Written by
Rudyard Kipling |
Ere the seamer bore him Eastward, Sleary was engaged to marry
An attractive girl at Tunbridge, whom he called "my little Carrie."
Sleary's pay was very modest; Sleary was the other way.
Who can cook a two-plate dinner on eight poor rupees a day?
Long he pondered o'er the question in his scantly furnished quarters --
Then proposed to Minnie Boffkin, eldest of Judge Boffkin's daughters.
Certainly an impecunious Subaltern was not a catch,
But the Boffkins knew that Minnie mightn't make another match.
So they recognised the business and, to feed and clothe the bride,
Got him made a Something Something somewhere on the Bombay side.
Anyhow, the billet carried pay enough for him to marry --
As the artless Sleary put it: -- "Just the thing for me and Carrie."
Did he, therefore, jilt Miss Boffkin -- impulse of a baser mind?
No! He started epileptic fits of an appalling kind.
[Of his modus operandi only this much I could gather: --
"Pears's shaving sticks will give you little taste and lots of lather."]
Frequently in public places his affliction used to smite
Sleary with distressing vigour -- always in the Boffkins' sight.
Ere a week was over Minnie weepingly returned his ring,
Told him his "unhappy weakness" stopped all thought of marrying.
Sleary bore the information with a chastened holy joy, --
Epileptic fits don't matter in Political employ, --
Wired three short words to Carrie -- took his ticket, packed his kit --
Bade farewell to Minnie Boffkin in one last, long, lingering fit.
Four weeks later, Carrie Sleary read -- and laughed until she wept --
Mrs. Boffkin's warning letter on the "wretched epilept." . . .
Year by year, in pious patience, vengeful Mrs. Boffkin sits
Waiting for the Sleary babies to develop Sleary's fits.
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Written by
Hilaire Belloc |
Remote and ineffectual Don
That dared attack my Chesterton,
With that poor weapon, half-impelled,
Unlearnt, unsteady, hardly held,
Unworthy for a tilt with men--
Your quavering and corroded pen;
Don poor at Bed and worse at Table,
Don pinched, Don starved, Don miserable;
Don stuttering, Don with roving eyes,
Don nervous, Don of crudities;
Don clerical, Don ordinary,
Don self-absorbed and solitary;
Don here-and-there, Don epileptic;
Don puffed and empty, Don dyspeptic;
Don middle-class, Don sycophantic,
Don dull, Don brutish, Don pedantic;
Don hypocritical, Don bad,
Don furtive, Don three-quarters mad;
Don (since a man must make and end),
Don that shall never be my friend.
Don different from those regal Dons!
With hearts of gold and lungs of bronze,
Who shout and bang and roar and bawl
The Absolute across the hall,
Or sail in amply bellying gown
Enormous through the Sacred Town,
Bearing from College to their homes
Deep cargoes of gigantic tomes;
Dons admirable! Dons of Might!
Uprising on my inward sight
Compact of ancient tales, and port
And sleep--and learning of a sort.
Dons English, worthy of the land;
Dons rooted; Dons that understand.
Good Dons perpetual that remain
A landmark, walling in the plain--
The horizon of my memories--
Like large and comfortable trees.
Don very much apart from these,
Thou scapegoat Don, thou Don devoted,
Don to thine own damnation quoted,
Perplexed to find thy trivial name
Reared in my verse to lasting shame.
Don dreadful, rasping Don and wearing,
Repulsive Don--Don past all bearing.
Don of the cold and doubtful breath,
Don despicable, Don of death;
Don nasty, skimpy, silent, level;
Don evil, Don that serves the devil.
Don ugly--that makes fifty lines.
There is a Canon which confines
A Rhymed Octosyllabic Curse
If written in Iambic Verse
To fifty lines. I never cut;
I far prefer to end it--but
Believe me I shall soon return.
My fires are banked, but still they burn
To write some more about the Don
That dared attack my Chesterton.
|
Written by
T S (Thomas Stearns) Eliot |
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation. Look, look, wenches!
PAINT me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.)
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs. Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
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Written by
John Berryman |
He stared at ruin. Ruin stared straight back.
He thought they was old friends. He felt on the stair
where her papa found them bare
they became familiar. When the papers were lost
rich with pals' secrets, he thought he had the knack
of ruin. Their paths crossed
and once they crossed in jail; they crossed in bed;
and over an unsigned letter their eyes met,
and in an Asian city
directionless & lurchy at two & three,
or trembling to a telephone's fresh threat,
and when some wired his head
to reach a wrong opinion, 'Epileptic'.
But he noted now that: they were not old friends.
He did not know this one.
This one was a stranger, come to make amends
for all the imposters, and to make it stick.
Henry nodded, un-.
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