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Best Famous Earrings Poems

Here is a collection of the all-time best famous Earrings poems. This is a select list of the best famous Earrings poetry. Reading, writing, and enjoying famous Earrings poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of earrings poems.

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Written by Fleda Brown | Create an image from this poem

I Write My Mother a Poem

Sometimes I feel her easing further into her grave, 
resigned, as always, and I have to come to her rescue. 
Like now, when I have so much else to do. Not that 

she'd want a poem. She would have been proud, of course, 
of all its mystery, involving her, but scared a little. 
Her eyes would have filled with tears. It always comes 

to that, I don't know why I bother. One gesture 
and she's gone down a well of raw feeling, and I'm left 
alone again. I avert my eyes, to keep from scaring her. 

On her dresser is one of those old glass bottles 
of Jergen's Lotion with the black label, a little round 
bottle of Mum deodorant, a white plastic tray 

with Avon necklaces and earrings, pennies, paper clips, 
and a large black coat button. I appear to be very 
interested in these objects, even interested in the sun 

through the blinds. It falls across her face, and not, 
as she changes the bed. She would rather have clean sheets 
than my poem, but as long as I don't bother her, she's glad 

to know I care. She's talked my father into taking 
a drive later, stopping for an A & W root beer. 
She is dreaming of foam on the glass, the tray propped 

on the car window. And trees, farmhouses, the expanse 
of the world as seen from inside the car. It is no 
use to try to get her out to watch airplanes 

take off, or walk a trail, or hear this poem 
and offer anything more than "Isn't that sweet!" 
Right now bombs are exploding in Kosovo, students 

shot in Colorado, and my mother is wearing a root beer 
mustache. Her eyes are unfocused, everything's root beer. 
I write root beer, root beer, to make her happy.

from Breathing In, Breathing Out, Anhinga Press, 2002
© 2000, Fleda Brown
(first published in The Southern Review, 36 [2000])


Written by Anne Sexton | Create an image from this poem

Briar Rose (Sleeping Beauty)

 Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.

Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.

The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.

On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed. She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.

Briar Rose
was an insomniac...
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.

I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.

There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?
Written by David Lehman | Create an image from this poem

When A Woman Loves A Man

 When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
 is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one-ten in the morning,
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water ruching over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era."
"That's very original of you," she replies,
dry as the Martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it
 another nine times.

When a woman loves a man, she wants him to meet her at the
 airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
 she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
Written by Emily Dickinson | Create an image from this poem

When Diamonds are a Legend

 When Diamonds are a Legend,
And Diadems -- a Tale --
I Brooch and Earrings for Myself,
Do sow, and Raise for sale --

And tho' I'm scarce accounted,
My Art, a Summer Day -- had Patrons --
Once -- it was a Queen --
And once -- a Butterfly --
Written by Charles Bukowski | Create an image from this poem

Girl In A Miniskirt Reading The Bible Outside My Window

 Sunday, I am eating a
grapefruit, church is over at the Russian 
Orthadox to the
west.

she is dark
of Eastern descent,
large brown eyes look up from the Bible
then down. a small red and black
Bible, and as she reads
her legs keep moving, moving,
she is doing a slow rythmic dance
reading the Bible. . .

long gold earrings;
2 gold bracelets on each arm,
and it's a mini-suit, I suppose,
the cloth hugs her body,
the lightest of tans is that cloth,
she twists this way and that,
long yellow legs warm in the sun. . .

there is no escaping her being
there is no desire to. . .

my radio is playing symphonic music
that she cannot hear
but her movements coincide exactly
to the rythms of the
symphony. . .

she is dark, she is dark
she is reading about God.
I am God.


Written by Marilyn L Taylor | Create an image from this poem

Reverie with Fries

 Straight-spined girl—yes, you of the glinting earrings,
amber skin and sinuous hair: what happened?
you’ve no business lunching with sticky children
here at McDonald’s.

Are they yours? How old were you when you had them?
You are far too dazzling to be their mother,
though I hear them spluttering Mommy Mommy
over the Muzak.

Do you plan to squander your precious twenties
wiping ketchup dripping from little fingers,
drowning your ennui in a Dr. Pepper
from the dispenser?

Were I you for one schizophrenic moment,
I’d display my pulchritude with a graceful
yet dismissive wave to the gathered burghers
feeding their faces—

find myself a job as a super-model,
get me to those Peloponnesian beaches
where I’d preen all day with a jug of ouzo
in my bikini.

Would I miss the gummy suburban vinyl,
hanker for the Happiest Meal on Main Street?
—Wouldn’t one spectacular shrug suffice for
begging the question?
Written by Rudyard Kipling | Create an image from this poem

The Sacrifice of Er-Heb

 Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.

The story of Bisesa, Armod's child, --
A maiden plighted to the Chief in War,
The Man of Sixty Spears, who held the Pass
That leads to Thibet, but to-day is gone
To seek his comfort of the God called Budh
The Silent -- showing how the Sickness ceased
Because of her who died to save the tribe.

Taman is One and greater than us all,
Taman is One and greater than all Gods:
Taman is Two in One and rides the sky,
Curved like a stallion's croup, from dusk to dawn,
And drums upon it with his heels, whereby
Is bred the neighing thunder in the hills.

This is Taman, the God of all Er-Heb,
Who was before all Gods, and made all Gods,
And presently will break the Gods he made,
And step upon the Earth to govern men
Who give him milk-dry ewes and cheat his Priests,
Or leave his shrine unlighted -- as Er-Heb
Left it unlighted and forgot Taman,
When all the Valley followed after Kysh
And Yabosh, little Gods but very wise,
And from the sky Taman beheld their sin.

He sent the Sickness out upon the hills,
The Red Horse Sickness with the iron hooves,
To turn the Valley to Taman again.

And the Red Horse snuffed thrice into the wind,
The naked wind that had no fear of him;
And the Red Horse stamped thrice upon the snow,
The naked snow that had no fear of him;
And the Red Horse went out across the rocks,
The ringing rocks that had no fear of him;
And downward, where the lean birch meets the snow,
And downward, where the gray pine meets the birch,
And downward, where the dwarf oak meets the pine,
Till at his feet our cup-like pastures lay.

That night, the slow mists of the evening dropped,
Dropped as a cloth upon a dead man's face,
And weltered in the Valley, bluish-white
Like water very silent -- spread abroad,
Like water very silent, from the Shrine
Unlighted of Taman to where the stream
Is dammed to fill our cattle-troughs -- sent up
White waves that rocked and heaved and then were still,
Till all the Valley glittered like a marsh,
Beneath the moonlight, filled with sluggish mist
Knee-deep, so that men waded as they walked.

That night, the Red Horse grazed above the Dam,
Beyond the cattle-troughs. Men heard him feed,
And those that heard him sickened where they lay.

Thus came the Sickness to Er-Heb, and slew
Ten men, strong men, and of the women four;
And the Red Horse went hillward with the dawn,
But near the cattle-troughs his hoof-prints lay.

That night, the slow mists of the evening dropped,
Dropped as a cloth upon the dead, but rose
A little higher, to a young girl's height;
Till all the Valley glittered like a lake,
Beneath the moonlight, filled with sluggish mist.

That night, the Red Horse grazed beyond the Dam,
A stone's-throw from the troughs. Men heard him feed,
And those that heard him sickened where they lay.
Thus came the Sickness to Er-Heb, and slew
Of men a score, and of the women eight,
And of the children two.

 Because the road
To Gorukh was a road of enemies,
And Ao-Safai was blocked with early snow,
We could not flee from out the Valley. Death
Smote at us in a slaughter-pen, and Kysh
Was mute as Yabosh, though the goats were slain;
And the Red Horse grazed nightly by the stream,
And later, outward, towards the Unlighted Shrine,
And those that heard him sickened where they lay.

Then said Bisesa to the Priests at dusk,
When the white mist rose up breast-high, and choked
The voices in the houses of the dead: --
"Yabosh and Kysh avail not. If the Horse
Reach the Unlighted Shrine we surely die.
Ye have forgotten of all Gods the Chief,
Taman!" Here rolled the thunder through the Hills
And Yabosh shook upon his pedestal.
"Ye have forgotten of all Gods the Chief
Too long." And all were dumb save one, who cried
On Yabosh with the Sapphire 'twixt His knees,
But found no answer in the smoky roof,
And, being smitten of the Sickness, died
Before the altar of the Sapphire Shrine.

Then said Bisesa: -- "I am near to Death,
And have the Wisdom of the Grave for gift
To bear me on the path my feet must tread.
If there be wealth on earth, then I am rich,
For Armod is the first of all Er-Heb;
If there be beauty on the earth," -- her eyes
Dropped for a moment to the temple floor, --
"Ye know that I am fair. If there be love,
Ye know that love is mine." The Chief in War,
The Man of Sixty Spears, broke from the press,
And would have clasped her, but the Priests withstood,
Saying: -- "She has a message from Taman."
Then said Bisesa: -- "By my wealth and love
And beauty, I am chosen of the God
Taman." Here rolled the thunder through the Hills
And Kysh fell forward on the Mound of Skulls.

In darkness, and before our Priests, the maid
Between the altars cast her bracelets down,
Therewith the heavy earrings Armod made,
When he was young, out of the water-gold
Of Gorukh -- threw the breast-plate thick with jade
Upon the turquoise anklets -- put aside
The bands of silver on her brow and neck;
And as the trinkets tinkled on the stones,
The thunder of Taman lowed like a bull.

Then said Bisesa, stretching out her hands,
As one in darkness fearing Devils: -- "Help!
O Priests, I am a woman very weak,
And who am I to know the will of Gods?
Taman hath called me -- whither shall I go?"
The Chief in War, the Man of Sixty Spears,
Howled in his torment, fettered by the Priests,
But dared not come to her to drag her forth,
And dared not lift his spear against the Priests.
Then all men wept.

 There was a Priest of Kysh
Bent with a hundred winters, hairless, blind,
And taloned as the great Snow-Eagle is.
His seat was nearest to the altar-fires,
And he was counted dumb among the Priests.
But, whether Kysh decreed, or from Taman
The impotent tongue found utterance we know
As little as the bats beneath the eaves.
He cried so that they heard who stood without: --
"To the Unlighted Shrine!" and crept aside
Into the shadow of his fallen God
And whimpered, and Bisesa went her way.

That night, the slow mists of the evening dropped,
Dropped as a cloth upon the dead, and rose
Above the roofs, and by the Unlighted Shrine
Lay as the slimy water of the troughs
When murrain thins the cattle of Er-Heb:
And through the mist men heard the Red Horse feed.

In Armod's house they burned Bisesa's dower,
And killed her black bull Tor, and broke her wheel,
And loosed her hair, as for the marriage-feast,
With cries more loud than mourning for the dead.

Across the fields, from Armod's dwelling-place,
We heard Bisesa weeping where she passed
To seek the Unlighted Shrine; the Red Horse neighed
And followed her, and on the river-mint
His hooves struck dead and heavy in our ears.

Out of the mists of evening, as the star
Of Ao-Safai climbs through the black snow-blur
To show the Pass is clear, Bisesa stepped
Upon the great gray slope of mortised stone,
The Causeway of Taman. The Red Horse neighed
Behind her to the Unlighted Shrine -- then fled
North to the Mountain where his stable lies.

They know who dared the anger of Taman,
And watched that night above the clinging mists,
Far up the hill, Bisesa's passing in.

She set her hand upon the carven door,
Fouled by a myriad bats, and black with time,
Whereon is graved the Glory of Taman
In letters older than the Ao-Safai;
And twice she turned aside and twice she wept,
Cast down upon the threshold, clamouring
For him she loved -- the Man of Sixty Spears,
And for her father, -- and the black bull Tor,
Hers and her pride. Yea, twice she turned away
Before the awful darkness of the door,
And the great horror of the Wall of Man
Where Man is made the plaything of Taman,
An Eyeless Face that waits above and laughs.

But the third time she cried and put her palms
Against the hewn stone leaves, and prayed Taman
To spare Er-Heb and take her life for price.

They know who watched, the doors were rent apart
And closed upon Bisesa, and the rain
Broke like a flood across the Valley, washed
The mist away; but louder than the rain
The thunder of Taman filled men with fear.

Some say that from the Unlighted Shrine she cried
For succour, very pitifully, thrice,
And others that she sang and had no fear.
And some that there was neither song nor cry,
But only thunder and the lashing rain.

Howbeit, in the morning men rose up,
Perplexed with horror, crowding to the Shrine.
And when Er-Heb was gathered at the doors
The Priests made lamentation and passed in
To a strange Temple and a God they feared
But knew not.

 From the crevices the grass
Had thrust the altar-slabs apart, the walls
Were gray with stains unclean, the roof-beams swelled
With many-coloured growth of rottenness,
And lichen veiled the Image of Taman
In leprosy. The Basin of the Blood
Above the altar held the morning sun:
A winking ruby on its heart: below,
Face hid in hands, the maid Bisesa lay.

Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.
Written by Rainer Maria Rilke | Create an image from this poem

Venetian Morning

 Windows pampered like princes always see
what on occasion deigns to trouble us:
the city that, time and again, where a shimmer
of sky strikes a feeling of floodtide,

takes shape without once choosing to be.
Each new morning must first show her the opals
she wore yesterday, and pull rows
of reflections out of the canal
and remind her of the other times:
only then does she concede and settle in

like a nymph who received great Zeus.
The dangling earrings ring out at her ear;
but she lifts San Giorgio Maggiore
and smiles idly into that lovely thing.
Written by Carl Sandburg | Create an image from this poem

Manufactured Gods

 THEY put up big wooden gods.
Then they burned the big wooden gods
And put up brass gods and
Changing their minds suddenly
Knocked down the brass gods and put up
A doughface god with gold earrings.
The poor mutts, the pathetic slant heads,
They didn’t know a little tin god
Is as good as anything in the line of gods
Nor how a little tin god answers prayer
And makes rain and brings luck
The same as a big wooden god or a brass
God or a doughface god with golden
Earrings.

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