Written by
Anne Kingsmill Finch |
URANIA, whom the Town admires,
Whose Wit and Beauty share our Praise;
This fair URANIA who inspires
A thousand Joys a thousand ways,
She, who cou'd with a Glance convey
Favours, that had my Hopes outdone,
Has lent me Money on that Day,
Which our Acquaintance first begun.
Nor with the Happiness I taste,
Let any jealous Doubts contend:
Her Friendship is secure to last,
Beginning where all others end.
And thou, known Cheat! upheld by Law,
Thou Disappointer of the craving Mind,
BASSETTE, who thy Original dost draw
From Venice (by uncertain Seas confin'd);
Author of Murmurs, and of Care,
Of pleasing Hopes, concluding in Despair:
To thee my strange Felicity I owe,
From thy Oppression did this Succour flow.
Less had I gained, had'st thou propitious been,
Who better by my Loss hast taught me how to Win.
Yet tell me, my transported Brain!
(whose Pride this Benefit awakes)
Know'st thou, what on this Chance depends?
And are we not exalted thus in vain,
Whilst we observe the Money which she lends,
But not, alas! the Heart she takes,
The fond Engagements, and the Ties
Her fatal Bounty does impose,
Who makes Reprisals, with her Eyes,
For what her gen'rous Hand bestows?
And tho' I quickly can return
Those useful Pieces, which she gave;
Can I again, or wou'd I have
That which her Charms have from me borne?
Yet let us quit th' obliging Score;
And whilst we borrow'd Gold restore,
Whilst readily we own the Debt,
And Gratitude before her set
In its approved and fairest Light;
Let her effectually be taught
By that instructive, harmless Slight,
That also in her turn she ought
(Repaying ev'ry tender Thought)
Kindness with Kindness to requite.
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Written by
Walt Whitman |
1
AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave;)
Now be witness again—paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains?
2
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
Soldier alert I arrive, after a long march, cover’d with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful
charge;
Enter the captur’d works.... yet lo! like a swift-running river, they fade;
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’
joys;
(Both I remember well—many the hardships, few the joys, yet I was content.)
But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
In nature’s reverie sad, with hinged knees returning, I enter the doors—(while
for
you up
there,
Whoever you are, follow me without noise, and be of strong heart.)
3
Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near—not one do I miss;
An attendant follows, holding a tray—he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.
I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each—the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes—(poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.)
4
On, on I go!—(open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand, tear not the bandage away;)
The neck of the cavalry-man, with the bullet through and through, I examine;
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard;
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.)
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curv’d neck, and side-falling head;
His eyes are closed, his face is pale, (he dares not look on the bloody stump,
And has not yet look’d on it.)
I dress a wound in the side, deep, deep;
But a day or two more—for see, the frame all wasted already, and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me, holding the tray and pail.
I am faithful, I do not give out;
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand—(yet deep in my breast a fire, a burning
flame.)
5
Thus in silence, in dreams’ projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night—some are so young;
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)
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