Written by
Billy Collins |
Today we woke up to a revolution of snow,
its white flag waving over everything,
the landscape vanished,
not a single mouse to punctuate the blankness,
and beyond these windows
the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.
In a while I will put on some boots
and step out like someone walking in water,
and the dog will porpoise through the drifts,
and I will shake a laden branch,
sending a cold shower down on us both.
But for now I am a willing prisoner in this house,
a sympathizer with the anarchic cause of snow.
I will make a pot of tea
and listen to the plastic radio on the counter,
as glad as anyone to hear the news
that the Kiddie Corner School is closed,
the Ding-Dong School, closed,
the All Aboard Children's School, closed,
the Hi-Ho Nursery School, closed,
along with -- some will be delighted to hear --
the Toadstool School, the Little School,
Little Sparrows Nursery School,
Little Stars Pre-School, Peas-and-Carrots Day School,
the Tom Thumb Child Center, all closed,
and -- clap your hands -- the Peanuts Play School.
So this is where the children hide all day,
These are the nests where they letter and draw,
where they put on their bright miniature jackets,
all darting and climbing and sliding,
all but the few girls whispering by the fence.
And now I am listening hard
in the grandiose silence of the snow,
trying to hear what those three girls are plotting,
what riot is afoot,
which small queen is about to be brought down.
|
Written by
Edward Estlin (E E) Cummings |
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and samll)
cared for anyone not at all
they sowed their isn't they reaped their
same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by moe they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes
Women and men(both dong and ding)
summer sutumn winter spring
reaped their sowing and went their came
sun moon stars rain
|
Written by
William Shakespeare |
FULL fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them--
Ding-dong, bell!
|
Written by
Sylvia Plath |
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them,--ding-dong, bell.
|
Written by
Oliver Wendell Holmes |
Oh, there are times
When all this fret and tumult that we hear
Do seem more stale than to the sexton's ear
His own dull chimes.
Ding dong! ding dong!
The world is in a simmer like a sea
Over a pent volcano, -- woe is me
All the day long!
From crib to shroud!
Nurse o'er our cradles screameth lullaby,
And friends in boots tramp round us as we die,
Snuffling aloud.
At morning's call
The small-voiced pug-dog welcomes in the sun,
And flea-bit mongrels, wakening one by one,
Give answer all.
When evening dim
Draws round us, then the lonely caterwaul,
Tart solo, sour duet, and general squall, --
These are our hymn.
Women, with tongues
Like polar needles, ever on the jar;
Men, plugless word-spouts, whose deep fountains are
Within their lungs.
Children, with drums
Strapped round them by the fond paternal ass;
Peripatetics with a blade of grass
Between their thumbs.
Vagrants, whose arts
Have caged some devil in their mad machine,
Which grinding, squeaks, with husky groans between,
Come out by starts.
Cockneys that kill
Thin horses of a Sunday, -- men, with clams,
Hoarse as young bisons roaring for their dams
From hill to hill.
Soldiers, with guns,
Making a nuisance of the blessed air,
Child-crying bellman, children in despair,
Screeching for buns.
Storms, thunders, waves!
Howl, crash, and bellow till ye get your fill;
Ye sometimes rest; men never can be still
But in their graves.
|
Written by
Vachel Lindsay |
To be intoned, all but the two italicized lines, which are to be spoken in a snappy, matter-of-fact way.
Ding-dong, ding-dong, ding-dong.
Here lies a kitten good, who kept
A kitten's proper place.
He stole no pantry eatables,
Nor scratched the baby's face.
He let the alley-cats alone.
He had no yowling vice.
His shirt was always laundried well,
He freed the house of mice.
Until his death he had not caused
His little mistress tears,
He wore his ribbon prettily,
He washed behind his ears.
Ding-dong, ding-dong, ding-dong.
|
Written by
Vachel Lindsay |
SECTION ONE
"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.
Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum."
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang.
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—
SECTION TWO
"Many's the heart that's breaking
If we could read them all
After the ball is over."
(An old song.)
Scornfully, gaily
The bandmaster sways,
Changing the strain
That the wild band plays.
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the
NIGHT
Of love,"
Call the silver joy-bells,
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.
"I am slain,"
Cries true-love
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go."
BUT HIS CRY IS DROWNED
BY THE PROUD BAND-MASTER.
And now great gongs whang,
Sharper, faster,
And kettledrums rattle
And hide the shame
With a swish and a swirk
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer.
'Tis a moonlight night in the spring of the year."
CLANGARANGA, CLANGARANGA,
CLANG . . . CLANG . . . CLANG.
CLANG . . . A . . . RANGA . . .
CLANG . . . A . . . RANGA . . .
CLANG . . . CLANG . . . CLANG . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S BALL . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S . . . BALL . . .
SECTION THREE
In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.
(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning. With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance. It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair. . . . A disciple, . . . becoming weary of all that, divests himself of passion. By absence of passion, he is made free.'")
I once knew a teacher,
Who turned from desire,
Who said to the young men
"Wine is a fire."
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game."
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire."
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game."
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire."
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars."
SO BEWARE,
SO BEWARE,
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM."
CLANG . . . A . . . RANGA, . . . CLANG.. A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG . . . .
|
Written by
Edward Lear |
When awful darkness and silence reign
Over the great Gromboolian plain,
Through the long, long wintry nights; --
When the angry breakers roar
As they beat on the rocky shore; --
When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore: --
Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
A lonely spark with silvery rays
Piercing the coal-black night, --
A Meteor strange and bright: --
Hither and thither the vision strays,
A single lurid light.
Slowly it wander, -- pauses, -- creeps, --
Anon it sparkles, -- flashes and leaps;
And ever as onward it gleaming goes
A light on the Bong-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along, --
"The Dong! -- the Dong!
"The wandering Dong through the forest goes!
"The Dong! the Dong!
"The Dong with a luminous Nose!"
Long years ago
The Dong was happy and gay,
Till he fell in love with a Jumbly Girl
Who came to those shores one day.
For the Jumblies came in a sieve, they did, --
Landing at eve near the Zemmery Fidd
Where the Oblong Oysters grow,
And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.
Happily, happily passed those days!
While the cheerful Jumblies staid;
They danced in circlets all night long,
To the plaintive pipe of the lively Dong,
In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the Dong was left on the cruel shore
Gazing -- gazing for evermore, --
Ever keeping his weary eyes on
That pea-green sail on the far horizon, --
Singing the Jumbly Chorus still
As he sate all day on the grassy hill, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.
But when the sun was low in the West,
The Dong arose and said;
-- "What little sense I once possessed
Has quite gone out of my head!" --
And since that day he wanders still
By lake and dorest, marsh and hills,
Singing -- "O somewhere, in valley or plain
"Might I find my Jumbly Girl again!
"For ever I'll seek by lake and shore
"Till I find my Jumbly Girl once more!"
Playing a pipe with silvery squeaks,
Since then his Jumbly Girl he seeks,
And because by night he could not see,
He gathered the bark of the Twangum Tree
On the flowery plain that grows.
And he wove him a wondrous Nose, --
A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
-- In a hollow rounded space it ended
With a luminous Lamp within suspended,
All fenced about
With a bandage stout
To prevent the wind from blowing it out; --
And with holes all round to send the light,
In gleaming rays on the dismal night.
And now each night, and all night long,
Over those plains still roams the Dong;
And above the wail of the Chimp and Snipe
You may hear the squeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild -- all night he goes, --
The Dong with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night, --
"This is the hour when forth he goes,
"The Dong with a luminous Nose!
"Yonder -- over the plain he goes;
"He goes!
"He goes;
"The Dong with a luminous Nose!"
|
Written by
Johann Wolfgang von Goethe |
WITHIN a town where parity
According to old form we see,--
That is to say, where Catholic
And Protestant no quarrels pick,
And where, as in his father's day,
Each worships God in his own way,
We Luth'ran children used to dwell,
By songs and sermons taught as well.
The Catholic clingclang in truth
Sounded more pleasing to our youth,
For all that we encounter'd there,
To us seem'd varied, joyous, fair.
As children, monkeys, and mankind
To ape each other are inclin'd,
We soon, the time to while away,
A game at priests resolved to play.
Their aprons all our sisters lent
For copes, which gave us great content;
And handkerchiefs, embroider'd o'er,
Instead of stoles we also wore;
Gold paper, whereon beasts were traced,
The bishop's brow as mitre graced.
Through house and garden thus in state
We strutted early, strutted late,
Repeating with all proper unction,
Incessantly each holy function.
The best was wanting to the game;
We knew that a sonorous ring
Was here a most important thing;
But Fortune to our rescue came,
For on the ground a halter lay;
We were delighted, and at once
Made it a bellrope for the nonce,
And kept it moving all the day;
In turns each sister and each brother
Acted as sexton to another;
All help'd to swell the joyous throng;
The whole proceeded swimmingly,
And since no actual bell had we,
We all in chorus sang, Ding dong!
* * * * *
Our guileless child's-sport long was hush'd
In memory's tomb, like some old lay;
And yet across my mind it rush'd
With pristine force the other day.
The New-Poetic Catholics
In ev'ry point its aptness fix!
1815.*
|
Written by
Mark Van Doren |
Love me little, love me long,
Then we neither can be wrong:
You in giving, I in taking;
There is nor a heart breaking
But remembers one touch,
Or maybe seven, of too much.
Love me more than halfway, though.
Let me think, then let me know.
And I promise you the same:
A little wild, a little tame;
Lest it ever seem long:
Tick, tock, ding, dong.
|