Written by
Alfred Lord Tennyson |
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For though from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar.
|
Written by
Sylvia Plath |
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
|
Written by
John Donne |
In what torn ship soever I embark,
That ship shall be my emblem of thy Ark;
What sea soever swallow me, that flood
Shall be to me an emblem of thy blood;
Though thou with clouds of anger do disguise
Thy face, yet through that mask I know those eyes,
Which, though they turn away sometimes,
They never will despise.
I sacrifice this Island unto thee,
And all whom I loved there, and who loved me;
When I have put our seas 'twixt them and me,
Put thou thy sea betwixt my sins and thee.
As the tree's sap doth seek the root below
In winter, in my winter now I go,
Where none but thee, th' Eternal root
Of true Love, I may know.
Nor thou nor thy religion dost control
The amorousness of an harmonious Soul,
But thou wouldst have that love thyself: as thou
Art jealous, Lord, so I am jealous now,
Thou lov'st not, till from loving more, Thou free
My soul: who ever gives, takes liberty:
O, if thou car'st not whom I love
Alas, thou lov'st not me.
Seal then this bill of my Divorce to All,
On whom those fainter beams of love did fall;
Marry those loves, which in youth scattered be
On Fame, Wit, Hopes (false mistresses) to thee.
Churches are best for Prayer, that have least light:
To see God only, I go out of sight:
And to 'scape stormy days, I choose
An Everlasting night.
|
Written by
Robert Seymour Bridges |
Perfect little body, without fault or stain on thee,
With promise of strength and manhood full and fair!
Though cold and stark and bare,
The bloom and the charm of life doth awhile remain on thee.
Thy mother's treasure wert thou;—alas! no longer
To visit her heart with wondrous joy; to be
Thy father's pride:—ah, he
Must gather his faith together, and his strength make stronger.
To me, as I move thee now in the last duty,
Dost thou with a turn or gesture anon respond;
Startling my fancy fond
With a chance attitude of the head, a freak of beauty.
Thy hand clasps, as 'twas wont, my finger, and holds it:
But the grasp is the clasp of Death, heartbreaking and stiff;
Yet feels to my hand as if
'Twas still thy will, thy pleasure and trust that enfolds it.
So I lay thee there, thy sunken eyelids closing,—
Go lie thou there in thy coffin, thy last little bed!—
Propping thy wise, sad head,
Thy firm, pale hands across thy chest disposing.
So quiet! doth the change content thee?—Death, whither hath he taken thee?
To a world, do I think, that rights the disaster of this?
The vision of which I miss,
Who weep for the body, and wish but to warm thee and awaken thee?
Ah! little at best can all our hopes avail us
To lift this sorrow, or cheer us, when in the dark,
Unwilling, alone we embark,
And the things we have seen and have known and have heard of, fail us.
|
Written by
Walt Whitman |
1
FIRST, O songs, for a prelude,
Lightly strike on the stretch’d tympanum, pride and joy in my city,
How she led the rest to arms—how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang! how you threw off the costumes of peace with indifferent hand;
How your soft opera-music changed, and the drum and fife were heard in their stead;
How you led to the war, (that shall serve for our prelude, songs of soldiers,)
How Manhattan drum-taps led.
2
Forty years had I in my city seen soldiers parading;
Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her—suddenly,
At dead of night, at news from the south,
Incens’d, struck with clench’d hand the pavement.
A shock electric—the night sustain’d it;
Till with ominous hum, our hive at day-break pour’d out its myriads.
From the houses then, and the workshops, and through all the doorways,
Leapt they tumultuous—and lo! Manhattan arming.
3
To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost
aside
with
precipitation;)
The lawyer leaving his office, and arming—the judge leaving the court;
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly
down on
the
horses’ backs;
The salesman leaving the store—the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent, and arm;
The new recruits, even boys—the old men show them how to wear their
accoutrements—they
buckle the straps carefully;
Outdoors arming—indoors arming—the flash of the musket-barrels;
The white tents cluster in camps—the arm’d sentries around—the sunrise
cannon,
and
again at sunset;
Arm’d regiments arrive every day, pass through the city, and embark from the wharves;
(How good they look, as they tramp down to the river, sweaty, with their guns on their
shoulders!
How I love them! how I could hug them, with their brown faces, and their clothes and
knapsacks
cover’d with dust!)
The blood of the city up—arm’d! arm’d! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public buildings and
stores;
The tearful parting—the mother kisses her son—the son kisses his mother;
(Loth is the mother to part—yet not a word does she speak to detain him;)
The tumultuous escort—the ranks of policemen preceding, clearing the way;
The unpent enthusiasm—the wild cheers of the crowd for their favorites;
The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over
the
stones;
(Silent cannons—soon to cease your silence!
Soon, unlimber’d, to begin the red business;)
All the mutter of preparation—all the determin’d arming;
The hospital service—the lint, bandages, and medicines;
The women volunteering for nurses—the work begun for, in earnest—no mere parade
now;
War! an arm’d race is advancing!—the welcome for battle—no turning away;
War! be it weeks, months, or years—an arm’d race is advancing to welcome it.
4
Mannahatta a-march!—and it’s O to sing it well!
It’s O for a manly life in the camp!
And the sturdy artillery!
The guns, bright as gold—the work for giants—to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies merely;
Put in something else now besides powder and wadding.
5
And you, Lady of Ships! you Mannahatta!
Old matron of this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frown’d amid all your
children;
But now you smile with joy, exulting old Mannahatta!
|
Written by
Robert Louis Stevenson |
My bed is like a little boat;
Nurse helps me in when I embark;
She girds me in my sailor's coat
And starts me in the dark.
At night I go on board and say
Good-night to all my friends on shore;
I shut my eyes and sail away
And see and hear no more.
And sometimes things to bed I take,
As prudent sailors have to do;
Perhaps a slice of wedding-cake,
Perhaps a toy or two.
All night across the dark we steer;
But when the day returns at last,
Safe in my room beside the pier,
I find my vessel fast.
|
Written by
Thomas Lux |
furnished rooms, flats, a hayloft,
a tent, motels, under a table,
under an overturned rowboat, in a villa (briefly) but not,
as yet, a yurt. In these places
he has slept, eaten,
put his forehead to the window glass,
looking out. He's in a stilt-house now,
the water passing beneath him half the day;
the other half it's mud. The tides
do this: they come, they go,
while he sleeps, eats, puts his forehead
to the window glass.
He's moving soon: his trailer to a trailer park,
or to the priory to live among the penitents
but in his own cell,
with wheels, to take him, when it's time
to go, to: boathouse, houseboat
with a little motor, putt-putt,
to take him across the sea
or down the river
where at night, anchored by a sandbar
at the bend,
he will eat, sleep, and press his eyelids
to the window
of the pilothouse
until the anchor-hauling hour
when he'll embark again
toward his sanctuary, harborage, saltbox,
home.
|
Written by
Li Bai |
Thousands of feet high towers the Yellow Mountains
With its thirty-two magnificent peaks,
Blooming like golden lotus flowers
Amidst red crags and rock columns.
Once I was on its lofty summit,
Admiring Tianmu Pine below.
The place is still traceable where the immortal
Before ascending to heaven made elixir out of jade.
Now you embark on your journey there alone---
Another Wen Boxue* I happened to meet---
Who've been to Five Mountains for beauty of nature,
Leaving behind countless ranges of hills.
Homeward you go back to White Goose Ridge,
Back to drink from your Elixir Well.
If by chance I pay you a visit,
I expect to be met by your light carriage.
Eastwards from Lingyang you bend your steps,
And pick your way through fragrant bushes,
Many a stream and many a ford,
Peaks upon peaks shutting out the sky
That's where I'll call on you some other day
Across a bridge that spans cliffs like a rainbow.
|
Written by
Rudyard Kipling |
The Sons of Mary seldom bother, for they have inherited that good part;
But the Sons of Martha favour their Mother of the careful soul and the troubled heart.
And because she lost her temper once, and because she was rude to the Lord her Guest,
Her Sons must wait upon Mary's Sons, world without end, reprieve, or rest.
It is their care in all the ages to take the buffet and cushion the shock.
It is their care that the gear engages; it is their care that the switches lock.
It is their care that the wheels run truly; it is their care to embark and entrain,
Tally, transport, and deliver duly the Sons of Mary by land and main.
They say to mountains, "Be ye removed." They say to the lesser floods, "Be dry."
Under their rods are the rocks reproved -- they are not afraid of that which is high.
Then do the hill-tops shake to the summit -- then is the bed of the deep laid bare,
That the Sons of Mary may overcome it, pleasantly sleeping and unaware.
They finger death at their gloves' end where they piece and repiece the living wires.
He rears against the gates they tend: they feed him hungry behind their fires.
Early at dawn, ere men see clear, they stumble into his terrible stall,
And hale him forth like a haltered steer, and goad and turn him till evenfall.
To these from birth is Belief forbidden; from these till death is Relief afar.
They are concerned with matters hidden -- under the earthline their altars are --
The secret fountains to follow up, waters withdrawn to restore to the mouth,
And gather the floods as in a cup, and pour them again at a city's drouth.
They do not preach that their God will rouse them a little before the nuts work loose.
They do not teach that His Pity allows them to drop their job when they dam'-well choose.
As in the thronged and the lighted ways, so in the dark and the desert they stand,
Wary and watchful all their days that their brethren's days may be long in the land.
Raise ye the stone or cleave the wood to make a path more fair or flat --
Lo, it is black already with blood some Son of Martha spilled for that!
Not as a ladder from earth to Heaven, not as a witness to any creed,
But simple service simply given to his own kind in their common need.
And the Sons of Mary smile and are blessed -- they know the Angels are on their side.
They know in them is the Grace confessed, and for them are the Mercies multiplied.
They sit at the Feet -- they hear the World -- they see how truly the Promise runs.
They have cast their burden upon the Lord, and -- the Lord He lays it on Martha's Sons!
|
Written by
Lucy Maud Montgomery |
A gallant city has been builded far
In the pied heaven,
Bannered with crimson, sentinelled by star
Of crystal even;
Around a harbor of the twilight glowing,
With jubilant waves about its gateways flowing
A city of the Land of Lost Delight,
On seas enchanted,
Presently to be lost in mist moon-white
And music-haunted;
Given but briefly to our raptured vision,
With all its opal towers and shrines elysian.
Had we some mystic boat with pearly oar
And wizard pilot,
To guide us safely by the siren shore
And cloudy islet,
We might embark and reach that shining portal
Beyond which linger dreams and joys immortal.
But we may only gaze with longing eyes
On those far, sparkling
Palaces in the fairy-peopled skies,
O'er waters darkling,
Until the winds of night come shoreward roaming,
And the dim west has only gray and gloaming.
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