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Best Famous Drench Poems

Here is a collection of the all-time best famous Drench poems. This is a select list of the best famous Drench poetry. Reading, writing, and enjoying famous Drench poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drench poems.

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Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.
' 'Well then, if we agree, it is not odd that one man's devil is another's god or that the solar spectrum is a multitude of shaded grays; suspense on the quicksands of ambivalence is our life's whole nemesis.
So we could rave on, darling, you and I, until the stars tick out a lullaby about each cosmic pro and con; nothing changes, for all the blazing of our drastic jargon, but clock hands that move implacably from twelve to one.
We raise our arguments like sitting ducks to knock them down with logic or with luck and contradict ourselves for fun; the waitress holds our coats and we put on the raw wind like a scarf; love is a faun who insists his playmates run.
Now you, my intellectual leprechaun, would have me swallow the entire sun like an enormous oyster, down the ocean in one gulp: you say a mark of comet hara-kiri through the dark should inflame the sleeping town.
So kiss: the drunks upon the curb and dames in dubious doorways forget their monday names, caper with candles in their heads; the leaves applaud, and santa claus flies in scattering candy from a zeppelin, playing his prodigal charades.
The moon leans down to took; the tilting fish in the rare river wink and laugh; we lavish blessings right and left and cry hello, and then hello again in deaf churchyard ears until the starlit stiff graves all carol in reply.
Now kiss again: till our strict father leans to call for curtain on our thousand scenes; brazen actors mock at him, multiply pink harlequins and sing in gay ventriloquy from wing to wing while footlights flare and houselights dim.
Tell now, we taunq where black or white begins and separate the flutes from violins: the algebra of absolutes explodes in a kaleidoscope of shapes that jar, while each polemic jackanapes joins his enemies' recruits.
The paradox is that 'the play's the thing': though prima donna pouts and critic stings, there burns throughout the line of words, the cultivated act, a fierce brief fusion which dreamers call real, and realists, illusion: an insight like the flight of birds: Arrows that lacerate the sky, while knowing the secret of their ecstasy's in going; some day, moving, one will drop, and, dropping, die, to trace a wound that heals only to reopen as flesh congeals: cycling phoenix never stops.
So we shall walk barefoot on walnut shells of withered worlds, and stamp out puny hells and heavens till the spirits squeak surrender: to build our bed as high as jack's bold beanstalk; lie and love till sharp scythe hacks away our rationed days and weeks.
Then jet the blue tent topple, stars rain down, and god or void appall us till we drown in our own tears: today we start to pay the piper with each breath, yet love knows not of death nor calculus above the simple sum of heart plus heart.


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Sylvia Plath | Create an image from this poem

Southern Sunrise

 Color of lemon, mango, peach,
These storybook villas
Still dream behind
Shutters, thier balconies
Fine as hand-
Made lace, or a leaf-and-flower pen-sketch.
Tilting with the winds, On arrowy stems, Pineapple-barked, A green crescent of palms Sends up its forked Firework of fronds.
A quartz-clear dawn Inch by bright inch Gilds all our Avenue, And out of the blue drench Of Angels' Bay Rises the round red watermelon sun.
Written by Kenneth Slessor | Create an image from this poem

Five Bells

 Time that is moved by little fidget wheels 
Is not my time, the flood that does not flow.
Between the double and the single bell Of a ship's hour, between a round of bells From the dark warship riding there below, I have lived many lives, and this one life Of Joe, long dead, who lives between five bells.
Deep and dissolving verticals of light Ferry the falls of moonshine down.
Five bells Coldly rung out in a machine's voice.
Night and water Pour to one rip of darkness, the Harbour floats In the air, the Cross hangs upside-down in water.
Why do I think of you, dead man, why thieve These profitless lodgings from the flukes of thought Anchored in Time? You have gone from earth, Gone even from the meaning of a name; Yet something's there, yet something forms its lips And hits and cries against the ports of space, Beating their sides to make its fury heard.
Are you shouting at me, dead man, squeezing your face In agonies of speech on speechless panes? Cry louder, beat the windows, bawl your name! But I hear nothing, nothing.
.
.
only bells, Five bells, the bumpkin calculus of Time.
Your echoes die, your voice is dowsed by Life, There's not a mouth can fly the pygmy strait - Nothing except the memory of some bones Long shoved away, and sucked away, in mud; And unimportant things you might have done, Or once I thought you did; but you forgot, And all have now forgotten - looks and words And slops of beer; your coat with buttons off, Your gaunt chin and pricked eye, and raging tales Of Irish kings and English perfidy, And dirtier perfidy of publicans Groaning to God from Darlinghurst.
Five bells.
Then I saw the road, I heard the thunder Tumble, and felt the talons of the rain The night we came to Moorebank in slab-dark, So dark you bore no body, had no face, But a sheer voice that rattled out of air (As now you'd cry if I could break the glass), A voice that spoke beside me in the bush, Loud for a breath or bitten off by wind, Of Milton, melons, and the Rights of Man, And blowing flutes, and how Tahitian girls Are brown and angry-tongued, and Sydney girls Are white and angry-tongued, or so you'd found.
But all I heard was words that didn't join So Milton became melons, melons girls, And fifty mouths, it seemed, were out that night, And in each tree an Ear was bending down, Or something that had just run, gone behind the grass, When blank and bone-white, like a maniac's thought, The naphtha-flash of lightning slit the sky, Knifing the dark with deathly photographs.
There's not so many with so poor a purse Or fierce a need, must fare by night like that, Five miles in darkness on a country track, But when you do, that's what you think.
Five bells.
In Melbourne, your appetite had gone, Your angers too; they had been leeched away By the soft archery of summer rains And the sponge-paws of wetness, the slow damp That stuck the leaves of living, snailed the mind, And showed your bones, that had been sharp with rage, The sodden ectasies of rectitude.
I thought of what you'd written in faint ink, Your journal with the sawn-off lock, that stayed behind With other things you left, all without use, All without meaning now, except a sign That someone had been living who now was dead: "At Labassa.
Room 6 x 8 On top of the tower; because of this, very dark And cold in winter.
Everything has been stowed Into this room - 500 books all shapes And colours, dealt across the floor And over sills and on the laps of chairs; Guns, photoes of many differant things And differant curioes that I obtained.
.
.
" In Sydney, by the spent aquarium-flare Of penny gaslight on pink wallpaper, We argued about blowing up the world, But you were living backward, so each night You crept a moment closer to the breast, And they were living, all of them, those frames And shapes of flesh that had perplexed your youth, And most your father, the old man gone blind, With fingers always round a fiddle's neck, That graveyard mason whose fair monuments And tablets cut with dreams of piety Rest on the bosoms of a thousand men Staked bone by bone, in quiet astonishment At cargoes they had never thought to bear, These funeral-cakes of sweet and sculptured stone.
Where have you gone? The tide is over you, The turn of midnight water's over you, As Time is over you, and mystery, And memory, the flood that does not flow.
You have no suburb, like those easier dead In private berths of dissolution laid - The tide goes over, the waves ride over you And let their shadows down like shining hair, But they are Water; and the sea-pinks bend Like lilies in your teeth, but they are Weed; And you are only part of an Idea.
I felt the wet push its black thumb-balls in, The night you died, I felt your eardrums crack, And the short agony, the longer dream, The Nothing that was neither long nor short; But I was bound, and could not go that way, But I was blind, and could not feel your hand.
If I could find an answer, could only find Your meaning, or could say why you were here Who now are gone, what purpose gave you breath Or seized it back, might I not hear your voice? I looked out my window in the dark At waves with diamond quills and combs of light That arched their mackerel-backs and smacked the sand In the moon's drench, that straight enormous glaze, And ships far off asleep, and Harbour-buoys Tossing their fireballs wearily each to each, And tried to hear your voice, but all I heard Was a boat's whistle, and the scraping squeal Of seabirds' voices far away, and bells, Five bells.
Five bells coldly ringing out.
Five bells.
Written by Aleksandr Blok | Create an image from this poem

The Twelve

 III 
Our sons have gone 
to serve the Reds 
to serve the Reds 
to risk their heads! 

O bitter,bitter pain, 
Sweet living! 
A torn overcoat 
an Austrian gun! 

-To get the bourgeosie 
We'll start a fire 
a worldwide fire, and drench it 
in blood- 
The good Lord bless us! 


-O you bitter bitterness, 
boring boredom, 
deadly boredom.
This is how I will spend my time.
This is how I will scratch my head, munch on seeds, some sunflower seeds, play with my knife play with my knife.
You bourgeosie, fly as a sparrow! I'll drink your blood, your warm blood, for love, for dark-eyed love.
God, let this soul, your servant, rest in peace.
Such boredom! XII .
.
.
On they march with sovereign tread.
.
.
‘Who else goes there? Come out! I said come out!’ It is the wind and the red flag plunging gaily at their head.
The frozen snow-drift looms in front.
‘Who’s in the drift! Come out! Come here!’ There’s only the homeless mongrel runt limping wretchedly in the rear .
.
.
‘You mangy beast, out of the way before you taste my bayonet.
Old mongrel world, clear off I say! I’ll have your hide to sole my boot! The shivering cur, the mongrel cur bares his teeth like a hungry wolf, droops his tail, but does not stir .
.
.
‘Hey answer, you there, show yourself.
’ ‘Who’s that waving the red flag?’ ‘Try and see! It’s as dark as the tomb!’ ‘Who’s that moving at a jog trot, keeping to the back-street gloom?’ ‘Don’t you worry ~ I’ll catch you yet; better surrender to me alive!’ ‘Come out, comrade, or you’ll regret it ~ we’ll fire when I’ve counted five!’ Crack ~ crack ~ crack! But only the echo answers from among the eaves .
.
.
The blizzard splits his seams, the snow laughs wildly up the wirlwind’s sleeve .
.
.
Crack ~ crack ~ crack! Crack ~ crack ~ crack! .
.
.
So they march with sovereign tread .
.
.
Behind them limps the hungry dog, and wrapped in wild snow at their head carrying a blood-red flag ~ soft-footed where the blizzard swirls, invulnerable where bullets crossed ~ crowned with a crown of snowflake pearls, a flowery diadem of frost, ahead of them goes Jesus Christ.


Written by Edwin Arlington Robinson | Create an image from this poem

John Brown

 Though for your sake I would not have you now 
So near to me tonight as now you are, 
God knows how much a stranger to my heart 
Was any cold word that I may have written; 
And you, poor woman that I made my wife,
You have had more of loneliness, I fear, 
Than I—though I have been the most alone, 
Even when the most attended.
So it was God set the mark of his inscrutable Necessity on one that was to grope, And serve, and suffer, and withal be glad For what was his, and is, and is to be, When his old bones, that are a burden now, Are saying what the man who carried them Had not the power to say.
Bones in a grave, Cover them as they will with choking earth, May shout the truth to men who put them there, More than all orators.
And so, my dear, Since you have cheated wisdom for the sake Of sorrow, let your sorrow be for you, This last of nights before the last of days, The lying ghost of what there is of me That is the most alive.
There is no death For me in what they do.
Their death it is They should heed most when the sun comes again To make them solemn.
There are some I know Whose eyes will hardly see their occupation, For tears in them—and all for one old man; For some of them will pity this old man, Who took upon himself the work of God Because he pitied millions.
That will be For them, I fancy, their compassionate Best way of saying what is best in them To say; for they can say no more than that, And they can do no more than what the dawn Of one more day shall give them light enough To do.
But there are many days to be, And there are many men to give their blood, As I gave mine for them.
May they come soon! May they come soon, I say.
And when they come, May all that I have said unheard be heard, Proving at last, or maybe not—no matter— What sort of madness was the part of me That made me strike, whether I found the mark Or missed it.
Meanwhile, I’ve a strange content, A patience, and a vast indifference To what men say of me and what men fear To say.
There was a work to be begun, And when the Voice, that I have heard so long, Announced as in a thousand silences An end of preparation, I began The coming work of death which is to be, That life may be.
There is no other way Than the old way of war for a new land That will not know itself and is tonight A stranger to itself, and to the world A more prodigious upstart among states Than I was among men, and so shall be Till they are told and told, and told again; For men are children, waiting to be told, And most of them are children all their lives.
The good God in his wisdom had them so, That now and then a madman or a seer May shake them out of their complacency And shame them into deeds.
The major file See only what their fathers may have seen, Or may have said they saw when they saw nothing.
I do not say it matters what they saw.
Now and again to some lone soul or other God speaks, and there is hanging to be done,— As once there was a burning of our bodies Alive, albeit our souls were sorry fuel.
But now the fires are few, and we are poised Accordingly, for the state’s benefit, A few still minutes between heaven and earth.
The purpose is, when they have seen enough Of what it is that they are not to see, To pluck me as an unripe fruit of treason, And then to fling me back to the same earth Of which they are, as I suppose, the flower— Not given to know the riper fruit that waits For a more comprehensive harvesting.
Yes, may they come, and soon.
Again I say, May they come soon!—before too many of them Shall be the bloody cost of our defection.
When hell waits on the dawn of a new state, Better it were that hell should not wait long,— Or so it is I see it who should see As far or farther into time tonight Than they who talk and tremble for me now, Or wish me to those everlasting fires That are for me no fear.
Too many fires Have sought me out and seared me to the bone— Thereby, for all I know, to temper me For what was mine to do.
If I did ill What I did well, let men say I was mad; Or let my name for ever be a question That will not sleep in history.
What men say I was will cool no cannon, dull no sword, Invalidate no truth.
Meanwhile, I was; And the long train is lighted that shall burn, Though floods of wrath may drench it, and hot feet May stamp it for a slight time into smoke That shall blaze up again with growing speed, Until at last a fiery crash will come To cleanse and shake a wounded hemisphere, And heal it of a long malignity That angry time discredits and disowns.
Tonight there are men saying many things; And some who see life in the last of me Will answer first the coming call to death; For death is what is coming, and then life.
I do not say again for the dull sake Of speech what you have heard me say before, But rather for the sake of all I am, And all God made of me.
A man to die As I do must have done some other work Than man’s alone.
I was not after glory, But there was glory with me, like a friend, Throughout those crippling years when friends were few, And fearful to be known by their own names When mine was vilified for their approval.
Yet friends they are, and they did what was given Their will to do; they could have done no more.
I was the one man mad enough, it seems, To do my work; and now my work is over.
And you, my dear, are not to mourn for me, Or for your sons, more than a soul should mourn In Paradise, done with evil and with earth.
There is not much of earth in what remains For you; and what there may be left of it For your endurance you shall have at last In peace, without the twinge of any fear For my condition; for I shall be done With plans and actions that have heretofore Made your days long and your nights ominous With darkness and the many distances That were between us.
When the silence comes, I shall in faith be nearer to you then Than I am now in fact.
What you see now Is only the outside of an old man, Older than years have made him.
Let him die, And let him be a thing for little grief.
There was a time for service and he served; And there is no more time for anything But a short gratefulness to those who gave Their scared allegiance to an enterprise That has the name of treason—which will serve As well as any other for the present.
There are some deeds of men that have no names, And mine may like as not be one of them.
I am not looking far for names tonight.
The King of Glory was without a name Until men gave Him one; yet there He was, Before we found Him and affronted Him With numerous ingenuities of evil, Of which one, with His aid, is to be swept And washed out of the world with fire and blood.
Once I believed it might have come to pass With a small cost of blood; but I was dreaming— Dreaming that I believed.
The Voice I heard When I left you behind me in the north,— To wait there and to wonder and grow old Of loneliness,—told only what was best, And with a saving vagueness, I should know Till I knew more.
And had I known even then— After grim years of search and suffering, So many of them to end as they began— After my sickening doubts and estimations Of plans abandoned and of new plans vain— After a weary delving everywhere For men with every virtue but the Vision— Could I have known, I say, before I left you That summer morning, all there was to know— Even unto the last consuming word That would have blasted every mortal answer As lightning would annihilate a leaf, I might have trembled on that summer morning; I might have wavered; and I might have failed.
And there are many among men today To say of me that I had best have wavered.
So has it been, so shall it always be, For those of us who give ourselves to die Before we are so parcelled and approved As to be slaughtered by authority.
We do not make so much of what they say As they of what our folly says of us; They give us hardly time enough for that, And thereby we gain much by losing little.
Few are alive to-day with less to lose.
Than I who tell you this, or more to gain; And whether I speak as one to be destroyed For no good end outside his own destruction, Time shall have more to say than men shall hear Between now and the coming of that harvest Which is to come.
Before it comes, I go— By the short road that mystery makes long For man’s endurance of accomplishment.
I shall have more to say when I am dead.
Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam A. H. H.

Strong Son of God, immortal Love,
   Whom we, that have not seen thy face,
   By faith, and faith alone, embrace,
Believing where we cannot prove;
 
Thine are these orbs of light and shade;
   Thou madest Life in man and brute;
   Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
 
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
 
Thou seemest human and divine,
   The highest, holiest manhood, thou.
   Our wills are ours, we know not how;
Our wills are ours, to make them thine.
 
Our little systems have their day;
   They have their day and cease to be:
   They are but broken lights of thee,
And thou, O Lord, art more than they.
 
We have but faith: we cannot know;
   For knowledge is of things we see
   And yet we trust it comes from thee,
A beam in darkness: let it grow.
 
Let knowledge grow from more to more,
   But more of reverence in us dwell;
   That mind and soul, according well,
May make one music as before,
 
But vaster. We are fools and slight;
   We mock thee when we do not fear:
   But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
 
Forgive what seem'd my sin in me;
   What seem'd my worth since I began;
   For merit lives from man to man,
And not from man, O Lord, to thee.
 
Forgive my grief for one removed,
   Thy creature, whom I found so fair.
   I trust he lives in thee, and there
I find him worthier to be loved.
 
Forgive these wild and wandering cries,
   Confusions of a wasted youth;
   Forgive them where they fail in truth,
And in thy wisdom make me wise.
 
I
I held it truth, with him who sings
   To one clear harp in divers tones,
   That men may rise on stepping-stones
Of their dead selves to higher things.
 
But who shall so forecast the years
   And find in loss a gain to match?
   Or reach a hand thro' time to catch
The far-off interest of tears?
 
Let Love clasp Grief lest both be drown'd,
   Let darkness keep her raven gloss:
   Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
 
Than that the victor Hours should scorn
   The long result of love, and boast,
   `Behold the man that loved and lost,
But all he was is overworn.'
 
II
Old Yew, which graspest at the stones
   That name the under-lying dead,
   Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
 
The seasons bring the flower again,
   And bring the firstling to the flock;
   And in the dusk of thee, the clock
Beats out the little lives of men.
 
O, not for thee the glow, the bloom,
   Who changest not in any gale,
   Nor branding summer suns avail
To touch thy thousand years of gloom:
 
And gazing on thee, sullen tree,
   Sick for thy stubborn hardihood,
   I seem to fail from out my blood
And grow incorporate into thee.
 
III
O Sorrow, cruel fellowship,
   O Priestess in the vaults of Death,
   O sweet and bitter in a breath,
What whispers from thy lying lip?
 
'The stars,' she whispers, `blindly run;
   A web is wov'n across the sky;
   From out waste places comes a cry,
And murmurs from the dying sun:
 
'And all the phantom, Nature, stands—
   With all the music in her tone,
   A hollow echo of my own,—
A hollow form with empty hands.'
 
And shall I take a thing so blind,
   Embrace her as my natural good;
   Or crush her, like a vice of blood,
Upon the threshold of the mind?
 
IV
To Sleep I give my powers away;
   My will is bondsman to the dark;
   I sit within a helmless bark,
And with my heart I muse and say:
 
O heart, how fares it with thee now,
   That thou should'st fail from thy desire,
   Who scarcely darest to inquire,
'What is it makes me beat so low?'
 
Something it is which thou hast lost,
   Some pleasure from thine early years.
   Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
 
Such clouds of nameless trouble cross
   All night below the darken'd eyes;
   With morning wakes the will, and cries, 
'Thou shalt not be the fool of loss.'
 
V
I sometimes hold it half a sin
   To put in words the grief I feel;
   For words, like Nature, half reveal
And half conceal the Soul within.
 
But, for the unquiet heart and brain,
   A use in measured language lies;
   The sad mechanic exercise,
Like dull narcotics, numbing pain.
 
In words, like weeds, I'll wrap me o'er,
   Like coarsest clothes against the cold:
   But that large grief which these enfold
Is given in outline and no more.
 
VI
One writes, that `Other friends remain,'
   That `Loss is common to the race'—
   And common is the commonplace,
And vacant chaff well meant for grain.
 
That loss is common would not make
   My own less bitter, rather more:
   Too common! Never morning wore
To evening, but some heart did break.
 
O father, wheresoe'er thou be,
   Who pledgest now thy gallant son;
   A shot, ere half thy draught be done,
Hath still'd the life that beat from thee.
 
O mother, praying God will save
   Thy sailor,—while thy head is bow'd,
   His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
 
Ye know no more than I who wrought
   At that last hour to please him well;
   Who mused on all I had to tell,
And something written, something thought;
 
Expecting still his advent home;
   And ever met him on his way
   With wishes, thinking, `here to-day,'
Or `here to-morrow will he come.'
 
O somewhere, meek, unconscious dove,
   That sittest ranging golden hair;
   And glad to find thyself so fair,
Poor child, that waitest for thy love!
 
For now her father's chimney glows
   In expectation of a guest;
   And thinking `this will please him best,'
She takes a riband or a rose;
 
For he will see them on to-night;
   And with the thought her colour burns;
   And, having left the glass, she turns
Once more to set a ringlet right;
 
And, even when she turn'd, the curse
   Had fallen, and her future Lord
   Was drown'd in passing thro' the ford,
Or kill'd in falling from his horse.
 
O what to her shall be the end?
   And what to me remains of good?
   To her, perpetual maidenhood,
And unto me no second friend.
 
VII
Dark house, by which once more I stand
   Here in the long unlovely street,
   Doors, where my heart was used to beat
So quickly, waiting for a hand,
 
A hand that can be clasp'd no more—
   Behold me, for I cannot sleep,
   And like a guilty thing I creep
At earliest morning to the door.
 
He is not here; but far away
   The noise of life begins again,
   And ghastly thro' the drizzling rain
On the bald street breaks the blank day.
 
VIII
A happy lover who has come
   To look on her that loves him well,
   Who 'lights and rings the gateway bell,
And learns her gone and far from home;
 
He saddens, all the magic light
   Dies off at once from bower and hall,
   And all the place is dark, and all
The chambers emptied of delight:
 
So find I every pleasant spot
   In which we two were wont to meet,
   The field, the chamber, and the street,
For all is dark where thou art not.
 
Yet as that other, wandering there
   In those deserted walks, may find
   A flower beat with rain and wind,
Which once she foster'd up with care;
 
So seems it in my deep regret,
   O my forsaken heart, with thee
   And this poor flower of poesy
Which little cared for fades not yet.
 
But since it pleased a vanish'd eye,
   I go to plant it on his tomb,
   That if it can it there may bloom,
Or, dying, there at least may die.
 
IX
Fair ship, that from the Italian shore
   Sailest the placid ocean-plains
   With my lost Arthur's loved remains,
Spread thy full wings, and waft him o'er.
 
So draw him home to those that mourn
   In vain; a favourable speed
   Ruffle thy mirror'd mast, and lead
Thro' prosperous floods his holy urn.
 
All night no ruder air perplex
   Thy sliding keel, till Phosphor, bright
   As our pure love, thro' early light
Shall glimmer on the dewy decks.
 
Sphere all your lights around, above;
   Sleep, gentle heavens, before the prow;
   Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
 
My Arthur, whom I shall not see
   Till all my widow'd race be run;
   Dear as the mother to the son,
More than my brothers are to me.
 
X
I hear the noise about thy keel;
   I hear the bell struck in the night:
   I see the cabin-window bright;
I see the sailor at the wheel.
 
Thou bring'st the sailor to his wife,
   And travell'd men from foreign lands;
   And letters unto trembling hands;
And, thy dark freight, a vanish'd life.
 
So bring him; we have idle dreams:
   This look of quiet flatters thus
   Our home-bred fancies. O to us,
The fools of habit, sweeter seems
 
To rest beneath the clover sod,
   That takes the sunshine and the rains,
   Or where the kneeling hamlet drains
The chalice of the grapes of God;
 
Than if with thee the roaring wells
   Should gulf him fathom-deep in brine;
   And hands so often clasp'd in mine,
Should toss with tangle and with shells.
 
XI
Calm is the morn without a sound,
   Calm as to suit a calmer grief,
   And only thro' the faded leaf
The chestnut pattering to the ground:
 
Calm and deep peace on this high world,
   And on these dews that drench the furze,
   And all the silvery gossamers
That twinkle into green and gold:
 
Calm and still light on yon great plain
   That sweeps with all its autumn bowers,
   And crowded farms and lessening towers,
To mingle with the bounding main:
 
Calm and deep peace in this wide air,
   These leaves that redden to the fall;
   And in my heart, if calm at all,
If any calm, a calm despair:
 
Calm on the seas, and silver sleep,
   And waves that sway themselves in rest,
   And dead calm in that noble breast
Which heaves but with the heaving deep.
 
XII
Lo, as a dove when up she springs
   To bear thro' Heaven a tale of woe,
   Some dolorous message knit below
The wild pulsation of her wings;
 
Like her I go; I cannot stay;
   I leave this mortal ark behind,
   A weight of nerves without a mind,
And leave the cliffs, and haste away
 
O'er ocean-mirrors rounded large,
   And reach the glow of southern skies,
   And see the sails at distance rise,
And linger weeping on the marge,
 
And saying; `Comes he thus, my friend?
   Is this the end of all my care?'
   And circle moaning in the air:
'Is this the end? Is this the end?'
 
And forward dart again, and play
   About the prow, and back return
   To where the body sits, and learn
That I have been an hour away.
 
XIII
Tears of the widower, when he sees
   A late-lost form that sleep reveals,
   And moves his doubtful arms, and feels
Her place is empty, fall like these;
 
Which weep a loss for ever new,
   A void where heart on heart reposed;
   And, where warm hands have prest and closed,
Silence, till I be silent too.
 
Which weep the comrade of my choice,
   An awful thought, a life removed,
   The human-hearted man I loved,
A Spirit, not a breathing voice.
 
Come, Time, and teach me, many years,
   I do not suffer in a dream;
   For now so strange do these things seem,
Mine eyes have leisure for their tears;
 
My fancies time to rise on wing,
   And glance about the approaching sails,
   As tho' they brought but merchants' bales,
And not the burthen that they bring.
 
XIV
If one should bring me this report,
   That thou hadst touch'd the land to-day,
   And I went down unto the quay,
And found thee lying in the port;
 
And standing, muffled round with woe,
   Should see thy passengers in rank
   Come stepping lightly down the plank,
And beckoning unto those they know;
 
And if along with these should come
   The man I held as half-divine;
   Should strike a sudden hand in mine,
And ask a thousand things of home;
 
And I should tell him all my pain,
   And how my life had droop'd of late,
   And he should sorrow o'er my state
And marvel what possess'd my brain;
 
And I perceived no touch of change,
   No hint of death in all his frame,
   But found him all in all the same,
I should not feel it to be strange.
 
XV
To-night the winds begin to rise
   And roar from yonder dropping day:
   The last red leaf is whirl'd away,
The rooks are blown about the skies;
 
The forest crack'd, the waters curl'd,
   The cattle huddled on the lea;
   And wildly dash'd on tower and tree
The sunbeam strikes along the world:
 
And but for fancies, which aver
   That all thy motions gently pass
   Athwart a plane of molten glass,
I scarce could brook the strain and stir
 
That makes the barren branches loud;
   And but for fear it is not so,
   The wild unrest that lives in woe
Would dote and pore on yonder cloud
 
That rises upward always higher,
   And onward drags a labouring breast,
   And topples round the dreary west,
A looming bastion fringed with fire.
 
XVI
What words are these have falle'n from me?
   Can calm despair and wild unrest
   Be tenants of a single breast,
Or sorrow such a changeling be?
 
Or cloth she only seem to take
   The touch of change in calm or storm;
   But knows no more of transient form
In her deep self, than some dead lake
 
That holds the shadow of a lark
   Hung in the shadow of a heaven?
   Or has the shock, so harshly given,
Confused me like the unhappy bark
 
That strikes by night a craggy shelf,
   And staggers blindly ere she sink?
   And stunn'd me from my power to think
And all my knowledge of myself;
 
And made me that delirious man
   Whose fancy fuses old and new,
   And flashes into false and true,
And mingles all without a plan?
 
XVII
Thou comest, much wept for: such a breeze
   Compell'd thy canvas, and my prayer
   Was as the whisper of an air
To breathe thee over lonely seas.
 
For I in spirit saw thee move
   Thro' circles of the bounding sky,
   Week after week: the days go by:
Come quick, thou bringest all I love.
 
Henceforth, wherever thou may'st roam,
   My blessing, like a line of light,
   Is on the waters day and night,
And like a beacon guards thee home.
 
So may whatever tempest mars
   Mid-ocean, spare thee, sacred bark;
   And balmy drops in summer dark
Slide from the bosom of the stars.
 
So kind an office hath been done,
   Such precious relics brought by thee;
   The dust of him I shall not see
Till all my widow'd race be run.
 
XVIII
'Tis well; 'tis something; we may stand
   Where he in English earth is laid,
   And from his ashes may be made
The violet of his native land.
 
'Tis little; but it looks in truth
   As if the quiet bones were blest
   Among familiar names to rest
And in the places of his youth.
 
Come then, pure hands, and bear the head
   That sleeps or wears the mask of sleep,
   And come, whatever loves to weep,
And hear the ritual of the dead.
 
Ah yet, ev'n yet, if this might be,
   I, falling on his faithful heart,
   Would breathing thro' his lips impart
The life that almost dies in me;
 
That dies not, but endures with pain,
   And slowly forms the firmer mind,
   Treasuring the look it cannot find,
The words that are not heard again.
 
XIX
The Danube to the Severn gave
   The darken'd heart that beat no more;
   They laid him by the pleasant shore,
And in the hearing of the wave.
 
There twice a day the Severn fills;
   The salt sea-water passes by,
   And hushes half the babbling Wye,
And makes a silence in the hills.
 
The Wye is hush'd nor moved along,
   And hush'd my deepest grief of all,
   When fill'd with tears that cannot fall,
I brim with sorrow drowning song.
 
The tide flows down, the wave again
   Is vocal in its wooded walls;
   My deeper anguish also falls,
And I can speak a little then.
 
XX
The lesser griefs that may be said,
   That breathe a thousand tender vows,
   Are but as servants in a house
Where lies the master newly dead;
 
Who speak their feeling as it is,
   And weep the fulness from the mind:
   `It will be hard,' they say, `to find
Another service such as this.'
 
My lighter moods are like to these,
   That out of words a comfort win;
   But there are other griefs within,
And tears that at their fountain freeze;
 
For by the hearth the children sit
   Cold in that atmosphere of Death,
   And scarce endure to draw the breath,
Or like to noiseless phantoms flit;
 
But open converse is there none,
   So much the vital spirits sink
   To see the vacant chair, and think,
'How good! how kind! and he is gone.'
 
XXI
I sing to him that rests below,
   And, since the grasses round me wave,
   I take the grasses of the grave,
And make them pipes whereon to blow.
 
The traveller hears me now and then,
   And sometimes harshly will he speak:
   `This fellow would make weakness weak,
And melt the waxen hearts of men.'
 
Another answers, `Let him be,
   He loves to make parade of pain
   That with his piping he may gain
The praise that comes to constancy.'
 
A third is wroth: `Is this an hour
   For private sorrow's barren song,
   When more and more the people throng
The chairs and thrones of civil power?
 
'A time to sicken and to swoon,
   When Science reaches forth her arms
   To feel from world to world, and charms
Her secret from the latest moon?'
 
Behold, ye speak an idle thing:
   Ye never knew the sacred dust:
   I do but sing because I must,
And pipe but as the linnets sing:
 
And one is glad; her note is gay,
   For now her little ones have ranged;
   And one is sad; her note is changed,
Because her brood is stol'n away.
 
XXII
The path by which we twain did go,
   Which led by tracts that pleased us well,
   Thro' four sweet years arose and fell,
From flower to flower, from snow to snow:
 
And we with singing cheer'd the way,
   And, crown'd with all the season lent,
   From April on to April went,
And glad at heart from May to May:
 
But where the path we walk'd began
   To slant the fifth autumnal slope,
   As we descended following Hope,
There sat the Shadow fear'd of man;
 
Who broke our fair companionship,
   And spread his mantle dark and cold,
   And wrapt thee formless in the fold,
And dull'd the murmur on thy lip,
 
And bore thee where I could not see
   Nor follow, tho' I walk in haste,
   And think, that somewhere in the waste
The Shadow sits and waits for me.
 
XXIII
Now, sometimes in my sorrow shut,
   Or breaking into song by fits,
   Alone, alone, to where he sits,
The Shadow cloak'd from head to foot,
 
Who keeps the keys of all the creeds,
   I wander, often falling lame,
   And looking back to whence I came,
Or on to where the pathway leads;
 
And crying, How changed from where it ran
   Thro' lands where not a leaf was dumb;
   But all the lavish hills would hum
The murmur of a happy Pan:
 
When each by turns was guide to each,
   And Fancy light from Fancy caught,
   And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
 
And all we met was fair and good,
   And all was good that Time could bring,
   And all the secret of the Spring
Moved in the chambers of the blood;
 
And many an old philosophy
   On Argive heights divinely sang,
   And round us all the thicket rang
To many a flute of Arcady.
 
XXIV
And was the day of my delight
   As pure and perfect as I say?
   The very source and fount of Day
Is dash'd with wandering isles of night.
 
If all was good and fair we met,
   This earth had been the Paradise
   It never look'd to human eyes
Since our first Sun arose and set.
 
And is it that the haze of grief
   Makes former gladness loom so great?
   The lowness of the present state,
That sets the past in this relief?
 
Or that the past will always win
   A glory from its being far;
   And orb into the perfect star
We saw not, when we moved therein?
 
XXV
I know that this was Life,—the track
   Whereon with equal feet we fared;
   And then, as now, the day prepared
The daily burden for the back.
 
But this it was that made me move
   As light as carrier-birds in air;
   I loved the weight I had to bear,
Because it needed help of Love:
 
Nor could I weary, heart or limb,
   When mighty Love would cleave in twain
   The lading of a single pain,
And part it, giving half to him.
 
XXVI
Still onward winds the dreary way;
   I with it; for I long to prove
   No lapse of moons can canker Love,
Whatever fickle tongues may say.
 
And if that eye which watches guilt
   And goodness, and hath power to see
   Within the green the moulder'd tree,
And towers fall'n as soon as built—
 
Oh, if indeed that eye foresee
   Or see (in Him is no before)
   In more of life true life no more
And Love the indifference to be,
 
Then might I find, ere yet the morn
   Breaks hither over Indian seas,
   That Shadow waiting with the keys,
To shroud me from my proper scorn.
 
XXVII
I envy not in any moods
   The captive void of noble rage,
   The linnet born within the cage,
That never knew the summer woods:
 
I envy not the beast that takes
   His license in the field of time,
   Unfetter'd by the sense of crime,
To whom a conscience never wakes;
 
Nor, what may count itself as blest,
   The heart that never plighted troth
   But stagnates in the weeds of sloth;
Nor any want-begotten rest.
 
I hold it true, whate'er befall;
   I feel it, when I sorrow most;
   'Tis better to have loved and lost
Than never to have loved at all.
Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam A. H. H.: 11. Calm is the morn without a sound

 Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro' the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze.
And all the silvery gossamers That twinkle into green and gold: Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded farms and lessening towers, To mingle with the bounding main: Calm and deep peace in this wide air, These leaves that redden to the fall; And in my heart, if calm at all, If any calm, a calm despair: Calm on the seas, and silver sleep, And waves that sway themselves in rest, And dead calm in that noble breast Which heaves but with the heaving deep.
Written by Isaac Watts | Create an image from this poem

Psalm 104

 The glory of God in creation and providence.
My soul, thy great Creator praise: When clothed in his celestial rays, He in full majesty appears, And, like a robe, his glory wears.
The heav'ns are for his curtains spread, The unfathomed deep he makes his bed.
Clouds are his chariot when he flies On winged storms across the skies.
Angels, whom his own breath inspires, His ministers, are flaming fires; And swift as thought their armies move To bear his vengeance or his love.
The world's foundations by his hand Are poised, and shall for ever stand; He binds the ocean in his chain, Lest it should drown the earth again.
When earth was covered with the flood, Which high above the mountains stood, He thundered, and the ocean fled, Confined to its appointed bed.
The swelling billows know their bound, And in their channels walk their round; Yet thence conveyed by secret veins, They spring on hills and drench the plains.
He bids the crystal fountains flow, And cheer the valleys as they go; Tame heifers there their thirst allay, And for the stream wild asses bray.
From pleasant trees which shade the brink, The lark and linnet light to drink Their songs the lark and linnet raise, And chide our silence in his praise.
PAUSE I.
God from his cloudy cistern pours On the parched earth enriching showers; The grove, the garden, and the field, A thousand joyful blessings yield.
He makes the grassy food arise, And gives the cattle large supplies With herbs for man of various power, To nourish nature or to dire.
What noble fruit the vines produce! The olive yields a shining juice; Our hearts are cheered with gen'rous wine, With inward joy our faces shine.
O bless his name, ye Britons, fed With nature's chief supporter, bread; While bread your vital strength imparts, Serve him with vigor in your hearts.
PAUSE II.
Behold, the stately cedar stands, Raised in the forest by his hands; Birds to the boughs for shelter fly, And build their nests secure on high.
To craggy hills ascends the goat, And at the airy mountain's foot The feebler creatures make their cell; He gives them wisdom where to dwell.
He sets the sun his circling race, Appoints the moon to change her face; And when thick darkness veils the day, Calls out wild beasts to hunt their prey.
Fierce lions lead their young abroad, And, roaring, ask their meat from God; But when the morning beams arise, The savage beast to covert flies.
Then man to daily labor goes; The night was made for his repose; Sleep is thy gift, that sweet relief From tiresome toil and wasting grief.
How strange thy works! how great thy skill! And every land thy riches fill: Thy wisdom round the world we see; This spacious earth is full of thee.
Nor less thy glories in the deep, Where fish in millions swim and creep With wondrous motions, swift or slow, Still wand'ring in the paths below.
There ships divide their wat'ry way, And flocks of scaly monsters play; There dwells the huge leviathan, And foams and sports in spite of man.
PAUSE III.
Vast are thy works, Almighty Lord; All nature rests upon thy word, And the whole race of creatures stands Waiting their portion from thy hands.
While each receives his diff'rent food, Their cheerful looks pronounce it good: Eagles and bears, and whales and worms, Rejoice and praise in diff'rent forms.
But when thy face is hid, they mourn, And, dying, to their dust return; Both man and beast their souls resign; Life, breath, and spirit, all is thine.
Yet thou canst breathe on dust again, And fill the world with beasts and men; A word of thy creating breath Repairs the wastes of time and death.
His works, the wonders of his might, Are honored with his own delight; How aweful are his glorious ways! The Lord is dreadful in his praise.
The earth stands trembling at thy stroke, And at thy touch the mountains smoke; Yet humble souls may see thy face, And tell their wants to sovereign grace.
In thee my hopes and wishes meet, And make my meditations sweet; Thy praises shall my breath employ, Till it expire in endless joy.
While haughty sinners die accursed, Their glory buried with their dust, I to my God, my heav'nly King, Immortal hallelujahs sing.
Written by Walt Whitman | Create an image from this poem

Native Moments

 NATIVE moments! when you come upon me—Ah you are here now! 
Give me now libidinous joys only! 
Give me the drench of my passions! Give me life coarse and rank! 
To-day, I go consort with nature’s darlings—to-night too; 
I am for those who believe in loose delights—I share the midnight orgies of young men;
I dance with the dancers, and drink with the drinkers; 
The echoes ring with our indecent calls; 
I take for my love some prostitute—I pick out some low person for my dearest friend, 
He shall be lawless, rude, illiterate—he shall be one condemn’d by others for deeds
 done; 
I will play a part no longer—Why should I exile myself from my companions?
O you shunn’d persons! I at least do not shun you, 
I come forthwith in your midst—I will be your poet, 
I will be more to you than to any of the rest.

Book: Reflection on the Important Things