Written by
Sylvia Plath |
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards.
The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends.
They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.
The roses in the Toby jug
Gave up the ghost last night.
High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands.
Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the cracker packets.
Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones.
Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
|
Written by
Kenneth Koch |
(sign at a railroad crossing in Kenya)
In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone.
And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another.
And one person's reputation may hide
The reputation of another.
One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs.
In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column.
One bath
may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well.
And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse.
One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses.
One identical twin
May hide the other.
And there may be even more in there! The obstetrician
Gazes at the Valley of the Var.
We used to live there, my wife and I, but
One life hid another life.
And now she is gone and I am here.
A vivacious mother hides a gawky daughter.
The daughter hides
Her own vivacious daughter in turn.
They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
the mother's
And has to carry that one, too.
So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited.
One love may hide another love
or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too.
In the
Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there.
At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities.
Reading
A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome.
One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums.
One friend may hide another, you sit at the
foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along.
One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another.
Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one.
It
can be important
To have waited at least a moment to see what was already there.
|
Written by
Margaret Atwood |
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.
*
I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.
*
A child is not a poem,
a poem is not a child.
There is no either / or.
However.
*
I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.
*
At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.
*
How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
|
Written by
William Shakespeare |
But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.
'
What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, colour, pace and bone
Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
Look, what a horse should have he did not lack,
Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love and scorns the heat he feels,
Beating his kind embracements with her heels.
Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd,
Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow,
If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
Pursue these fearful creatures o'er the downs,
And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:
"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.
"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
For misery is trodden on by many,
And being low never reliev'd by any.
"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
Applying this to that, and so to so;
For love can comment upon every woe.
"
|
Written by
Lawrence Ferlinghetti |
Freer
than most birds
an eagle flies up
over San Francisco
freer than most places
soars high up
floats and glides high up
in the still
open spaces
flown from the mountains
floated down
far over ocean
where the sunset has begun
a mirror of itself
He sails high over
turning and turning
where seaplanes might turn
where warplanes might burn
He wheels about burning
in the red sun
climbs and glides
and doubles back upon himself
now over ocean
now over land
high over pinwheels suck in sand
where a rollercoaster used to stand
soaring eagle setting sun
All that is left of our wilderness
|
Written by
Henry Van Dyke |
Home, for my heart still calls me;
Home, through the danger zone;
Home, whatever befalls me,
I will sail again to my own!
Wolves of the sea are hiding
Closely along the way,
Under the water biding
Their moment to rend and slay.
Black is the eagle that brands them,
Black are their hearts as the night,
Black is the hate that sends them
To murder but not to fight.
Flower of the German Culture,
Boast of the Kaiser's Marine,
Choose for your emblem the vulture,
Cowardly, cruel, obscene!
Forth from her sheltered haven
Our peaceful ship glides slow,
Noiseless in flight as a raven,
Gray as a hoodie crow.
She doubles and turns in her bearing,
Like a twisting plover she goes;
The way of her westward faring
Only the captain knows.
In a lonely bay concealing
She lingers for days, and slips
At dusk from her covert, stealing
Thro' channels feared by the ships.
Brave are the men, and steady,
Who guide her over the deep,--
British mariners, ready
To face the sea-wolf's leap.
Lord of the winds and waters,
Bring our ship to her mark,
Safe from this game of hide-and-seek
With murderers in the dark!
|
Written by
Anne Kingsmill Finch |
A Quack, to no true Skill in Physick bred,
With frequent Visits cursed his Patient's Bed;
Enquiring, how he did his Broths digest,
How chim'd his Pulse, and how he took his Rest:
If shudd'ring Cold by Burnings was pursu'd,
And at what time the Aguish Fit renew'd.
The waining Wretch, each day become more faint,
In like proportion doubles his Complaint;
Now swooning Sweats he begs him to allay,
Now give his Lungs more liberty to play,
And take from empty'd Veins these scorching Heats away:
Or if he saw the Danger did increase,
To warn him fair, and let him part in Peace.
My Life for yours, no Hazard in your Case
The Quack replies; your Voice, your Pulse, your Face,
Good Signs afford, and what you seem to feel
Proceeds from Vapours, which we'll help with Steel.
With kindled Rage, more than Distemper, burns
The suff'ring Man, who thus in haste returns:
No more of Vapours, your belov'd Disease,
Your Ignorance's Skreen, your What-you-please,
With which you cheat poor Females of their Lives,
Whilst Men dispute not, so it rid their Wives.
For me, I'll speak free as I've paid my Fees;
My Flesh consumes, I perish by degrees:
And as thro' weary Nights I count my Pains,
No Rest is left me, and no Strength remains.
All for the Better, Sir, the Quack rejoins:
Exceeding promising are all these Signs.
Falling-away, your Nurses can confirm,
Was ne'er in Sickness thought a Mark of Harm.
The want of Strength is for the Better still;
Since Men of Vigour Fevers soonest kill.
Ev'n with this Gust of Passion I am pleas'd;
For they're most Patient who the most are seiz'd.
But let me see! here's that which all repels:
Then shakes, as he some formal Story tells,
The Treacle-water, mixt with powder'd Shells.
My Stomach's gone (what d'you infer from thence?)
Nor will with the least Sustenance dispense.
The Better; for, where appetite endures,
Meats intermingle, and no Med'cine cures.
The Stomach, you must know, Sir, is a Part–
But, sure, I feel Death's Pangs about my Heart.
Nay then Farewel! I need no more attend
The Quack replies.
A sad approaching Friend
Questions the Sick, why he retires so fast;
Who says, because of Fees I've paid the Last,
And, whilst all Symptoms tow'rd my Cure agree,
Am, for the Better, Dying as you see.
|
Written by
Dylan Thomas |
Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.
Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited ridings on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,
In your young years the vegetable century.
And father all nor fail the fly-lord's acre,
Nor sprout on owl-seed like a goblin-sucker,
But rail with your wizard's ribs the heart-shaped planet;
Of mortal voices to the ninnies' choir,
High lord esquire, speak up the singing cloud,
And pluck a mandrake music from the marrowroot.
Roll unmanly over this turning tuft,
O ring of seas, nor sorrow as I shift
From all my mortal lovers with a starboard smile;
Nor when my love lies in the cross-boned drift
Naked among the bow-and-arrow birds
Shall you turn cockwise on a tufted axle.
Who gave these seas their colour in a shape,
Shaped my clayfellow, and the heaven's ark
In time at flood filled with his coloured doubles;
O who is glory in the shapeless maps,
Now make the world of me as I have made
A merry manshape of your walking circle.
|
Written by
Andrew Barton Paterson |
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the "Never",
His mother was Mameluke breed.
To the front -- and then stay there - was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast;
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While her crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands down, by a length.
And then we swooped down on Menindie
To run for the President's Cup;
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's "win, tie, or wrangle" -- to best 'em
You must lose 'em, or else it's "dead heat".
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good uns and fit uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how we rattled it down!
With gladness we thought of the morrow,
We counted our wages with glee,
A simile homely to borrow --
"There was plenty of milk in our tea.
"
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would "put us away".
Experience docet, they tell us,
At least so I've frequently heard;
But, "dosing" or "stuffing", those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains will do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the " books" calling the doubles --
A roar like the surf of the sea.
And over the tumult and louder
Rang "Any price Pardon, I lay!"
Says Jimmy, "The children of Judah
Are out on the warpath today.
"
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up,
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
"We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over that now, my man!"
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that we did it
It really was terribly hard.
We were objects of mirth and derision
To folks in the lawn and the stand,
Anf the yells of the clever division
Of "Any price Pardon!" were grand.
We still had a chance for the money,
Two heats remained to be run:
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So we went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, "Now or never! The old un
May reckon with some of 'em yet.
"
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden
The jockey was done with the whip.
The field was at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he was sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down The Don and The Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud fron the lawn and the garden
Rose offers of "Ten to one on!"
"Who'll bet on the field? I back Pardon!"
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe;
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method of travel --
The boy sat still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
* * * * * * *
But he's old -- and his eyes are grown hollow
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh faces on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
"Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.
"
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve
|
Written by
Dylan Thomas |
I
Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow's diver in her horny milk,
Bisected shadows on the thunder's bone
Bolt for the salt unborn.
The fellow half was frozen as it bubbled
Corrosive spring out of the iceberg's crop,
The fellow seed and shadow as it babbled
The swing of milk was tufted in the pap,
For half of love was planted in the lost,
And the unplanted ghost.
The broken halves are fellowed in a cripple,
The crutch that marrow taps upon their sleep,
Limp in the street of sea, among the rabble
Of tide-tongued heads and bladders in the deep,
And stake the sleepers in the savage grave
That the vampire laugh.
The patchwork halves were cloven as they scudded
The wild pigs' wood, and slime upon the trees,
Sucking the dark, kissed on the cyanide,
And loosed the braiding adders from their hairs,
Rotating halves are horning as they drill
The arterial angel.
What colour is glory? death's feather? tremble
The halves that pierce the pin's point in the air,
And prick the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw,
The ghost that hatched his havoc as he flew
Blinds their cloud-tracking eye.
II
My world is pyramid.
The padded mummer
Weeps on the desert ochre and the salt
Incising summer.
My Egypt's armour buckling in its sheet,
I scrape through resin to a starry bone
And a blood parhelion.
My world is cypress, and an English valley.
I piece my flesh that rattled on the yards
Red in an Austrian volley.
I hear, through dead men's drums, the riddled lads,
Screwing their bowels from a hill of bones,
Cry Eloi to the guns.
My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South,
Drip on my dead house garden.
Who seek me landward, marking in my mouth
The straws of Asia, lose me as I turn
Through the Atlantic corn.
The fellow halves that, cloven as they swivel
On casting tides, are tangled in the shells,
Bearding the unborn devil,
Bleed from my burning fork and smell my heels.
The tongue's of heaven gossip as I glide
Binding my angel's hood.
Who blows death's feather? What glory is colour?
I blow the stammel feather in the vein.
The loin is glory in a working pallor.
My clay unsuckled and my salt unborn,
The secret child, I sift about the sea
Dry in the half-tracked thigh.
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