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Best Famous Erected Poems

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Written by Thomas Gray | Create an image from this poem

Elegy Written In A Country Churchyard

 The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mould'ring heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn, Or busy housewife ply her evening-care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke: How jocund did they drive their team afield! How bowed the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys and destiny obscure; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor.
The boast of heraldry, the pomp of pow'r, And all that beauty, all that wealth e'er gave, Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault, If Memory o'er their tomb no trophies raise, Where through the long-drawn aisle, and fretted vault, The pealing anthem swells the note of praise.
Can storied urn, or animated bust, Back to its mansion call the fleeting breath? Can Honour's voice provoke the silent dust, Or Flattery soothe the dull cold ear of Death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have swayed, Or waked to ecstasy the living lyre; But Knowledge to their eyes her ample page, Rich with the spoils of Time, did ne'er unroll; Chill Penury repressed their noble rage, And froze the genial current of the soul.
Full many a gem of purest ray serene The dark unfathomed caves of ocean bear; Full many a flower is born to blush unseen, And waste its sweetness on the desert air.
Some village-Hampden that with dauntless breast The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell, guiltless of his country's blood.
Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes, Their lot forbad: nor circumscribed alone Their growing virtues, but their crimes confined; Forbad to wade through slaughter to a throne, And shut the Gates of Mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame.
Far from the madding crowd's ignoble strife Their sober wishes never learned to stray; Along the cool sequestered vale of life They kept the noiseless tenor of their way.
Yet ev'n these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture decked, Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unlettered Muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die.
For who, to dumb Forgetfulness a prey, This pleasing anxious being e'er resigned, Left the warm precincts of the cheerful day, Nor cast one longing ling'ring look behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires; Ev'n from the tomb the voice of Nature cries, Ev'n in our ashes live their wonted fires.
For thee, who, mindful of th' unhonoured dead, Dost in these lines their artless tale relate; If chance, by lonely Contemplation led, Some kindred spirit shall enquire thy fate,— Haply some hoary-headed swain may say "Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away To meet the sun upon the upland lawn; "There at the foot of yonder nodding beech, That wreathes its old fantastic roots so high, His listless length at noon-tide would he stretch, And pore upon the brook that babbles by.
"Hard by yon wood, now smiling as in scorn, Mutt'ring his wayward fancies would he rove; Now drooping, woeful-wan, like one forlorn, Or crazed with care, or crossed in hopeless love.
"One morn I missed him from the customed hill, Along the heath, and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he: "The next, with dirges due in sad array Slow through the church-way path we saw him borne,— Approach and read, for thou can'st read, the lay Graved on the stone beneath yon aged thorn.
" THE EPITAPH Here rests his head upon the lap of earth A Youth, to Fortune and to Fame unknown: Fair Science frowned not on his humble birth, And Melancholy marked him for her own.
Large was his bounty, and his soul sincere, Heaven did a recompense as largely send: He gave to Misery (all he had) a tear, He gained from Heaven ('twas all he wished) a friend.
No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose,) The bosom of his Father and his God.


Written by Rudyard Kipling | Create an image from this poem

A Tale of Two Cities

 Where the sober-colored cultivator smiles
 On his byles;
Where the cholera, the cyclone, and the crow
 Come and go;
Where the merchant deals in indigo and tea,
 Hides and ghi;
Where the Babu drops inflammatory hints
 In his prints;
Stands a City -- Charnock chose it -- packed away
 Near a Bay --
By the Sewage rendered fetid, by the sewer
 Made impure,
By the Sunderbunds unwholesome, by the swamp
 Moist and damp;
And the City and the Viceroy, as we see,
 Don't agree.
Once, two hundered years ago, the trader came Meek and tame.
Where his timid foot first halted, there he stayed, Till mere trade Grew to Empire, and he sent his armies forth South and North Till the country from Peshawur to Ceylon Was his own.
Thus the midday halt of Charnock -- more's the pity! Grew a City.
As the fungus sprouts chaotic from its bed, So it spread -- Chance-directed, chance-erected, laid and built On the silt -- Palace, byre, hovel -- poverty and pride -- Side by side; And, above the packed and pestilential town, Death looked down.
But the Rulers in that City by the Sea Turned to flee -- Fled, with each returning spring-tide from its ills To the Hills.
From the clammy fogs of morning, from the blaze Of old days, From the sickness of the noontide, from the heat, Beat retreat; For the country from Peshawur to Ceylon Was their own.
But the Merchant risked the perils of the Plain For his gain.
Now the resting-place of Charnock, 'neath the palms, Asks an alms, And the burden of its lamentation is, Briefly, this: "Because for certain months, we boil and stew, So should you.
Cast the Viceroy and his Council, to perspire In our fire!" And for answer to the argument, in vain We explain That an amateur Saint Lawrence cannot fry: "All must fry!" That the Merchant risks the perils of the Plain For gain.
Nor can Rulers rule a house that men grow rich in, From its kitchen.
Let the Babu drop inflammatory hints In his prints; And mature -- consistent soul -- his plan for stealing To Darjeeling: Let the Merchant seek, who makes his silver pile, England's isle; Let the City Charnock pitched on -- evil day! Go Her way.
Though the argosies of Asia at Her doors Heap their stores, Though Her enterprise and energy secure Income sure, Though "out-station orders punctually obeyed" Swell Her trade -- Still, for rule, administration, and the rest, Simla's best.
Written by William Topaz McGonagall | Create an image from this poem

Saving a Train

 'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.
The rain fell in such torrents as had never been seen before, That it seemed like a second deluge, the mighty torrents' roar, At nine o'clock at night the storm did rage and moan When Carl Springel set out on his crutches all alone -- From the handsome little hut in which he dwelt, With some food to his father, for whom he greatly felt, Who was watching at the railway bridge, Which was built upon a perpendicular rocky ridge.
The bridge was composed of iron and wooden blocks, And crossed o'er the Devil's Gulch, an immense cleft of rocks, Two hundred feet wide and one hundred and fifty feet deep, And enough to make one's flesh to creep.
Far beneath the bridge a mountain-stream did boil and rumble, And on that night did madly toss and tumble; Oh! it must have been an awful sight To see the great cataract falling from such a height.
It was the duty of Carl's father to watch the bridge on stormy nights, And warn the on-coming trains of danger with the red lights; So, on this stormy night, the boy Carl hobbled along Slowly and fearlessly upon his crutches, because he wasn't strong.
He struggled on manfully with all his might Through the fearful darkness of the night, And half-blinded by the heavy rain, But still resolved the bridge to gain.
But when within one hundred yards of the bridge, it gave way with an awful crash, And fell into the roaring flood below, and made a fearful splash, Which rose high above the din of the storm, The like brave Carl never heard since he was born.
Then; 'Father! father!' cried Carl in his loudest tone, 'Father! father!' he shouted again in very pitiful moans; But no answering voice did reply, Which caused him to heave a deep-fetched sigh.
And now to brave Carl the truth was clear That he had lost his father dear, And he cried, 'My poor father's lost, and cannot be found, He's gone down with the bridge, and has been drowned.
' But he resolves to save the on-coming train, So every nerve and muscle he does strain, And he trudges along dauntlessly on his crutches, And tenaciously to them he clutches.
And just in time he reaches his father's car To save the on-coming train from afar, So he seizes the red light, and swings it round, And cried with all his might, 'The bridge is down! The bridge is down!' So forward his father's car he drives, Determined to save the passengers' lives, Struggling hard with might and main, Hoping his struggle won't prove in vain.
So on comes the iron-horse snorting and rumbling, And the mountain-torrent at the bridge kept roaring and tumbling; While brave Carl keeps shouting, 'The bridge is down! The bridge is down!' He cried with a pitiful wail and sound.
But, thank heaven, the engine-driver sees the red light That Carl keeps swinging round his head with all his might; But bang! bang! goes the engine with a terrible crash, And the car is dashed all to smash.
But the breaking of the car stops the train, And poor Carl's struggle is not in vain; But, poor soul, he was found stark dead, Crushed and mangled from foot to head! And the passengers were all loud in Carl's praise, And from the cold wet ground they did him raise, And tears for brave Carl fell silently around, Because he had saved two hundred passengers from being drowned.
In a quiet village cemetery he now sleeps among the silent dead, In the south of Germany, with a tombstone at his head, Erected by the passengers he saved in the train, And which to his memory will long remain.
Written by Bertolt Brecht | Create an image from this poem

Questions From A Worker Who Reads

 Who built Thebes of the seven gates?
In the books you will find the names of kings.
Did the kings haul up the lumps of rock? And Babylon, many times demolished Who raised it up so many times? In what houses of gold-glittering Lima did the builders live? Where, the evening that the Wall of China was finnished Did the masons go? Great Rome Is full of triumphal arches.
Who erected them? Over whom Did the Caesars triumph? Had Byzantium, much praised in song Only palaces for its inhabitans? Even in fabled Atlantis The night the ocean engulfed it The drowning still bawled for their slaves.
The young Alexander conquered India.
Was he alone? Caesar beat the Gauls.
Did he not have even a cook with him? Philip of Spain wept when his armada Went down.
Was he the only one to weep? Frederick the Second won the Seven Year's War.
Who Else won it? Every page a victory.
Who cooked the feast for the victors? Every ten years a great man? Who paid the bill? So many reports.
So many questions.
Written by Kahlil Gibran | Create an image from this poem

Yesterday and Today XII

 The gold-hoarder walked in his palace park and with him walked his troubles.
And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden.
His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish.
He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high.
Today I am a prisoner of greed.
Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields.
Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man.
I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian.
Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth.
Today I find myself among the people like a frightened lamb among the wolves.
As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects.
Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity.
What I thought was glory is naught but an eternal inferno.
" He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?" As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem.
He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity.
.
.
until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil.
The house of true fortune is being destroyed; it is time to rebuild it and guard it.
The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!" At that moment a poor man stood before him and stretched forth his hand for alms.
As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness.
It was as if the yesterday he had lamented by the lake had come to greet him.
He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers.
All your possessions will be restored.
" He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson.
Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music.
Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man.
"


Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Fishing

 Forth upon the Gitche Gumee, 
On the shining Big-Sea-Water, 
With his fishing-line of cedar, 
Of the twisted bark of cedar, 
Forth to catch the sturgeon Nahma, 
Mishe-Nahma, King of Fishes, 
In his birch canoe exulting 
All alone went Hiawatha.
Through the clear, transparent water He could see the fishes swimming Far down in the depths below him; See the yellow perch, the Sahwa, Like a sunbeam in the water, See the Shawgashee, the craw-fish, Like a spider on the bottom, On the white and sandy bottom.
At the stern sat Hiawatha, With his fishing-line of cedar; In his plumes the breeze of morning Played as in the hemlock branches; On the bows, with tail erected, Sat the squirrel, Adjidaumo; In his fur the breeze of morning Played as in the prairie grasses.
On the white sand of the bottom Lay the monster Mishe-Nahma, Lay the sturgeon, King of Fishes; Through his gills he breathed the water, With his fins he fanned and winnowed, With his tail he swept the sand-floor.
There he lay in all his armor; On each side a shield to guard him, Plates of bone upon his forehead, Down his sides and back and shoulders Plates of bone with spines projecting Painted was he with his war-paints, Stripes of yellow, red, and azure, Spots of brown and spots of sable; And he lay there on the bottom, Fanning with his fins of purple, As above him Hiawatha In his birch canoe came sailing, With his fishing-line of cedar.
"Take my bait," cried Hiawatha, Dawn into the depths beneath him, "Take my bait, O Sturgeon, Nahma! Come up from below the water, Let us see which is the stronger!" And he dropped his line of cedar Through the clear, transparent water, Waited vainly for an answer, Long sat waiting for an answer, And repeating loud and louder, "Take my bait, O King of Fishes!" Quiet lay the sturgeon, Nahma, Fanning slowly in the water, Looking up at Hiawatha, Listening to his call and clamor, His unnecessary tumult, Till he wearied of the shouting; And he said to the Kenozha, To the pike, the Maskenozha, "Take the bait of this rude fellow, Break the line of Hiawatha!" In his fingers Hiawatha Felt the loose line jerk and tighten, As he drew it in, it tugged so That the birch canoe stood endwise, Like a birch log in the water, With the squirrel, Adjidaumo, Perched and frisking on the summit.
Full of scorn was Hiawatha When he saw the fish rise upward, Saw the pike, the Maskenozha, Coming nearer, nearer to him, And he shouted through the water, "Esa! esa! shame upon you! You are but the pike, Kenozha, You are not the fish I wanted, You are not the King of Fishes!" Reeling downward to the bottom Sank the pike in great confusion, And the mighty sturgeon, Nahma, Said to Ugudwash, the sun-fish, To the bream, with scales of crimson, "Take the bait of this great boaster, Break the line of Hiawatha!" Slowly upward, wavering, gleaming, Rose the Ugudwash, the sun-fish, Seized the line of Hiawatha, Swung with all his weight upon it, Made a whirlpool in the water, Whirled the birch canoe in circles, Round and round in gurgling eddies, Till the circles in the water Reached the far-off sandy beaches, Till the water-flags and rushes Nodded on the distant margins.
But when Hiawatha saw him Slowly rising through the water, Lifting up his disk refulgent, Loud he shouted in derision, "Esa! esa! shame upon you! You are Ugudwash, the sun-fish, You are not the fish I wanted, You are not the King of Fishes!" Slowly downward, wavering, gleaming, Sank the Ugudwash, the sun-fish, And again the sturgeon, Nahma, Heard the shout of Hiawatha, Heard his challenge of defiance, The unnecessary tumult, Ringing far across the water.
From the white sand of the bottom Up he rose with angry gesture, Quivering in each nerve and fibre, Clashing all his plates of armor, Gleaming bright with all his war-paint; In his wrath he darted upward, Flashing leaped into the sunshine, Opened his great jaws, and swallowed Both canoe and Hiawatha.
Down into that darksome cavern Plunged the headlong Hiawatha, As a log on some black river Shoots and plunges down the rapids, Found himself in utter darkness, Groped about in helpless wonder, Till he felt a great heart beating, Throbbing in that utter darkness.
And he smote it in his anger, With his fist, the heart of Nahma, Felt the mighty King of Fishes Shudder through each nerve and fibre, Heard the water gurgle round him As he leaped and staggered through it, Sick at heart, and faint and weary.
Crosswise then did Hiawatha Drag his birch-canoe for safety, Lest from out the jaws of Nahma, In the turmoil and confusion, Forth he might be hurled and perish.
And the squirrel, Adjidaumo, Frisked and chatted very gayly, Toiled and tugged with Hiawatha Till the labor was completed.
Then said Hiawatha to him, "O my little friend, the squirrel, Bravely have you toiled to help me; Take the thanks of Hiawatha, And the name which now he gives you; For hereafter and forever Boys shall call you Adjidaumo, Tail-in-air the boys shall call you!" And again the sturgeon, Nahma, Gasped and quivered in the water, Then was still, and drifted landward Till he grated on the pebbles, Till the listening Hiawatha Heard him grate upon the margin, Felt him strand upon the pebbles, Knew that Nahma, King of Fishes, Lay there dead upon the margin.
Then he heard a clang and flapping, As of many wings assembling, Heard a screaming and confusion, As of birds of prey contending, Saw a gleam of light above him, Shining through the ribs of Nahma, Saw the glittering eyes of sea-gulls, Of Kayoshk, the sea-gulls, peering, Gazing at him through the opening, Heard them saying to each other, "'T is our brother, Hiawatha!" And he shouted from below them, Cried exulting from the caverns: "O ye sea-gulls! O my brothers! I have slain the sturgeon, Nahma; Make the rifts a little larger, With your claws the openings widen, Set me free from this dark prison, And henceforward and forever Men shall speak of your achievements, Calling you Kayoshk, the sea-gulls, Yes, Kayoshk, the Noble Scratchers!" And the wild and clamorous sea-gulls Toiled with beak and claws together, Made the rifts and openings wider In the mighty ribs of Nahma, And from peril and from prison, From the body of the sturgeon, From the peril of the water, They released my Hiawatha.
He was standing near his wigwam, On the margin of the water, And he called to old Nokomis, Called and beckoned to Nokomis, Pointed to the sturgeon, Nahma, Lying lifeless on the pebbles, With the sea-gulls feeding on him.
"I have slain the Mishe-Nahma, Slain the King of Fishes!" said he' "Look! the sea-gulls feed upon him, Yes, my friends Kayoshk, the sea-gulls; Drive them not away, Nokomis, They have saved me from great peril In the body of the sturgeon, Wait until their meal is ended, Till their craws are full with feasting, Till they homeward fly, at sunset, To their nests among the marshes; Then bring all your pots and kettles, And make oil for us in Winter.
" And she waited till the sun set, Till the pallid moon, the Night-sun, Rose above the tranquil water, Till Kayoshk, the sated sea-gulls, From their banquet rose with clamor, And across the fiery sunset Winged their way to far-off islands, To their nests among the rushes.
To his sleep went Hiawatha, And Nokomis to her labor, Toiling patient in the moonlight, Till the sun and moon changed places, Till the sky was red with sunrise, And Kayoshk, the hungry sea-gulls, Came back from the reedy islands, Clamorous for their morning banquet.
Three whole days and nights alternate Old Nokomis and the sea-gulls Stripped the oily flesh of Nahma, Till the waves washed through the rib-bones, Till the sea-gulls came no longer, And upon the sands lay nothing But the skeleton of Nahma.
Written by Elizabeth Bishop | Create an image from this poem

The Imaginary Iceberg

 We'd rather have the iceberg than the ship, 
although it meant the end of travel.
Although it stood stock-still like cloudy rock and all the sea were moving marble.
We'd rather have the iceberg than the ship; we'd rather own this breathing plain of snow though the ship's sails were laid upon the sea as the snow lies undissolved upon the water.
O solemn, floating field, are you aware an iceberg takes repose with you, and when it wakes may pasture on your snows? This is a scene a sailor'd give his eyes for.
The ship's ignored.
The iceberg rises and sinks again; its glassy pinnacles correct elliptics in the sky.
This is a scene where he who treads the boards is artlessly rhetorical.
The curtain is light enough to rise on finest ropes that airy twists of snow provide.
The wits of these white peaks spar with the sun.
Its weight the iceberg dares upon a shifting stage and stands and stares.
The iceberg cuts its facets from within.
Like jewelry from a grave it saves itself perpetually and adorns only itself, perhaps the snows which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off where waves give in to one another's waves and clouds run in a warmer sky.
Icebergs behoove the soul (both being self-made from elements least visible) to see them so: fleshed, fair, erected indivisible.
Written by Billy Collins | Create an image from this poem

The Iron Bridge

 I am standing on a disused iron bridge
that was erected in 1902,
according to the iron plaque bolted into a beam,
the year my mother turned one.
Imagine--a mother in her infancy, and she was a Canadian infant at that, one of the great infants of the province of Ontario.
But here I am leaning on the rusted railing looking at the water below, which is flat and reflective this morning, sky-blue and streaked with high clouds, and the more I look at the water, which is like a talking picture, the more I think of 1902 when workmen in shirts and caps riveted this iron bridge together across a thin channel joining two lakes where wildflowers blow along the shore now and pairs of swans float in the leafy coves.
1902--my mother was so tiny she could have fit into one of those oval baskets for holding apples, which her mother could have lined with a soft cloth and placed on the kitchen table so she could keep an eye on infant Katherine while she scrubbed potatoes or shelled a bag of peas, the way I am keeping an eye on that cormorant who just broke the glassy surface and is moving away from me and the iron bridge, swiveling his curious head, slipping out to where the sun rakes the water and filters through the trees that crowd the shore.
And now he dives, disappears below the surface, and while I wait for him to pop up, I picture him flying underwater with his strange wings, as I picture you, my tiny mother, who disappeared last year, flying somewhere with your strange wings, your wide eyes, and your heavy wet dress, kicking deeper down into a lake with no end or name, some boundless province of water.
Written by Kahlil Gibran | Create an image from this poem

Freedom XIV

 And an orator said, "Speak to us of Freedom.
" And he answered: At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom, Even as slaves humble themselves before a tyrant and praise him though he slays them.
Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff.
And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfillment.
You shall be free indeed when your days are not without a care nor your nights without a want and a grief, But rather when these things girdle your life and yet you rise above them naked and unbound.
And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour? In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle the eyes.
And what is it but fragments of your own self you would discard that you may become free? If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead.
You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them.
And if it is a despot you would dethrone, see first that his throne erected within you is destroyed.
For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their won pride? And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you.
And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared.
Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape.
These things move within you as lights and shadows in pairs that cling.
And when the shadow fades and is no more, the light that lingers becomes a shadow to another light.
And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.
Written by John Dryden | Create an image from this poem

Ode

 To the Pious Memory of the Accomplished Young Lady, Mrs Anne Killigrew,
Excellent in the Two Sister-arts of Poesy and Painting

Thou youngest Virgin Daughter of the skies,
Made in the last promotion of the blest;
Whose palms, new-plucked from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green, above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us in thy wand'ring race,
Or, in procession fixed and regular
Moved with the heavens' majestic pace;
Or, called to more superior bliss,
Thou tread'st with seraphims the vast abyss:
Whatever happy region be thy place,
Cease thy celestial song a little space;
(Thou wilt have time enough for hymns divine,
Since Heaven's eternal year is thine.
) Hear then a mortal muse thy praise rehearse In no ignoble verse; But such as thy own voice did practise here, When thy first fruits of poesie were given, To make thyself a welcome inmate there; While yet a young probationer And candidate of Heaven.
If by traduction came thy mind, Our wonder is the less to find A soul so charming from a stock so good; Thy father was transfused into thy blood: So wert thou born into the tuneful strain, (An early, rich, and inexhausted vein.
) But if thy pre-existing soul Was formed, at first, with myriads more, It did through all the mighty poets roll Who Greek or Latin laurels wore, And was that Sappho last, which once it was before; If so, then cease thy flight, O Heav'n-born mind! Thou hast no dross to purge from thy rich ore: Nor can thy soul a fairer mansion find Than was the beauteous frame she left behind: Return, to fill or mend the choir of thy celestial kind.
May we presume to say that at thy birth New joy was sprung in Heav'n as well as here on earth? For sure the milder planets did combine On thy auspicious horoscope to shine, And ev'n the most malicious were in trine.
Thy brother-angels at thy birth Strung each his lyre, and tuned it high, That all the people of the sky Might know a poetess was born on earth; And then if ever, mortal ears Had heard the music of the spheres! And if no clust'ring swarm of bees On thy sweet mouth distilled their golden dew, 'Twas that such vulgar miracles Heav'n had not leisure to renew: For all the blest fraternity of love Solemnized there thy birth, and kept thy holyday above.
O gracious God! how far have we Profaned thy Heav'nly gift of poesy! Made prostitute and profligate the Muse, Debased to each obscene and impious use, Whose harmony was first ordained above, For tongues of angels and for hymns of love! Oh wretched we! why were we hurried down This lubrique and adult'rate age (Nay, added fat pollutions of our own) T' increase the steaming ordures of the stage? What can we say t' excuse our second fall? Let this thy vestal, Heav'n, atone for all: Her Arethusian stream remains unsoiled, Unmixed with foreign filth and undefiled; Her wit was more than man, her innocence a child.
Art she had none, yet wanted none, For nature did that want supply: So rich in treasures of her own, She might our boasted stores defy: Such noble vigour did her verse adorn, That it seemed borrowed, where 'twas only born.
Her morals too were in her bosom bred By great examples daily fed, What in the best of books, her father's life, she read.
And to be read herself she need not fear; Each test and ev'ry light her muse will bear, Though Epictetus with his lamp were there.
Ev'n love (for love sometimes her muse expressed) Was but a lambent-flame which played about her breast, Light as the vapours of a morning dream; So cold herself, while she such warmth expressed, 'Twas Cupid bathing in Diana's stream.
Born to the spacious empire of the Nine, One would have thought she should have been content To manage well that mighty government; But what can young ambitious souls confine? To the next realm she stretched her sway, For painture near adjoining lay, A plenteous province, and alluring prey.
A chamber of dependences was framed, (As conquerers will never want pretence, When armed, to justify th' offence), And the whole fief, in right of poetry, she claimed.
The country open lay without defence; For poets frequent inroads there had made, And perfectly could represent The shape, the face, with ev'ry lineament; And all the large domains which the dumb-sister swayed, All bowed beneath her government, Received in triumph wheresoe'er she went.
Her pencil drew whate'er her soul designed, And oft the happy draught surpassed the image in her mind.
The sylvan scenes of herds and flocks, And fruitful plains and barren rocks; Of shallow brooks that flowed so clear, The bottom did the top appear; Of deeper too and ampler floods Which as in mirrors showed the woods; Of lofty trees, with sacred shades, And perspectives of pleasant glades, Where nymphs of brightest form appear, And shaggy satyrs standing near, Which them at once admire and fear.
The ruins too of some majestic piece, Boasting the pow'r of ancient Rome or Greece, Whose statues, friezes, columns, broken lie, And, though defaced, the wonder of the eye; What nature, art, bold fiction, e'er durst frame, Her forming hand gave feature to the name.
So strange a concourse ne'er was seen before, But when the peopled ark the whole creation bore.
The scene then changed; with bold erected look Our martial king the sight with rev'rence strook: For, not content t' express his outward part, Her hand called out the image of his heart, His warlike mind, his soul devoid of fear, His high-designing thoughts were figured there, As when, by magic, ghosts are made appear.
Our phoenix Queen was portrayed too so bright, Beauty alone could beauty take so right: Her dress, her shape, her matchless grace, Were all observed, as well as heavenly face.
With such a peerless majesty she stands, As in that day she took the crown from sacred hands: Before a train of heroines was seen, In beauty foremost, as in rank, the Queen! Thus nothing to her genius was denied, But like a ball of fire, the farther thrown, Still with a greater blaze she shone, And her bright soul broke out on ev'ry side.
What next she had designed, Heaven only knows: To such immod'rate growth her conquest rose, That Fate alone its progress could oppose.
Now all those charms, that blooming grace, That well-proportioned shape, and beauteous face, Shall never more be seen by mortal eyes; In earth the much-lamented virgin lies! Not wit nor piety could Fate prevent; Nor was the cruel destiny content To finish all the murder at a blow, To sweep at once her life and beauty too; But, like a hardened felon, took a pride To work more mischievously slow, And plundered first, and then destroyed.
O double sacrilege on things divine, To rob the relic, and deface the shrine! But thus Orinda died: Heaven, by the same disease, did both translate; As equal were their souls, so equal was their fate.
Meantime, her warlike brother on the seas His waving streamers to the winds displays, And vows for his return, with vain devotion, pays.
Ah, gen'rous youth! that wish forbear, The winds too soon will waft thee here! Slack all thy sails, and fear to come, Alas, thou know'st not, thou art wrecked at home! No more shalt thou behold thy sister's face, Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far Among the Pleiads a new-kindled star, If any sparkles than the rest more bright, 'Tis she that shines in that propitious light.
When in mid-air the golden trump shall sound, To raise the nations underground; When in the valley of Jehosaphat The judging God shall close the book of Fate; And there the last assizes keep For those who wake and those who sleep; When rattling bones together fly From the four corners of the sky, When sinews o'er the skeletons are spread, Those clothed with flesh, and life inspires the dead; The sacred poets first shall hear the sound, And foremost from the tomb shall bound: For they are covered with the lightest ground; And straight with in-born vigour, on the wing, Like mounting larks, to the New Morning sing.
There thou, sweet saint, before the choir shall go, As harbinger of Heav'n, the way to show, The way which thou so well hast learned below.

Book: Reflection on the Important Things