Written by
Willa Cather |
"ROWSES, Rowses! Penny a bunch!" they tell you--
Slattern girls in Trafalgar, eager to sell you.
Roses, roses, red in the Kensington sun,
Holland Road, High Street, Bayswater, see you and smell you--
Roses of London town, red till the summer is done.
Roses, roses, locust and lilac, perfuming
West End, East End, wondrously budding and blooming
Out of the black earth, rubbed in a million hands,
Foot-trod, sweat-sour over and under, entombing
Highways of darkness, deep gutted with iron bands.
"Rowses, rowses! Penny a bunch!" they tell you,
Ruddy blooms of corruption, see you and smell you,
Born of stale earth, fallowed with squalor and tears--
North shire, south shire, none are like these, I tell you,
Roses of London perfumed with a thousand years.
|
Written by
Boris Pasternak |
It snowed and snowed ,the whole world over,
Snow swept the world from end to end.
A candle burned on the table;
A candle burned.
As during summer midges swarm
To beat their wings against a flame
Out in the yard the snowflakes swarmed
To beat against the window pane
The blizzard sculptured on the glass
Designs of arrows and of whorls.
A candle burned on the table;
A candle burned.
Distorted shadows fell
Upon the lighted ceiling:
Shadows of crossed arms,of crossed legs-
Of crossed destiny.
Two tiny shoes fell to the floor
And thudded.
A candle on a nightstand shed wax tears
Upon a dress.
All things vanished within
The snowy murk-white,hoary.
A candle burned on the table;
A candle burned.
A corner draft fluttered the flame
And the white fever of temptation
Upswept its angel wings that cast
A cruciform shadow
It snowed hard throughout the month
Of February, and almost constantly
A candle burned on the table;
A candle burned.
|
Written by
Robert Browning |
I.
Stand still, true poet that you are!
I know you; let me try and draw you.
Some night you'll fail us: when afar
You rise, remember one man saw you,
Knew you, and named a star!
II.
My star, God's glow-worm! Why extend
That loving hand of his which leads you
Yet locks you safe from end to end
Of this dark world, unless he needs you,
just saves your light to spend?
III.
His clenched hand shall unclose at last,
I know, and let out all the beauty:
My poet holds the future fast,
Accepts the coming ages' duty,
Their present for this past.
IV.
That day, the earth's feast-master's brow
Shall clear, to God the chalice raising;
``Others give best at first, but thou
``Forever set'st our table praising,
``Keep'st the good wine till now!''
V.
Meantime, I'll draw you as you stand,
With few or none to watch and wonder:
I'll say---a fisher, on the sand
By Tyre the old, with ocean-plunder,
A netful, brought to land.
VI.
Who has not heard how Tyrian shells
Enclosed the blue, that dye of dyes
Whereof one drop worked miracles,
And coloured like Astarte's eyes
Raw silk the merchant sells?
VII.
And each bystander of them all
Could criticize, and quote tradition
How depths of blue sublimed some pall
---To get which, pricked a king's ambition
Worth sceptre, crown and ball.
VIII.
Yet there's the dye, in that rough mesh,
The sea has only just o'erwhispered!
Live whelks, each lip's beard dripping fresh,
As if they still the water's lisp heard
Through foam the rock-weeds thresh.
IX.
Enough to furnish Solomon
Such hangings for his cedar-house,
That, when gold-robed he took the throne
In that abyss of blue, the Spouse
Might swear his presence shone
X.
Most like the centre-spike of gold
Which burns deep in the blue-bell's womb,
What time, with ardours manifold,
The bee goes singing to her groom,
Drunken and overbold.
XI.
Mere conchs! not fit for warp or woof!
Till cunning come to pound and squeeze
And clarify,---refine to proof
The liquor filtered by degrees,
While the world stands aloof.
XII.
And there's the extract, flasked and fine,
And priced and saleable at last!
And Hobbs, Nobbs, Stokes and Nokes combine
To paint the future from the past,
Put blue into their line.
XIII.
Hobbs hints blue,---Straight he turtle eats:
Nobbs prints blue,---claret crowns his cup:
Nokes outdares Stokes in azure feats,---
Both gorge. Who fished the murex up?
What porridge had John Keats?
* 1 The Syrian Venus.
* 2 Molluscs from which the famous Tyrian
* purple dye was obtained.
|
Written by
Sylvia Plath |
Pocket watch, I tick well.
The streets are lizardly crevices
Sheer-sided, with holes where to hide.
It is best to meet in a cul-de-sac,
A palace of velvet
With windows of mirrors.
There one is safe,
There are no family photographs,
No rings through the nose, no cries.
Bright fish hooks, the smiles of women
Gulp at my bulk
And I, in my snazzy blacks,
Mill a litter of breasts like jellyfish.
To nourish
The cellos of moans I eat eggs --
Eggs and fish, the essentials,
The aphrodisiac squid.
My mouth sags,
The mouth of Christ
When my engine reaches the end of it.
The tattle of my
Gold joints, my way of turning
Bitches to ripples of silver
Rolls out a carpet, a hush.
And there is no end, no end of it.
I shall never grow old. New oysters
Shriek in the sea and I
Glitter like Fontainebleu
Gratified,
All the fall of water an eye
Over whose pool I tenderly
Lean and see me.
|
Written by
Sidney Lanier |
Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,
Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,
The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve
Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,
The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.
Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.
`A wraith' (I thought) `that walks the shore
To solve some old perplexity.'
Full heavy hung the draggled gown he wore;
His hair flew all awry.
He waited not (as ghosts oft use)
To be `dearheaven'd!' and `oh'd!'
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?
"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?
"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!
"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,
"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!
"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile!)
Already framed and fit,
"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.
"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race
"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!
"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.
"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!
"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,
"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea!"
|
Written by
Amy Levy |
He comes; I hear him up the street--
Bird of ill omen, flapping wide
The pinion of a printed sheet,
His hoarse note scares the eventide.
Of slaughter, theft, and suicide
He is the herald and the friend;
Now he vociferates with pride--
A double murder in Mile End!
A hanging to his soul is sweet;
His gloating fancy's fain to bide
Where human-freighted vessels meet,
And misdirected trains collide.
With Shocking Accidents supplied,
He tramps the town from end to end.
How often have we heard it cried--
A double murder in Mile End.
War loves he; victory or defeat,
So there be loss on either side.
His tale of horrors incomplete,
Imagination's aid is tried.
Since no distinguished man has died,
And since the Fates, relenting, send
No great catastrophe, he's spied
This double murder in Mile End.
Fiend, get thee gone! no more repeat
Those sounds which do mine ears offend.
It is apocryphal, you cheat,
Your double murder in Mile End.
|
Written by
Rabindranath Tagore |
Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.
When the heavy rain patters for hours on the bamboo leaves,
and our windows shake and rattle at the gusts of wind, I like to
sit alone in the room, mother, with you, and hear you talk about
the desert of Tepantar in the fairy tale.
Where is it, mother, on the shore of what sea, at the foot of
what hills, in the kingdom of what king?
There are no hedges there to mark the fields, no footpath
across it by which the villagers reach their village in the
evening, or the woman who gathers dry sticks in the forest can
bring her load to the market. With patches of yellow grass in the
sand and only one tree where the pair of wise old birds have their
nest, lies the desert of Tepantar.
I can imagine how, on just such a cloudy day, the young son
of the king is riding alone on a grey horse through the desert, in
search of the princess who lies imprisoned in the giant's palace
across that unknown water.
When the haze of the rain comes down in the distant sky, and
lightning starts up like a sudden fit of pain, does he remember his
unhappy mother, abandoned by the king, sweeping the cow-stall and
wiping her eyes, while he rides through the desert of Tepantar in
the fairy tale?
See, mother, it is almost dark before the day is over, and
thee are no travellers yonder on the village road.
The shepherd boy has gone home early from the pasture, and men
have left their fields to sit on mats under the eaves of their
huts, watching the scowling clouds.
Mother, I have left all my books on the shelf-do not ask me
to do my lessons now.
When I grow up and am bid like my father, I shall learn all
that must be learnt.
But just for today, tell me, mother, where the desert of
Tepantar in the fairy tale is.
|
Written by
Robert Burns |
SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
In holy rapture,
A rousing whid at times to vend,
And nail’t wi’ Scripture.
But this that I am gaun to tell,
Which lately on a night befell,
Is just as true’s the Deil’s in hell
Or Dublin city:
That e’er he nearer comes oursel’
’S a muckle pity.
The clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whiles, but yet too tent aye
To free the ditches;
An’ hillocks, stanes, an’ bushes, kenn’d eye
Frae ghaists an’ witches.
The rising moon began to glowre
The distant Cumnock hills out-owre:
To count her horns, wi’ a my pow’r,
I set mysel’;
But whether she had three or four,
I cou’d na tell.
I was come round about the hill,
An’ todlin down on Willie’s mill,
Setting my staff wi’ a’ my skill,
To keep me sicker;
Tho’ leeward whiles, against my will,
I took a bicker.
I there wi’ Something did forgather,
That pat me in an eerie swither;
An’ awfu’ scythe, out-owre ae shouther,
Clear-dangling, hang;
A three-tae’d leister on the ither
Lay, large an’ lang.
Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava;
And then its shanks,
They were as thin, as sharp an’ sma’
As cheeks o’ branks.
“Guid-een,” quo’ I; “Friend! hae ye been mawin,
When ither folk are busy sawin!” 1
I seem’d to make a kind o’ stan’
But naething spak;
At length, says I, “Friend! whare ye gaun?
Will ye go back?”
It spak right howe,—“My name is Death,
But be na fley’d.”—Quoth I, “Guid faith,
Ye’re maybe come to stap my breath;
But tent me, billie;
I red ye weel, tak care o’ skaith
See, there’s a gully!”
“Gudeman,” quo’ he, “put up your whittle,
I’m no designed to try its mettle;
But if I did, I wad be kittle
To be mislear’d;
I wad na mind it, no that spittle
Out-owre my beard.”
“Weel, weel!” says I, “a bargain be’t;
Come, gie’s your hand, an’ sae we’re gree’t;
We’ll ease our shanks an tak a seat—
Come, gie’s your news;
This while ye hae been mony a gate,
At mony a house.” 2
“Ay, ay!” quo’ he, an’ shook his head,
“It’s e’en a lang, lang time indeed
Sin’ I began to nick the thread,
An’ choke the breath:
Folk maun do something for their bread,
An’ sae maun Death.
“Sax thousand years are near-hand fled
Sin’ I was to the butching bred,
An’ mony a scheme in vain’s been laid,
To stap or scar me;
Till ane Hornbook’s 3 ta’en up the trade,
And faith! he’ll waur me.
“Ye ken Hornbook i’ the clachan,
Deil mak his king’s-hood in spleuchan!
He’s grown sae weel acquaint wi’ Buchan 4
And ither chaps,
The weans haud out their fingers laughin,
An’ pouk my hips.
“See, here’s a scythe, an’ there’s dart,
They hae pierc’d mony a gallant heart;
But Doctor Hornbook, wi’ his art
An’ cursed skill,
Has made them baith no worth a f—t,
D—n’d haet they’ll kill!
“’Twas but yestreen, nae farther gane,
I threw a noble throw at ane;
Wi’ less, I’m sure, I’ve hundreds slain;
But deil-ma-care,
It just play’d dirl on the bane,
But did nae mair.
“Hornbook was by, wi’ ready art,
An’ had sae fortify’d the part,
That when I looked to my dart,
It was sae blunt,
Fient haet o’t wad hae pierc’d the heart
Of a kail-runt.
“I drew my scythe in sic a fury,
I near-hand cowpit wi’ my hurry,
But yet the bauld Apothecary
Withstood the shock;
I might as weel hae tried a quarry
O’ hard whin rock.
“Ev’n them he canna get attended,
Altho’ their face he ne’er had kend it,
Just —— in a kail-blade, an’ sent it,
As soon’s he smells ’t,
Baith their disease, and what will mend it,
At once he tells ’t.
“And then, a’ doctor’s saws an’ whittles,
Of a’ dimensions, shapes, an’ mettles,
A’ kind o’ boxes, mugs, an’ bottles,
He’s sure to hae;
Their Latin names as fast he rattles
As A B C.
“Calces o’ fossils, earths, and trees;
True sal-marinum o’ the seas;
The farina of beans an’ pease,
He has’t in plenty;
Aqua-fontis, what you please,
He can content ye.
“Forbye some new, uncommon weapons,
Urinus spiritus of capons;
Or mite-horn shavings, filings, scrapings,
Distill’d per se;
Sal-alkali o’ midge-tail clippings,
And mony mae.”
“Waes me for Johnie Ged’s-Hole 5 now,”
Quoth I, “if that thae news be true!
His braw calf-ward whare gowans grew,
Sae white and bonie,
Nae doubt they’ll rive it wi’ the plew;
They’ll ruin Johnie!”
The creature grain’d an eldritch laugh,
And says “Ye needna yoke the pleugh,
Kirkyards will soon be till’d eneugh,
Tak ye nae fear:
They’ll be trench’d wi’ mony a sheugh,
In twa-three year.
“Whare I kill’d ane, a fair strae-death,
By loss o’ blood or want of breath
This night I’m free to tak my aith,
That Hornbook’s skill
Has clad a score i’ their last claith,
By drap an’ pill.
“An honest wabster to his trade,
Whase wife’s twa nieves were scarce weel-bred
Gat tippence-worth to mend her head,
When it was sair;
The wife slade cannie to her bed,
But ne’er spak mair.
“A country laird had ta’en the batts,
Or some curmurring in his guts,
His only son for Hornbook sets,
An’ pays him well:
The lad, for twa guid gimmer-pets,
Was laird himsel’.
“A bonie lass—ye kend her name—
Some ill-brewn drink had hov’d her wame;
She trusts hersel’, to hide the shame,
In Hornbook’s care;
Horn sent her aff to her lang hame,
To hide it there.
“That’s just a swatch o’ Hornbook’s way;
Thus goes he on from day to day,
Thus does he poison, kill, an’ slay,
An’s weel paid for’t;
Yet stops me o’ my lawfu’ prey,
Wi’ his d—n’d dirt:
“But, hark! I’ll tell you of a plot,
Tho’ dinna ye be speakin o’t;
I’ll nail the self-conceited sot,
As dead’s a herrin;
Neist time we meet, I’ll wad a groat,
He gets his fairin!”
But just as he began to tell,
The auld kirk-hammer strak the bell
Some wee short hour ayont the twal’,
Which rais’d us baith:
I took the way that pleas’d mysel’,
And sae did Death.
Note 1. This recontre happened in seed-time, 1785.—R. B. [back]
Note 2. An epidemical fever was then raging in that country.—R. B. [back]
Note 3. This gentleman, Dr. Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.—R. B. [back]
Note 4. Burchan’s Domestic Medicine.—R. B. [back]
Note 5. The grave-digger.—R. B. [back]
|
Written by
Robert Frost |
I've known ere now an interfering branch
Of alder catch my lifted ax behind me.
But that was in the woods, to hold my hand
From striking at another alder's roots,
And that was, as I say, an alder branch.
This was a man, Baptiste, who stole one day
Behind me on the snow in my own yard
Where I was working at the chopping block,
And cutting nothing not cut down already.
He caught my ax expertly on the rise,
When all my strength put forth was in his favor,
Held it a moment where it was, to calm me,
Then took it from me — and I let him take it.
I didn't know him well enough to know
What it was all about. There might be something
He had in mind to say to a bad neighbor
He might prefer to say to him disarmed.
But all he had to tell me in French-English
Was what he thought of— not me, but my ax;
Me only as I took my ax to heart.
It was the bad ax-helve some one had sold me —
“Made on machine,' he said, plowing the grain
With a thick thumbnail to show how it ran
Across the handle's long-drawn serpentine,
Like the two strokes across a dollar sign.
“You give her 'one good crack, she's snap raght off.
Den where's your hax-ead flying t'rough de hair?”
Admitted; and yet, what was that to him?
“Come on my house and I put you one in
What's las' awhile — good hick'ry what's grow crooked,
De second growt' I cut myself—tough, tough!”
Something to sell? That wasn't how it sounded.
“Den when you say you come? It's cost you nothing.
To-naght?”
As well to-night as any night.
Beyond an over-warmth of kitchen stove
My welcome differed from no other welcome.
Baptiste knew best why I was where I was.
So long as he would leave enough unsaid,
I shouldn't mind his being overjoyed
(If overjoyed he was) at having got me
Where I must judge if what he knew about an ax
That not everybody else knew was to count
For nothing in the measure of a neighbor.
Hard if, though cast away for life with Yankees,
A Frenchman couldn't get his human rating!
Mrs. Baptiste came in and rocked a chair
That had as many motions as the world:
One back and forward, in and out of shadow,
That got her nowhere; one more gradual,
Sideways, that would have run her on the stove
In time, had she not realized her danger
And caught herself up bodily, chair and all,
And set herself back where she ,started from.
“She ain't spick too much Henglish— dat's too bad.”
I was afraid, in brightening first on me,
Then on Baptiste, as if she understood
What passed between us, she was only reigning.
Baptiste was anxious for her; but no more
Than for himself, so placed he couldn't hope
To keep his bargain of the morning with me
In time to keep me from suspecting him
Of really never having meant to keep it.
Needlessly soon he had his ax-helves out,
A quiverful to choose from, since he wished me
To have the best he had, or had to spare —
Not for me to ask which, when what he took
Had beauties he had to point me out at length
To ensure their not being wasted on me.
He liked to have it slender as a whipstock,
Free from the least knot, equal to the strain
Of bending like a sword across the knee.
He showed me that the lines of a good helve
Were native to the grain before the knife
Expressed them, and its curves were no false curves
Put on it from without. And there its strength lay
For the hard work. He chafed its long white body
From end to end with his rough hand shut round it.
He tried it at the eye-hold in the ax-head.
“Hahn, hahn,” he mused, “don't need much taking down.”
Baptiste knew how to make a short job long
For love of it, and yet not waste time either.
Do you know, what we talked about was knowledge?
Baptiste on his defense about the children
He kept from school, or did his best to keep —
Whatever school and children and our doubts
Of laid-on education had to do
With the curves of his ax-helves and his having
Used these unscrupulously to bring me
To see for once the inside of his house.
Was I desired in friendship, partly as someone
To leave it to, whether the right to hold
Such doubts of education should depend
Upon the education of those who held them.
But now he brushed the shavings from his knee
And stood the ax there on its horse's hoof,
Erect, but not without its waves, as when
The snake stood up for evil in the Garden—
Top-heavy with a heaviness his short,
Thick hand made light of, steel-blue chin drawn down
And in a little — a French touch in that.
Baptiste drew back and squinted at it, pleased:
“See how she's cock her head!”
|
Written by
George Herbert |
O Sacred Providence, who from end to end
Strongly and sweetly movest! shall I write,
And not of thee, through whom my fingers bend
To hold my quill? shall they not do thee right?
Of all the creatures both in sea and land
Onely to Man thou hast made known thy wayes,
And put the penne alone into his hand,
And made him Secretarie of thy praise.
Beasts fain would sing; birds dittie to their notes;
Trees would be tuning on their native lute
To thy renown: but all their hands and throats
Are brought to Man, while they are lame and mute.
Man is the worlds high Priest: he doth present
The sacrifice for all; while they below
Unto the service mutter an assent,
Such as springs use that fall, and windes that blow.
He that to praise and laud thee doth refrain,
Doth not refrain unto himself alone,
But robs a thousand who would praise thee fain,
And doth commit a world of sinne in one.
The beasts say, Eat me: but, if beasts must teach,
The tongue is yours to eat, but mine to praise.
The trees say, Pull me: but the hand you stretch,
Is mine to write, as it is yours to raise.
Wherefore, most sacred Spirit, I here present
For me and all my fellows praise to thee:
And just it is that I should pay the rent,
Because the benefit accrues to me.
We all acknowledge both thy power and love
To be exact, transcendent, and divine;
Who dost so strongly and so sweetly move,
While all things have their will, yet none but thine.
For either thy command, or thy permission
Lay hands on all: they are thy right and left.
The first puts on with speed and expedition;
The other curbs sinnes stealing pace and theft.
Nothing escapes them both; all must appeare,
And be dispos'd, and dress'd, and tun'd by thee,
Who sweetly temper'st all. If we could heare
Thy skill and art, what musick would it be!
Thou art in small things great, not small in any:
Thy even praise can neither rise, nor fall.
Thou art in all things one, in each thing many:
For thou art infinite in one and all.
Tempests are calm to thee; they know thy hand,
And hold it fast, as children do their fathers,
Which crie and follow. Thou hast made poore sand
Check the proud sea, ev'n when it swells and gathers.
Thy cupboard serves the world: the meat is set,
Where all may reach: no beast but knows his feed.
Birds teach us hawking; fishes have their net:
The great prey on the lesse, they on some weed.
Nothing ingendred doth prevent his meat:
Flies have their table spread, ere they appeare.
Some creatures have in winter what to eat;
Others do sleep, and envie not their cheer.
How finely dost thou times and seasons spin.
And make a twist checker'd with night and day!
Which as it lengthens windes, and windes us in,
As bouls go on, but turning all the way.
Each creature hath a wisdome for his good.
The pigeons feed their tender off-spring, crying,
When they are callow; but withdraw their food
When they are fledge, that need may teach them flying.
Bees work for man; and yet they never bruise
Their masters flower, but leave it, having done,
As fair as ever, and as fit to use;
So both the flower doth stay, and hony run.
Sheep eat the grasse, and dung the ground for more:
Trees after bearing drop their leaves for soil:
Springs vent their streams, and by expense get store:
Clouds cool by heat, and baths by cooling boil.
Who hath the vertue to expresse the rare
And curious vertues both of herbs and stones?
Is there a herb for that? O that thy care
Would show a root, that gives expressions!
And if an herb hath power, what have the starres?
A rose, besides his beautie, is a cure.
Doubtlesse our plagues and plentie, peace and warres
Are there much surer then our art is sure.
Thou hast hid metals: man may take them thence;
But at his peril: when he digs the place,
He makes a grave; as if the thing had sense,
And threatned man, that he should fill the space.
Ev'n poysons praise thee. Should a thing be lost?
Should creatures want for want of heed their due?
Since where are poysons, antidots are most:
The help stands close, and keeps the fear in view.
The sea, which seems to stop the traveller,
Is by a ship the speedier passage made.
The windes, who think they rule the mariner,
Are rul'd by him, and taught to serve his trade.
And as thy house is full, so I adore
Thy curious art in marshalling thy goods.
The hills and health abound; the vales with store;
The South with marble; North with furres & woods.
Hard things are glorious; easie things good cheap.
The common all men have; that which is rare,
Men therefore seek to have, and care to keep.
The healthy frosts with summer-fruits compare.
Light without winde is glasse: warm without weight
Is wooll and furres: cool without closenesse, shade:
Speed without pains, a horse: tall without height,
A servile hawk: low without losse, a spade.
All countreys have enough to serve their need:
If they seek fine things, thou dost make them run
For their offence; and then dost turn their speed
To be commerce and trade from sunne to sunne.
Nothing wears clothes, but Man; nothing doth need
But he to wear them. Nothing useth fire,
But Man alone, to show his heav'nly breed:
And onely he hath fuell in desire.
When th'earth was dry, thou mad'st a sea of wet:
When that lay gather'd, thou didst broach the mountains:
When yet some places could no moisture get,
The windes grew gard'ners, and the clouds good fountains.
Rain, do not hurt my flowers; but gently spend
Your hony drops: presse not to smell them here:
When they are ripe, their odour will ascend,
And at your lodging with their thanks appeare.
How harsh are thorns to pears! and yet they make
A better hedge, and need lesse reparation.
How smooth are silks compared with a stake,
Or with a stone! yet make no good foundation.
Sometimes thou dost divide thy gifts to man,
Sometimes unite. The Indian nut alone
Is clothing, meat and trencher, drink and kan,
Boat, cable, sail and needle, all in one.
Most herbs that grow in brooks, are hot and dry.
Cold fruits warm kernells help against the winde.
The lemmons juice and rinde cure mutually.
The whey of milk doth loose, the milk doth binde.
Thy creatures leap not, but expresse a feast,
Where all the guests sit close, and nothing wants.
Frogs marry fish and flesh; bats, bird and beast;
Sponges, non-sense and sense; mines, th'earth & plants.
To show thou art not bound, as if thy lot
Were worse then ours; sometimes thou shiftest hands.
Most things move th'under-jaw; the Crocodile not.
Most things sleep lying; th’ Elephant leans or stands.
But who hath praise enough? nay who hath any?
None can expresse thy works, but he that knows them:
And none can know thy works, which are so many,
And so complete, but onely he that owes them.
All things that are, though they have sev'rall wayes,
Yet in their being joyn with one advise
To honour thee: and so I give thee praise
In all my other hymnes, but in this twice.
Each thing that is, although in use and name
It go for one, hath many wayes in store
To honour thee; and so each hymne thy fame
Extolleth many wayes, yet this one more.
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