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Best Famous Ecstasies Poems

Here is a collection of the all-time best famous Ecstasies poems. This is a select list of the best famous Ecstasies poetry. Reading, writing, and enjoying famous Ecstasies poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ecstasies poems.

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Written by Maya Angelou | Create an image from this poem

Touched by An Angel

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
Love arrives and in its train come ecstasies old memories of pleasure ancient histories of pain.
Yet if we are bold, love strikes away the chains of fear from our souls.
We are weaned from our timidity In the flush of love's light we dare be brave And suddenly we see that love costs all we are and will ever be.
Yet it is only love which sets us free.


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!
Written by Robert Seymour Bridges | Create an image from this poem

From The Testament of Beauty

 'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space
Heav'n's jewel'd company circleth unapproachably-
'Twas at sunset that I, fleeing to hide my soul
in refuge of beauty from a mortal distress,
walk'd alone with the Muse in her garden of thought,
discoursing at liberty with the mazy dreams
that came wavering pertinaciously about me; as when
the small bats, issued from their hangings, flitter o'erhead
thru' the summer twilight, with thin cries to and fro
hunting in muffled flight atween the stars and flowers.
Then fell I in strange delusion, illusion strange to tell; for as a man who lyeth fast asleep in his bed may dream he waketh, and that he walketh upright pursuing some endeavour in full conscience-so 'twas with me; but contrawise; for being in truth awake methought I slept and dreamt; and in thatt dream methought I was telling a dream; nor telling was I as one who, truly awaked from a true sleep, thinketh to tell his dream to a friend, but for his scant remembrances findeth no token of speech-it was not so with me; for my tale was my dream and my dream the telling, and I remember wondring the while I told it how I told it so tellingly.
And yet now 'twould seem that Reason inveighed me with her old orderings; as once when she took thought to adjust theology, peopling the inane that vex'd her between God and man with a hierarchy of angels; like those asteroids wherewith she later fill'd the gap 'twixt Jove and Mars.
Verily by Beauty it is that we come as WISDOM, yet not by Reason at Beauty; and now with many words pleasing myself betimes I am fearing lest in the end I play the tedious orator who maundereth on for lack of heart to make an end of his nothings.
Wherefor as when a runner who hath run his round handeth his staff away, and is glad of his rest, here break I off, knowing the goal was not for me the while I ran on telling of what cannot be told.
For not the Muse herself can tell of Goddes love; which cometh to the child from the Mother's embrace, an Idea spacious as the starry firmament's inescapable infinity of radiant gaze, that fadeth only as it outpasseth mortal sight: and this direct contact is 't with eternities, this springtide miracle of the soul's nativity that oft hath set philosophers adrift in dream; which thing Christ taught, when he set up a little child to teach his first Apostles and to accuse their pride, saying, 'Unless ye shall receive it as a child, ye cannot enter into the kingdom of heaven.
' So thru'out all his young mental apprenticehood the child of very simplicity, and in the grace and beauteous attitude of infantine wonder, is apt to absorb Ideas in primal purity, and by the assimilation of thatt immortal food may build immortal life; but ever with the growth of understanding, as the sensible images are more and more corrupt, troubled by questioning thought, or with vainglory alloy'd, 'tis like enought the boy in prospect of his manhood wil hav cast to th' winds his Baptism with his Babyhood; nor might he escape the fall of Ev'ryman, did not a second call of nature's Love await him to confirm his Faith or to revoke him if he is whollylapsed therefrom.
And so mighty is this second vision, which cometh in puberty of body and adolescence of mind that, forgetting his Mother, he calleth it 'first Love'; for it mocketh at suasion or stubbornness of heart, as the oceantide of the omnipotent Pleasur of God, flushing all avenues of life, and unawares by thousandfold approach forestalling its full flood with divination of the secret contacts of Love,-- of faintest ecstasies aslumber in Nature's calm, like thought in a closed book, where some poet long since sang his throbbing passion to immortal sleep-with coy tenderness delicat as the shifting hues that sanctify the silent dawn with wonder-gleams, whose evanescence is the seal of their glory, consumed in self-becoming of eternity; til every moment as it flyeth, cryeth 'Seize! Seize me ere I die! I am the Life of Life.
' 'Tis thus by near approach to an eternal presence man's heart with divine furor kindled and possess'd falleth in blind surrender; and finding therewithal in fullest devotion the full reconcilement betwixt his animal and spiritual desires, such welcome hour of bliss standeth for certain pledge of happiness perdurable: and coud he sustain this great enthusiasm, then the unbounded promise would keep fulfilment; since the marriage of true minds is thatt once fabled garden, amidst of which was set the single Tree that bore such med'cinable fruit that if man ate thereof he should liv for ever.
Friendship is in loving rather than in being lov'd, which is its mutual benediction and recompense; and tho' this be, and tho' love is from lovers learn'd, it springeth none the less from the old essence of self.
No friendless man ('twas well said) can be truly himself; what a man looketh for in his friend and findeth, and loving self best, loveth better than himself, is his own better self, his live lovable idea, flowering by expansion in the loves of his life.
And in the nobility of our earthly friendships we hav al grades of attainment, and the best may claim perfection of kind; and so, since ther be many bonds other than breed (friendships of lesser motiv, found even in the brutes) and since our politick is based on actual association of living men, 'twil come that the spiritual idea of Friendship, the huge vastidity of its essence, is fritter'd away in observation of the usual habits of men; as happ'd with the great moralist, where his book saith that ther can be no friendship betwixt God and man because of their unlimited disparity.
From this dilemma of pagan thought, this poison of faith, Man-soul made glad escape in the worship of Christ; for his humanity is God's Personality, and communion with him is the life of the soul.
Of which living ideas (when in the struggle of thought harden'd by language they became symbols of faith) Reason builded her maze, wherefrom none should escape, wandering intent to map and learn her tortuous clews, chanting their clerkly creed to the high-echoing stones of their hand-fashion'd temple: but the Wind of heav'n bloweth where it listeth, and Christ yet walketh the earth, and talketh still as with those two disciples once on the road to Emmaus-where they walk and are sad; whose vision of him then was his victory over death, thatt resurrection which all his lovers should share, who in loving him had learn'd the Ethick of happiness; whereby they too should come where he was ascended to reign over men's hearts in the Kingdom of God.
Our happiest earthly comradeships hold a foretaste of the feast of salvation and by thatt virtue in them provoke desire beyond them to out-reach and surmount their humanity in some superhumanity and ultimat perfection: which, howe'ever 'tis found or strangeley imagin'd, answereth to the need of each and pulleth him instinctivly as to a final cause.
Thus unto all who hav found their high ideal in Christ, Christ is to them the essence discern'd or undeiscern'd of all their human friendships; and each lover of him and of his beauty must be as a bud on the Vine and hav participation in him; for Goddes love is unescapable as nature's environment, which if a man ignore or think to thrust it off he is the ill-natured fool that runneth blindly on death.
This Individualism is man's true Socialism.
This is the rife Idea whose spiritual beauty multiplieth in communion to transcendant might.
This is thatt excelent way whereon if we wil walk all things shall be added unto us-thatt Love which inspired the wayward Visionary in his doctrinal ode to the three christian Graces, the Church's first hymn and only deathless athanasian creed,--the which 'except a man believe he cannot be saved.
' This is the endearing bond whereby Christ's company yet holdeth together on the truth of his promise that he spake of his grat pity and trust in man's love, 'Lo, I am with you always ev'n to the end of the world.
' Truly the Soul returneth the body's loving where it hath won it.
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and God so loveth the world.
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and in the fellowship of the friendship of Christ God is seen as the very self-essence of love, Creator and mover of all as activ Lover of all, self-express'd in not-self, mind and body, mother and child, 'twixt lover and loved, God and man: but ONE ETERNAL in the love of Beauty and in the selfhood of Love.
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Edgar Allan Poe | Create an image from this poem

Israfel

In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel 
And the giddy stars (so legends tell) 
Ceasing their hymns attend the spell
Of his voice all mute.
Tottering above In her highest noon The enamored moon Blushes with love While to listen the red levin (With the rapid Pleiads even Which were seven ) Pauses in Heaven.
And they say (the starry choir And the other listening things) That Israfeli's fire Is owing to that lyre By which he sits and sings- The trembling living wire Of those unusual strings.
But the skies that angel trod Where deep thoughts are a duty- Where Love's a grown-up God- Where the Houri glances are Imbued with all the beauty Which we worship in a star.
Therefore thou art not wrong Israfeli who despisest An unimpassioned song; To thee the laurels belong Best bard because the wisest! Merrily live and long! The ecstasies above With thy burning measures suit- Thy grief thy joy thy hate thy love With the fervor of thy lute- Well may the stars be mute! Yes Heaven is thine; but this Is a world of sweets and sours; Our flowers are merely- flowers And the shadow of thy perfect bliss Is the sunshine of ours.
If I could dwell Where Israfel Hath dwelt and he where I He might not sing so wildly well A mortal melody While a bolder note than this might swell From my lyre within the sky.


Written by Charles Baudelaire | Create an image from this poem

Benediction

 When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:

"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.
"Since You have chosen me from all the brides To bear the disgust of my dolorous groom And since I can't throw back into the fires Like an old love letter this gaunt buffoon "I'll replace Your hate that overwhelms me On the instrument of Your wicked gloom And torture so well this miserable tree Its pestiferous buds will never bloom!" She chokes down the eucharist of venom, Not comprehending eternal designs, She prepares a Gehenna of her own, And consecrates a pyre of maternal crimes.
Yet, watched by an invisible seraph, The disinherited child is drunk on the sun And in all he devours and in all he quaffs Receives ambrosia, nectar and honey.
He plays with the wind, chats with the vapors, Deliriously sings the stations of the cross; And the Spirit who follows him in his capers Cries at his joy like a bird in the forest.
Those whom he longs to love look with disdain And dread, strengthened by his tranquillity, They seek to make him complain of his pain So they may try out their ferocity.
In the bread and wine destined for his lips, They mix in cinders and spit with their wrath, And throw out all he touches as he grasps it, And accuse him of putting his feet in their path.
His wife cries out so that everyone hears: "Since he finds me good enough to adore I'll weave as the idols of ancient years A corona of gold as a cover.
"I'll get drunk on nard, incense and myrrh, Get down on bent knee with meats and wines To see if in a heart that admires, My smile denies deference to the divine.
"And, when I tire of these impious farces, I'll arrange for him my frail and hard nails Sharpened just like the claws of a harpy That out of his heart will carve a trail.
"Like a baby bird trembling in the nest I'll dig out his heart all red from my breast To slake the thirst of my favorite pet, And will throw it on the ground with contempt!" Toward the sky, where he sees a great host, The poet, serene, lifts his pious arms high And the vast lightning of his lucid ghost Blinds him to the furious people nearby: "Glory to God, who leaves us to suffer To cure us of all our impurities And like the best, most rarefied buffer Prepares the strong for a saint's ecstasies! "I know that You hold a place for the Poet In the ranks of the blessed and the saint's legions, That You invite him to an eternal fete Of thrones, of virtues, of dominations.
"I know only sorrow is unequaled, It cannot be encroached on from Hell or Earth And if I am to braid my mystic wreath, May I impose it on the universe.
"But the ancient jewels of lost Palmyra, The unknown metals, pearls from the ocean By Your hand mounted, they do not suffice, They cannot dazzle as clearly as this crown "For it will not be made except from halos Drawn of pure light in a holy portal Whose entire splendor, in the eyes of mortals Is only a mirror, obscure and mournful.
"
Written by Rupert Brooke | Create an image from this poem

The Fish

 In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal Shapes all his universe to feel And know and be; the clinging stream Closes his memory, glooms his dream, Who lips the roots o' the shore, and glides Superb on unreturning tides.
Those silent waters weave for him A fluctuant mutable world and dim, Where wavering masses bulge and gape Mysterious, and shape to shape Dies momently through whorl and hollow, And form and line and solid follow Solid and line and form to dream Fantastic down the eternal stream; An obscure world, a shifting world, Bulbous, or pulled to thin, or curled, Or serpentine, or driving arrows, Or serene slidings, or March narrows.
There slipping wave and shore are one, And weed and mud.
No ray of sun, But glow to glow fades down the deep (As dream to unknown dream in sleep); Shaken translucency illumes The hyaline of drifting glooms; The strange soft-handed depth subdues Drowned colour there, but black to hues, As death to living, decomposes— Red darkness of the heart of roses, Blue brilliant from dead starless skies, And gold that lies behind the eyes, The unknown unnameable sightless white That is the essential flame of night, Lustreless purple, hooded green, The myriad hues that lie between Darkness and darkness!.
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.
And all's one, Gentle, embracing, quiet, dun, The world he rests in, world he knows, Perpetual curving.
Only—grows An eddy in that ordered falling, A knowledge from the gloom, a calling Weed in the wave, gleam in the mud— The dark fire leaps along his blood; Dateless and deathless, blind and still, The intricate impulse works its will; His woven world drops back; and he, Sans providence, sans memory, Unconscious and directly driven, Fades to some dark sufficient heaven.
O world of lips, O world of laughter, Where hope is fleet, and thought flies after, Of lights in the clear night, of cries That drift along the wave and rise Thin to the glittering stars above, You know the hands, the eyes of love! The strife of limbs, the sightless clinging, The infinite distance, and the singing Blown by the wind, a flame of sound, The gleam, the flowers, and vast around The horizon, and the heights above— You know the sigh, the long of love! But there the night is close, and there Darkness is cold and strange and bare; And the secret deeps are whisperless; And rhythm is all deliciousness; And joy is in the throbbing tide, Whose intricate fingers beat and glide In felt bewildering harmonies Of trembling touch; and music is The exquisite knocking of the blood.
Space is no more, under the mud; His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim, And the dark tide are one with him.
Written by Charles Baudelaire | Create an image from this poem

Music

 When music sounds, gone is the earth I know, 
And all her lovely things even lovelier grow; 
Her flowers in vision flame, her forest trees 
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise Naiads whose beauty dims my waking eyes, Rapt in strange dreams burns each enchanted face, With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am Ere to this haunt of brooding dust I came; And from Time's woods break into distant song The swift-winged hours, as I hasten along.
Written by Charles Baudelaire | Create an image from this poem

Beacons

 Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.
Leonardo da Vinci, sinister mirror, Where these charming angels with sweet smiles Charged with mystery, appear in shadows Of glaciers and pines that close off the country.
Rembrandt, sad hospital full of murmurs Decorated only with a crucifix, Where tearful prayers arise from filth And a ray of winter light crosses brusquely.
Michelangelo, a wasteland where one sees Hercules Mingling with Christ, and rising in a straight line Powerful phantoms that in the twilight Tear their shrouds with stretching fingers.
Rage of a boxer, impudence of a faun, You who gather together the beauty of the boor, Your big heart swelling with pride at man defective and yellow, Puget, melancholy emperor of the poor.
Watteau, this carnival of illustrious hearts Like butterflies, errant and flamboyant, In the cool decor, with delicate lightning in the chandeliers Crossing the madness of the twirling ball.
Goya, nightmare of unknown things, Fetuses roasting on the spit, Harridans in the mirror and naked children Tempting demons by loosening their stockings.
Delacroix, haunted lake of blood and evil angels, Shaded by evergreen forests of dark firs, Where, under a grieving sky, strange fanfares Pass, like a gasping breath of Weber.
These curses, these blasphemies, these moans, These ecstasies, these tears, these cries of "Te Deum" Are an echo reiterated in a thousand mazes; It is for mortal hearts a divine opium! It is a cry repeated by a thousand sentinels, An order returned by a thousand megaphones, A beacon lighting a thousand citadels A summons to hunters lost in the wide woods.
For truly, O Lord, what better testimony Can we give to our dignity Than this burning sob that rolls from age to age And comes to die on the shore of Your eternity?
Written by Vernon Scannell | Create an image from this poem

Schoolroom On A Wet Afternoon

 The unrelated paragraphs of morning
Are forgotten now; the severed heads of kings
Rot by the misty Thames; the roses of York
And Lancaster are pressed between the leaves
Of history; ******* sleep in Africa.
The complexities of simple interest lurk In inkwells and the brittle sticks of chalk: Afternoon is come and English Grammar.
Rain falls as though the sky has been bereaved, Stutters its inarticulate grief on glass Of every lachrymose pane.
The children read Their books or make pretence of concentration, Each bowed head seems bent in supplication Or resignation to the fate that waits In the unmapped forests of the future.
Is it their doomed innocence noon weeps for? In each diminutive breast a human heart Pumps out the necessary blood: desires, Pains and ecstasies surf-ride each singing wave Which breaks in darkness on the mental shores.
Each child is disciplined; absorbed and still At his small desk.
Yet lift the lid and see, Amidst frayed books and pencils, other shapes: Vicious rope, glaring blade, the gun cocked to kill.

Book: Shattered Sighs