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Best Famous Enacted Poems

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Written by C S Lewis | Create an image from this poem

On Being Human

 Angelic minds, they say, by simple intelligence 
Behold the Forms of nature. They discern 
Unerringly the Archtypes, all the verities 
Which mortals lack or indirectly learn. 
Transparent in primordial truth, unvarying, 
Pure Earthness and right Stonehood from their clear, 
High eminence are seen; unveiled, the seminal 
Huge Principles appear.

The Tree-ness of the tree they know-the meaning of 
Arboreal life, how from earth's salty lap 
The solar beam uplifts it; all the holiness 
Enacted by leaves' fall and rising sap;

But never an angel knows the knife-edged severance 
Of sun from shadow where the trees begin, 
The blessed cool at every pore caressing us 
-An angel has no skin.

They see the Form of Air; but mortals breathing it 
Drink the whole summer down into the breast. 
The lavish pinks, the field new-mown, the ravishing 
Sea-smells, the wood-fire smoke that whispers Rest. 
The tremor on the rippled pool of memory 
That from each smell in widening circles goes, 
The pleasure and the pang --can angels measure it? 
An angel has no nose.

The nourishing of life, and how it flourishes 
On death, and why, they utterly know; but not 
The hill-born, earthy spring, the dark cold bilberries. 
The ripe peach from the southern wall still hot 
Full-bellied tankards foamy-topped, the delicate 
Half-lyric lamb, a new loaf's billowy curves, 
Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.

Far richer they! I know the senses' witchery 
Guards us like air, from heavens too big to see; 
Imminent death to man that barb'd sublimity 
And dazzling edge of beauty unsheathed would be. 
Yet here, within this tiny, charmed interior, 
This parlour of the brain, their Maker shares 
With living men some secrets in a privacy 
Forever ours, not theirs.


Written by Charles Bukowski | Create an image from this poem

What Can We Do?

 at their best, there is gentleness in Humanity.
some understanding and, at times, acts of
courage
but all in all it is a mass, a glob that doesn't
have too much.
it is like a large animal deep in sleep and
almost nothing can awaken it.
when activated it's best at brutality,
selfishness, unjust judgments, murder. 
what can we do with it, this Humanity? 
nothing. 
avoid the thing as much as possible.
treat it as you would anything poisonous, vicious
and mindless.
but be careful. it has enacted laws to protect
itself from you.
it can kill you without cause.
and to escape it you must be subtle.
few escape. 
it's up to you to figure a plan. 
I have met nobody who has escaped. 
I have met some of the great and
famous but they have not escaped
for they are only great and famous within
Humanity. 
I have not escaped
but I have not failed in trying again and
again. 
before my death I hope to obtain my
life. 
from blank gun silencer - 1994
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas. Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
 You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
 Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand. Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
 So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
 You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout. Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
 Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
 To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Written by William Topaz McGonagall | Create an image from this poem

Lines in Defence of the Stage

 Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray. 

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray. 

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play. 

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect. 

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted, 

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play. 

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay. 

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept. 

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!" 

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay. 

But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear. 

And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Fire Sermon

  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank. The wind
  Crosses the brown land, unheard. The nymphs are departed.
  Sweet Thames, run softly, till I end my song.
  The river bears no empty bottles, sandwich papers,
  Silk handkerchiefs, cardboard boxes, cigarette ends
  Or other testimony of summer nights. The nymphs are departed.
  And their friends, the loitering heirs of city directors;               180
  Departed, have left no addresses.

  Line 161 ALRIGHT. This spelling occurs also in
  the Hogarth Press edition— Editor.

  By the waters of Leman I sat down and wept . . .
  Sweet Thames, run softly till I end my song,
  Sweet Thames, run softly, for I speak not loud or long.
  But at my back in a cold blast I hear
  The rattle of the bones, and chuckle spread from ear to ear.
  A rat crept softly through the vegetation
  Dragging its slimy belly on the bank
  While I was fishing in the dull canal
  On a winter evening round behind the gashouse                           190
  Musing upon the king my brother's wreck
  And on the king my father's death before him.
  White bodies naked on the low damp ground
  And bones cast in a little low dry garret,
  Rattled by the rat's foot only, year to year.
  But at my back from time to time I hear
  The sound of horns and motors, which shall bring
  Sweeney to Mrs. Porter in the spring.
  O the moon shone bright on Mrs. Porter
  And on her daughter                                                     200
  They wash their feet in soda water
  Et O ces voix d'enfants, chantant dans la coupole!

  Twit twit twit
  Jug jug jug jug jug jug
  So rudely forc'd.
  Tereu

  Unreal City
  Under the brown fog of a winter noon
  Mr. Eugenides, the Smyrna merchant
  Unshaven, with a pocket full of currants                                210
  C.i.f. London: documents at sight,
  Asked me in demotic French
  To luncheon at the Cannon Street Hotel
  Followed by a weekend at the Metropole.

  At the violet hour, when the eyes and back
  Turn upward from the desk, when the human engine waits
  Like a taxi throbbing waiting,
  I Tiresias, though blind, throbbing between two lives,
  Old man with wrinkled female breasts, can see
  At the violet hour, the evening hour that strives                       220
  Homeward, and brings the sailor home from sea,
  The typist home at teatime, clears her breakfast, lights
  Her stove, and lays out food in tins.
  Out of the window perilously spread
  Her drying combinations touched by the sun's last rays,
  On the divan are piled (at night her bed)
  Stockings, slippers, camisoles, and stays.
  I Tiresias, old man with wrinkled dugs
  Perceived the scene, and foretold the rest—
  I too awaited the expected guest.                                       230
  He, the young man carbuncular, arrives,
  A small house agent's clerk, with one bold stare,
  One of the low on whom assurance sits
  As a silk hat on a Bradford millionaire.
  The time is now propitious, as he guesses,
  The meal is ended, she is bored and tired,
  Endeavours to engage her in caresses
  Which still are unreproved, if undesired.
  Flushed and decided, he assaults at once;
  Exploring hands encounter no defence;                                   240
  His vanity requires no response,
  And makes a welcome of indifference.
  (And I Tiresias have foresuffered all
  Enacted on this same divan or bed;
  I who have sat by Thebes below the wall
  And walked among the lowest of the dead.)
  Bestows one final patronising kiss,
  And gropes his way, finding the stairs unlit . . .

  She turns and looks a moment in the glass,
  Hardly aware of her departed lover;                                     250
  Her brain allows one half-formed thought to pass:
  "Well now that's done: and I'm glad it's over."
  When lovely woman stoops to folly and
  Paces about her room again, alone,
  She smoothes her hair with automatic hand,
  And puts a record on the gramophone.

  "This music crept by me upon the waters"
  And along the Strand, up Queen Victoria Street.
  O City city, I can sometimes hear
  Beside a public bar in Lower Thames Street,                             260
  The pleasant whining of a mandoline
  And a clatter and a chatter from within
  Where fishmen lounge at noon: where the walls
  Of Magnus Martyr hold
  Inexplicable splendour of Ionian white and gold.

       The river sweats
       Oil and tar
       The barges drift
       With the turning tide
       Red sails                                                          270
       Wide
       To leeward, swing on the heavy spar.
       The barges wash
       Drifting logs
       Down Greenwich reach
       Past the Isle of Dogs.
            Weialala leia
            Wallala leialala

       Elizabeth and Leicester
       Beating oars                                                       280
       The stern was formed
       A gilded shell
       Red and gold
       The brisk swell
       Rippled both shores
       Southwest wind
       Carried down stream
       The peal of bells
       White towers
            Weialala leia                                                 290
            Wallala leialala

  "Trams and dusty trees.
  Highbury bore me. Richmond and Kew
  Undid me. By Richmond I raised my knees
  Supine on the floor of a narrow canoe."

  "My feet are at Moorgate, and my heart
  Under my feet. After the event
  He wept. He promised 'a new start'.
  I made no comment. What should I resent?"
  "On Margate Sands.                                                      300
  I can connect
  Nothing with nothing.
  The broken fingernails of dirty hands.
  My people humble people who expect
  Nothing."
       la la

  To Carthage then I came

  Burning burning burning burning
  O Lord Thou pluckest me out
  O Lord Thou pluckest                                                    310

  burning

Written by Henry David Thoreau | Create an image from this poem

The Summer Rain

 My books I'd fain cast off, I cannot read, 
'Twixt every page my thoughts go stray at large 
Down in the meadow, where is richer feed, 
And will not mind to hit their proper targe. 
Plutarch was good, and so was Homer too, 
Our Shakespeare's life were rich to live again, 
What Plutarch read, that was not good nor true, 
Nor Shakespeare's books, unless his books were men. 

Here while I lie beneath this walnut bough, 
What care I for the Greeks or for Troy town, 
If juster battles are enacted now 
Between the ants upon this hummock's crown? 

Bid Homer wait till I the issue learn, 
If red or black the gods will favor most, 
Or yonder Ajax will the phalanx turn, 
Struggling to heave some rock against the host. 

Tell Shakespeare to attend some leisure hour, 
For now I've business with this drop of dew, 
And see you not, the clouds prepare a shower-- 
I'll meet him shortly when the sky is blue. 

This bed of herd's grass and wild oats was spread 
Last year with nicer skill than monarchs use. 
A clover tuft is pillow for my head, 
And violets quite overtop my shoes. 

And now the cordial clouds have shut all in, 
And gently swells the wind to say all's well; 
The scattered drops are falling fast and thin, 
Some in the pool, some in the flower-bell. 

I am well drenched upon my bed of oats; 
But see that globe come rolling down its stem, 
Now like a lonely planet there it floats, 
And now it sinks into my garment's hem. 

Drip drip the trees for all the country round, 
And richness rare distills from every bough; 
The wind alone it is makes every sound, 
Shaking down crystals on the leaves below. 

For shame the sun will never show himself, 
Who could not with his beams e'er melt me so; 
My dripping locks--they would become an elf, 
Who in a beaded coat does gayly go.
Written by Delmore Schwartz | Create an image from this poem

The Ballet Of The Fifth Year

 Where the sea gulls sleep or indeed where they fly
Is a place of different traffic. Although I
Consider the fishing bay (where I see them dip and curve
And purely glide) a place that weakens the nerve
Of will, and closes my eyes, as they should not be
(They should burn like the street-light all night quietly,
So that whatever is present will be known to me),
Nevertheless the gulls and the imagination
Of where they sleep, which comes to creation
In strict shape and color, from their dallying
Their wings slowly, and suddenly rallying
Over, up, down the arabesque of descent,
Is an old act enacted, my fabulous intent
When I skated, afraid of policemen, five years old,
In the winter sunset, sorrowful and cold,
Hardly attained to thought, but old enough to know
Such grace, so self-contained, was the best escape to know.
Written by Erin Moure | Create an image from this poem

A Real Motorcycle

 Unspeakable. The word that fills up the
poem, that the head
tries to excise.
At 6 a.m., the wet lion. Its sewn plush face
on the porch rail in the rain.
Heavy rains later, & maybe a thunderstorm.
12 or 13 degrees.

Inside: an iris, candle, poster of the
many-breasted Artemis in a stone hat
from Anatolia

A little pedal steel guitar

A photograph of her at a table by the sea,
her shoulder blocked by the red geranium.
The sea tho invisible can be smelled by the casual watcher
Incredible salt air
in my throat when I see her.

"Suddenly you discover that you'll spend your entire life
in disorder; it's all that you have; you must learn to live
with it."

2

Four tanks, & the human white-shirted body
stopped on June 5 in Place Tian an Men.

Or "a red pullover K-Way." There is not much time left
to say these things. The urgency of that,

desire that dogged the body all winter
& has scarcely left,
now awaits the lilacs, their small white bunches.
Gaily.
As if their posies will light up
the curious old intentional bruise.

Adjective, adjective, adjective, noun!

3

Or just, lilac moon.

What we must, & cannot, excise from the head.
Her hand holding, oh, The New Path to the Waterfall?
Or the time I walked in too quickly, looked up
at her shirtless, grinning.
Pulling her down into the front of me, silly!
Sitting down sudden to make a lap for her...
Kissing the back of her leg.

4

Actually the leg kiss was a dream, later enacted
we laughed at it,
why didn't you do it
she said
when you thought of it.

The excisable thought, later
desired or
necessary.
Or shuddered at, in memory.

Later, it is repeated for the cameras
with such unease.

& now, stuck in the head.
Like running the motorcycle full-tilt into the hay bales.
What is the motorcycle doing in the poem

A. said.

It's an image, E. said back.
It's a crash in the head, she said.

It's a real motorcycle.


Afterthought 1

0 excise this: her back turned,
she concentrates on something
in a kitchen sink,
& I sit behind her,
running my fingers on
the table edge.

0 excise this.


Afterthought 2

& after, excise, excise.
If the source of the pain could be located
using geological survey equipment.
Into the sedimentary layers, the slippage,
the surge of the igneous intrusion.
Or the flat bottom of the former sea
I grew up on,
Running the motorcycle into the round
bay bales.
Hay grass poking the skin.
The back wet.

Hey, I shouted,
Her back turned to me, its location
now visible only in the head.

When I can't stand it,
I invent anything, even memories.

She gets up, hair stuck with hay.

I invented this. Yeow.
Written by Emily Dickinson | Create an image from this poem

Dramas Vitallest Expression is the Common Day

 Drama's Vitallest Expression is the Common Day
That arise and set about Us --
Other Tragedy

Perish in the Recitation --
This -- the best enact
When the Audience is scattered
And the Boxes shut --

"Hamlet" to Himself were Hamlet --
Had not Shakespeare wrote --
Though the "Romeo" left no Record
Of his Juliet,

It were infinite enacted
In the Human Heart --
Only Theatre recorded
Owner cannot shut --

Book: Radiant Verses: A Journey Through Inspiring Poetry