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Best Famous Equanimity Poems

Here is a collection of the all-time best famous Equanimity poems. This is a select list of the best famous Equanimity poetry. Reading, writing, and enjoying famous Equanimity poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of equanimity poems.

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Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The Fourth Elegy

 O trees of life, oh, what when winter comes?
We are not of one mind.
Are not like birds in unison migrating.
And overtaken, overdue, we thrust ourselves into the wind and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware, in their magnificence, of any weaknesss.
But we, while wholly concentrating on one thing, already feel the pressure of another.
Hatred is our first response.
And lovers, are they not forever invading one another's boundaries? -although they promised space, hunting and homeland.
Then, for a sketch drawn at a moment's impulse, a ground of contrast is prepared, painfully, so that we may see.
For they are most exact with us.
We do not know the contours of our feelings.
We only know what shapes them from the outside.
Who has not sat, afraid, before his own heart's curtain? It lifted and displayed the scenery of departure.
Easy to understand.
The well-known garden swaying just a little.
Then came the dancer.
Not he! Enough! However lightly he pretends to move: he is just disguised, costumed, an ordinary man who enters through the kitchen when coming home.
I will not have these half-filled human masks; better the puppet.
It at least is full.
I will endure this well-stuffed doll, the wire, the face that is nothing but appearance.
Here out front I wait.
Even if the lights go down and I am told: "There's nothing more to come," -even if the grayish drafts of emptiness come drifting down from the deserted stage -even if not one of my now silent forebears sist beside me any longer, not a woman, not even a boy- he with the brown and squinting eyes-: I'll still remain.
For one can always watch.
Am I not right? You, to whom life would taste so bitter, Father, after you - for my sake - slipped of mine, that first muddy infusion of my necessity.
You kept on tasting, Father, as I kept on growing, troubled by the aftertaste of my so strange a future as you kept searching my unfocused gaze -you who, so often since you died, have been afraid for my well-being, within my deepest hope, relinquishing that calmness, the realms of equanimity such as the dead possess for my so small fate -Am I not right? And you, my parents, am I not right? You who loved me for that small beginning of my love for you from which I always shyly turned away, because the distance in your features grew, changed, even while I loved it, into cosmic space where you no longer were.
.
.
: and when I feel inclined to wait before the puppet stage, no, rather to stare at is so intensely that in the end to counter-balance my searching gaze, an angel has to come as an actor, and begin manipulating the lifeless bodies of the puppets to perform.
Angel and puppet! Now at last there is a play! Then what we seperate can come together by our very presence.
And only then the entire cycle of our own life-seasons is revealed and set in motion.
Above, beyond us, the angel plays.
Look: must not the dying notice how unreal, how full of pretense is all that we accomplish here, where nothing is to be itself.
O hours of childhood, when behind each shape more that the past lay hidden, when that which lay before us was not the future.
We grew, of course, and sometimes were impatient in growing up, half for the sake of pleasing those with nothing left but their own grown-upness.
Yet, when alone, we entertained ourselves with what alone endures, we would stand there in the infinite space that spans the world and toys, upon a place, which from the first beginnniing had been prepared to serve a pure event.
Who shows a child just as it stands? Who places him within his constellation, with the measuring-rod of distance in his hand.
Who makes his death from gray bread that grows hard, -or leaves it there inside his rounded mouth, jagged as the core of a sweet apple?.
.
.
.
.
.
.
The minds of murderers are easily comprehended.
But this: to contain death, the whole of death, even before life has begun, to hold it all so gently within oneself, and not be angry: that is indescribable.


Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found, The hornèd bull, tremendous, spurns the ground; The lordly lion has enough and more, The forest trembles at his very roar; Thou giv’st the ass his hide, the snail his shell, The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour, In all th’ omnipotence of rule and power: Foxes and statesmen subtle wiles ensure; The cit and polecat stink, and are secure: Toads with their poison, doctors with their drug, The priest and hedgehog, in their robes, are snug: E’en silly women have defensive arts, Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard, To thy poor fenceless, naked child, the Bard! A thing unteachable in worldly skill, And half an idiot too, more helpless still: No heels to bear him from the op’ning dun, No claws to dig, his hated sight to shun: No horns, but those by luckless Hymen worn, And those, alas! not Amalthea’s horn: No nerves olfact’ry, true to Mammon’s foot, Or grunting, grub sagacious, evil’s root: The silly sheep that wanders wild astray, Is not more friendless, is not more a prey; Vampyre-booksellers drain him to the heart, And viper-critics cureless venom dart.
Critics! appll’d I venture on the name, Those cut-throat bandits in the paths of fame, Bloody dissectors, worse than ten Monroes, He hacks to teach, they mangle to expose: By blockhead’s daring into madness stung, His heart by wanton, causeless malice wrung, His well-won ways-than life itself more dear— By miscreants torn who ne’er one sprig must wear; Foil’d, bleeding, tortur’d in th’ unequal strife, The hapless Poet flounces on through life, Till, fled each hope that once his bosom fired, And fled each Muse that glorious once inspir’d, Low-sunk in squalid, unprotected age, Dead even resentment for his injur’d page, He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d, For half-starv’d, snarling curs a dainty feast; By toil and famine worn to skin and bone, Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight, And still his precious self his dear delight; Who loves his own smart shadow in the streets, Better than e’er the fairest she he meets; Much specious lore, but little understood, (Veneering oft outshines the solid wood), His solid sense, by inches you must tell, But mete his cunning by the Scottish ell! A man of fashion too, he made his tour, Learn’d “vive la bagatelle et vive l’amour;” So travell’d monkeys their grimace improve, Polish their grin-nay, sigh for ladies’ love! His meddling vanity, a busy fiend, Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came, The old cock’d hat, the brown surtout—the same; His grisly beard just bristling in its might— ’Twas four long nights and days from shaving-night; His uncomb’d, hoary locks, wild-staring, thatch’d A head, for thought profound and clear, unmatch’d; Yet, tho’ his caustic wit was biting-rude, His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest! Calm, shelter’d haven of eternal rest! Thy sons ne’er madden in the fierce extremes Of Fortune’s polar frost, or torrid beams; If mantling high she fills the golden cup, With sober, selfish ease they sip it up; Conscious the bounteous meed they well deserve, They only wonder “some folks” do not starve! The grave, sage hern thus easy picks his frog, And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope, When, thro’ disastrous night, they darkling grope, With deaf endurance sluggishly they bear, And just conclude that “fools are Fortune’s care:” So, heavy, passive to the tempest’s shocks, Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train, Not such the workings of their moon-struck brain; In equanimity they never dwell, By turns in soaring heaven, or vaulted hell!
Written by Wystan Hugh (W H) Auden | Create an image from this poem

On the Circuit

Among pelagian travelers,
Lost on their lewd conceited way
To Massachusetts, Michigan,
Miami or L.
A.
,
An airborne instrument I sit,
Predestined nightly to fulfill
Columbia-Giesen-Management's
Unfathomable will,
By whose election justified,
I bring my gospel of the Muse
To fundamentalists, to nuns,
to Gentiles and to Jews,
And daily, seven days a week,
Before a local sense has jelled,
From talking-site to talking-site
Am jet-or-prop-propelled.
Though warm my welcome everywhere,
I shift so frequently, so fast,
I cannot now say where I was
The evening before last,
Unless some singular event
Should intervene to save the place,
A truly asinine remark,
A soul-bewitching face,
Or blessed encounter, full of joy,
Unscheduled on the Giesen Plan,
With, here, an addict of Tolkien,
There, a Charles Williams fan.
Since Merit but a dunghill is,
I mount the rostrum unafraid:
Indeed, 'twere damnable to ask
If I am overpaid.
Spirit is willing to repeat
Without a qualm the same old talk,
But Flesh is homesick for our snug
Apartment in New York.
A sulky fifty-six, he finds
A change of mealtime utter hell,
Grown far too crotchety to like
A luxury hotel.
The Bible is a goodly book
I always can peruse with zest,
But really cannot say the same
For Hilton's Be My Guest.
Nor bear with equanimity
The radio in students' cars,
Muzak at breakfast, or--dear God!--
Girl-organists in bars.
Then, worst of all, the anxious thought,
Each time my plane begins to sink
And the No Smoking sign comes on:
What will there be to drink?
Is this a milieu where I must
How grahamgreeneish! How infra dig!
Snatch from the bottle in my bag
An analeptic swig?

Another morning comes: I see,
Dwindling below me on the plane,
The roofs of one more audience
I shall not see again.
God bless the lot of them, although
I don't remember which was which:
God bless the U.
S.
A.
, so large,
So friendly, and so rich.
Written by Rg Gregory | Create an image from this poem

equanimity

 october stops the pretence
that somehow summer
should still be loitering around
it walks through the garden
hanging the spiders up
between fences and flowers
it throws rather more dew
on the ground than is
good for the shoes and then
has the nerve to let on
frost is sniffing its way
southwards - some mornings
it can be caught at the windows
looking in with a shrug
it's spotted a shiver or two
hankering in shadows 
for the heat-switch - all's
on the shift inwards - colours
bunch into their deeper shades
here's where the year gets used
to growing older and for 
the first time with nowhere
desperate to go (and nothing
to prove) admits what it is
and strolls in a blithe sort 
of way towards all hallows
Written by Thomas Hardy | Create an image from this poem

I Look Into My Glass

 I look into my glass,
And view my wasting skin,
And say, "Would God it came to pass
My heart had shrunk as thin!"

For then, I, undistrest
By hearts grown cold to me,
Could lonely wait my endless rest
With equanimity.
But Time, to make me grieve, Part steals, lets part abide; And shakes this fragile frame at eve With throbbings of noontide.


Written by Robert Burns | Create an image from this poem

351. Second Epistle to Robert Graham Esq. of Fintry

 LATE crippl’d of an arm, and now a leg,
About to beg a pass for leave to beg;
Dull, listless, teas’d, dejected, and deprest
(Nature is adverse to a cripple’s rest);
Will generous Graham list to his Poet’s wail?
(It soothes poor Misery, hearkening to her tale)
And hear him curse the light he first survey’d,
And doubly curse the luckless rhyming trade?


 Thou, Nature! partial Nature, I arraign;
Of thy caprice maternal I complain;
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground;
Thou giv’st the ass his hide, the snail his shell;
Th’ envenom’d wasp, victorious, guards his cell;
Thy minions kings defend, control, devour,
In all th’ omnipotence of rule and power;
Foxes and statesmen subtile wiles ensure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes, are snug;
Ev’n silly woman has her warlike arts,
Her tongue and eyes—her dreaded spear and darts.
But Oh! thou bitter step-mother and hard, To thy poor, fenceless, naked child—the Bard! A thing unteachable in world’s skill, And half an idiot too, more helpless still: No heels to bear him from the op’ning dun; No claws to dig, his hated sight to shun; No horns, but those by luckless Hymen worn, And those, alas! not, Amalthea’s horn: No nerves olfact’ry, Mammon’s trusty cur, Clad in rich Dulness’ comfortable fur; In naked feeling, and in aching pride, He bears th’ unbroken blast from ev’ry side: Vampyre booksellers drain him to the heart, And scorpion critics cureless venom dart.
Critics—appall’d, I venture on the name; Those cut-throat bandits in the paths of fame: Bloody dissectors, worse than ten Monroes; He hacks to teach, they mangle to expose: His heart by causeless wanton malice wrung, By blockheads’ daring into madness stung; His well-won bays, than life itself more dear, By miscreants torn, who ne’er one sprig must wear; Foil’d, bleeding, tortur’d in th’ unequal strife, The hapless Poet flounders on thro’ life: Till, fled each hope that once his bosom fir’d, And fled each muse that glorious once inspir’d, Low sunk in squalid, unprotected age, Dead even resentment for his injur’d page, He heeds or feels no more the ruthless critic’s rage! So, by some hedge, the gen’rous steed deceas’d, For half-starv’d snarling curs a dainty feast; By toil and famine wore to skin and bone, Lies, senseless of each tugging *****’s son.
O Dulness! portion of the truly blest! Calm shelter’d haven of eternal rest! Thy sons ne’er madden in the fierce extremes Of Fortune’s polar frost, or torrid beams.
If mantling high she fills the golden cup, With sober selfish ease they sip it up; Conscious the bounteous meed they well deserve, They only wonder “some folks” do not starve.
The grave sage hern thus easy picks his frog, And thinks the mallard a sad worthless dog.
When disappointments snaps the clue of hope, And thro’ disastrous night they darkling grope, With deaf endurance sluggishly they bear, And just conclude that “fools are fortune’s care.
” So, heavy, passive to the tempest’s shocks, Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train, Not such the workings of their moon-struck brain; In equanimity they never dwell, By turns in soaring heav’n, or vaulted hell.
I dread thee, Fate, relentless and severe, With all a poet’s, husband’s, father’s fear! Already one strong hold of hope is lost— Glencairn, the truly noble, lies in dust (Fled, like the sun eclips’d as noon appears, And left us darkling in a world of tears); O! hear my ardent, grateful, selfish pray’r! Fintry, my other stay, long bless and spare! Thro’ a long life his hopes and wishes crown, And bright in cloudless skies his sun go down! May bliss domestic smooth his private path; Give energy to life; and soothe his latest breath, With many a filial tear circling the bed of death!

Book: Shattered Sighs