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Written by Vachel Lindsay | Create an image from this poem

The Tale of the Tiger-Tree

 A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old. 

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.


I

Peace-of-the-Heart, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

This is my city Springfield,
My home on the breast of the plain.
The state house towers to heaven,
By an arsenal gray as the rain...
And suddenly all is mist,
And I walk in a world apart,
In the forest-age when I first knelt down
At your feet, O Peace-of-the-Heart.

This is the wonder of twilight:
Three times as high as the dome
Tiger-striped trees encircle the town,
Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days
Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around
As it fell when the world began:
Like a monstrous tiger-skin, stretched on the ground,
Or the cloak of a medicine man.
A deep-crumpled gossamer web,
Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake,
With the gleam of great bubbles of blood,
Or coiled like a rainbow shell....
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.


II

The gray king died in his hour.
Then we crowned you, the prophetess wise:
Peace-of-the-Heart we deeply adored
For the witchcraft hid in your eyes.
Gift from the sky, overmastering all,
You sent forth your magical parrots to call
The plot-hatching prince of the tigers,
To your throne by the red-clay wall.

Thus came that genius insane:
Spitting and slinking,
Sneering and vain,
He sprawled to your grassy throne, drunk on The Leaf,
The drug that was cunning and splendor and grief.
He had fled from the mammoth by day,
He had blasted the mammoth by night,
War was his drunkenness,
War was his dreaming,
War was his love and his play.
And he hissed at your heavenly glory
While his councillors snarled in delight,
Asking in irony: "What shall we learn
From this whisperer, fragile and white?"

And had you not been an enchantress
They would not have loitered to mock
Nor spared your white parrots who walked by their paws
With bantering venturesome talk.

You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world."
And they saw you in dazzling mist.
And their steps were no longer insane,
Kindness came down like the rain,
They dreamed that like fleet young ponies they feasted
On succulent grasses and grain.

Then came the black-mammoth chief:
Long-haired and shaggy and great,
Proud and sagacious he marshalled his court:
(You had sent him your parrots of state.)
His trunk in rebellion upcurled,
A curse at the tiger he hurled.
Huge elephants trumpeted there by his side,
And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire,
Their hearts turned to flowers through holy desire,
For their darling and star you were crowned,
And their raging demons were bound.
You rode on the back of the yellow-streaked king,
His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side,
And our clay-painted children danced by your path,
Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call,
Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned:
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love...and wisdom...and glory,...to his den."


III

"Beware of the trumpeting swine,"
Came the howl from the northward that night.
Twice-rebel tigers warning was still
If we held not beside them it boded us ill.
From the parrots translating the cry,
And the apes in the trees came the whine:
"Beware of the trumpeting swine.
Beware of the faith of a mammoth."

"Beware of the faith of a tiger,"
Came the roar from the southward that night.
Trumpeting mammoths warning us still
If we held not beside them it boded us ill.
The frail apes wailed to us all,
The parrots reëchoed the call:
"Beware of the faith of a tiger."
From the heights of the forest the watchers could see
The tiger-cats crunching the Leaf of the Tree
Lashing themselves, and scattering foam,
Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned,
And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling
And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers
Whirling down from the north, like a flood!
Ten thousand mammoths oncoming
From the south as avengers of blood!
Our child-queen was mourning, her magic was dead,
The roots of the Tiger Tree reeking with red.


IV

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

We marched to the mammoths,
We pledged them our steel,
And scorning you, sang: —
"We are men,
We are men."
We mounted their necks,
And they stamped a wide reel.
We sang:
"We are fighting the hell-cats again,
We are mound-builder men,
We are elephant men."
We left you there, lonely,
Beauty your power,
Wisdom your watchman,
To hold the clay tower.
While the black-mammoths boomed —
"You are elephant men,
Men,
Men,
Elephant men."
The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old,
Of the masterful spirits and hard.

The drunken cats came in their joy
In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down,
Down,
Go the swine to the grave."
But we tramp
Tramp
Trampled them there,
Then charged with our sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in our ears.

We yelled "We are men,
We are men."
As we bled to death in the sun....
Then staunched our horrible wounds
With the cry that the battle was won....
And at last,
When the black-mammoth legion
Split the night with their song: —
"Right is braver than wrong,
Right is stronger than wrong,"
The buzzards came taunting:
"Down from the north
Tiger-nations are sweeping along."

Then we ate of the ravening Leaf
As our savage fathers of old.
No longer our wounds made us weak,
No longer our pulses were cold.
Though half of my troops were afoot,
(For the great who had borne them were slain)
We dreamed we were tigers, and leaped
And foamed with that vision insane.
We cried "We are soldiers of doom,
Doom,
Sabres of glory and doom."
We wreathed the king of the mammoths
In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths,
Loud-rattling sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in his ears.


V

This was the end of the battle.
The tigers poured by in a tide
Over us all with their caterwaul call,
"We are the tigers,"
They cried.
"We are the sabres,"
They cried.
But we laughed while our blades swept wide,
While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell —
"Suns on fire."...
But man-child and mastodon fell,
Mammoth and elephant fell.
The fangs of the devil-cats closed on the world,
Plunged it to blackness and doom.

The desolate red-clay wall
Echoed the parrots' call: —
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love... and wisdom... and glory,... to his den."

A peacock screamed of his beauty
On that broken wall by the trees,
Chiding his little mate,
Spreading his fans in the breeze...
And you, with eyes of a bride,
Knelt on the wall at my side,
The deathless song in your mouth...
A million new tigers swept south...
As we laughed at the peacock, and died.

This is my vision in Springfield:
Three times as high as the dome,
Tiger-striped trees encircle the town,
Golden geysers of foam; —
Though giant white parrots sail past, giving voice,
Though I walk with Peace-of-the-Heart and rejoice.


Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remember'd friend I love
To ride as then I rode; for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripp'd to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought,
Winging itself with laughter, linger'd not,
But flew from brain to brain--such glee was ours,
Charg'd with light memories of remember'd hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: 'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argu'd against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight,
Over the horizon of the mountains--Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle! It was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore,
Pav'd with the image of the sky.... The hoar
And aëry Alps towards the North appear'd
Through mist, an heaven-sustaining bulwark rear'd
Between the East and West; and half the sky
Was roof'd with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paus'd in his descent
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakèd isles--
And then--as if the Earth and Sea had been
Dissolv'd into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. "Ere it fade,"
Said my companion, "I will show you soon
A better station"--so, o'er the lagune
We glided; and from that funereal bark
I lean'd, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even
Now at the point I meant," said Maddalo,
And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell."
I look'd, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deform'd and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance sway'd and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it toll'd
In strong and black relief. "What we behold
Shall be the madhouse and its belfry tower,"
Said Maddalo, "and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers." "As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern Maker," I replied. "O ho!
You talk as in years past," said Maddalo.
" 'Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence." I look'd on him,
But the gay smile had faded in his eye.
"And such," he cried, "is our mortality,
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumin'd tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what? they know not--till the night of death,
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled." I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower look'd gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Convey'd me to my lodgings by the way.

The following morn was rainy, cold and dim:
Ere Maddalo arose, I call'd on him,
And whilst I waited with his child I play'd;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes!--which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nurs'd
Her fine and feeble limbs when she came first
To this bleak world; and she yet seem'd to know
On second sight her ancient playfellow,
Less chang'd than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count enter'd. Salutations past--
"The word you spoke last night might well have cast
A darkness on my spirit--if man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Though I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith"--thus much I spoke
And noting he replied not, added: "See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will
That thus enchains us to permitted ill.
We might be otherwise. We might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?"
"Ay, if we were not weak--and we aspire
How vainly to be strong!" said Maddalo:
"You talk Utopia." "It remains to know,"
I then rejoin'd, "and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw.... We are assur'd
Much may be conquer'd, much may be endur'd,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And suffer--what, we know not till we try;
But something nobler than to live and die:
So taught those kings of old philosophy
Who reign'd, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion." "My dear friend,"
Said Maddalo, "my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argu'd in this sort, and he
Is now gone mad--and so he answer'd me--
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories."
"I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a 'soul of goodness' in things ill
Or in himself or others, has thus bow'd
His being. There are some by nature proud,
Who patient in all else demand but this--
To love and be belov'd with gentleness;
And being scorn'd, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill."

As thus I spoke
Servants announc'd the gondola, and we
Through the fast-falling rain and high-wrought sea
Sail'd to the island where the madhouse stands.
Written by Tristan Tzara | Create an image from this poem

The Great Lament Of My Obscurity Three

 where we live the flowers of the clocks catch fire and the plumes encircle the brightness in the distant sulphur morning the cows lick the salt lilies 
my son
my son
let us always shuffle through the colour of the world
which looks bluer than the subway and astronomy
we are too thin
we have no mouth
our legs are stiff and knock together
our faces are formeless like the stars
crystal points without strength burned basilica
mad : the zigzags crack
telephone
bite the rigging liquefy
the arc
climb
astral
memory
towards the north through its double fruit
like raw flesh
hunger fire blood
Written by George (Lord) Byron | Create an image from this poem

Lachin Y Gair

 Away, ye gay landscapes, ye garden of roses! 
In you let the minions of luxury rove; 
Restore me to the rocks, where the snowflake reposes, 
Though still they are sacred to freedom and love: 
Yet, Caledonia, beloved are thy mountains, 
Round their white summits though elements war; 
Though cataracts foam 'stead of smooth-flowing fountains, 
I sigh for the valley of dark Loch na Garr. 

Ah! there my young footsteps in infancy wandered; 
My cap was teh bonnet, my cloak was the plaid; 
On chieftains long perished my memory pondered, 
As daily I strode through the pine-covered glade; 
I sought not my home till the day's dying glory 
Gave place to the rays of the bright polar star; 
For fancy was cheered by traditional story, 
Disclosed by the natives of dark Loch na Garr. 

"Shades of the dead! have I not heard your voices 
Rise on the night-rolling breath of the gale?" 
Surely the soul of the hero rejoices, 
And rides on the wind, o'er his own Highland vale. 
Rouch Loch na Garr while the stormy mist gathers, 
Winter presides in his cold icy car: 
Clouds there encircle the forms of my fathers; 
They dwell in the tempests of dark Loch na Garr. 

"Ill-starred, though brave, did no visions foreboding 
Tell you that fate had forsaken your cause?" 
Ah! were you destined to die at Culloden, 
Victory crowned not your fall with applause: 
Still were you happy in death's earthy slumber, 
You rest with your clan in the caves of Braemar; 
The pibroch resounds, to the piper's loud number, 
Your deeds on the echoes of dark Loch na Garr. 

Years have rolled on, Loch na Garr, since I left you, 
Years must elapse ere I tread you again: 
Nature of verdure and flowers has bereft you, 
Yet still are you dearer than Albion's plain. 
England! thy beauties are tame and domestic 
To one who has roved o'er the mountains afar: 
Oh for the crags that are wild and majestic! 
The steep frowning glories of the dark Loch na Garr.
Written by Walt Whitman | Create an image from this poem

Indications The

 THE indications, and tally of time; 
Perfect sanity shows the master among philosophs; 
Time, always without flaw, indicates itself in parts; 
What always indicates the poet, is the crowd of the pleasant company of singers, and their
 words; 
The words of the singers are the hours or minutes of the light or dark—but the words
 of
 the
 maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality, 
His insight and power encircle things and the human race, 
He is the glory and extract thus far, of things, and of the human race. 

The singers do not beget—only the POET begets; 
The singers are welcom’d, understood, appear often enough—but rare has the day
 been,
 likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
 names.)


The singers of successive hours of centuries may have ostensible names, but the name of
 each of
 them
 is one of the singers, 
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
 parlor-singer,
 love-singer, or something else. 

All this time, and at all times, wait the words of true poems; 
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty; 
The greatness of sons is the exuding of the greatness of mothers and fathers, 
The words of poems are the tuft and final applause of science. 

Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
 withdrawnness,

Gayety, sun-tan, air-sweetness—such are some of the words of poems.

The sailor and traveler underlie the maker of poems, the answerer; 
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
 the
 maker of
 poems, the answerer. 

The words of the true poems give you more than poems, 
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
 histories,
 essays, romances, and everything else, 
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought, 
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick. 

They prepare for death—yet are they not the finish, but rather the outset, 
They bring none to his or her terminus, or to be content and full; 
Whom they take, they take into space, to behold the birth of stars, to learn one of the
 meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
 quiet
 again.THE indications, and tally of time; 
Perfect sanity shows the master among philosophs; 
Time, always without flaw, indicates itself in parts; 
What always indicates the poet, is the crowd of the pleasant company of singers, and their
 words; 
The words of the singers are the hours or minutes of the light or dark—but the words
 of
 the
 maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality, 
His insight and power encircle things and the human race, 
He is the glory and extract thus far, of things, and of the human race. 

The singers do not beget—only the POET begets; 
The singers are welcom’d, understood, appear often enough—but rare has the day
 been,
 likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
 names.)


The singers of successive hours of centuries may have ostensible names, but the name of
 each of
 them
 is one of the singers, 
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
 parlor-singer,
 love-singer, or something else. 

All this time, and at all times, wait the words of true poems; 
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty; 
The greatness of sons is the exuding of the greatness of mothers and fathers, 
The words of poems are the tuft and final applause of science. 

Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
 withdrawnness,

Gayety, sun-tan, air-sweetness—such are some of the words of poems.

The sailor and traveler underlie the maker of poems, the answerer; 
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
 the
 maker of
 poems, the answerer. 

The words of the true poems give you more than poems, 
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
 histories,
 essays, romances, and everything else, 
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought, 
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick. 

They prepare for death—yet are they not the finish, but rather the outset, 
They bring none to his or her terminus, or to be content and full; 
Whom they take, they take into space, to behold the birth of stars, to learn one of the
 meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
 quiet
 again.THE indications, and tally of time; 
Perfect sanity shows the master among philosophs; 
Time, always without flaw, indicates itself in parts; 
What always indicates the poet, is the crowd of the pleasant company of singers, and their
 words; 
The words of the singers are the hours or minutes of the light or dark—but the words
 of
 the
 maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality, 
His insight and power encircle things and the human race, 
He is the glory and extract thus far, of things, and of the human race. 

The singers do not beget—only the POET begets; 
The singers are welcom’d, understood, appear often enough—but rare has the day
 been,
 likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
 names.)


The singers of successive hours of centuries may have ostensible names, but the name of
 each of
 them
 is one of the singers, 
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
 parlor-singer,
 love-singer, or something else. 

All this time, and at all times, wait the words of true poems; 
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty; 
The greatness of sons is the exuding of the greatness of mothers and fathers, 
The words of poems are the tuft and final applause of science. 

Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
 withdrawnness,

Gayety, sun-tan, air-sweetness—such are some of the words of poems.

The sailor and traveler underlie the maker of poems, the answerer; 
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
 the
 maker of
 poems, the answerer. 

The words of the true poems give you more than poems, 
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
 histories,
 essays, romances, and everything else, 
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought, 
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick. 

They prepare for death—yet are they not the finish, but rather the outset, 
They bring none to his or her terminus, or to be content and full; 
Whom they take, they take into space, to behold the birth of stars, to learn one of the
 meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
 quiet
 again.


Written by Kahlil Gibran | Create an image from this poem

Time XXI

 And an astronomer said, "Master, what of Time?" 

And he answered: 

You would measure time the measureless and the immeasurable. 

You would adjust your conduct and even direct the course of your spirit according to hours and seasons. 

Of time you would make a stream upon whose bank you would sit and watch its flowing. 

Yet the timeless in you is aware of life's timelessness, 

And knows that yesterday is but today's memory and tomorrow is today's dream. 

And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space. 

Who among you does not feel that his power to love is boundless? 

And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not form love thought to love thought, nor from love deeds to other love deeds? 

And is not time even as love is, undivided and paceless? 

But if in you thought you must measure time into seasons, let each season encircle all the other seasons, 

And let today embrace the past with remembrance and the future with longing.
Written by Victor Hugo | Create an image from this poem

Marriage And Feasts

 ("La salle est magnifique.") 
 
 {IV. Aug. 23, 1839.} 


 The hall is gay with limpid lustre bright— 
 The feast to pampered palate gives delight— 
 The sated guests pick at the spicy food, 
 And drink profusely, for the cheer is good; 
 And at that table—where the wise are few— 
 Both sexes and all ages meet the view; 
 The sturdy warrior with a thoughtful face— 
 The am'rous youth, the maid replete with grace, 
 The prattling infant, and the hoary hair 
 Of second childhood's proselytes—are there;— 
 And the most gaudy in that spacious hall, 
 Are e'er the young, or oldest of them all 
 Helmet and banner, ornament and crest, 
 The lion rampant, and the jewelled vest, 
 The silver star that glitters fair and white, 
 The arms that tell of many a nation's might— 
 Heraldic blazonry, ancestral pride, 
 And all mankind invents for pomp beside, 
 The wingèd leopard, and the eagle wild— 
 All these encircle woman, chief and child; 
 Shine on the carpet burying their feet, 
 Adorn the dishes that contain their meat; 
 And hang upon the drapery, which around 
 Falls from the lofty ceiling to the ground, 
 Till on the floor its waving fringe is spread, 
 As the bird's wing may sweep the roses' bed.— 
 
 Thus is the banquet ruled by Noise and Light, 
 Since Light and Noise are foremost on the site. 
 
 The chamber echoes to the joy of them 
 Who throng around, each with his diadem— 
 Each seated on proud throne—but, lesson vain! 
 Each sceptre holds its master with a chain! 
 Thus hope of flight were futile from that hall, 
 Where chiefest guest was most enslaved of all! 
 The godlike-making draught that fires the soul 
 The Love—sweet poison-honey—past control, 
 (Formed of the sexual breath—an idle name, 
 Offspring of Fancy and a nervous frame)— 
 Pleasure, mad daughter of the darksome Night, 
 Whose languid eye flames when is fading light— 
 The gallant chases where a man is borne 
 By stalwart charger, to the sounding horn— 
 The sheeny silk, the bed of leaves of rose, 
 Made more to soothe the sight than court repose; 
 The mighty palaces that raise the sneer 
 Of jealous mendicants and wretches near— 
 The spacious parks, from which horizon blue 
 Arches o'er alabaster statues new; 
 Where Superstition still her walk will take, 
 Unto soft music stealing o'er the lake— 
 The innocent modesty by gems undone— 
 The qualms of judges by small brib'ry won— 
 The dread of children, trembling while they play— 
 The bliss of monarchs, potent in their sway— 
 The note of war struck by the culverin, 
 That snakes its brazen neck through battle din— 
 The military millipede 
 That tramples out the guilty seed— 
 The capital all pleasure and delight— 
 And all that like a town or army chokes 
 The gazer with foul dust or sulphur smokes. 
 The budget, prize for which ten thousand bait 
 A subtle hook, that ever, as they wait 
 Catches a weed, and drags them to their fate, 
 While gleamingly its golden scales still spread— 
 Such were the meats by which these guests were fed. 
 
 A hundred slaves for lazy master cared, 
 And served each one with what was e'er prepared 
 By him, who in a sombre vault below, 
 Peppered the royal pig with peoples' woe, 
 And grimly glad went laboring till late— 
 The morose alchemist we know as Fate! 
 That ev'ry guest might learn to suit his taste, 
 Behind had Conscience, real or mock'ry, placed; 
 Conscience a guide who every evil spies, 
 But royal nurses early pluck out both his eyes! 
 
 Oh! at the table there be all the great, 
 Whose lives are bubbles that best joys inflate! 
 Superb, magnificent of revels—doubt 
 That sagest lose their heads in such a rout! 
 In the long laughter, ceaseless roaming round, 
 Joy, mirth and glee give out a maelström's sound; 
 And the astonished gazer casts his care, 
 Where ev'ry eyeball glistens in the flare. 
 
 But oh! while yet the singing Hebes pour 
 Forgetfulness of those without the door— 
 At very hour when all are most in joy, 
 And the hid orchestra annuls annoy, 
 Woe—woe! with jollity a-top the heights, 
 With further tapers adding to the lights, 
 And gleaming 'tween the curtains on the street, 
 Where poor folks stare—hark to the heavy feet! 
 Some one smites roundly on the gilded grate, 
 Some one below will be admitted straight, 
 Some one, though not invited, who'll not wait! 
 Close not the door! Your orders are vain breath— 
 That stranger enters to be known as Death— 
 Or merely Exile—clothed in alien guise— 
 Death drags away—with his prey Exile flies! 
 
 Death is that sight. He promenades the hall, 
 And casts a gloomy shadow on them all, 
 'Neath which they bend like willows soft, 
 Ere seizing one—the dumbest monarch oft, 
 And bears him to eternal heat and drouth, 
 While still the toothsome morsel's in his mouth. 
 
 G.W.M. REYNOLDS. 


 




Written by Victor Hugo | Create an image from this poem

The Peri

 Beautiful spirit, come with me 
 Over the blue enchanted sea: 
 Morn and evening thou canst play 
 In my garden, where the breeze 
 Warbles through the fruity trees; 
 No shadow falls upon the day: 
 There thy mother's arms await 
 Her cherished infant at the gate. 
 Of Peris I the loveliest far— 
 My sisters, near the morning star, 
 In ever youthful bloom abide; 
 But pale their lustre by my side— 
 A silken turban wreathes my head, 
 Rubies on my arms are spread, 
 While sailing slowly through the sky, 
 By the uplooker's dazzled eye 
 Are seen my wings of purple hue, 
 Glittering with Elysian dew. 
 Whiter than a far-off sail 
 My form of beauty glows, 
 Fair as on a summer night 
 Dawns the sleep star's gentle light; 
 And fragrant as the early rose 
 That scents the green Arabian vale, 
 Soothing the pilgrim as he goes. 
 
 THE FAY. 
 
 Beautiful infant (said the Fay), 
 In the region of the sun 
 I dwell, where in a rich array 
 The clouds encircle the king of day, 
 His radiant journey done. 
 My wings, pure golden, of radiant sheen 
 (Painted as amorous poet's strain), 
 Glimmer at night, when meadows green 
 Sparkle with the perfumed rain 
 While the sun's gone to come again. 
 And clear my hand, as stream that flows; 
 And sweet my breath as air of May; 
 And o'er my ivory shoulders stray 
 Locks of sunshine;—tunes still play 
 From my odorous lips of rose. 
 
 Follow, follow! I have caves 
 Of pearl beneath the azure waves, 
 And tents all woven pleasantly 
 In verdant glades of Faëry. 
 Come, belovèd child, with me, 
 And I will bear thee to the bowers 
 Where clouds are painted o'er like flowers, 
 And pour into thy charmed ear 
 Songs a mortal may not hear; 
 Harmonies so sweet and ripe 
 As no inspired shepherd's pipe 
 E'er breathed into Arcadian glen, 
 Far from the busy haunts of men. 
 
 THE PERI. 
 
 My home is afar in the bright Orient, 
 Where the sun, like a king, in his orange tent, 
 Reigneth for ever in gorgeous pride— 
 And wafting thee, princess of rich countree, 
 To the soft flute's lush melody, 
 My golden vessel will gently glide, 
 Kindling the water 'long the side. 
 
 Vast cities are mine of power and delight, 
 Lahore laid in lilies, Golconda, Cashmere; 
 And Ispahan, dear to the pilgrim's sight, 
 And Bagdad, whose towers to heaven uprear; 
 Alep, that pours on the startled ear, 
 From its restless masts the gathering roar, 
 As of ocean hamm'ring at night on the shore. 
 
 Mysore is a queen on her stately throne, 
 Thy white domes, Medina, gleam on the eye,— 
 Thy radiant kiosques with their arrowy spires, 
 Shooting afar their golden fires 
 Into the flashing sky,— 
 Like a forest of spears that startle the gaze 
 Of the enemy with the vivid blaze. 
 
 Come there, beautiful child, with me, 
 Come to the arcades of Araby, 
 To the land of the date and the purple vine, 
 Where pleasure her rosy wreaths doth twine, 
 And gladness shall be alway thine; 
 Singing at sunset next thy bed, 
 Strewing flowers under thy head. 
 Beneath a verdant roof of leaves, 
 Arching a flow'ry carpet o'er, 
 Thou mayst list to lutes on summer eves 
 Their lays of rustic freshness pour, 
 While upon the grassy floor 
 Light footsteps, in the hour of calm, 
 Ruffle the shadow of the palm. 
 
 THE FAY. 
 
 Come to the radiant homes of the blest, 
 Where meadows like fountain in light are drest, 
 And the grottoes of verdure never decay, 
 And the glow of the August dies not away. 
 Come where the autumn winds never can sweep, 
 And the streams of the woodland steep thee in sleep, 
 Like a fond sister charming the eyes of a brother, 
 Or a little lass lulled on the breast of her mother. 
 Beautiful! beautiful! hasten to me! 
 Colored with crimson thy wings shall be; 
 Flowers that fade not thy forehead shall twine, 
 Over thee sunlight that sets not shall shine. 
 
 The infant listened to the strain, 
 Now here, now there, its thoughts were driven— 
 But the Fay and the Peri waited in vain, 
 The soul soared above such a sensual gain— 
 The child rose to Heaven. 
 
 Asiatic Journal 


 




Written by Friedrich von Schiller | Create an image from this poem

The Count Of Hapsburg

 At Aix-la-Chapelle, in imperial array,
In its halls renowned in old story,
At the coronation banquet so gay
King Rudolf was sitting in glory.
The meats were served up by the Palsgrave of Rhine,
The Bohemian poured out the bright sparkling wine,
And all the Electors, the seven,
Stood waiting around the world-governing one,
As the chorus of stars encircle the sun,
That honor might duly be given.

And the people the lofty balcony round
In a throng exulting were filling;
While loudly were blending the trumpets' glad sound,
The multitude's voices so thrilling;
For the monarchless period, with horror rife,
Has ended now, after long baneful strife,
And the earth had a lord to possess her.
No longer ruled blindly the iron-bound spear,
And the weak and the peaceful no longer need fear
Being crushed by the cruel oppressor.

And the emperor speaks with a smile in his eye,
While the golden goblet he seizes:
"With this banquet in glory none other can vie,
And my regal heart well it pleases;
Yet the minstrel, the bringer of joy, is not here,
Whose melodious strains to my heart are so dear,
And whose words heavenly wisdom inspire;
Since the days of my youth it hath been my delight,
And that which I ever have loved as a knight,
As a monarch I also require."

And behold! 'mongst the princes who stand round the throne
Steps the bard, in his robe long and streaming,
While, bleached by the years that have over him flown,
His silver locks brightly are gleaming;
"Sweet harmony sleeps in the golden strings,
The minstrel of true love reward ever sings,
And adores what to virtue has tended--
What the bosom may wish, what the senses hold dear;
But say, what is worthy the emperor's ear
At this, of all feasts the most splendid?"

"No restraint would I place on the minstrel's own choice,"
Speaks the monarch, a smile on each feature;
"He obeys the swift hour's imperious voice,
Of a far greater lord is the creature.
For, as through the air the storm-wind on-speeds,--
One knows not from whence its wild roaring proceeds--
As the spring from hid sources up-leaping,
So the lay of the bard from the inner heart breaks
While the might of sensations unknown it awakes,
That within us were wondrously sleeping."

Then the bard swept the cords with a finger of might,
Evoking their magical sighing:
"To the chase once rode forth a valorous knight,
In pursuit of the antelope flying.
His hunting-spear bearing, there came in his train
His squire; and when o'er a wide-spreading plain
On his stately steed he was riding,
He heard in the distance a bell tinkling clear,
And a priest, with the Host, he saw soon drawing near,
While before him the sexton was striding."

"And low to the earth the Count then inclined,
Bared his head in humble submission,
To honor, with trusting and Christian-like mind,
What had saved the whole world from perdition.
But a brook o'er the plain was pursuing its course,
That swelled by the mountain stream's headlong force,
Barred the wanderer's steps with its current;
So the priest on one side the blest sacrament put,
And his sandal with nimbleness drew from his foot,
That he safely might pass through the torrent."

"'What wouldst thou?' the Count to him thus began,
His wondering look toward him turning:
'My journey is, lord, to a dying man,
Who for heavenly diet is yearning;
But when to the bridge o'er the brook I came nigh,
In the whirl of the stream, as it madly rushed by
With furious might 'twas uprooted.
And so, that the sick the salvation may find
That he pants for, I hasten with resolute mind
To wade through the waters barefooted.'"

"Then the Count made him mount on his stately steed,
And the reins to his hands he confided,
That he duly might comfort the sick in his need,
And that each holy rite be provided.
And himself, on the back of the steed of his squire,
Went after the chase to his heart's full desire,
While the priest on his journey was speeding
And the following morning, with thankful look,
To the Count once again his charger he took,
Its bridle with modesty leading."

"'God forbid that in chase or in battle,' then cried
The Count with humility lowly,
'The steed I henceforward should dare to bestride
That had borne my Creator so holy!
And if, as a guerdon, he may not be thine,
He devoted shall be to the service divine,
Proclaiming His infinite merit,
From whom I each honor and earthly good
Have received in fee, and my body and blood,
And my breath, and my life, and my spirit.'"

"'Then may God, the sure rock, whom no time can e'er move,
And who lists to the weak's supplication,
For the honor thou pay'st Him, permit thee to prove
Honor here, and hereafter salvation!
Thou'rt a powerful Count, and thy knightly command
Hath blazoned thy fame through the Switzer's broad land;
Thou art blest with six daughters admired;
May they each in thy house introduce a bright crown,
Filling ages unborn with their glorious renown'--
Thus exclaimed he in accents inspired."

And the emperor sat there all-thoughtfully,
While the dream of the past stood before him;
And when on the minstrel he turned his eye,
His words' hidden meaning stole o'er him;
For seeing the traits of the priest there revealed,
In the folds of his purple-dyed robe he concealed
His tears as they swiftly coursed down.
And all on the emperor wonderingly gazed,
And the blest dispensations of Providence praised,
For the Count and the Caesar were one.
Written by Rainer Maria Rilke | Create an image from this poem

What Birds Plunge Through Is Not The Intimate Space

 What birds plunge through is not the intimate space,
in which you see all Forms intensified.
(In the Open, denied, you would lose yourself,
would disappear into that vastness.)

Space reaches from us and translates Things:
to become the very essence of a tree,
throw inner space around it, from that space
that lives in you. Encircle it with restraint.
It has no limits. For the first time, shaped
in your renouncing, it becomes fully tree.

Book: Reflection on the Important Things