Written by
Ezra Pound |
I had over prepared the event,
that much was ominous.
With middle-ageing care
I had laid out just the right books.
I had almost turned down the pages.
Beauty is so rare a thing.
So few drink of my fountain.
So much barren regret,
So many hours wasted!
And now I watch, from the window,
the rain, the wandering busses.
"Their little cosmos is shaken" -
the air is alive with that fact.
In their parts of the city
they are played on by diverse forces.
How do I know?
Oh, I know well enough.
For them there is something afoot.
As for me;
I had over-prepared the event -
Beauty is so rare a thing.
So few drink of my fountain.
Two friends: a breath of the forest.
.
.
Friends? Are people less friends
because one has just, at last, found them?
Twice they promised to come.
"Between the night and the morning?"
Beauty would drink of my mind.
Youth would awhile forget
my youth is gone from me.
(Speak up! You have danced so stiffly?
Someone admired your works,
And said so frankly.
"Did you talk like a fool,
The first night?
The second evening?"
"But they promised again:
'To-morrow at tea-time'.
")
Now the third day is here -
no word from either;
No word from her nor him,
Only another man's note:
"Dear Pound, I am leaving England.
"
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Written by
Jorge Luis Borges |
Oh destiny of Borges
to have sailed across the diverse seas of the world
or across that single and solitary sea of diverse
names,
to have been a part of Edinburgh, of Zurich, of the
two Cordobas,
of Colombia and of Texas,
to have returned at the end of changing generations
to the ancient lands of his forebears,
to Andalucia, to Portugal and to those counties
where the Saxon warred with the Dane and they
mixed their blood,
to have wandered through the red and tranquil
labyrinth of London,
to have grown old in so many mirrors,
to have sought in vain the marble gaze of the statues,
to have questioned lithographs, encyclopedias,
atlases,
to have seen the things that men see,
death, the sluggish dawn, the plains,
and the delicate stars,
and to have seen nothing, or almost nothing
except the face of a girl from Buenos Aires
a face that does not want you to remember it.
Oh destiny of Borges,
perhaps no stranger than your own.
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Written by
Amanda Gorman |
When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade
We've braved the belly of the beast
We've learned that quiet isn't always peace
And the norms and notions
of what just is
Isn't always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it
Somehow we've weathered and witnessed
a nation that isn't broken
but simply unfinished
We the successors of a country and a time
Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one
And yes we are far from polished
far from pristine
but that doesn't mean we are
striving to form a union that is perfect
We are striving to forge a union with purpose
To compose a country committed to all cultures, colors, characters and
conditions of man
And so we lift our gazes not to what stands between us
but what stands before us
We close the divide because we know, to put our future first,
we must first put our differences aside
We lay down our arms
so we can reach out our arms
to one another
We seek harm to none and harmony for all
Let the globe, if nothing else, say this is true:
That even as we grieved, we grew
That even as we hurt, we hoped
That even as we tired, we tried
That we'll forever be tied together, victorious
Not because we will never again know defeat
but because we will never again sow division
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
And no one shall make them afraid
If we're to live up to our own time
Then victory won't lie in the blade
But in all the bridges we've made
That is the promise to glade
The hill we climb
If only we dare
It's because being American is more than a pride we inherit,
it's the past we step into
and how we repair it
We've seen a force that would shatter our nation
rather than share it
Would destroy our country if it meant delaying democracy
And this effort very nearly succeeded
But while democracy can be periodically delayed
it can never be permanently defeated
In this truth
in this faith we trust
For while we have our eyes on the future
history has its eyes on us
This is the era of just redemption
We feared at its inception
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter
To offer hope and laughter to ourselves
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert
How could catastrophe possibly prevail over us?
We will not march back to what was
but move to what shall be
A country that is bruised but whole,
benevolent but bold,
fierce and free
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation
Our blunders become their burdens
But one thing is certain:
If we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children's birthright
So let us leave behind a country
better than the one we were left with
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one
We will rise from the gold-limbed hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution
We will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sunbaked south
We will rebuild, reconcile and recover
and every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful
When day comes we step out of the shade,
aflame and unafraid
The new dawn blooms as we free it
For there is always light,
if only we're brave enough to see it
If only we're brave enough to be it
Amanda Gorman, the nation's first-ever youth poet laureate, read the following poem during the inauguration of President Joe Biden on January 20, 2021.
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Written by
Sarojini Naidu |
DEIGN, Prince, my tribute to receive,
This lyric offering to your name,
Who round your jewelled scepter bind
The lilies of a poet's fame;
Beneath whose sway concordant dwell
The peoples whom your laws embrace,
In brotherhood of diverse creeds,
And harmony of diverse race:
The votaries of the Prophet's faith,
Of whom you are the crown and chief
And they, who bear on Vedic brows
Their mystic symbols of belief;
And they, who worshipping the sun,
Fled o'er the old Iranian sea;
And they, who bow to Him who trod
The midnight waves of Galilee.
Sweet, sumptuous fables of Baghdad
The splendours of your court recall,
The torches of a Thousand Nights
Blaze through a single festival;
And Saki-singers down the streets,
Pour for us, in a stream divine,
From goblets of your love-ghazals
The rapture of your Sufi wine.
Prince, where your radiant cities smile,
Grim hills their sombre vigils keep,
Your ancient forests hoard and hold
The legends of their centuried sleep;
Your birds of peace white-pinioned float
O'er ruined fort and storied plain,
Your faithful stewards sleepless guard
The harvests of your gold and grain.
God give you joy, God give you grace
To shield the truth and smite the wrong,
To honour Virtue, Valour, Worth.
To cherish faith and foster song.
So may the lustre of your days
Outshine the deeds Firdusi sung,
Your name within a nation's prayer,
Your music on a nation's tongue.
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Written by
John Donne |
Once, and but once found in thy company,
All thy supposed escapes are laid on me;
And as a thief at bar is questioned there
By all the men that have been robed that year,
So am I (by this traiterous means surprized)
By thy hydroptic father catechized.
Though he had wont to search with glazed eyes,
As though he came to kill a cockatrice,
Though he hath oft sworn that he would remove
Thy beauty's beauty, and food of our love,
Hope of his goods, if I with thee were seen,
Yet close and secret, as our souls, we've been.
Though thy immortal mother, which doth lie
Still-buried in her bed, yet wiil not die,
Takes this advantage to sleep out daylight,
And watch thy entries and returns all night,
And, when she takes thy hand, and would seem kind,
Doth search what rings and armlets she can find,
And kissing, notes the colour of thy face,
And fearing lest thou'rt swol'n, doth thee embrace;
To try if thou long, doth name strange meats,
And notes thy paleness, blushing, sighs, and sweats;
And politicly will to thee confess
The sins of her own youth's rank lustiness;
Yet love these sorceries did remove, and move
Thee to gull thine own mother for my love.
Thy little brethren, which like faery sprites
Oft skipped into our chamber, those sweet nights,
And kissed, and ingled on thy father's knee,
Were bribed next day to tell what they did see:
The grim eight-foot-high iron-bound servingman,
That oft names God in oaths, and only then,
He that to bar the first gate doth as wide
As the great Rhodian Colossus stride,
Which, if in hell no other pains there were,
Makes me fear hell, because he must be there:
Though by thy father he were hired to this,
Could never witness any touch or kiss.
But Oh, too common ill, I brought with me
That which betrayed me to my enemy:
A loud perfume, which at my entrance cried
Even at thy father's nose, so were we spied;
When, like a tyran King, that in his bed
Smelt gunpowder, the pale wretch shivered.
Had it been some bad smell he would have thought
That his own feet, or breath, that smell had wrought.
But as we in our isle imprisoned,
Where cattle only, and diverse dogs are bred,
The precious Unicorns strange monsters call,
So thought he good, strange, that had none at all.
I taught my silks their whistling to forbear,
Even my oppressed shoes dumb and speechless were,
Only, thou bitter sweet, whom I had laid
Next me, me traiterously hast betrayed,
And unsuspected hast invisibly
At once fled unto him, and stayed with me.
Base excrement of earth, which dost confound
Sense from distinguishing the sick from sound;
By thee the seely amorous sucks his death
By drawing in a leprous harlot's breath;
By thee the greatest stain to man's estate
Falls on us, to be called effeminate;
Though you be much loved in the Prince's hall,
There, things that seem, exceed substantial.
Gods, when ye fumed on altars, were pleased well,
Because you were burnt, not that they liked your smell;
You're loathsome all, being taken simply alone,
Shall we love ill things joined, and hate each one?
If you were good, your good doth soon decay;
And you are rare, that takes the good away.
All my perfumes I give most willingly
T' embalm thy father's corse; What? will he die?
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Written by
Walt Whitman |
AS they draw to a close,
Of what underlies the precedent songs—of my aims in them;
Of the seed I have sought to plant in them;
Of joy, sweet joy, through many a year, in them;
(For them—for them have I lived—In them my work is done;)
Of many an aspiration fond—of many a dream and plan,
Of you, O mystery great!—to place on record faith in you, O death!
—To compact you, ye parted, diverse lives!
To put rapport the mountains, and rocks, and streams,
And the winds of the north, and the forests of oak and pine,
With you, O soul of man.
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Written by
Ezra Pound |
In one salutation to thee, my God,
let all my senses spread out and touch this world at thy feet.
Like a rain-cloud of July
hung low with its burden of unshed showers
let all my mind bend down at thy door in one salutation to thee.
Let all my songs gather together their diverse strains into a single current
and flow to a sea of silence in one salutation to thee.
Like a flock of homesick cranes flying night and day
back to their mountain nests
let all my life take its voyage to its eternal home
in one salutation to thee.
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Written by
Francis Thompson |
To Monica
Summer set lip to earth's bosom bare,
And left the flushed print in a poppy there:
Like a yawn of fire from the grass it came,
And the fanning wind puffed it to flapping flame.
With burnt mouth, red like a lion's, it drank
The blood of the sun as he slaughtered sank,
And dipped its cup in the purpurate shine
When the Eastern conduits ran with wine.
Till it grew lethargied with fierce bliss,
And hot as a swinked gipsy is,
And drowsed in sleepy savageries,
With mouth wide a-pout for a sultry kiss.
A child and man paced side by side,
Treading the skirts of eventide;
But between the clasp of his hand and hers
Lay, felt not, twenty withered years.
She turned, with the rout of her dusk South hair,
And saw the sleeping gipsy there:
And snatched and snapped it in swift child's whim,
With-- "Keep it, long as you live!" -- to him.
And his smile, as nymphs from their laving meres,
Trembled up from a bath of tears;
And joy, like a mew sea-rocked apart,
Tossed on the wave of his troubled heart.
For he saw what she did not see,
That -- as kindled by its own fervency --
The verge shrivelled inward smoulderingly:
And suddenly 'twixt his hand and hers
He knew the twenty withered years --
No flower, but twenty shrivelled years.
"Was never such thing until this hour,"
Low to his heart he said; "the flower
Of sleep brings wakening to me,
And of oblivion, memory.
"
"Was never this thing to me," he said,
"Though with bruisèd poppies my feet are red!"
And again to his own heart very low:
"O child! I love, for I love and know;
"But you, who love nor know at all
The diverse chambers in Love's guest-hall,
Where some rise early, few sit long:
In how differing accents hear the throng
His great Pentecostal tongue;
"Who know not love from amity,
Nor my reported self from me;
A fair fit gift is this, meseems,
You give -- this withering flower of dreams.
"O frankly fickle, and fickly true,
Do you know what the days will do to you?
To your love and you what the days will do,
O frankly fickle, and fickly true?
"You have loved me, Fair, three lives -- or days:
'Twill pass with the passing of my face.
But where I go, your face goes too,
To watch lest I play false to you.
"I am but, my sweet, your foster-lover,
Knowing well when certain years are over
You vanish from me to another;
Yet I know, and love, like the foster-mother.
"So, frankly fickle, and fickly true!
For my brief life while I take from you
This token, fair and fit, meseems,
For me -- this withering flower of dreams.
"
The sleep-flower sways in the wheat its head,
Heavy with dreams, as that with bread:
The goodly grain and the sun-flushed sleeper
The reaper reaps, and Time the reaper.
I hang 'mid men my needless head,
And my fruit is dreams, as theirs is bread:
The goodly men and the sun-hazed sleeper
Time shall reap, but after the reaper
The world shall glean of me, me the sleeper.
Love, love! your flower of withered dream
In leavèd rhyme lies safe, I deem,
Sheltered and shut in a nook of rhyme,
From the reaper man, and his reaper Time.
Love! I fall into the claws of Time:
But lasts within a leavèd rhyme
All that the world of me esteems --
My withered dreams, my withered dreams.
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Written by
William Strode |
Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe
With sounding charms, and in a greeny seat
Of shady oake took shelter from the heat.
A Nightingale oreheard him, that did use
To sojourn in the neighbour groves, the muse
That fill'd the place, the Syren of the wood;
Poore harmless Syren, stealing neare she stood
Close lurking in the leaves attentively
Recording that unwonted melody:
Shee cons it to herselfe and every strayne
His finger playes her throat return'd again.
The lutinist perceives an answeare sent
From th' imitating bird and was content
To shewe her play; more fully then in hast
He tries his lute, and (giving her a tast
Of the ensuing quarrel) nimbly beats
On all his strings; as nimbly she repeats,
And (wildely ranging ore a thousand keys)
Sends a shrill warning of her after-layes.
With rolling hand the Lutinist then plies
His trembling threads; sometimes in scornful wise
He brushes down the strings and keemes them all
With one even stroke; then takes them severall
And culles them ore again.
His sparkling joynts
(With busy descant mincing on the points)
Reach back with busy touch: that done hee stayes,
The bird replies, and art with art repayes,
Sometimes as one unexpert or in doubt
How she might wield her voice, shee draweth out
Her tone at large and doth at first prepare
A solemne strayne not weav'd with sounding ayre,
But with an equall pitch and constant throate
Makes clear the passage of her gliding noate;
Then crosse division diversly shee playes,
And loudly chanting out her quickest layes
Poises the sounds, and with a quivering voice
Falls back again: he (wondering how so choise,
So various harmony should issue out
From such a little throate) doth go about
Some harder lessons, and with wondrous art
Changing the strings, doth upp the treble dart,
And downwards smites the base; with painefull stroke
Hee beats, and as the trumpet doth provoke
Sluggards to fight, even so his wanton skill
With mingled discords joynes the hoarse and shrill:
The Bird this also tunes, and while she cutts
Sharp notes with melting voice, and mingled putts
Measures of middle sound, then suddenly
Shee thunders deepe, and juggs it inwardly,
With gentle murmurs, cleare and dull shee sings,
By course, as when the martial warning rings:
Beleev't the minstrel blusht; with angry mood
Inflam'd, quoth hee, thou chauntresse of the wood,
Either from thee Ile beare the prize away,
Or vanquisht break my lute without delay.
Inimitable accents then hee straynes;
His hand flyes ore the strings: in one hee chaynes
Four different numbers, chasing here and there,
And all the strings belabour'd everywhere:
Both flatt and sharpe hee strikes, and stately grows
To prouder straynes, and backwards as he goes
Doubly divides, and closing upp his layes
Like a full quire a shouting consort playes;
Then pausing stood in expectation
If his corrival now dares answeare on;
But shee when practice long her throate had whett,
Induring not to yield, at once doth sett
Her spiritt all of worke, and all in vayne;
For while shee labours to express againe
With nature's simple touch such diverse keyes,
With slender pipes such lofty noates as these,
Orematcht with high designes, orematcht with woe,
Just at the last encounter of her foe
Shee faintes, shee dies, falls on his instrument
That conquer'd her; a fitting monument.
So far even little soules are driven on,
Struck with a vertuous emulation.
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Written by
John Davidson |
'Who affirms that crystals are alive?'
I affirm it, let who will deny:
Crystals are engendered, wax and thrive,
Wane and wither; I have seen them die.
Trust me, masters, crystals have their day,
Eager to attain the perfect norm,
Lit with purpose, potent to display
Facet, angle, colour, beauty, form.
Water-crystals need for flower and root
Sixty clear degrees, no less, no more;
Snow, so fickle, still in this acute
Angle thinks, and learns no other lore:
Such its life, and such its pleasure is,
Such its art and traffic, such its gain,
Evermore in new conjunctions this
Admirable angle to maintain.
Crystalcraft in every flower and flake
Snow exhibits, of the welkin free:
Crystalline are crystals for the sake,
All and singular, of crystalry.
Yet does every crystal of the snow
Individualize, a seedling sown
Broadcast, but instinct with power to grow
Beautiful in beauty of its own.
Every flake with all its prongs and dints
Burns ecstatic as a new-lit star:
Men are not more diverse, finger prints
More dissimilar than snow-flakes are.
Worlds of men and snow endure, increase,
Woven of power and passion to defy
Time and travail: only races cease,
Individual men and crystals die.
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