who set the whisper going first? You know, and well you know!
My soul! I'd sooner lie in jail for murder plain and straight,
Pure crime I'd done with my own hand for money, lust, or hate,
Than take a seat in Parliament by fellow-felons cheered,
While one of those "not provens" proved me cleared as you are cleared.
Cleared -- you that "lost" the League accounts -- go, guard our honour still,
Go, help to make our country's laws that broke God's law at will --
One hand stuck out behind the back, to signal "strike again";
The other on your dress-shirt-front to show your heart is clane.
If black is black or white is white, in black and white it's down,
You're only traitors to the Queen and rebels to the Crown.
If print is print or words are words, the learned Court perpends: --
We are not ruled by murderers, but only -- by their friends.
|
Written by
Erin Belieu |
Omaha, Nebraska They do not sleep nights
but stand between
rows of glowing corn and
cabbages grown on acres past
the edge of the city.
Surrendered flags,
their nightgowns furl and
unfurl around their legs.
Only women could be this
white. Like mules,
they are sterile
and it appears that
their mouths are always
open. Because they are thin
as weeds, the albinos
look hungry. If you drive out
to the farm, tree branches will
point the way. No map will show
where, no phone is listed.
It will seem that the moon, plump
above their shoulders, is constant,
orange as harvest all year
long. We say, when a mother
gives birth to an albino girl,
she feigns sleep after
labor while an Asian
man steals in, spirits
the pale baby away.
|
Written by
Erin Belieu |
Make your daily monument the Ego,
use a masochist's epistemology
of shame and dog-eared certainty
that others less exacting might forgo.
If memory's an elephant, then feed
the animal. Resist revision: the stand
of feral raspberry, contraband
fruit the crows stole, ferrying seed
for miles ... No. It was a broken hedge,
not beautiful, sunlight tacking
its leafy gut in loose sutures. Lacking
imagination, you'll take the pledge
to remember - not the sexy, new
idea of history, each moment
swamped in legend, liable to judgment
and erosion; still, an appealing view,
to draft our lives, a series of vignettes
where endings could be substituted -
your father, unconvoluted
by desire, not grown bonsai in regret,
the bedroom of blue flowers left intact.
The room was nearly dark, the streetlight
a sentinel at the white curtain, its night
face implicated. Do not retract
this. Something did happen. You recall,
can feel a stumbling over wet ground,
the cave the needled branches made around
your body, the creature you couldn't console.
|
Written by
Erin Moure |
Unspeakable. The word that fills up the
poem, that the head
tries to excise.
At 6 a.m., the wet lion. Its sewn plush face
on the porch rail in the rain.
Heavy rains later, & maybe a thunderstorm.
12 or 13 degrees.
Inside: an iris, candle, poster of the
many-breasted Artemis in a stone hat
from Anatolia
A little pedal steel guitar
A photograph of her at a table by the sea,
her shoulder blocked by the red geranium.
The sea tho invisible can be smelled by the casual watcher
Incredible salt air
in my throat when I see her.
"Suddenly you discover that you'll spend your entire life
in disorder; it's all that you have; you must learn to live
with it."
2
Four tanks, & the human white-shirted body
stopped on June 5 in Place Tian an Men.
Or "a red pullover K-Way." There is not much time left
to say these things. The urgency of that,
desire that dogged the body all winter
& has scarcely left,
now awaits the lilacs, their small white bunches.
Gaily.
As if their posies will light up
the curious old intentional bruise.
Adjective, adjective, adjective, noun!
3
Or just, lilac moon.
What we must, & cannot, excise from the head.
Her hand holding, oh, The New Path to the Waterfall?
Or the time I walked in too quickly, looked up
at her shirtless, grinning.
Pulling her down into the front of me, silly!
Sitting down sudden to make a lap for her...
Kissing the back of her leg.
4
Actually the leg kiss was a dream, later enacted
we laughed at it,
why didn't you do it
she said
when you thought of it.
The excisable thought, later
desired or
necessary.
Or shuddered at, in memory.
Later, it is repeated for the cameras
with such unease.
& now, stuck in the head.
Like running the motorcycle full-tilt into the hay bales.
What is the motorcycle doing in the poem
A. said.
It's an image, E. said back.
It's a crash in the head, she said.
It's a real motorcycle.
Afterthought 1
0 excise this: her back turned,
she concentrates on something
in a kitchen sink,
& I sit behind her,
running my fingers on
the table edge.
0 excise this.
Afterthought 2
& after, excise, excise.
If the source of the pain could be located
using geological survey equipment.
Into the sedimentary layers, the slippage,
the surge of the igneous intrusion.
Or the flat bottom of the former sea
I grew up on,
Running the motorcycle into the round
bay bales.
Hay grass poking the skin.
The back wet.
Hey, I shouted,
Her back turned to me, its location
now visible only in the head.
When I can't stand it,
I invent anything, even memories.
She gets up, hair stuck with hay.
I invented this. Yeow.
|