Written by
William Butler Yeats |
My Soul.
I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
My Self.
The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
My Soul.
Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
My Self.
Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
My Soul.
Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
II
My Self.
A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.
|
Written by
Aleister Crowley |
I
The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!
II
So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
Sucked by the dragon down below death's horizon.
III
I woke from this.
I lay upon the lawn;
They had thrown roses on the moss
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.
IV
All day my lover deigned to murder me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?
V
Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped
My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
Sucked out my life
And stamped me with the shame, the monstrous word of
wife.
VI
I will not weep; nay, I will follow him
Perchance he is not far,
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.
VII
I rose to seek him.
First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind.
The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.
VIII
I wandered, crying on my Lord.
I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!
XI
At last I came unto the well, my soul
In that still glass, I saw no sign
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.
X
For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.
IX
Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.
XII
So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?
XIII
It matters not.
Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling whore.
XIV
Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.
XV
It detonated.
Nature, God, mankind
Like sulphur, nitre, charcoal, once
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This.
"
XVI
Vain was the toil.
So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.
XVII
Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish.
Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.
XVIII
With that a goat came running from the cave
That lurked below the tall white cliff.
Thy name! cried I.
The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!
XIX
So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!
XX
Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!
XXI
Yet all that Sea was swallowed up therein;
So they were not, and it was not.
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!
XXII
But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.
XXIII
So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.
XXIV
More; in this journey I had clean forgotten
The quest, my lover.
But the tomb
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!
XXV
This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!
XXVI
Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.
XXVII
This thought I bred within my bowels, I am.
I am in him, as he in me;
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.
XXVIII
Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return.
A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!
XXIX
So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!
***
Yet I that am the babe, the sire, the dam,
Am also none of these at all;
For now that cosmic chaos of I AM
Bursts like a bubble.
Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.
XXXI
The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
Whores prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.
XXXII
This also I seal up.
Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that alway seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme spher
Whose boundless farness makes it infinitely near.
|
Written by
Joyce Kilmer |
(For Shaemas O Sheel)
One winter night a Devil came and sat upon my bed,
His eyes were full of laughter for his heart was full of crime.
"Why don't you take up fancy work, or embroidery?" he said,
"For a needle is as manly a tool as a pen that makes a rhyme!"
"You little ugly Devil," said I, "go back to Hell
For the idea you express I will not listen to:
I have trouble enough with poetry and poverty as well,
Without having to pay attention to orators like you.
"When you say of the making of ballads and songs
that it is woman's work
You forget all the fighting poets that have been in every land.
There was Byron who left all his lady-loves to fight against the
Turk,
And David, the Singing King of the Jews,
who was born with a sword in his hand.
It was yesterday that Rupert Brooke went out to the Wars and died,
And Sir Philip Sidney's lyric voice was as sweet as his arm was
strong;
And Sir Walter Raleigh met the axe as a lover meets his bride,
Because he carried in his soul the courage of his song.
"And there is no consolation so quickening to the
heart
As the warmth and whiteness that come from the lines of noble poetry.
It is strong joy to read it when the wounds of the spirit smart,
It puts the flame in a lonely breast where only ashes be.
It is strong joy to read it, and to make it is a thing
That exalts a man with a sacreder pride than any pride on earth.
For it makes him kneel to a broken slave and set his foot on a king,
And it shakes the walls of his little soul with the echo of God's
mirth.
"There was the poet Homer had the sorrow to be
blind,
Yet a hundred people with good eyes would listen to him all night;
For they took great enjoyment in the heaven of his mind,
And were glad when the old blind poet let them share his powers
of sight.
And there was Heine lying on his mattress all day long,
He had no wealth, he had no friends, he had no joy at all,
Except to pour his sorrow into little cups of song,
And the world finds in them the magic wine that his broken heart
let fall.
"And these are only a couple of names from a list
of a thousand score
Who have put their glory on the world in poverty and pain.
And the title of poet's a noble thing, worth living and dying for,
Though all the devils on earth and in Hell spit at me their disdain.
It is stern work, it is perilous work, to thrust your hand in the
sun
And pull out a spark of immortal flame to warm the hearts of men:
But Prometheus, torn by the claws and beaks whose task is never
done,
Would be tortured another eternity to go stealing fire again.
"
|
Written by
John Milton |
In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.
YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S .
.
.
for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life.
RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.
"
O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.
"
Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
|
Written by
Philip Levine |
Filaments of light
slant like windswept rain.
The orange seller hawks
into the sky, a man with a hat
stops below my window
and shakes his tassels.
Awake
in Tetuan, the room filling
with the first colors, and water running
in a tub.
*
A row of sparkling carp
iced in the new sun, odor
of first love, of childhood,
the fingers held to the nose,
or hours while the clock hummed.
The fat woman in the orange smock
places tiny greens at mouth
and tail as though she remembered
or yearned instead for forests, deep floors
of needles, and the hushed breath.
*
Blue nosed cannisters
as fat as barrels silently
slipping by.
"Nitro," he says.
On the roof he shows me
where Reuban lay down
to ****-off and never woke.
"We're takin little whiffs
all the time.
"
Slivers
of glass work their way
through the canvas gloves
and burn.
Lifting my black glasses
in the chemical light, I stop
to squeeze one out and the asbestos
glows like a hand in moonlight
or a face in dreams.
*
Pinpoints of blue
along the arms, light rushing
down across the breasts
missing the dry shadows
under them.
She stretches
and rises on her knees
and smiles and far down
to the sudden embroidery of curls
the belly smiles
that three times stretched slowly moonward
in a hill of child.
*
Sun through the cracked glass,
bartender at the cave end
peeling a hard-boiled egg.
Four
in the afternoon,
the dogs asleep, the river
must bridge seven parched flats
to Cordoba by nightfall.
It will never make it.
I will
never make it.
Like the old man
in gray corduroy asleep
under the stifled fan, I have
no more moves,
stranded on an empty board.
*
From the high hill
behind Ford Rouge, we could see
the ore boats pulling
down river, the rail yards,
and the smoking mountain.
East, the city spreading
toward St.
Clair, miles of houses,
factories, shops burning
in the still white snow.
"Share this with your brother,"
he said, and it was always winter
and a dark snow.
|
Written by
Thomas Warton |
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.
--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.
Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.
Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
|
Written by
Li Po |
Whence these twelve peaks of Wu-shan!
Have they flown into the gorgeous screen
From heaven's one corner?
Ah, those lonely pines murmuring in the wind!
Those palaces of Yang-tai, hovering yonder—
Oh, the melancholy of it!—
Where the jeweled couch of the king
With brocade covers is desolate,—
His elfin maid voluptuously fair
Still haunting them in vain!
Here a few feet
Seem a thousand miles.
The craggy walls glisten blue and red,
A piece of dazzling embroidery.
How green those distant trees are
Round the river strait of Ching-men!
And those ships——they go on,
Floating on the waters of Pa.
The water sings over the rocks
Between countless hills
Of shining mist and lustrous grass.
How many years since these valley flowers bloomed
To smile in the sun ?
And that man traveling on the river,
Hears he not for ages the monkeys screaming?
Whoever looks on this,
Loses himself in eternity;
And entering the sacred mountains of Sung,
He will dream among the resplendent clouds.
|
Written by
Amy Lowell |
I
The inkstand is full of ink, and the paper lies
white and unspotted,
in the round of light thrown by a candle.
Puffs of darkness
sweep into
the corners, and keep rolling through the room behind his chair.
The
air
is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue,
and beside it stand
two geraniums, purple because the light is silver-blue, to-night.
See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill,
between the geranium stalks.
He laughs, and crumples
his paper
as he leans forward to look.
"The Basket Filled with
Moonlight",
what a title for a book!
The bellying clouds swing over the housetops.
He has forgotten the woman in the room with the geraniums.
He
is beating
his brain, and in his eardrums hammers his heavy pulse.
She
sits
on the window-sill, with the basket in her lap.
And tap! She
cracks a nut.
And tap! Another.
Tap! Tap! Tap! The
shells ricochet upon the roof,
and get into the gutters, and bounce over the edge and disappear.
"It is very *****," thinks Peter, "the basket was
empty, I'm sure.
How could nuts appear from the atmosphere?"
The silver-blue moonlight makes the geraniums purple,
and the roof glitters
like ice.
II
Five o'clock.
The geraniums are very
gay in their crimson array.
The bellying clouds swing over the housetops, and over the roofs
goes Peter
to pay his morning's work with a holiday.
"Annette, it is I.
Have you finished? Can
I come?"
Peter jumps through the window.
"Dear, are you alone?"
"Look, Peter, the dome of the tabernacle is done.
This
gold thread
is so very high, I am glad it is morning, a starry sky would have
seen me bankrupt.
Sit down, now tell me, is your story
going well?"
The golden dome glittered in the orange of the
setting sun.
On the walls,
at intervals, hung altar-cloths and chasubles, and copes, and stoles,
and coffin palls.
All stiff with rich embroidery, and
stitched with
so much artistry, they seemed like spun and woven gems, or flower-buds
new-opened on their stems.
Annette looked at the geraniums, very red against the blue sky.
"No matter how I try, I cannot find any thread
of such a red.
My bleeding hearts drip stuff muddy in comparison.
Heigh-ho! See
my little
pecking dove? I'm in love with my own temple.
Only
that halo's wrong.
The colour's too strong, or not strong enough.
I don't
know.
My eyes
are tired.
Oh, Peter, don't be so rough; it is valuable.
I
won't do
any more.
I promise.
You tyrannise, Dear,
that's enough.
Now sit down
and amuse me while I rest.
"
The shadows of the geraniums creep over the floor,
and begin to climb
the opposite wall.
Peter watches her, fluid with fatigue, floating, and drifting,
and undulant in the orange glow.
His senses flow towards
her,
where she lies supine and dreaming.
Seeming drowned in
a golden halo.
The pungent smell of the geraniums is hard to bear.
He pushes against her knees, and brushes his lips across her languid
hands.
His lips are hot and speechless.
He woos her, quivering,
and the room
is filled with shadows, for the sun has set.
But she
only understands
the ways of a needle through delicate stuffs, and the shock of one
colour
on another.
She does not see that this is the same, and
querulously murmurs
his name.
"Peter, I don't want it.
I am tired.
"
And he, the undesired, burns and is consumed.
There is a crescent moon on the rim of the sky.
III
"Go home, now, Peter.
To-night is full
moon.
I must be alone.
"
"How soon the moon is full again! Annette,
let me stay.
Indeed, Dear Love,
I shall not go away.
My God, but you keep me starved! You
write
`No Entrance Here', over all the doors.
Is it not strange,
my Dear,
that loving, yet you deny me entrance everywhere.
Would
marriage
strike you blind, or, hating bonds as you do, why should I be denied
the rights of loving if I leave you free? You want the
whole of me,
you pick my brains to rest you, but you give me not one heart-beat.
Oh, forgive me, Sweet! I suffer in my loving, and you
know it.
I cannot
feed my life on being a poet.
Let me stay.
"
"As you please, poor Peter, but it will hurt me
if you do.
It will
crush your heart and squeeze the love out.
"
He answered gruffly, "I know what I'm about.
"
"Only remember one thing from to-night.
My
work is taxing and I must
have sight! I MUST!"
The clear moon looks in between the geraniums.
On
the wall,
the shadow of the man is divided from the shadow of the woman
by a silver thread.
They are eyes, hundreds of eyes, round like marbles! Unwinking,
for there
are no lids.
Blue, black, gray, and hazel, and the irises
are cased
in the whites, and they glitter and spark under the moon.
The
basket
is heaped with human eyes.
She cracks off the whites
and throws them away.
They ricochet upon the roof, and get into the gutters, and bounce
over the edge and disappear.
But she is here, quietly
sitting
on the window-sill, eating human eyes.
The silver-blue moonlight makes the geraniums purple,
and the roof shines
like ice.
IV
How hot the sheets are! His skin is
tormented with pricks,
and over him sticks, and never moves, an eye.
It lights
the sky with blood,
and drips blood.
And the drops sizzle on his bare skin,
and he smells them
burning in, and branding his body with the name "Annette".
The blood-red sky is outside his window now.
Is
it blood or fire?
Merciful God! Fire! And his heart wrenches
and pounds "Annette!"
The lead of the roof is scorching, he ricochets,
gets to the edge,
bounces over and disappears.
The bellying clouds are red as they swing over
the housetops.
V
The air is of silver and pearl, for the night is
liquid with moonlight.
How the ruin glistens, like a palace of ice! Only two
black holes swallow
the brilliance of the moon.
Deflowered windows, sockets
without sight.
A man stands before the house.
He sees
the silver-blue moonlight,
and set in it, over his head, staring and flickering, eyes of geranium
red.
Annette!
|
Written by
The Bible |
For you did knit me together
In the womb, before my birth
And I will confess and praise you,
For wonderful are your works
My frame was not hidden from you
As in secret, I was being formed
Like a beautiful embroidery
Woven before I was born
Your eyes saw my substance
Without form in the depths
And in your book, my life was recorded
Before I ever took breath.
Scripture Poem © Copyright Of M.
S.
Lowndes
|
Written by
Rudyard Kipling |
Imprimis he was "broke.
" Thereafter left
His Regiment and, later, took to drink;
Then, having lost the balance of his friends,
"Went Fantee" -- joined the people of the land,
Turned three parts Mussulman and one Hindu,
And lived among the Gauri villagers,
Who gave him shelter and a wife or twain.
And boasted that a thorough, full-blood sahib
Had come among them.
Thus he spent his time,
Deeply indebted to the village shroff
(Who never asked for payment), always drunk,
Unclean, abominable, out-at-heels;
Forgetting that he was an Englishman.
You know they dammed the Gauri with a dam,
And all the good contractors scamped their work
And all the bad material at hand
Was used to dam the Gauri -- which was cheap,
And, therefore, proper.
Then the Gauri burst,
And several hundred thousand cubic tons
Of water dropped into the valley, flop,
And drowned some five-and-twenty villagers,
And did a lakh or two of detriment
To crops and cattle.
When the flood went down
We found him dead, beneath an old dead horse,
Full six miles down the valley.
So we said
He was a victim to the Demon Drink,
And moralised upon him for a week,
And then forgot him.
Which was natural.
But, in the valley of the Gauri, men
Beneath the shadow of the big new dam,
Relate a foolish legend of the flood,
Accounting for the little loss of life
(Only those five-and-twenty villagers)
In this wise: -- On the evening of the flood,
They heard the groaning of the rotten dam,
And voices of the Mountain Devils.
Then
And incarnation of the local God,
Mounted upon a monster-neighing horse,
And flourishing a flail-like whip, came down,
Breathing ambrosia, to the villages,
And fell upon the simple villagers
With yells beyond the power of mortal throat,
And blows beyond the power of mortal hand,
And smote them with his flail-like whip, and drove
Them clamorous with terror up the hill,
And scattered, with the monster-neighing steed,
Their crazy cottages about their ears,
And generally cleared those villages.
Then came the water, and the local God,
Breathing ambrosia, flourishing his whip,
And mounted on his monster-neighing steed,
Went down the valley with the flying trees
And residue of homesteads, while they watched
Safe on the mountain-side these wondrous things,
And knew that they were much beloved of Heaven.
Wherefore, and when the dam was newly built,
They raised a temple to the local God,
And burnt all manner of unsavoury things
Upon his altar, and created priests,
And blew into a conch and banged a bell,
And told the story of the Gauri flood
With circumstance and much embroidery.
.
.
.
So hi, the whiskified Objectionable,
Unclean, abominable, out-at-heels,
Became the tutelary Deity
Of all the Gauri valley villages,
And may in time become a Solar Myth.
|