Written by
Ruth Padel |
(After Pushkin)
Look at the bare wood hand-waxed floor and long
White dressing-gown, the good child's writing-desk
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm
Alert, till the shepherd's song
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across
To me.) Who couldn't give a toss for domestic peace -
Only for celebrity and showing off -
And won't hang round in a provincial zone
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God.
Sorted. Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea-
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look
Bleeping "vulnerable" under the screensaver charm,
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me
Already. Don't tell me that was dream! When you came in,
Staring round in your stripey coat and brocade
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad?
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there -
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town
On his next little fling. If he's entranced today
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
*
A leveret - like the hare you shot, remember?
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E
In the window's black reflection, one finger
Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea
*
When it's really your own red little sparkle, the echo
Of marching blood. She's asking a phantom
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among
The kitchen garden's rose-haws, mallow, Pernod-
Coloured pears, she unhooks herself thorn by thorn
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)
|
Written by
Edgar Allan Poe |
So sweet the hour, so calm the time,
I feel it more than half a crime,
When Nature sleeps and stars are mute,
To mar the silence ev'n with lute.
At rest on ocean's brilliant dyes
An image of Elysium lies:
Seven Pleiades entranced in Heaven,
Form in the deep another seven:
Endymion nodding from above
Sees in the sea a second love.
Within the valleys dim and brown,
And on the spectral mountain's crown,
The wearied light is dying down,
And earth, and stars, and sea, and sky
Are redolent of sleep, as I
Am redolent of thee and thine
Enthralling love, my Adeline.
But list, O list,- so soft and low
Thy lover's voice tonight shall flow,
That, scarce awake, thy soul shall deem
My words the music of a dream.
Thus, while no single sound too rude
Upon thy slumber shall intrude,
Our thoughts, our souls- O God above!
In every deed shall mingle, love.
|
Written by
Thomas Campbell |
Soul of the Poet ! wheresoe'er,
Reclaimed from earth, thy genius plume
Her wings of immortality ;
Suspend thy harp in happier sphere,
And with thine influence illume
The gladness of our jubilee.
And fly like fiends from secret spell,
Discord and Strife, at Burn's name,
Exorcised by his memory ;
For he was chief of bards that swell
The heart with songs of social flame,
And high delicious revelry.
And Love's own strain to him was given,
To warble all its ecstacies
With Pythian words unsought, unwilled,—
Love, the surviving gift of Heaven
The choicest sweet of Paradise,
In life's else bitter cup distilled.
Who that has melted o'er his lay
To Mary's soul, in Heaven above ,
But pictured sees, in fancy strong,
The landscape and the livelong day
That smiled upon their mutual love ?
Who that has felt forgets the song ?
Nor skilled one flame alone to fan:
His country's high-souled peasantry
What patriot-pride he taught !—how much
To weigh the inborn worth of man !
And rustic life and poverty
Grow beautiful beneath his touch.
Him, in his clay-built cot, the Muse
Entranced, and showed him all the forms,
Of fairy-light and wizard gloom,
(That only gifted Poet views,)
The Genii of the floods and storms,
And martial shades from Glory's tomb.
On Bannock-field what thoughts arouse
The swain whom Burns's song inspires !
Beat not his Caledonian veins,
As o'er the heroic turf he ploughs,
With all the spirit of his sires,
And all their scorn of death and chains ?
And see the Scottish exile, tanned
By many a far and foreign clime,
Bend o'er his home-born verse, and weep
In memory of his native land,
With love that scorns the lapse of time,
And ties that stretch beyond the deep.
Encamped by Indian rivers wild,
The soldier resting on his arms,
In Burns's carol sweet recalls
The scenes that blessed him when a child,
And glows and gladdens at the charms
Of Scotia's woods and waterfalls.
O deem not, 'midst this worldly strife,
An idle art the Poet brings:
Let high Philosophy control,
And sages calm the stream of life,
'T is he refines its fountain-springs,
The nobler passions of the soul.
It is the muse that consecrates
The native banner of the brave,
Unfurling, at the trumpet's breath,
Rose, thistle, harp ; 't is she elates
To sweep the field or ride the wave,
A sunburst in the storm of death.
And thou, young hero , when thy pall
Is crossed with mournful sword and plume,
When public grief begins to fade,
And only tears of kindred fall,
Who but the bard shall dress thy tomb,
And greet with fame thy gallant shade ?
Such was the soldier—Burns, forgive
That sorrows of mine own intrude
In strains to thy great memory due.
In verse like thine, oh ! Could he live,
The friend I mourned—the brave—the good
Edward that died at Waterloo !*
Farewell, high chief of Scottish song !
That couldst alternately impart
Wisdom and rapture in thy page,
And brand each vice with satire strong,
Whose lines are mottoes of the heart?
Whose truths electrify the sage.
Farewell ! and ne'er may Envy dare
To wring one baleful poison drop
From the crushed laurels of thy bust ;
But while the lark sings sweet in air,
Still may the grateful pilgrim stop,
To bless the spot that holds thy dust.
|
Written by
Duncan Campbell Scott |
Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibwa cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence. The fires burn low
With just sufficient glow
To light the flakes of ash that play
At being moths, and flutter away
To fall in the dark and die as ashes:
Here there is peace in the lofty air,
And Something comes by flashes
Deeper than peace: --
The spruces have retired a little space
And left a field of sky in violet shadow
With stars like marigolds in a water-meadow.
Now the Indian guides are dead asleep;
There is no sound unless the soul can hear
The gathering of the waters in their sources.
We have come up through the spreading lakes
From level to level, --
Pitching our tents sometimes over a revel
Of roses that nodded all night,
Dreaming within our dreams,
To wake at dawn and find that they were captured
With no dew on their leaves;
Sometimes mid sheaves
Of bracken and dwarf-cornel, and again
On a wide blueberry plain
Brushed with the shimmer of a bluebird's wing;
A rocky islet followed
With one lone poplar and a single nest
Of white-throat-sparrows that took no rest
But sang in dreams or woke to sing, --
To the last portage and the height of land --:
Upon one hand
The lonely north enlaced with lakes and streams,
And the enormous targe of Hudson Bay,
Glimmering all night
In the cold arctic light;
On the other hand
The crowded southern land
With all the welter of the lives of men.
But here is peace, and again
That Something comes by flashes
Deeper than peace, -- a spell
Golden and inappellable
That gives the inarticulate part
Of our strange being one moment of release
That seems more native than the touch of time,
And we must answer in chime;
Though yet no man may tell
The secret of that spell
Golden and inappellable.
Now are there sounds walking in the wood,
And all the spruces shiver and tremble,
And the stars move a little in their courses.
The ancient disturber of solitude
Breathes a pervasive sigh,
And the soul seems to hear
The gathering of the waters at their sources;
Then quiet ensues and pure starlight and dark;
The region-spirit murmurs in meditation,
The heart replies in exaltation
And echoes faintly like an inland shell
Ghost tremors of the spell;
Thought reawakens and is linked again
With all the welter of the lives of men.
Here on the uplands where the air is clear
We think of life as of a stormy scene, --
Of tempest, of revolt and desperate shock;
And here, where we can think, on the brights uplands
Where the air is clear, we deeply brood on life
Until the tempest parts, and it appears
As simple as to the shepherd seems his flock:
A Something to be guided by ideals --
That in themselves are simple and serene --
Of noble deed to foster noble thought,
And noble thought to image noble deed,
Till deed and thought shall interpenetrate,
Making life lovelier, till we come to doubt
Whether the perfect beauty that escapes
Is beauty of deed or thought or some high thing
Mingled of both, a greater boon than either:
Thus we have seen in the retreating tempest
The victor-sunlight merge with the ruined rain,
And from the rain and sunlight spring the rainbow.
The ancient disturber of solitude
Stirs his ancestral potion in the gloom,
And the dark wood
Is stifled with the pungent fume
Of charred earth burnt to the bone
That takes the place of air.
Then sudden I remember when and where, --
The last weird lakelet foul with weedy growths
And slimy viscid things the spirit loathes,
Skin of vile water over viler mud
Where the paddle stirred unutterable stenches,
And the canoes seemed heavy with fear,
Not to be urged toward the fatal shore
Where a bush fire, smouldering, with sudden roar
Leaped on a cedar and smothered it with light
And terror. It had left the portage-height
A tangle of slanted spruces burned to the roots,
Covered still with patches of bright fire
Smoking with incense of the fragment resin
That even then began to thin and lessen
Into the gloom and glimmer of ruin.
'Tis overpast. How strange the stars have grown;
The presage of extinction glows on their crests
And they are beautied with impermanence;
They shall be after the race of men
And mourn for them who snared their fiery pinions,
Entangled in the meshes of bright words.
A lemming stirs the fern and in the mosses
Eft-minded things feel the air change, and dawn
Tolls out from the dark belfries of the spruces.
How often in the autumn of the world
Shall the crystal shrine of dawning be rebuilt
With deeper meaning! Shall the poet then,
Wrapped in his mantle on the height of land,
Brood on the welter of the lives of men
And dream of his ideal hope and promise
In the blush sunrise? Shall he base his flight
Upon a more compelling law than Love
As Life's atonement; shall the vision
Of noble deed and noble thought immingled
Seem as uncouth to him as the pictograph
Scratched on the cave side by the cave-dweller
To us of the Christ-time? Shall he stand
With deeper joy, with more complex emotion,
In closer commune with divinity,
With the deep fathomed, with the firmament charted,
With life as simple as a sheep-boy's song,
What lies beyond a romaunt that was read
Once on a morn of storm and laid aside
Memorious with strange immortal memories?
Or shall he see the sunrise as I see it
In shoals of misty fire the deluge-light
Dashes upon and whelms with purer radiance,
And feel the lulled earth, older in pulse and motion,
Turn the rich lands and inundant oceans
To the flushed color, and hear as now I hear
The thrill of life beat up the planet's margin
And break in the clear susurrus of deep joy
That echoes and reëchoes in my being?
O Life is intuition the measure of knowledge
And do I stand with heart entranced and burning
At the zenith of our wisdom when I feel
The long light flow, the long wind pause, the deep
Influx of spirit, of which no man may tell
The Secret, golden and inappellable?
|
Written by
Aleksandr Blok |
The restaurants on hot spring evenings
Lie under a dense and savage air.
Foul drafts and hoots from dunken revelers
Contaminate the thoroughfare.
Above the dusty lanes of suburbia
Above the tedium of bungalows
A pretzel sign begilds a bakery
And children screech fortissimo.
And every evening beyond the barriers
Gentlemen of practiced wit and charm
Go strolling beside the drainage ditches --
A tilted derby and a lady at the arm.
The squeak of oarlocks comes over the lake water
A woman's shriek assaults the ear
While above, in the sky, inured to everything,
The moon looks on with a mindless leer.
And every evening my one companion
Sits here, reflected in my glass.
Like me, he has drunk of bitter mysteries.
Like me, he is broken, dulled, downcast.
The sleepy lackeys stand beside tables
Waiting for the night to pass
And tipplers with the eyes of rabbits
Cry out: "In vino veritas!"
And every evening (or am I imagining?)
Exactly at the appointed time
A girl's slim figure, silk raimented,
Glides past the window's mist and grime.
And slowly passing throught the revelers,
Unaccompanied, always alone,
Exuding mists and secret fragrances,
She sits at the table that is her own.
Something ancient, something legendary
Surrounds her presence in the room,
Her narrow hand, her silk, her bracelets,
Her hat, the rings, the ostrich plume.
Entranced by her presence, near and enigmatic,
I gaze through the dark of her lowered veil
And I behold an enchanted shoreline
And enchanted distances, far and pale.
I am made a guardian of the higher mysteries,
Someone's sun is entrusted to my control.
Tart wine has pierced the last convolution
of my labyrinthine soul.
And now the drooping plumes of ostriches
Asway in my brain droop slowly lower
And two eyes, limpid, blue, and fathomless
Are blooming on a distant shore.
Inside my soul a treasure is buried.
The key is mine and only mine.
How right you are, you drunken monster!
I know: the truth is in the wine.
|
Written by
Charles Bukowski |
there is always that space there
just before they get to us
that space
that fine relaxer
the breather
while say
flopping on a bed
thinking of nothing
or say
pouring a glass of water from the
spigot
while entranced by
nothing
that
gentle pure
space
it's worth
centuries of
existence
say
just to scratch your neck
while looking out the window at
a bare branch
that space
there
before they get to us
ensures
that
when they do
they won't
get it all
ever.
|
Written by
Robert William Service |
I
The Moon is like a ping-pong ball;
I lean against the orchard wall,
And see it soar into the void,
A silky sphere of celluloid.
Then fairy fire enkindles it,
Like gossamer by taper lit,
Until it glows above the trees
As mellow as a Cheddar cheese.
And up and up I watch it press
Into appalling loneliness;
Like realms of ice without a stain,
A corpse Moon come to life again.
Ruthless it drowns a sturdy star
That seeks its regal way to bar;
Seeming with conscious power to grow,
And sweeter, purer, gladder glow.
Dreaming serenely up the sky
Until exultantly on high,
It shimmers with superb delight,
The silver navel of the night.
II
I have a compact to commune
A monthly midnight with the Moon;
Into its face I stare and stare,
And find sweet understanding there.
As quiet as a toad I sit
And tell my tale of days to it;
The tessellated yarn I've spun
In thirty spells of star and sun.
And the Moon listens pensively,
As placid as a lamb to me;
Until I think there's just us two
In silver world of mist and dew.
In all of spangled space, but I
To stare moon-struck into the sky;
Of billion beings I alone
To praise the Moon as still as stone.
And seal a bond between us two,
Closer than mortal ever knew;
For as mute masses I intone
The Moon is mine and mine alone.
III
To know the Moon as few men may,
One must be just a little fey;
And for our friendship's sake I'm glad
That I am just a trifle mad.
And one with all the wild, wise things,
The furtive folk of fur and wings,
That hold the Moon within their eyes,
And make it nightly sacrifice.
O I will watch the maiden Moon
Dance on the sea with silver shoon;
But with the Queen Moon I will keep
My tryst when all the world's asleep.
As I have kept by land and sea
That tryst for half a century;
Entranced in sibylline suspense
Beyond a world of common-sense.
Until one night the Moon alone
Will look upon a graven stone. . . .
I wonder will it miss me then,
Its lover more than other men?
Or will my wistful ghost be there,
Down ages dim to stare and stare,
On silver nights without a stir--
The Moon's Eternal Worshipper?
|
Written by
Oliver Wendell Holmes |
I
ENCHANTER of Erin, whose magic has bound us,
Thy wand for one moment we fondly would claim,
Entranced while it summons the phantoms around us
That blush into life at the sound of thy name.
The tell-tales of memory wake from their slumbers,--
I hear the old song with its tender refrain,
What passion lies hid in those honey-voiced numbers!
What perfume of youth in each exquisite strain!
The home ot my childhood comes back as a vision,--
Hark! Hark! A soft chord from its song~haunted room,--
'T is a morning of May, when the air is Elysian,--
The syringa in bud and the lilac in bloom,--
We are clustered around the "Clementi" piano,--
There were six of us then,-- there are two of us now,--
She is singing-- the girl with the silver soprano--
How "The Lord of the Valley" was false to his vow;
"Let Erin remember" the echoes are calling;
Through "The Vale of Avoca" the waters are rolled;
"The Exile" laments while the night~dews are falling;
"The Morning of Life" dawns again as of old.
But ah! those warm love-songs of fresh adolescence!
Around us such raptures celestial they flung
That it seemed as if Paradise breathed its quintessence
Through the seraph-toned lips of the maiden that sung!
Long hushed are the chords that my boyhood enchanted
As when the smooth wave by the angel was stirred,
Yet still with their music is memory haunted,
And oft in my dreams are their melodies heard.
I feel like the priest to his altar returning,--
The crowd that was kneeling no longer is there,
The flame has died down, but the brands are still burning,
And sandal and cinnamon sweeten the air.
II
The veil for her bridal young Summer is weaving
In her azure-domed hall with its tapestried floor,
And Spring the last tear-drop of May-dew is leaving
On the daisy of Burns and the shamrock of Moore.
How like, how unlike, as we view them together,
The song of the minstrels whose record we scan,--
One fresh as the breeze blowing over the heather,
One sweet as the breath from an odalisque's fan!
Ah, passion can glow mid a palace's splendor;
The cage does not alter the song of ths bird;
And the curtain of silk has known whispers as tender
As ever the blossoming hawthorn has heard.
No fear lest the step of the soft-slippered Graces
Should fright the young Loves from their warm little nest,
For the heart of a queen, under jewels and laces,
Beats time with the pulse in the peasant girl's breast!
Thrice welcome each gift of kind Nature's bestowing!
Her fountain heeds little the goblet we hold;
Alike, when its musical waters are flowing,
The shell from the seaside, the chalice of gold.
The twins of the lyre to her voices had listened;
Both laid their best gifts upon Liberty's shrine;
For Coila's loved minstrel the holly~wreath glistened;
For Erin's the rose and the myrtle entwine.
And while the fresh blossoms of summer are braided
For the sea-girdled, stream-silvered, lake-jewelled isle,
While her mantle of verdure is woven unfaded,
While Shannon and Liffey shall dimple and smile,
The land where the staff of Saint Patrick was planted,
Where the shamrock grows green from the cliffs to the shore,
The land of fair maidens and heroes undaunted,
Shall wreathe her bright harp with the garlands of Moore!
|
Written by
Robert Southey |
Poussin! most pleasantly thy pictur'd scenes
Beguile the lonely hour; I sit and gaze
With lingering eye, till charmed FANCY makes
The lovely landscape live, and the rapt soul
From the foul haunts of herded humankind
Flies far away with spirit speed, and tastes
The untainted air, that with the lively hue
Of health and happiness illumes the cheek
Of mountain LIBERTY. My willing soul
All eager follows on thy faery flights
FANCY! best friend; whose blessed witcheries
With loveliest prospects cheat the traveller
O'er the long wearying desart of the world.
Nor dost thou FANCY with such magic mock
My heart, as, demon-born, old Merlin knew,
Or Alquif, or Zarzafiel's sister sage,
Whose vengeful anguish for so many a year
Held in the jacinth sepulchre entranced
Lisvart and Perion, pride of chivalry.
Friend of my lonely hours! thou leadest me
To such calm joys as Nature wise and good
Proffers in vain to all her wretched sons;
Her wretched sons who pine with want amid
The abundant earth, and blindly bow them down
Before the Moloch shrines of WEALTH and POWER,
AUTHORS of EVIL. Oh it is most sweet
To medicine with thy wiles the wearied heart,
Sick of reality. The little pile
That tops the summit of that craggy hill
Shall be my dwelling; craggy is the hill
And steep, yet thro' yon hazels upward leads
The easy path, along whose winding way
Now close embowered I hear the unseen stream
Dash down, anon behold its sparkling foam
Gleam thro' the thicket; and ascending on
Now pause me to survey the goodly vale
That opens on my vision. Half way up
Pleasant it were upon some broad smooth rock
To sit and sun me, and look down below
And watch the goatherd down that high-bank'd path
Urging his flock grotesque; and bidding now
His lean rough dog from some near cliff to drive
The straggler; while his barkings loud and quick
Amid their trembling bleat arising oft,
Fainter and fainter from the hollow road
Send their far echoes, till the waterfall,
Hoarse bursting from the cavern'd cliff beneath,
Their dying murmurs drown. A little yet
Onward, and I have gain'd the upmost height.
Fair spreads the vale below: I see the stream
Stream radiant on beneath the noontide sky.
Where the town-spires behind the castle towers
Rise graceful; brown the mountain in its shade,
Whose circling grandeur, part by mists conceal'd,
Part with white rocks resplendant in the sun,
Should bound mine eyes; aye and my wishes too,
For I would have no hope or fear beyond.
The empty turmoil of the worthless world,
Its vanities and vices would not vex
My quiet heart. The traveller, who beheld
The low tower of the little pile, might deem
It were the house of GOD: nor would he err
So deeming, for that home would be the home
Of PEACE and LOVE, and they would hallow it
To HIM. Oh life of blessedness! to reap
The fruit of honorable toil, and bound
Our wishes with our wants! delightful Thoughts
That sooth the solitude of maniac HOPE,
Ye leave her to reality awak'd,
Like the poor captive, from some fleeting dream
Of friends and liberty and home restor'd,
Startled, and listening as the midnight storm
Beats hard and heavy thro' his dungeon bars.
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Written by
Aleister Crowley |
Your hair was full of roses in the dewfall as we danced,
The sorceress enchanting and the paladin entranced,
In the starlight as we wove us in a web of silk and steel
Immemorial as the marble in the halls of Boabdil,
In the pleasuance of the roses with the fountains and the yews
Where the snowy Sierra soothed us with the breezes and the dews!
In the starlight as we trembled from a laugh to a caress,
And the God came warm upon us in our pagan allegresse.
Was the Baile de la Bona too seductive? Did you feel
Through the silence and the softness all the tension of the steel?
For your hair was full of roses, and my flesh was full of thorns,
And the midnight came upon us worth a million crazy morns.
Ah! my Gipsy, my Gitana, my Saliya! were you fain
For the dance to turn to earnest? - O the sunny land of Spain!
My Gitana, my Saliya! more delicious than a dove!
With your hair aflame with roses and your lips alight with love!
Shall I see you, shall I kiss you once again? I wander far
From the sunny land of summer to the icy Polar Star.
I shall find you, I shall have you! I am coming back again
From the filth and fog to seek you in the sunny land of Spain.
I shall find you, my Gitana, my Saliya! as of old
With your hair aflame with roses and your body gay with gold.
I shall find you, I shall have you, in the summer and the south
With our passion in your body and our love upon your mouth -
With our wonder and our worship be the world aflame anew!
My Gitana, my Saliya! I am coming back to you!
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