Get Your Premium Membership

Best Famous Drapery Poems

Here is a collection of the all-time best famous Drapery poems. This is a select list of the best famous Drapery poetry. Reading, writing, and enjoying famous Drapery poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drapery poems.

Search and read the best famous Drapery poems, articles about Drapery poems, poetry blogs, or anything else Drapery poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Edgar Allan Poe | Create an image from this poem

Fairy-Land

 Dim vales- and shadowy floods-
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial, One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down- still down- and down, With its centre on the crown Of a mountain's eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be- O'er the strange woods- o'er the sea- Over spirits on the wing- Over every drowsy thing- And buries them up quite In a labyrinth of light- And then, how deep!- O, deep! Is the passion of their sleep.
In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like- almost anything- Or a yellow Albatross.
They use that moon no more For the same end as before- Videlicet, a tent- Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies Of Earth, who seek the skies, And so come down again, (Never-contented things!) Have brought a specimen Upon their quivering wings.
Written by William Cullen Bryant | Create an image from this poem

Thanatopsis

TO HIM who in the love of Nature holds 
Communion with her visible forms she speaks 
A various language; for his gayer hours 
She has a voice of gladness and a smile 
And eloquence of beauty and she glides 5 
Into his darker musings with a mild 
And healing sympathy that steals away 
Their sharpness ere he is aware.
When thoughts Of the last bitter hour come like a blight Over thy spirit and sad images 10 Of the stern agony and shroud and pall And breathless darkness and the narrow house Make thee to shudder and grow sick at heart;¡ª Go forth under the open sky and list To Nature's teachings while from all around¡ª 15 Earth and her waters and the depths of air¡ª Comes a still voice¡ªYet a few days and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground Where thy pale form was laid with many tears 20 Nor in the embrace of ocean shall exist Thy image.
Earth that nourished thee shall claim Thy growth to be resolved to earth again And lost each human trace surrendering up Thine individual being shalt thou go 25 To mix forever with the elements; To be a brother to the insensible rock And to the sluggish clod which the rude swain Turns with his share and treads upon.
The oak Shall send his roots abroad and pierce thy mould.
30 Yet not to thine eternal resting-place Shalt thou retire alone nor couldst thou wish Couch more magnificent.
Thou shalt lie down With patriarchs of the infant world ¡ªwith kings The powerful of the earth ¡ªthe wise the good 35 Fair forms and hoary seers of ages past All in one mighty sepulchre.
The hills Rock-ribbed and ancient as the sun; the vales Stretching in pensive quietness between; The venerable woods¡ªrivers that move 40 In majesty and the complaining brooks That make the meadows green; and poured round all Old Ocean's gray and melancholy waste ¡ª Are but the solemn decorations all Of the great tomb of man! The golden sun 45 The planets all the infinite host of heaven Are shining on the sad abodes of death Through the still lapse of ages.
All that tread The globe are but a handful to the tribes That slumber in its bosom.
¡ªTake the wings 50 Of morning pierce the Barcan wilderness Or lose thyself in the continuous woods Where rolls the Oregon and hears no sound Save his own dashings ¡ªyet the dead are there: And millions in those solitudes since first 55 The flight of years began have laid them down In their last sleep¡ªthe dead reign there alone.
So shalt thou rest; and what if thou withdraw In silence from the living and no friend Take note of thy departure? All that breathe 60 Will share thy destiny.
The gay will laugh When thou art gone the solemn brood of care Plod on and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments and shall come 65 And make their bed with thee.
As the long train Of ages glide away the sons of men The youth in life's green spring and he who goes In the full strength of years matron and maid The speechless babe and the gray-headed man¡ª 70 Shall one by one be gathered to thy side By those who in their turn shall follow them.
So live that when thy summons comes to join The innumerable caravan which moves To that mysterious realm where each shall take 75 His chamber in the silent halls of death Thou go not like the quarry-slave at night Scourged to his dungeon but sustained and soothed By an unfaltering trust approach thy grave Like one who wraps the drapery of his couch 80 About him and lies down to pleasant dreams.
Written by William Butler Yeats | Create an image from this poem

A Nativity

 What woman hugs her infant there?
Another star has shot an ear.
What made the drapery glisten so? Not a man but Delacroix.
What made the ceiling waterproof? Landor's tarpaulin on the roof What brushes fly and moth aside? Irving and his plume of pride.
What hurries out the knaye and dolt? Talma and his thunderbolt.
Why is the woman terror-struck? Can there be mercy in that look?
Written by Henry David Thoreau | Create an image from this poem

Low-Anchored Cloud

 Low-anchored cloud,
Newfoundland air,
Fountain-head and source of rivers,
Dew-cloth, dream-drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the daisied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of lakes and seas and rivers,
Bear only perfumes and the scent
Of healing herbs to just men's fields!


Written by William Topaz McGonagall | Create an image from this poem

The Funeral of the German Emperor

 Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led; He was a man beloved by his subjects all, Because he never tried them to enthral.
The people of Germany have cause now to mourn, The loss of their hero, who to them will ne'er return; But his soul I hope to Heaven has fled away, To the realms of endless bliss for ever and aye.
He was much respected throughout Europe by the high and the low, And all over Germany people's hearts are full of woe; For in the battlefield he was a hero bold, Nevertheless, a lover of peace, to his credit be it told.
'Twas in the year of 1888, and on March the 16th day, That the peaceful William's remains were conveyed away To the royal mausoleum of Charlottenburg, their last resting-place, The God-fearing man that never did his country disgrace.
The funeral service was conducted in the cathedral by the court chaplain, Dr.
Kogel, Which touched the hearts of his hearers, as from his lips it fell, And in conclusion he recited the Lord's Prayer In the presence of kings, princes, dukes, and counts assembled there.
And at the end of the service the infantry outside fired volley after volley, While the people inside the cathedral felt melancholy, As the sound of the musketry smote upon the ear, In honour of the illustrous William, whom they loved most dear.
Then there was a solemn pause as the kings and princes took their places, Whilst the hot tears are trickling down their faces, And the mourners from shedding tears couldn't refrain; And in respect of the good man, above the gateway glared a bituminous flame.
Then the coffin was placed on the funeral car, By the kings and princes that came from afar; And the Crown Prince William heads the procession alone, While behind him are the four heirs-apparent to the throne.
Then followed the three Kings of Saxony, and the King of the Belgians also, Together with the Prince of Wales, with their hearts full of woe, Besides the Prince of Naples and Prince Rudolph of Austria were there, Also the Czarevitch, and other princes in their order I do declare.
And as the procession passes the palace the blinds are drawn completely, And every house is half hidden with the sable drapery; And along the line of march expansive arches were erected, While the spectators standing by seemed very dejected.
And through the Central Avenue, to make the decorations complete, There were pedestals erected, rising fourteen to fifteen feet, And at the foot and top of each pedestal were hung decorations of green bay, Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground; And as the people gazed on the weird-like scene, their silence was profound; And the shopkeepers closed their shops, and hotel-keepers closed in the doorways, And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin, To decorate with crape the beautiful city of Berlin; Therefore Berlin I declare was a city of crape, Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard, And his great love for them nothing could it retard; Then followed a squadron of the hussars with their band, Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best, Especially when the cavalry hove in sight, riding four abreast; Men and officers with their swords drawn, a magnificent sight to see In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread, Playing the "Dead March in Saul," most appropriate for the dead; And behind them followed the artillery, with four guns abreast, Also the ministers and court officials dressed in their best.
The whole distance to the grave was covered over with laurel and bay, So that the body should be borne along smoothly all the way; And the thousands of banners in the procession were beautiful to view, Because they were composed of cream-coloured silk and light blue.
There were thousands of thousands of men and women gathered there, And standing ankle deep in snow, and seemingly didn't care So as they got a glimpse of the funeral car, Especially the poor souls that came from afar.
And when the funeral car appeared there was a general hush, And the spectators in their anxiety to see began to crush; And when they saw the funeral car by the Emperor's charger led, Every hat and cap was lifted reverently from off each head.
And as the procession moved on to the royal mausoleum, The spectators remained bareheaded and seemingly quite dumb; And as the coffin was borne into its last resting-place, Sorrow seemed depicted in each one's face.
And after the burial service the mourners took a last farewell Of the noble-hearted William they loved so well; Then rich and poor dispersed quietly that were assembled there, While two batteries of field-guns fired a salute which did rend the air In honour of the immortal hero they loved so dear, The founder of the Fatherland Germany, that he did revere.
Written by Les Murray | Create an image from this poem

Shower

 From the metal poppy
this good blast of trance
arriving as shock, private cloudburst blazing down,
worst in a boarding-house greased tub, or a barrack with competitions,
best in a stall, this enveloping passion of Australians:
tropics that sweat for you, torrent that braces with its heat,
inflames you with its chill, action sauna, inverse bidet,
sleek vertical coruscating ghost of your inner river,
reminding all your fluids, streaming off your points, awakening
the tacky soap to blossom and ripe autumn, releasing the squeezed gardens,
smoky valet smoothing your impalpable overnight pyjamas off,
pillar you can step through, force-field absolving love's efforts,
nicest yard of the jogging track, speeding aeroplane minutely
steered with two controls, or trimmed with a knurled wheel.
Some people like to still this energy and lie in it, stirring circles with their pleasure in it, but my delight's that toga worn on either or both shoulders, fluted drapery, silk whispering to the tiles, with its spiralling, frothy hem continuous round the gurgle-hole' this ecstatic partner, dreamy to dance in slow embrace with after factory-floor rock, or even to meet as Lot's abstracted merciful wife on a rusty ship in dog latitudes, sweetest dressing of the day in the dusty bush, this persistent, time-capsule of unwinding, this nimble straight well-wisher.
Only in England is its name an unkind word; only in Europe is it enjoyed by telephone.
Written by Robert Herrick | Create an image from this poem

THE FAIRY TEMPLE; OR OBERONS CHAPEL

 THE FAIRY TEMPLE; OR, OBERON'S CHAPEL

DEDICATED TO MR JOHN MERRIFIELD,
COUNSELLOR AT LAW

RARE TEMPLES THOU HAST SEEN, I KNOW,
AND RICH FOR IN AND OUTWARD SHOW;
SURVEY THIS CHAPEL BUILT, ALONE,
WITHOUT OR LIME, OR WOOD, OR STONE.
THEN SAY, IF ONE THOU'ST SEEN MORE FINE THAN THIS, THE FAIRIES' ONCE, NOW THINE.
THE TEMPLE A way enchaced with glass and beads There is, that to the Chapel leads; Whose structure, for his holy rest, Is here the Halcyon's curious nest; Into the which who looks, shall see His Temple of Idolatry; Where he of god-heads has such store, As Rome's Pantheon had not more.
His house of Rimmon this he calls, Girt with small bones, instead of walls.
First in a niche, more black than jet, His idol-cricket there is set; Then in a polish'd oval by There stands his idol-beetle-fly; Next, in an arch, akin to this, His idol-canker seated is.
Then in a round, is placed by these His golden god, Cantharides.
So that where'er ye look, ye see No capital, no cornice free, Or frieze, from this fine frippery.
Now this the Fairies would have known, Theirs is a mixt religion: And some have heard the elves it call Part Pagan, part Papistical.
If unto me all tongues were granted, I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis, Who 'gainst Mab's state placed here right is.
Saint Will o' th' Wisp, of no great bigness, But, alias, call'd here FATUUS IGNIS.
Saint Frip, Saint Trip, Saint Fill, Saint Filly;-- Neither those other saint-ships will I Here go about for to recite Their number, almost infinite; Which, one by one, here set down are In this most curious calendar.
First, at the entrance of the gate, A little puppet-priest doth wait, Who squeaks to all the comers there, 'Favour your tongues, who enter here.
'Pure hands bring hither, without stain.
' A second pules, 'Hence, hence, profane!' Hard by, i' th' shell of half a nut, The holy-water there is put; A little brush of squirrels' hairs, Composed of odd, not even pairs, Stands in the platter, or close by, To purge the fairy family.
Near to the altar stands the priest, There offering up the holy-grist; Ducking in mood and perfect tense, With (much good do't him) reverence.
The altar is not here four-square, Nor in a form triangular; Nor made of glass, or wood, or stone, But of a little transverse bone; Which boys and bruckel'd children call (Playing for points and pins) cockall.
Whose linen-drapery is a thin, Sub|ile, and ductile codling's skin; Which o'er the board is smoothly spread With little seal-work damasked.
The fringe that circumbinds it, too, Is spangle-work of trembling dew, Which, gently gleaming, makes a show, Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand Something for shew-bread, and at hand (Just in the middle of the altar) Upon an end, the Fairy-psalter, Graced with the trout-flies' curious wings, Which serve for watchet ribbonings.
Now, we must know, the elves are led Right by the Rubric, which they read: And if report of them be true, They have their text for what they do; Ay, and their book of canons too.
And, as Sir Thomas Parson tells, They have their book of articles; And if that Fairy knight not lies They have their book of homilies; And other Scriptures, that design A short, but righteous discipline.
The bason stands the board upon To take the free-oblation; A little pin-dust, which they hold More precious than we prize our gold; Which charity they give to many Poor of the parish, if there's any.
Upon the ends of these neat rails, Hatch'd with the silver-light of snails, The elves, in formal manner, fix Two pure and holy candlesticks, In either which a tall small bent Burns for the altar's ornament.
For sanctity, they have, to these, Their curious copes and surplices Of cleanest cobweb, hanging by In their religious vestery.
They have their ash-pans and their brooms, To purge the chapel and the rooms; Their many mumbling mass-priests here, And many a dapper chorister.
Their ush'ring vergers here likewise, Their canons and their chaunteries; Of cloister-monks they have enow, Ay, and their abbey-lubbers too:-- And if their legend do not lie, They much affect the papacy; And since the last is dead, there's hope Elve Boniface shall next be Pope.
They have their cups and chalices, Their pardons and indulgences, Their beads of nits, bells, books, and wax- Candles, forsooth, and other knacks; Their holy oil, their fasting-spittle, Their sacred salt here, not a little.
Dry chips, old shoes, rags, grease, and bones, Beside their fumigations.
Many a trifle, too, and trinket, And for what use, scarce man would think it.
Next then, upon the chanter's side An apple's-core is hung up dried, With rattling kernels, which is rung To call to morn and even-song.
The saint, to which the most he prays And offers incense nights and days, The lady of the lobster is, Whose foot-pace he doth stroke and kiss, And, humbly, chives of saffron brings For his most cheerful offerings.
When, after these, he's paid his vows, He lowly to the altar bows; And then he dons the silk-worm's shed, Like a Turk's turban on his head, And reverently departeth thence, Hid in a cloud of frankincense; And by the glow-worm's light well guided, Goes to the Feast that's now provided.
Written by Victor Hugo | Create an image from this poem

MARRIAGE AND FEASTS

 ("La salle est magnifique.") 
 
 {IV. Aug. 23, 1839.} 


 The hall is gay with limpid lustre bright— 
 The feast to pampered palate gives delight— 
 The sated guests pick at the spicy food, 
 And drink profusely, for the cheer is good; 
 And at that table—where the wise are few— 
 Both sexes and all ages meet the view; 
 The sturdy warrior with a thoughtful face— 
 The am'rous youth, the maid replete with grace, 
 The prattling infant, and the hoary hair 
 Of second childhood's proselytes—are there;— 
 And the most gaudy in that spacious hall, 
 Are e'er the young, or oldest of them all 
 Helmet and banner, ornament and crest, 
 The lion rampant, and the jewelled vest, 
 The silver star that glitters fair and white, 
 The arms that tell of many a nation's might— 
 Heraldic blazonry, ancestral pride, 
 And all mankind invents for pomp beside, 
 The wingèd leopard, and the eagle wild— 
 All these encircle woman, chief and child; 
 Shine on the carpet burying their feet, 
 Adorn the dishes that contain their meat; 
 And hang upon the drapery, which around 
 Falls from the lofty ceiling to the ground, 
 Till on the floor its waving fringe is spread, 
 As the bird's wing may sweep the roses' bed.— 
 
 Thus is the banquet ruled by Noise and Light, 
 Since Light and Noise are foremost on the site. 
 
 The chamber echoes to the joy of them 
 Who throng around, each with his diadem— 
 Each seated on proud throne—but, lesson vain! 
 Each sceptre holds its master with a chain! 
 Thus hope of flight were futile from that hall, 
 Where chiefest guest was most enslaved of all! 
 The godlike-making draught that fires the soul 
 The Love—sweet poison-honey—past control, 
 (Formed of the sexual breath—an idle name, 
 Offspring of Fancy and a nervous frame)— 
 Pleasure, mad daughter of the darksome Night, 
 Whose languid eye flames when is fading light— 
 The gallant chases where a man is borne 
 By stalwart charger, to the sounding horn— 
 The sheeny silk, the bed of leaves of rose, 
 Made more to soothe the sight than court repose; 
 The mighty palaces that raise the sneer 
 Of jealous mendicants and wretches near— 
 The spacious parks, from which horizon blue 
 Arches o'er alabaster statues new; 
 Where Superstition still her walk will take, 
 Unto soft music stealing o'er the lake— 
 The innocent modesty by gems undone— 
 The qualms of judges by small brib'ry won— 
 The dread of children, trembling while they play— 
 The bliss of monarchs, potent in their sway— 
 The note of war struck by the culverin, 
 That snakes its brazen neck through battle din— 
 The military millipede 
 That tramples out the guilty seed— 
 The capital all pleasure and delight— 
 And all that like a town or army chokes 
 The gazer with foul dust or sulphur smokes. 
 The budget, prize for which ten thousand bait 
 A subtle hook, that ever, as they wait 
 Catches a weed, and drags them to their fate, 
 While gleamingly its golden scales still spread— 
 Such were the meats by which these guests were fed. 
 
 A hundred slaves for lazy master cared, 
 And served each one with what was e'er prepared 
 By him, who in a sombre vault below, 
 Peppered the royal pig with peoples' woe, 
 And grimly glad went laboring till late— 
 The morose alchemist we know as Fate! 
 That ev'ry guest might learn to suit his taste, 
 Behind had Conscience, real or mock'ry, placed; 
 Conscience a guide who every evil spies, 
 But royal nurses early pluck out both his eyes! 
 
 Oh! at the table there be all the great, 
 Whose lives are bubbles that best joys inflate! 
 Superb, magnificent of revels—doubt 
 That sagest lose their heads in such a rout! 
 In the long laughter, ceaseless roaming round, 
 Joy, mirth and glee give out a maelström's sound; 
 And the astonished gazer casts his care, 
 Where ev'ry eyeball glistens in the flare. 
 
 But oh! while yet the singing Hebes pour 
 Forgetfulness of those without the door— 
 At very hour when all are most in joy, 
 And the hid orchestra annuls annoy, 
 Woe—woe! with jollity a-top the heights, 
 With further tapers adding to the lights, 
 And gleaming 'tween the curtains on the street, 
 Where poor folks stare—hark to the heavy feet! 
 Some one smites roundly on the gilded grate, 
 Some one below will be admitted straight, 
 Some one, though not invited, who'll not wait! 
 Close not the door! Your orders are vain breath— 
 That stranger enters to be known as Death— 
 Or merely Exile—clothed in alien guise— 
 Death drags away—with his prey Exile flies! 
 
 Death is that sight. He promenades the hall, 
 And casts a gloomy shadow on them all, 
 'Neath which they bend like willows soft, 
 Ere seizing one—the dumbest monarch oft, 
 And bears him to eternal heat and drouth, 
 While still the toothsome morsel's in his mouth. 
 
 G.W.M. REYNOLDS. 


 




Written by Ella Wheeler Wilcox | Create an image from this poem

A March Snow

 Let the old snow be covered with the new:
The trampled snow, so soiled, and stained, and sodden.
Let it be hidden wholly from our view By pure white flakes, all trackless and untrodden.
When Winter dies, low at the sweet Spring's feet Let him be mantled in a clean, white sheet.
Let the old life be covered by the new: The old past life so full of sad mistakes, Let it be wholly hidden from the view By deeds as white and silent as snow-flakes.
Ere this earth life melts in the eternal Spring Let the white mantle of repentance fling Soft drapery about it, fold on fold, Even as the new snow covers up the old.

Book: Reflection on the Important Things