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Best Famous Entrusted Poems

Here is a collection of the all-time best famous Entrusted poems. This is a select list of the best famous Entrusted poetry. Reading, writing, and enjoying famous Entrusted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of entrusted poems.

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Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies

The First Elegy


Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me 
suddenly against his heart: I would be consumed
I that overwhelming existence. For beauty is nothing
but the beginning of terror which we still are just able to endure
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.
And so I hold myself back and swallow the call-note
Of my dark sobbing. Ah whom can we ever turn to
in our need? Not angels not humans
and already the knowing animals are aware
that we are not really at home in
our interpreted world. Perhaps there remains for us
some tree on a hillside which every day we can take
into our vision; there remains for us yesterday's street
and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space
gnaws at out faces. Whom would it not remain for-that longed-after
mildly disillusioning presence which the solitary heart
so painfully meets. Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms
Into the spaces we breathe; perhaps the birds
will feel the expanded air with more passionate flying.

Yes-the springtime needed you. Often a star
was waiting for you to notice it. A wave rolled toward you
out of the distant past or as you walked
under an open window a violin
yielded itself to your hearing. All this was mission.
But could you accomplish it? Weren't you always
Distracted by expectation as if every event
announced a beloved? (Where can you find a place
to keep her with all the huge strange thoughts inside you
going and coming and often staying all night.)
But when you feel longing sing of women in love;
for their famous passion is still not immortal. Sing
of women abandoned and desolate (you envy them almost)
who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising;
remember: the hero lives on; even his downfall was
merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back
into herself as if there were not enough strength
to create them a second time. Have you imagined
Gaspara Stampa intensely enough so that any girl
deserted by her beloved might be inspired
by that fierce example of soaring objectless love
and might say to herself Perhaps I can be like her ?
Shouldn't this most ancient suffering finally grow
more fruitful for us? Isn't it time that we lovingly
freed ourselves from the beloved and quivering endured:
as the arrow endures the bowstring's tension so that
gathered in the snap of release it can be more than
itself. For there is no place where we can remain.

Voices. Voices. Listen my heart as only
Saints have listened: until the gigantic call lifted them
off the ground; yet they kept on impossibly
kneeling and didn't notice at all:
so complete was their listening. Not that you could endure
God's voice-far from it. But listen to the voice of the wind
and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church
In Naples or Rome quietly come to address you?
Or high up some eulogy entrusted you with a mission
as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance
of injustice about their death-which at times
slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer
to give up customs one barely had time to learn
not to see roses and other promising Things
in terms of a human future; no longer to be
what one was in infinitely anxious hands; to leave
even one's own first name behind forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one's desires. Strange
to see meanings that clung together once floating away
in every direction. And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity. -Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living
they are moving among or the dead. The eternal torrent
whirls all ages along in it through both realms
forever and their voices are drowned out in its thunderous roar.

In the end those who were carried off early no longer need us:
they are weaned from earth's sorrows and joys as gently as children
outgrow the soft breasts of their mothers. But we who do need
such great mysteries we for whom grief is so often
the source of our spirit's growth-: could we exist without them?
Is the legend meaningless that tells how in the lament for Linus
the daring first notes of song pierced through the barren numbness;
and then in the startled space which a youth as lovely as a god
had suddenly left forever the Void felt for the first time
that harmony which now enraptures and comforts and helps us.


Written by Antonio Machado | Create an image from this poem

The Wind One Brilliant Day

 The wind, one brilliant day, called
to my soul with an odor of jasmine.

"In return for the odor of my jasmine,
I'd like all the odor of your roses."

"I have no roses; all the flowers
in my garden are dead."

"Well then, I'll take the withered petals
and the yellow leaves and the waters of the fountain."

the wind left. And I wept. And I said to myself:
"What have you done with the garden that was entrusted to you?"


Translated by Robert Bly
Written by Aleksandr Blok | Create an image from this poem

The Stranger

 The restaurants on hot spring evenings
Lie under a dense and savage air.
Foul drafts and hoots from dunken revelers
Contaminate the thoroughfare. 
Above the dusty lanes of suburbia
Above the tedium of bungalows
A pretzel sign begilds a bakery
And children screech fortissimo. 

And every evening beyond the barriers
Gentlemen of practiced wit and charm
Go strolling beside the drainage ditches -- 
A tilted derby and a lady at the arm. 

The squeak of oarlocks comes over the lake water
A woman's shriek assaults the ear
While above, in the sky, inured to everything,
The moon looks on with a mindless leer. 

And every evening my one companion
Sits here, reflected in my glass.
Like me, he has drunk of bitter mysteries.
Like me, he is broken, dulled, downcast.


The sleepy lackeys stand beside tables
Waiting for the night to pass
And tipplers with the eyes of rabbits
Cry out: "In vino veritas!"

And every evening (or am I imagining?)
Exactly at the appointed time
A girl's slim figure, silk raimented,
Glides past the window's mist and grime. 

And slowly passing throught the revelers,
Unaccompanied, always alone,
Exuding mists and secret fragrances,
She sits at the table that is her own.

Something ancient, something legendary
Surrounds her presence in the room,
Her narrow hand, her silk, her bracelets,
Her hat, the rings, the ostrich plume.

Entranced by her presence, near and enigmatic,
I gaze through the dark of her lowered veil
And I behold an enchanted shoreline
And enchanted distances, far and pale.

I am made a guardian of the higher mysteries,
Someone's sun is entrusted to my control.
Tart wine has pierced the last convolution
of my labyrinthine soul.

And now the drooping plumes of ostriches
Asway in my brain droop slowly lower
And two eyes, limpid, blue, and fathomless
Are blooming on a distant shore.

Inside my soul a treasure is buried.
The key is mine and only mine.
How right you are, you drunken monster!
I know: the truth is in the wine.
Written by Paul Eluard | Create an image from this poem

At the Window

 I have not always had this certainty, this pessimism which reassures the best among us. There was 
a time when my friends laughed at me. I was not the master of my words. A certain indifference, I
have not always known well what I wanted to say, but most often it was because I had nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by a thread.

There was a time when I seemed to understand nothing. My chains floated on the water.

All my desires are born of my dreams. And I have proven my love with words. To what fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The
language of my love does not belong to human language, my human body does not touch the flesh
of my love. My amorous imagination has always been constant and high enough so that nothing
could attempt to convince me of error.
Written by Francesco Petrarch | Create an image from this poem

Canzone VI

CANZONE VI.

Spirto gentil che quelle membra reggi.

TO RIENZI, BESEECHING HIM TO RESTORE TO ROME HER ANCIENT LIBERTY.

Spirit heroic! who with fire divineKindlest those limbs, awhile which pilgrim holdOn earth a Chieftain, gracious, wise, and bold;Since, rightly, now the rod of state is thineRome and her wandering children to confine,And yet reclaim her to the old good way:To thee I speak, for elsewhere not a rayOf virtue can I find, extinct below,Nor one who feels of evil deeds the shame.Why Italy still waits, and what her aimI know not, callous to her proper woe,Indolent, aged, slow,Still will she sleep? Is none to rouse her found?Oh! that my wakening hands were through her tresses wound.
So grievous is the spell, the trance so deep,Loud though we call, my hope is faint that e'erShe yet will waken from her heavy sleep:But not, methinks, without some better endWas this our Rome entrusted to thy care,Who surest may revive and best defend.Fearlessly then upon that reverend head,'Mid her dishevell'd locks, thy fingers spread,And lift at length the sluggard from the dust;I, day and night, who her prostration mourn,For this, in thee, have fix'd my certain trust,[Pg 55]That, if her sons yet turn.And their eyes ever to true honour raise.The glory is reserved for thy illustrious days!
Her ancient walls, which still with fear and loveThe world admires, whene'er it calls to mindThe days of Eld, and turns to look behind;Her hoar and cavern'd monuments aboveThe dust of men, whose fame, until the worldIn dissolution sink, can never fail;Her all, that in one ruin now lies hurl'd,Hopes to have heal'd by thee its every ail.O faithful Brutus! noble Scipios dead!To you what triumph, where ye now are blest,If of our worthy choice the fame have spread:And how his laurell'd crest,Will old Fabricius rear, with joy elate,That his own Rome again shall beauteous be and great!
And, if for things of earth its care Heaven show,The souls who dwell above in joy and peace,And their mere mortal frames have left below,Implore thee this long civil strife may cease,Which kills all confidence, nips every good,Which bars the way to many a roof, where menOnce holy, hospitable lived, the denOf fearless rapine now and frequent blood,Whose doors to virtue only are denied.While beneath plunder'd Saints, in outraged fanesPlots Faction, and Revenge the altar stains;And, contrast sad and wide,The very bells which sweetly wont to flingSummons to prayer and praise now Battle's tocsin ring!
Pale weeping women, and a friendless crowdOf tender years, infirm and desolate Age,Which hates itself and its superfluous days,With each blest order to religion vow'd,Whom works of love through lives of want engage,To thee for help their hands and voices raise;While our poor panic-stricken land displaysThe thousand wounds which now so mar her frame,That e'en from foes compassion they command;Or more if Christendom thy care may claim.Lo! God's own house on fire, while not a hand[Pg 56]Moves to subdue the flame:—Heal thou these wounds, this feverish tumult end,And on the holy work Heaven's blessing shall descend!
Often against our marble Column highWolf, Lion, Bear, proud Eagle, and base SnakeEven to their own injury insult shower;Lifts against thee and theirs her mournful cry,The noble Dame who calls thee here to breakAway the evil weeds which will not flower.A thousand years and more! and gallant menThere fix'd her seat in beauty and in power;The breed of patriot hearts has fail'd since then!And, in their stead, upstart and haughty now,A race, which ne'er to her in reverence bends,Her husband, father thou!Like care from thee and counsel she attends,As o'er his other works the Sire of all extends.
'Tis seldom e'en that with our fairest schemeSome adverse fortune will not mix, and marWith instant ill ambition's noblest dreams;But thou, once ta'en thy path, so walk that IMay pardon her past faults, great as they are,If now at least she give herself the lie.For never, in all memory, as to thee,To mortal man so sure and straight the wayOf everlasting honour open lay,For thine the power and will, if right I see,To lift our empire to its old proud state.Let this thy glory be!They succour'd her when young, and strong, and great,He, in her weak old age, warded the stroke of Fate.Forth on thy way! my Song, and, where the boldTarpeian lifts his brow, shouldst thou behold,Of others' weal more thoughtful than his own,The chief, by general Italy revered,Tell him from me, to whom he is but knownAs one to Virtue and by Fame endear'd,Till stamp'd upon his heart the sad truth be,That, day by day to thee,With suppliant attitude and streaming eyes,For justice and relief our seven-hill'd city cries.
Macgregor.



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