Written by
Robert Frost |
Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.
So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"
"Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."
"No doubt you've heard the office call me Mabel.
I have to let them call me what they like."
They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.
They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."
"You've never asked your father outright, have you?"
"I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."
"Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.
"We would not see the secret if we could now:
We are not looking for it any more."
Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.
|
Written by
Sidney Lanier |
Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,
Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,
The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve
Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,
The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.
Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.
`A wraith' (I thought) `that walks the shore
To solve some old perplexity.'
Full heavy hung the draggled gown he wore;
His hair flew all awry.
He waited not (as ghosts oft use)
To be `dearheaven'd!' and `oh'd!'
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?
"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?
"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!
"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,
"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!
"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile!)
Already framed and fit,
"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.
"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race
"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!
"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.
"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!
"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,
"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea!"
|
Written by
Gerard Manley Hopkins |
God with honour hang your head,
Groom, and grace you, bride, your bed
With lissome scions, sweet scions,
Out of hallowed bodies bred.
Each be other's comfort kind:
Déep, déeper than divined,
Divine charity, dear charity,
Fast you ever, fast bind.
Then let the March tread our ears:
I to him turn with tears
Who to wedlock, his wonder wedlock,
Déals tríumph and immortal years.
|
Written by
Adela Florence Cory Nicolson |
Rose-colour
Rose Pink am I, the colour gleams and glows
In many a flower; her lips, those tender doors
By which, in time of love, love's essence flows
From him to her, are dyed in delicate Rose.
Mine is the earliest Ruby light that pours
Out of the East, when day's white gates unclose.
On downy peach, and maiden's downier cheek
I, in a flush of radiant bloom, alight,
Clinging, at sunset, to the shimmering peak
I veil its snow in floods of Roseate light.
Azure
Mine is the heavenly hue of Azure skies,
Where the white clouds lie soft as seraphs' wings,
Mine the sweet, shadowed light in innocent eyes,
Whose lovely looks light only on lovely things.
Mine the Blue Distance, delicate and clear,
Mine the Blue Glory of the morning sea,
All that the soul so longs for, finds not here,
Fond eyes deceive themselves, and find in me.
Scarlet
Hail! to the Royal Red of living Blood,
Let loose by steel in spirit-freeing flood,
Forced from faint forms, by toil or torture torn
Staining the patient gates of life new born.
Colour of War and Rage, of Pomp and Show,
Banners that flash, red flags that flaunt and glow,
Colour of Carnage, Glory, also Shame,
Raiment of women women may not name.
I hide in mines, where unborn Rubies dwell,
Flicker and flare in fitful fire in Hell,
The outpressed life-blood of the grape is mine,
Hail! to the Royal Purple Red of Wine.
Strong am I, over strong, to eyes that tire,
In the hot hue of Rapine, Riot, Flame.
Death and Despair are black, War and Desire,
The two red cards in Life's unequal game.
Green
I am the Life of Forests, and Wandering Streams,
Green as the feathery reeds the Florican love,
Young as a maiden, who of her marriage dreams,
Still sweetly inexperienced in ways of Love.
Colour of Youth and Hope, some waves are mine,
Some emerald reaches of the evening sky.
See, in the Spring, my sweet green Promise shine,
Never to be fulfilled, of by and by.
Never to be fulfilled; leaves bud, and ever
Something is wanting, something falls behind;
The flowered Solstice comes indeed, but never
That light and lovely summer men divined.
Violet
I were the colour of Things, (if hue they had)
That are hard to name.
Of curious, twisted thoughts that men call "mad"
Or oftener "shame."
Of that delicate vice, that is hardly vice,
So reticent, rare,
Ethereal, as the scent of buds and spice,
In this Eastern air.
On palm-fringed shores I colour the Cowrie shell,
With its edges curled;
And, deep in Datura poison buds, I dwell
In a perfumed world.
My lilac tinges the edge of the evening sky
Where the sunset clings.
My purple lends an Imperial Majesty
To the robes of kings.
Yellow
Gold am I, and for me, ever men curse and pray,
Selling their souls and each other, by night and day.
A sordid colour, and yet, I make some things fair,
Dying sunsets, fields of corn, and a maiden's hair.
Thus they discoursed in the daytime,—Violet, Yellow, and Blue,
Emerald, Scarlet, and Rose-colour, the pink and perfect hue.
Thus they spoke in the sunshine, when their beauty was manifest,
Till the Night came, and the Silence, and gave them an equal rest.
|
Written by
Edgar Lee Masters |
You are over there, Father Malloy,
Where holy ground is, and the cross marks every grave,
Not here with us on the hill --
Us of wavering faith, and clouded vision
And drifting hope, and unforgiven sins.
You were so human, Father Malloy,
Taking a friendly glass sometimes with us,
Siding with us who would rescue Spoon River
From the coldness and the dreariness of village morality.
You were like a traveler who brings a little box of sand
From the wastes about the pyramids
And makes them real and Egypt real.
You were a part of and related to a great past,
And yet you were so close to many of us.
You believed in the joy of life.
You did not seem to be ashamed of the flesh.
You faced life as it is,
And as it changes.
Some of us almost came to you, Father Malloy,
Seeing how your church had divined the heart,
And provided for it,
Through Peter the Flame,
Peter the Rock.
|
Written by
Elinor Wylie |
For this you've striven
Daring, to fail:
Your sky is riven
Like a tearing veil.
For this, you've wasted
Wings of your youth;
Divined, and tasted
Bitter springs of truth.
From sand unslakèd
Twisted strong cords,
And wandering naked
Among trysted swords.
There's a word unspoken,
A knot untied.
Whatever is broken
The earth may hide.
The road was jagged
Over sharp stones:
Your body's too ragged
To cover your bones.
The wind scatters
Tears upon dust;
Your soul's in tatters
Where the spears thrust.
|
Written by
Robert Louis Stevenson |
WHEN my young lady has grown great and staid,
And in long raiment wondrously arrayed,
She may take pleasure with a smile to know
How she delighted men-folk long ago.
For her long after, then, this tale I tell
Of the two fans and fairy Rosabelle.
Hot was the day; her weary sire and I
Sat in our chairs companionably nigh,
Each with a headache sat her sire and I.
Instant the hostess waked: she viewed the scene,
Divined the giants' languor by their mien,
And with hospitable care
Tackled at once an Atlantean chair.
Her pigmy stature scarce attained the seat -
She dragged it where she would, and with her feet
Surmounted; thence, a Phaeton launched, she crowned
The vast plateau of the piano, found
And culled a pair of fans; wherewith equipped,
Our mountaineer back to the level slipped;
And being landed, with considerate eyes,
Betwixt her elders dealt her double prize;
The small to me, the greater to her sire.
As painters now advance and now retire
Before the growing canvas, and anon
Once more approach and put the climax on:
So she awhile withdrew, her piece she viewed -
For half a moment half supposed it good -
Spied her mistake, nor sooner spied than ran
To remedy; and with the greater fan,
In gracious better thought, equipped the guest.
From ill to well, from better on to best,
Arts move; the homely, like the plastic kind;
And high ideals fired that infant mind.
Once more she backed, once more a space apart
Considered and reviewed her work of art:
Doubtful at first, and gravely yet awhile;
Till all her features blossomed in a smile.
And the child, waking at the call of bliss,
To each she ran, and took and gave a kiss.
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