Get Your Premium Membership

Best Famous Drawers Poems

Here is a collection of the all-time best famous Drawers poems. This is a select list of the best famous Drawers poetry. Reading, writing, and enjoying famous Drawers poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drawers poems.

Search and read the best famous Drawers poems, articles about Drawers poems, poetry blogs, or anything else Drawers poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells.
I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould.
All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp.
The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away.
And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way.
Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie.
I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me.
I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now.
I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown.
Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear.
Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed.
Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth.
And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now.
These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright.
Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky.
She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude.
But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie.
Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze.
Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay.
Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day.
But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared.
The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid.
I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made.
The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone.
And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky.
Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay.
You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien.
But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy.
Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused.
Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien.
Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain.
Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home.
And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe.
Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain.
She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart.
No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy.
If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill.
And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.
Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair.
So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell.
Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled.
I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved.
And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe.
'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days.
You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell.
They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity.
But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Carolyn Kizer | Create an image from this poem

American Beauty

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said.
"What an Amazon you are.
" When we were girls we climbed Mt.
Tamalpais chewing bay leaves we had plucked along the way; we got high all right, from animal pleasure in each other, shouting to the sky.
On your houseboat we tried to ignore the impossible guy you had married to enrage your family, a typical ploy.
We were great fools let loose in the No Name bar on Sausalito's bay.
In San Francisco we'd perch on a waterfront pier chewing sourdough and cheese, swilling champagne, kicking our heels; crooning lewd songs, hooting like seagulls, we bayed with the seals.
Then you married someone in Mexico, broke up in two weeks, didn't bother to divorce, claimed it didn't count.
You dumped number three, fled to Albany to become a pedant.
Averse to domesticity, you read for your Ph.
D.
Your four-year-old looked like a miniature John Lennon.
You fed him peanut butter from your jar and raised him on Beowulf and Grendal.
Much later in New York we reunited; in an elevator at Sak's a woman asked for your autograph.
You glowed like a star, like Anouk Aimee at forty, close enough.
Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star; wrote the ERA found the right man at last, a sensitive artist; flying too high not to crash.
When the cancer caught you you went on talk shows to say you had no fear or faith.
In Baltimore we joked on your bed as you turned into a witty wraith.
When you died I cleaned out your bureau drawers: your usual disorder; an assortment of gorgeous wigs and prosthetic breasts tossed in garbage bags, to spare your gentle spouse.
Then the bequests you had made to every friend you had! For each of us a necklace or a ring.
A snapshot for me: We two, barefoot in chiffon, laughing amid blossoms your last wedding day.
Written by William Cowper | Create an image from this poem

The Retired Cat

 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick-- Nature perhaps herself had cast her In such a mould [lang f]philosophique[lang e], Or else she learn'd it of her master.
Sometimes ascending, debonair, An apple-tree or lofty pear, Lodg'd with convenience in the fork, She watch'd the gardener at his work; Sometimes her ease and solace sought In an old empty wat'ring-pot; There, wanting nothing save a fan To seem some nymph in her sedan, Apparell'd in exactest sort, And ready to be borne to court.
But love of change, it seems, has place Not only in our wiser race; Cats also feel, as well as we, That passion's force, and so did she.
Her climbing, she began to find, Expos'd her too much to the wind, And the old utensil of tin Was cold and comfortless within: She therefore wish'd instead of those Some place of more serene repose, Where neither cold might come, nor air Too rudely wanton with her hair, And sought it in the likeliest mode Within her master's snug abode.
A drawer, it chanc'd, at bottom lin'd With linen of the softest kind, With such as merchants introduce From India, for the ladies' use-- A drawer impending o'er the rest, Half-open in the topmost chest, Of depth enough, and none to spare, Invited her to slumber there; Puss with delight beyond expression Survey'd the scene, and took possession.
Recumbent at her ease ere long, And lull'd by her own humdrum song, She left the cares of life behind, And slept as she would sleep her last, When in came, housewifely inclin'd The chambermaid, and shut it fast; By no malignity impell'd, But all unconscious whom it held.
Awaken'd by the shock, cried Puss, "Was ever cat attended thus! The open drawer was left, I see, Merely to prove a nest for me.
For soon as I was well compos'd, Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet! Oh, what a delicate retreat! I will resign myself to rest Till Sol, declining in the west, Shall call to supper, when, no doubt, Susan will come and let me out.
" The evening came, the sun descended, And puss remain'd still unattended.
The night roll'd tardily away (With her indeed 'twas never day), The sprightly morn her course renew'd, The evening gray again ensued, And puss came into mind no more Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room, She now presag'd approaching doom, Nor slept a single wink, or purr'd, Conscious of jeopardy incurr'd.
That night, by chance, the poet watching Heard an inexplicable scratching; His noble heart went pit-a-pat And to himself he said, "What's that?" He drew the curtain at his side, And forth he peep'd, but nothing spied; Yet, by his ear directed, guess'd Something imprison'd in the chest, And, doubtful what, with prudent care Resolv'd it should continue there.
At length a voice which well he knew, A long and melancholy mew, Saluting his poetic ears, Consol'd him, and dispell'd his fears: He left his bed, he trod the floor, He 'gan in haste the drawers explore, The lowest first, and without stop The rest in order to the top; For 'tis a truth well known to most, That whatsoever thing is lost, We seek it, ere it come to light, In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete As erst with airy self-conceit, Nor in her own fond apprehension A theme for all the world's attention, But modest, sober, cured of all Her notions hyperbolical, And wishing for a place of rest Anything rather than a chest.
Then stepp'd the poet into bed, With this reflection in his head:MORAL Beware of too sublime a sense Of your own worth and consequence.
The man who dreams himself so great, And his importance of such weight, That all around in all that's done Must move and act for him alone, Will learn in school of tribulation The folly of his expectation.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Mungojerrie And Rumpelteazer

 Mungojerrie and Rumpelteazer were a very notorious couple 
 of cats.
As knockabout clown, quick-change comedians, tight-rope walkers and acrobats They had extensive reputation.
They made their home in Victoria Grove-- That was merely their centre of operation, for they were incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston Place and in Kensington Square-- They had really a little more reputation than a couple of cats can very well bear.
If the area window was found ajar And the basement looked like a field of war, If a tile or two came loose on the roof, Which presently ceased to be waterproof, If the drawers were pulled out from the bedroom chests, And you couldn't find one of your winter vests, Or after supper one of the girls Suddenly missed her Woolworth pearls: Then the family would say: "It's that horrible cat! It was Mungojerrie--or Rumpelteazer!"-- And most of the time they left it at that.
Mungojerrie and Rumpelteazer had a very unusual gift of the gab.
They were highly efficient cat-burglars as well, and remarkably smart at smash-and-grab.
They made their home in Victoria Grove.
They had no regular occupation.
They were plausible fellows, and liked to engage a friendly policeman in conversation.
When the family assembled for Sunday dinner, With their minds made up that they wouldn't get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow: "I'm afraid you must wait and have dinner tomorrow! For the joint has gone from the oven-like that!" Then the family would say: "It's that horrible cat! It was Mungojerrie--or Rumpelteazer!"-- And most of the time they left it at that.
Mungojerrie and Rumpelteazer had a wonderful way of working together.
And some of the time you would say it was luck, and some of the time you would say it was weather.
They would go through the house like a hurricane, and no sober person could take his oath Was it Mungojerrie--or Rumpelteazer? or could you have sworn that it mightn't be both? And when you heard a dining-room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming-- Then the family would say: "Now which was which cat? It was Mungojerrie! AND Rumpelteazer!"-- And there's nothing at all to be done about that!


Written by Yehuda Amichai | Create an image from this poem

A Precise Woman

 A precise woman with a short haircut brings order
to my thoughts and my dresser drawers,
moves feelings around like furniture
into a new arrangement.
A woman whose body is cinched at the waist and firmly divided into upper and lower, with weather-forecast eyes of shatterproof glass.
Even her cries of passion follow a certain order, one after the other: tame dove, then wild dove, then peacock, wounded peacock, peacock, peacock, the wild dove, tame dove, dove dove thrush, thrush, thrush.
A precise woman: on the bedroom carpet her shoes always point away from the bed.
(My own shoes point toward it.
)
Written by Philip Levine | Create an image from this poem

Passing Out

 The doctor fingers my bruise.
"Magnificent," he says, "black at the edges and purple cored.
" Seated, he spies for clues, gingerly probing the slack flesh, while I, standing, fazed, pull for air, losing the battle.
Faced by his aged diploma, the heavy head of the X- ray, and the iron saddle, I grow lonely.
He finds my secrets common and my sex neither objectionable nor lovely, though he is on the hunt for significance.
The shelved cutlery twinkles behind glass, and I am on the way out, "an instance of the succumbed through extreme fantasy.
" He is alarmed at last, and would raise me, but I am floorward in a dream of lowered trousers, unarmed and weakly fighting to shut the window of my drawers.
There are others in the room, voices of women above white oxfords; and the old floor, the friendly linoleum, departs.
I whisper, "my love," and am safe, tabled, sniffing spirits of ammonia in the land of my fellows.
"Open house!" my openings sing: pores, nose, anus let go their charges, a shameless flow into the outer world; and the ceiling, equipped with intelligence, surveys my produce.
The doctor is thrilled by my display, for he is half the slave of necessity; I, enormous in my need, justify his sciences.
"We have alternatives," he says, "Removal.
.
.
" (And my blood whitens as on their dull trays the tubes dance.
I must study the dark bellows of the gas machine, the painless maker.
) ".
.
.
and learning to live with it.
" Oh, but I am learning fast to live with any pain, ache, growth to keep myself intact; and in imagination I hug my bruise like an old Pooh Bear, already attuned to its moods.
"Oh, my dark one, tell of the coming of cold and of Kings, ancient and ruined.
"
Written by Emily Dickinson | Create an image from this poem

If you were coming in the Fall

 If you were coming in the Fall,
I'd brush the Summer by
With half a smile, and half a spurn,
As Housewives do, a Fly.
If I could see you in a year, I'd wind the months in balls -- And put them each in separate Drawers, For fear the numbers fuse -- If only Centuries, delayed, I'd count them on my Hand, Subtracting, till my fingers dropped Into Van Dieman's Land.
If certain, when this life was out -- That yours and mine, should be I'd toss it yonder, like a Rind, And take Eternity -- But, now, uncertain of the length Of this, that is between, It goads me, like the Goblin Bee -- That will not state -- its sting.
Written by Emily Dickinson | Create an image from this poem

If you were coming in the fall

If you were coming in the fall,
I'd brush the summer by
With half a smile and half a spum,
As housewives do a fly.
If I could see you in a year, I'd wind the months in balls, And put them each in separate drawers, Until their time befalls.
If only centuries delayed, I'd count them on my hand, Subtracting till my fingers dropped Into Van Diemen's land.
If certain, when this life was out, That yours and mine should be, I'd toss it yonder like a rind, And taste eternity.
But now, all ignorant of the length Of time's uncertain wing, It goads me, like the goblin bee, That will not state its sting.
Written by William Topaz McGonagall | Create an image from this poem

The Wreck of the Steamer London

 'Twas in the year of 1866, and on a very beautiful day,
That eighty-two passengers, with spirits light and gay,
Left Gravesend harbour, and sailed gaily away
On board the steamship "London,"
Bound for the city of Melbourne,
Which unfortunately was her last run,
Because she was wrecked on the stormy main,
Which has caused many a heart to throb with pain,
Because they will ne'er look upon their lost ones again.
'Twas on the 11th of January they anchored at the Nore; The weather was charming -- the like was seldom seen before, Especially the next morning as they came in sight Of the charming and beautiful Isle of Wight, But the wind it blew a terrific gale towards night, Which caused the passengers' hearts to shake with fright, And caused many of them to sigh and mourn, And whisper to themselves, We will ne'er see Melbourne.
Amongst the passengers was Gustavus V.
Brooke, Who was to be seen walking on the poop, Also clergymen, and bankers, and magistrates also, All chatting merrily together in the cabin below; And also wealthy families returning to their dear native land, And accomplished young ladies, most lovely and grand, All in the beauty and bloom of their pride, And some with their husbands sitting close by their side.
'Twas all on a sudden the storm did arise, Which took the captain and passengers all by surprise, Because they had just sat down to their tea, When the ship began to roll with the heaving of the sea, And shipped a deal of water, which came down on their heads, Which wet their clothes and also their beds; And caused a fearful scene of consternation, And amongst the ladies great tribulation, And made them cry out, Lord, save us from being drowned, And for a few minutes the silence was profound.
Then the passengers began to run to and fro, With buckets to bale out the water between decks below, And Gustavus Brooke quickly leapt from his bed In his Garibaldi jacket and drawers, without fear or dread, And rushed to the pump, and wrought with might and main; But alas! all their struggling was in vain, For the water fast did on them gain; But he enacted a tragic part until the last, And sank exhausted when all succour was past; While the big billows did lash her o'er, And the Storm-fiend did laugh and roar.
Oh, Heaven! it must have really been A most harrowing and pitiful scene To hear mothers and their children loudly screaming, And to see the tears adown their pale faces streaming, And to see a clergyman engaged in prayer, Imploring God their lives to spare, Whilst the cries of the women and children did rend the air.
Then the captain cried, Lower down the small boats, And see if either of them sinks or floats; Then the small boats were launched on the stormy wave, And each one tried hard his life to save From a merciless watery grave.
A beautiful young lady did madly cry and rave, "Five hundred sovereigns, my life to save!" But she was by the sailors plainly told For to keep her filthy gold, Because they were afraid to overload the boat, Therefore she might either sink or float, Then she cast her eyes to Heaven, and cried, Lord, save me, Then went down with the ship to the bottom of the sea, Along with Gustavus Brooke, who was wont to fill our hearts with glee While performing Shakespearian tragedy.
And out of eighty-two passengers only twenty were saved, And that twenty survivors most heroically behaved.
For three stormy days and stormy nights they were tossed to and fro On the raging billows, with their hearts full of woe, Alas! poor souls, not knowing where to go, Until at last they all agreed to steer for the south, And they chanced to meet an Italian barque bound for Falmouth, And they were all rescued from a watery grave, And they thanked God and Captain Cavassa, who did their lives save.

Book: Shattered Sighs