Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks.
Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat.
.
.
.
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Charles Baudelaire |
THOU, O my Grief, be wise and tranquil still,
The eve is thine which even now drops down,
To carry peace or care to human will,
And in a misty veil enfolds the town.
While the vile mortals of the multitude,
By pleasure, cruel tormentor, goaded on,
Gather remorseful blossoms in light mood--
Grief, place thy hand in mine, let us be gone
Far from them.
Lo, see how the vanished years,
In robes outworn lean over heaven's rim;
And from the water, smiling through her tears,
Remorse arises, and the sun grows dim;
And in the east, her long shroud trailing light,
List, O my grief, the gentle steps of Night.
|
Written by
Rudyard Kipling |
To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
Oh, it's sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be "Rider" to your troop,
And branded with a blasted worsted spur,
When you envy, O how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes calls you "Sir".
If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantern gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
|
Written by
Amy Lowell |
Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of.
Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.
|
Written by
Robert Seymour Bridges |
Perfect little body, without fault or stain on thee,
With promise of strength and manhood full and fair!
Though cold and stark and bare,
The bloom and the charm of life doth awhile remain on thee.
Thy mother's treasure wert thou;—alas! no longer
To visit her heart with wondrous joy; to be
Thy father's pride:—ah, he
Must gather his faith together, and his strength make stronger.
To me, as I move thee now in the last duty,
Dost thou with a turn or gesture anon respond;
Startling my fancy fond
With a chance attitude of the head, a freak of beauty.
Thy hand clasps, as 'twas wont, my finger, and holds it:
But the grasp is the clasp of Death, heartbreaking and stiff;
Yet feels to my hand as if
'Twas still thy will, thy pleasure and trust that enfolds it.
So I lay thee there, thy sunken eyelids closing,—
Go lie thou there in thy coffin, thy last little bed!—
Propping thy wise, sad head,
Thy firm, pale hands across thy chest disposing.
So quiet! doth the change content thee?—Death, whither hath he taken thee?
To a world, do I think, that rights the disaster of this?
The vision of which I miss,
Who weep for the body, and wish but to warm thee and awaken thee?
Ah! little at best can all our hopes avail us
To lift this sorrow, or cheer us, when in the dark,
Unwilling, alone we embark,
And the things we have seen and have known and have heard of, fail us.
|
Written by
Henrik Ibsen |
IN summer dusk the valley lies
With far-flung shadow veil;
A cloud-sea laps the precipice
Before the evening gale:
The welter of the cloud-waves grey
Cuts off from keenest sight
The glacier, looking out by day
O'er all the district, far away,
And crowned with golden light.
But o'er the smouldering cloud-wrack's flow,
Where gold and amber kiss,
Stands up the archipelago,
A home of shining peace.
The mountain eagle seems to sail
A ship far seen at even;
And over all a serried pale
Of peaks, like giants ranked in mail,
Fronts westward threatening heaven.
But look, a steading nestles, close
Beneath the ice-fields bound,
Where purple cliffs and glittering snows
The quiet home surround.
Here place and people seem to be
A world apart, alone; --
Cut off from men by spate and scree
It has a heaven more broad, more free,
A sunshine all its own.
Look: mute the saeter-maiden stays,
Half shadow, half aflame;
The deep, still vision of her gaze
Was never word to name.
She names it not herself, nor knows
What goal my be its will;
While cow-bells chime and alp-horn blows
It bears her where the sunset glows,
Or, maybe, further still.
Too brief, thy life on highland wolds
Where close the glaciers jut;
Too soon the snowstorm's cloak enfolds
Stone byre and pine-log hut.
Then wilt thou ply with hearth ablaze
The winter's well-worn tasks; --
But spin thy wool with cheerful face:
One sunset in the mountain pays
For all their winter asks.
|
Written by
George William Russell |
WITH eyes all untroubled she laughs as she passes,
Bending beneath the creel with the seaweed brown,
Till evening with pearl dew dims the shining grasses
And night lit with dreamlight enfolds the sleepy town.
Then she will wander, her heart all a laughter,
Tracking the dream star that lights the purple gloom.
She follows the proud and golden races after,
As high as theirs her spirit, as high will be her doom.
|
Written by
Mary Darby Robinson |
DAME DOWSON, was a granny grey,
Who, three score years and ten,
Had pass'd her busy hours away,
In talking of the Men !
They were her theme, at home, abroad,
At wake, and by the winter fire,
Whether it froze, or blew, or thaw'd,
In sunshine or in shade, her ire
Was never calm'd; for still she made
Scandal her pleasure--and her trade!
A Grand-daughter DAME DOWSON had--
As fair, as fair could be!
Lovely enough to make Men mad;
For, on her cheek's soft downy rose
LOVE seem'd in dimples to repose;
Her clear blue eyes look'd mildly bright
Like ether drops of liquid light,
Or sapphire gems,--which VENUS bore,
When, for the silver-sanded shore,
She left her native Sea!
ANNETTA, was the damsel's name;
A pretty, soft, romantic sound;
Such as a lover's heart may wound;
And set his fancy in a flame:
For had the maid been christen'd JOAN,
Or DEBORAH, or HESTER,--
The little God had coldly prest her,
Or, let her quite alone!
For magic is the silver sound--
Which, often, in a NAME is found!
ANNETTA was belov'd; and She
To WILLIAM gave her vows;
For WILLIAM was as brave a Youth,
As ever claim'd the meed of truth,
And, to reward such constancy,
Nature that meed allows.
But Old DAME DOWSON could not bear
A Youth so brave--a Maid so fair.
The GRANNY GREY, with maxims grave
Oft to ANNETTA lessons gave:
And still the burthen of the Tale
Was, "Keep the wicked Men away,
"For should their wily arts prevail
"You'll surely rue the day!"
And credit was to GRANNY due,
The truth, she, by EXPERIENCE, knew!
ANNETTA blush'd, and promis'd She
Obedient to her will would be.
But Love, with cunning all his own,
Would never let the Maid alone:
And though she dar'd not see her Lover,
Lest GRANNY should the deed discover,
She, for a woman's weapon, still,
From CUPID'S pinion pluck'd a quill:
And, with it, prov'd that human art
Cannot confine the Female Heart.
At length, an assignation She
With WILLIAM slily made,
It was beneath an old Oak Tree,
Whose widely spreading shade
The Moon's soft beams contriv'd to break
For many a Village Lover's sake.
But Envy has a Lynx's eye
And GRANNY DOWSON cautious went
Before, to spoil their merriment,
Thinking no creature nigh.
Young WILLIAM came; but at the tree
The watchful GRANDAM found!
Straight to the Village hasten'd he
And summoning his neighbours round,
The Hedgerow's tangled boughs among,
Conceal'd the list'ning wond'ring throng.
He told them that, for many a night,
An OLD GREY OWL was heard;
A fierce, ill-omen'd, crabbed Bird--
Who fill'd the village with affright.
He swore this Bird was large and keen,
With claws of fire, and eye-balls green;
That nothing rested, where she came;
That many pranks the monster play'd,
And many a timid trembling Maid
She brought to shame
For negligence, that was her own;
Turning the milk to water, clear,
And spilling from the cask, small-beer;
Pinching, like fairies, harmless lasses,
And shewing Imps, in looking-glasses;
Or, with heart-piercing groan,
Along the church-yard path, swift gliding,
Or, on a broomstick, witchlike, riding.
All listen'd trembling; For the Tale
Made cheeks of Oker, chalky pale;
The young a valiant doubt pretended;
The old believ'd, and all attended.
Now to DAME DOWSON he repairs
And in his arms, enfolds the Granny:
Kneels at her feet, and fondly swears
He will be true as any !
Caresses her with well feign'd bliss
And, fearfully , implores a Kiss--
On the green turf distracted lying ,
He wastes his ardent breath, in sighing.
The DAME was silent; for the Lover
Would, when she spoke,
She fear'd, discover
Her envious joke:
And she was too much charm'd to be
In haste,--to end the Comedy!
Now WILLIAM, weary of such wooing,
Began, with all his might, hollooing:--
When suddenly from ev'ry bush
The eager throngs impatient rush;
With shouting, and with boist'rous glee
DAME DOWSON they pursue,
And from the broad Oak's canopy,
O'er moonlight fields of sparkling dew,
They bear in triumph the Old DAME,
Bawling, with loud Huzza's, her name;
"A witch, a witch !" the people cry,
"A witch !" the echoing hills reply:
'Till to her home the GRANNY came,
Where, to confirm the tale of shame,
Each rising day they went, in throngs,
With ribbald jests, and sportive songs,
'Till GRANNY of her spleen, repented;
And to young WILLIAM'S ardent pray'r,
To take, for life, ANNETTA fair,--
At last ,--CONSENTED.
And should this TALE, fall in the way
Of LOVERS CROSS'D, or GRANNIES GREY,--
Let them confess, 'tis made to prove--
The wisest heads ,--TOO WEAK FOR LOVE!
|
Written by
Henry Van Dyke |
O garden isle, beloved by Sun and Sea, --
Whose bluest billows kiss thy curving bays,
Whose amorous light enfolds thee in warm rays
That fill with fruit each dark-leaved orange-tree, --
What hidden hatred hath the Earth for thee?
Behold, again, in these dark, dreadful days,
She trembles with her wrath, and swiftly lays
Thy beauty waste in wreck and agony!
Is Nature, then, a strife of jealous powers,
And man the plaything of unconscious fate?
Not so, my troubled heart! God reigns above
And man is greatest in his darkest hours:
Walking amid the cities desolate,
The Son of God appears in human love.
|
Written by
Lucy Maud Montgomery |
Night in the unslumbering forest! From the free,
Vast pinelands by the foot of man untrod,
Blows the wild wind, roaming rejoicingly
This wilderness of God;
And the tall firs that all day long have flung
Balsamic odors where the sunshine burned,
Chant to its harping primal epics learned
When this old world was young.
Beyond the lake, white, girdling peaks uplift
Untroubled brows to virgin skies afar,
And o'er the uncertain water glimmers drift
Of fitful cloud and star.
Sure never day such mystic beauty held
As sylvan midnight here in this surcease
Of toil, when the kind darkness gives us peace
Garnered from years of eld.
Lo! Hearken to the mountain waterfall
Laughing adown its pathway to the glen
And nearer, in the cedars, the low call
Of brook to brook again;
Voices that garish daytime may not know
Wander at will along the bosky steeps,
And silent, silver-footed moonlight creeps
Through the dim glades below.
Oh, it is well to waken with the woods
And feel, as those who wait with God alone,
The forest's heart in these rare solitudes
Beating against our own.
Close-shut behind us are the gates of care,
Divinity enfolds us, prone to bless,
And our souls kneel.
Night in the wilderness
Is one great prayer.
|