Written by
Henry Wadsworth Longfellow |
UNDER a spreading chestnut tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms 5
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can, 10
And looks the whole world in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge 15
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door; 20
They love to see the flaming forge,
And hear the bellows roar,
And watch the burning sparks that fly
Like chaff from a threshing-floor.
He goes on Sunday to the church, 25
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.
30
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes 35
A tear out of his eyes.
Toiling,¡ªrejoicing,¡ªsorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close; 40
Something attempted, something done,
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life 45
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought!
|
Written by
Elizabeth Bishop |
I
A washing hangs upon the line,
but it's not mine.
None of the things that I can see
belong to me.
The neighbors got a radio with an aerial;
we got a little portable.
They got a lot of closet space;
we got a suitcase.
I say, "Le Roy, just how much are we owing?
Something I can't comprehend,
the more we got the more we spend.
.
.
.
"
He only answers, "Let's get going.
"
Le Roy, you're earning too much money now.
I sit and look at our backyard
and find it very hard.
What have we got for all his dollars and cents?
--A pile of bottles by the fence.
He's faithful and he's kind
but he sure has an inquiring mind.
He's seen a lot; he's bound to see the rest,
and if I protest
Le Roy answers with a frown,
"Darling, when I earns I spends.
The world is wide; it still extends.
.
.
.
I'm going to get a job in the next town.
"
Le Roy, you're earning too much money now.
II
The time has come to call a halt;
and so it ends.
He's gone off with his other friends.
He needn't try to make amends,
this occasion's all his fault.
Through rain and dark I see his face
across the street at Flossie's place.
He's drinking in the warm pink glow
to th' accompaniment of the piccolo.
*
The time has come to call a halt.
I met him walking with Varella
and hit him twice with my umbrella.
Perhaps that occasion was my fault,
but the time has come to call a halt.
Go drink your wine and go get tight.
Let the piccolo play.
I'm sick of all your fussing anyway.
Now I'm pursuing my own way.
I'm leaving on the bus tonight.
Far down the highway wet and black
I'll ride and ride and not come back.
I'm going to go and take the bus
and find someone monogamous.
The time has come to call a halt.
I've borrowed fifteen dollars fare
and it will take me anywhere.
For this occasion's all his fault.
The time has come to call a halt.
*Jukebox
III
Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.
Lullaby.
Let mations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.
Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.
Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.
Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.
IV
What's that shining in the leaves,
the shadowy leaves,
like tears when somebody grieves,
shining, shining in the leaves?
Is it dew or is it tears,
dew or tears,
hanging there for years and years
like a heavy dew of tears?
Then that dew begins to fall,
roll down and fall,
Maybe it's not tears at all.
See it, see it roll and fall.
Hear it falling on the ground,
hear, all around.
That is not a tearful sound,
beating, beating on the ground.
See it lying there like seeds,
like black seeds.
see it taking root like weeds,
faster, faster than the weeds,
all the shining seeds take root,
conspiring root,
and what curious flower or fruit
will grow from that conspiring root?
fruit or flower? It is a face.
Yes, a face.
In that dark and dreary place
each seed grows into a face.
Like an army in a dream
the faces seem,
darker, darker, like a dream.
They're too real to be a dream.
|
Written by
Henry Wadsworth Longfellow |
She dwells by Great Kenhawa's side,
In valleys green and cool;
And all her hope and all her pride
Are in the village school.
Her soul, like the transparent air
That robes the hills above,
Though not of earth, encircles there
All things with arms of love.
And thus she walks among her girls
With praise and mild rebukes;
Subduing e'en rude village churls
By her angelic looks.
She reads to them at eventide
Of One who came to save;
To cast the captive's chains aside
And liberate the slave.
And oft the blessed time foretells
When all men shall be free;
And musical, as silver bells,
Their falling chains shall be.
And following her beloved Lord,
In decent poverty,
She makes her life one sweet record
And deed of charity.
For she was rich, and gave up all
To break the iron bands
Of those who waited in her hall,
And labored in her lands.
Long since beyond the Southern Sea
Their outbound sails have sped,
While she, in meek humility,
Now earns her daily bread.
It is their prayers, which never cease,
That clothe her with such grace;
Their blessing is the light of peace
That shines upon her face.
|
Written by
Denise Levertov |
As swimmers dare
to lie face to the sky
and water bears them,
as hawks rest upon air
and air sustains them,
so would I learn to attain
freefall, and float
into Creator Spirit’s deep embrace,
knowing no effort earns
that all-surrounding grace.
|
Written by
Vasko Popa |
Each strips his own skin
Each bares his own constellation
Which has never seen the night
Each fills his skin with rocks
And plays with it
Lit by his own stars
Who doesn't stop till dawn
Who doesn't bat an eyelid or fall
Earns his own skin
(This game is rarely played)
|
Written by
Robert Burns |
O DEATH! thou tyrant fell and bloody!
The meikle devil wi’ a woodie
Haurl thee hame to his black smiddie,
O’er hurcheon hides,
And like stock-fish come o’er his studdie
Wi’ thy auld sides!
He’s gane, he’s gane! he’s frae us torn,
The ae best fellow e’er was born!
Thee, Matthew, Nature’s sel’ shall mourn,
By wood and wild,
Where haply, Pity strays forlorn,
Frae man exil’d.
Ye hills, near neighbours o’ the starns,
That proudly cock your cresting cairns!
Ye cliffs, the haunts of sailing earns,
Where Echo slumbers!
Come join, ye Nature’s sturdiest bairns,
My wailing numbers!
Mourn, ilka grove the cushat kens!
Ye haz’ly shaws and briery dens!
Ye burnies, wimplin’ down your glens,
Wi’ toddlin din,
Or foaming, strang, wi’ hasty stens,
Frae lin to lin.
Mourn, little harebells o’er the lea;
Ye stately foxgloves, fair to see;
Ye woodbines hanging bonilie,
In scented bow’rs;
Ye roses on your thorny tree,
The first o’ flow’rs.
At dawn, when ev’ry grassy blade
Droops with a diamond at his head,
At ev’n, when beans their fragrance shed,
I’ th’ rustling gale,
Ye maukins, whiddin thro’ the glade,
Come join my wail.
Mourn, ye wee songsters o’ the wood;
Ye grouse that crap the heather bud;
Ye curlews, calling thro’ a clud;
Ye whistling plover;
And mourn, we whirring paitrick brood;
He’s gane for ever!
Mourn, sooty coots, and speckled teals;
Ye fisher herons, watching eels;
Ye duck and drake, wi’ airy wheels
Circling the lake;
Ye bitterns, till the quagmire reels,
Rair for his sake.
Mourn, clam’ring craiks at close o’ day,
’Mang fields o’ flow’ring clover gay;
And when ye wing your annual way
Frae our claud shore,
Tell thae far warlds wha lies in clay,
Wham we deplore.
Ye houlets, frae your ivy bow’r
In some auld tree, or eldritch tow’r,
What time the moon, wi’ silent glow’r,
Sets up her horn,
Wail thro’ the dreary midnight hour,
Till waukrife morn!
O rivers, forests, hills, and plains!
Oft have ye heard my canty strains;
But now, what else for me remains
But tales of woe;
And frae my een the drapping rains
Maun ever flow.
Mourn, Spring, thou darling of the year!
Ilk cowslip cup shall kep a tear:
Thou, Simmer, while each corny spear
Shoots up its head,
Thy gay, green, flow’ry tresses shear,
For him that’s dead!
Thou, Autumn, wi’ thy yellow hair,
In grief thy sallow mantle tear!
Thou, Winter, hurling thro’ the air
The roaring blast,
Wide o’er the naked world declare
The worth we’ve lost!
Mourn him, thou Sun, great source of light!
Mourn, Empress of the silent night!
And you, ye twinkling starnies bright,
My Matthew mourn!
For through your orbs he’s ta’en his flight,
Ne’er to return.
O Henderson! the man! the brother!
And art thou gone, and gone for ever!
And hast thou crost that unknown river,
Life’s dreary bound!
Like thee, where shall I find another,
The world around!
Go to your sculptur’d tombs, ye Great,
In a’ the tinsel trash o’ state!
But by thy honest turf I’ll wait,
Thou man of worth!
And weep the ae best fellow’s fate
E’er lay in earth.
|
Written by
Henry Lawson |
Tall, and stout, and solid-looking,
Yet a wreck;
None would think Death's finger's hooking
Him from deck.
Cause of half the fun that's started --
`Hard-case' Dan --
Isn't like a broken-hearted,
Ruined man.
Walking-coat from tail to throat is
Frayed and greened --
Like a man whose other coat is
Being cleaned;
Gone for ever round the edging
Past repair --
Waistcoat pockets frayed with dredging
After `sprats' no longer there.
Wearing summer boots in June, or
Slippers worn and old --
Like a man whose other shoon are
Getting soled.
Pants? They're far from being recent --
But, perhaps, I'd better not --
Says they are the only decent
Pair he's got.
And his hat, I am afraid, is
Troubling him --
Past all lifting to the ladies
By the brim.
But, although he'd hardly strike a
Girl, would Dan,
Yet he wears his wreckage like a
Gentleman!
Once -- no matter how the rest dressed --
Up or down --
Once, they say, he was the best-dressed
Man in town.
Must have been before I knew him --
Now you'd scarcely care to meet
And be noticed talking to him
In the street.
Drink the cause, and dissipation,
That is clear --
Maybe friend or kind relation
Cause of beer.
And the talking fool, who never
Reads or thinks,
Says, from hearsay: `Yes, he's clever;
But, you know, he drinks.
'
Been an actor and a writer --
Doesn't whine --
Reckoned now the best reciter
In his line.
Takes the stage at times, and fills it --
`Princess May' or `Waterloo'.
Raise a sneer! -- his first line kills it,
`Brings 'em', too.
Where he lives, or how, or wherefore
No one knows;
Lost his real friends, and therefore
Lost his foes.
Had, no doubt, his own romances --
Met his fate;
Tortured, doubtless, by the chances
And the luck that comes too late.
Now and then his boots are polished,
Collar clean,
And the worst grease stains abolished
By ammonia or benzine:
Hints of some attempt to shove him
From the taps,
Or of someone left to love him --
Sister, p'r'aps.
After all, he is a grafter,
Earns his cheer --
Keeps the room in roars of laughter
When he gets outside a beer.
Yarns that would fall flat from others
He can tell;
How he spent his `stuff', my brothers,
You know well.
Manner puts a man in mind of
Old club balls and evening dress,
Ugly with a handsome kind of
Ugliness.
.
.
.
.
.
One of those we say of often,
While hearts swell,
Standing sadly by the coffin:
`He looks well.
'
.
.
.
.
.
We may be -- so goes a rumour --
Bad as Dan;
But we may not have the humour
Of the man;
Nor the sight -- well, deem it blindness,
As the general public do --
And the love of human kindness,
Or the GRIT to see it through!
|
Written by
Emily Dickinson |
My first well Day -- since many ill --
I asked to go abroad,
And take the Sunshine in my hands,
And see the things in Pod --
A 'blossom just when I went in
To take my Chance with pain --
Uncertain if myself, or He,
Should prove the strongest One.
The Summer deepened, while we strove --
She put some flowers away --
And Redder cheeked Ones -- in their stead --
A fond -- illusive way --
To cheat Herself, it seemed she tried --
As if before a child
To fade -- Tomorrow -- Rainbows held
The Sepulchre, could hide.
She dealt a fashion to the Nut --
She tied the Hoods to Seeds --
She dropped bright scraps of Tint, about --
And left Brazilian Threads
On every shoulder that she met --
Then both her Hands of Haze
Put up -- to hide her parting Grace
From our unfitted eyes.
My loss, by sickness -- Was it Loss?
Or that Ethereal Gain
One earns by measuring the Grave --
Then -- measuring the Sun --
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