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Best Famous Divan Poems

Here is a collection of the all-time best famous Divan poems. This is a select list of the best famous Divan poetry. Reading, writing, and enjoying famous Divan poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of divan poems.

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

THE FIRE SERMON

  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank.
The wind Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180 Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse 190 Musing upon the king my brother's wreck And on the king my father's death before him.
White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat's foot only, year to year.
But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter And on her daughter 200 They wash their feet in soda water Et O ces voix d'enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc'd.
Tereu Unreal City Under the brown fog of a winter noon Mr.
Eugenides, the Smyrna merchant Unshaven, with a pocket full of currants 210 C.
i.
f.
London: documents at sight, Asked me in demotic French To luncheon at the Cannon Street Hotel Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back Turn upward from the desk, when the human engine waits Like a taxi throbbing waiting, I Tiresias, though blind, throbbing between two lives, Old man with wrinkled female breasts, can see At the violet hour, the evening hour that strives 220 Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins.
Out of the window perilously spread Her drying combinations touched by the sun's last rays, On the divan are piled (at night her bed) Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest— I too awaited the expected guest.
230 He, the young man carbuncular, arrives, A small house agent's clerk, with one bold stare, One of the low on whom assurance sits As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses, The meal is ended, she is bored and tired, Endeavours to engage her in caresses Which still are unreproved, if undesired.
Flushed and decided, he assaults at once; Exploring hands encounter no defence; 240 His vanity requires no response, And makes a welcome of indifference.
(And I Tiresias have foresuffered all Enacted on this same divan or bed; I who have sat by Thebes below the wall And walked among the lowest of the dead.
) Bestows one final patronising kiss, And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass, Hardly aware of her departed lover; 250 Her brain allows one half-formed thought to pass: "Well now that's done: and I'm glad it's over.
" When lovely woman stoops to folly and Paces about her room again, alone, She smoothes her hair with automatic hand, And puts a record on the gramophone.
"This music crept by me upon the waters" And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear Beside a public bar in Lower Thames Street, 260 The pleasant whining of a mandoline And a clatter and a chatter from within Where fishmen lounge at noon: where the walls Of Magnus Martyr hold Inexplicable splendour of Ionian white and gold.
The river sweats Oil and tar The barges drift With the turning tide Red sails 270 Wide To leeward, swing on the heavy spar.
The barges wash Drifting logs Down Greenwich reach Past the Isle of Dogs.
Weialala leia Wallala leialala Elizabeth and Leicester Beating oars 280 The stern was formed A gilded shell Red and gold The brisk swell Rippled both shores Southwest wind Carried down stream The peal of bells White towers Weialala leia 290 Wallala leialala "Trams and dusty trees.
Highbury bore me.
Richmond and Kew Undid me.
By Richmond I raised my knees Supine on the floor of a narrow canoe.
" "My feet are at Moorgate, and my heart Under my feet.
After the event He wept.
He promised 'a new start'.
I made no comment.
What should I resent?" "On Margate Sands.
300 I can connect Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect Nothing.
" la la To Carthage then I came Burning burning burning burning O Lord Thou pluckest me out O Lord Thou pluckest 310 burning


Written by Anne Sexton | Create an image from this poem

The Nude Swim

 On the southwest side of Capri
we found a little unknown grotto
where no people were and we
entered it completely
and let our bodies lose all
their loneliness.
All the fish in us had escaped for a minute.
The real fish did not mind.
We did not disturb their personal life.
We calmly trailed over them and under them, shedding air bubbles, little white balloons that drifted up into the sun by the boat where the Italian boatman slept with his hat over his face.
Water so clear you could read a book through it.
Water so buoyant you could float on your elbow.
I lay on it as on a divan.
I lay on it just like Matisse's Red Odalisque.
Water was my strange flower, one must picture a woman without a toga or a scarf on a couch as deep as a tomb.
The walls of that grotto were everycolor blue and you said, "Look! Your eyes are seacolor.
Look! Your eyes are skycolor.
" And my eyes shut down as if they were suddenly ashamed.
Written by Victor Hugo | Create an image from this poem

THE CYMBALEER'S BRIDE

 ("Monseigneur le Duc de Bretagne.") 
 
 {VI., October, 1825.} 


 My lord the Duke of Brittany 
 Has summoned his barons bold— 
 Their names make a fearful litany! 
 Among them you will not meet any 
 But men of giant mould. 
 
 Proud earls, who dwell in donjon keep, 
 And steel-clad knight and peer, 
 Whose forts are girt with a moat cut deep— 
 But none excel in soldiership 
 My own loved cymbaleer. 
 
 Clashing his cymbals, forth he went, 
 With a bold and gallant bearing; 
 Sure for a captain he was meant, 
 To judge his pride with courage blent, 
 And the cloth of gold he's wearing. 
 
 But in my soul since then I feel 
 A fear in secret creeping; 
 And to my patron saint I kneel, 
 That she may recommend his weal 
 To his guardian-angel's keeping. 
 
 I've begged our abbot Bernardine 
 His prayers not to relax; 
 And to procure him aid divine 
 I've burnt upon Saint Gilda's shrine 
 Three pounds of virgin wax. 
 
 Our Lady of Loretto knows 
 The pilgrimage I've vowed: 
 "To wear the scallop I propose, 
 If health and safety from the foes 
 My lover be allowed." 
 
 No letter (fond affection's gage!) 
 From him could I require, 
 The pain of absence to assuage— 
 A vassal-maid can have no page, 
 A liegeman has no squire. 
 
 This day will witness, with the duke's, 
 My cymbaleer's return: 
 Gladness and pride beam in my looks, 
 Delay my heart impatient brooks, 
 All meaner thoughts I spurn. 
 
 Back from the battlefield elate 
 His banner brings each peer; 
 Come, let us see, at the ancient gate, 
 The martial triumph pass in state— 
 With the princes my cymbaleer. 
 
 We'll have from the rampart walls a glance 
 Of the air his steed assumes; 
 His proud neck swells, his glad hoofs prance, 
 And on his head unceasing dance, 
 In a gorgeous tuft, red plumes! 
 
 Be quick, my sisters! dress in haste! 
 Come, see him bear the bell, 
 With laurels decked, with true love graced, 
 While in his bold hands, fitly placed, 
 The bounding cymbals swell! 
 
 Mark well the mantle that he'll wear, 
 Embroidered by his bride! 
 Admire his burnished helmet's glare, 
 O'ershadowed by the dark horsehair 
 That waves in jet folds wide! 
 
 The gypsy (spiteful wench!) foretold, 
 With a voice like a viper hissing. 
 (Though I had crossed her palm with gold), 
 That from the ranks a spirit bold 
 Would be to-day found missing. 
 
 But I have prayed so much, I trust 
 Her words may prove untrue; 
 Though in a tomb the hag accurst 
 Muttered: "Prepare thee for the worst!" 
 Whilst the lamp burnt ghastly blue. 
 
 My joy her spells shall not prevent. 
 Hark! I can hear the drums! 
 And ladies fair from silken tent 
 Peep forth, and every eye is bent 
 On the cavalcade that comes! 
 
 Pikemen, dividing on both flanks, 
 Open the pageantry; 
 Loud, as they tread, their armor clanks, 
 And silk-robed barons lead the ranks— 
 The pink of gallantry! 
 
 In scarfs of gold the priests admire; 
 The heralds on white steeds; 
 Armorial pride decks their attire, 
 Worn in remembrance of some sire 
 Famed for heroic deeds. 
 
 Feared by the Paynim's dark divan, 
 The Templars next advance; 
 Then the tall halberds of Lausanne, 
 Foremost to stand in battle van 
 Against the foes of France. 
 
 Now hail the duke, with radiant brow, 
 Girt with his cavaliers; 
 Round his triumphant banner bow 
 Those of his foe. Look, sisters, now! 
 Here come the cymbaleers! 
 
 She spoke—with searching eye surveyed 
 Their ranks—then, pale, aghast, 
 Sunk in the crowd! Death came in aid— 
 'Twas mercy to that loving maid— 
 The cymbaleers had passed! 
 
 "FATHER PROUT" (FRANK S. MAHONY) 


 




Written by Omar Khayyam | Create an image from this poem

The day when the celestial war-horse of the golden

The day when the celestial war-horse of the golden
stars was saddled, when the planet Jupiter and the
Pleiades were created, from that day the Divan [Chief
Justice] of destiny fixed our lot. In what respect, then,
are we guilty, since such is the part that was made
for us?
Written by Amitabh Mitra | Create an image from this poem

Gwalior

1
today
the evening has come back
in its finery
streets coil back in languor
i smell an aroma
like distant footsteps
lying on a divan
behind curtains
hiding shadows of
once
small talk
once
tiny kisses
i wait
i wait.
2 my nose had touched you as i uttered i love you lips that would never leave the crypt of a season strangely looking for another reason i let the kites wall the sky threads slackened pulling the sun far away mosque windows left a resolute eyes closed down slowly on a ruddy earth that took over us as always 3 let me go i had told you then your smile unleashed a sea in the ravines palaces were swept off to a distant sky and a painted afternoon burnt the fort for ever yes, we must all leave, you concluded the reign has finally ended to a long summer that had once brought us together birds that had flown off somewhere our kisses stayed only with hurts breathing against ageless stones and a rainbow that climbed an arid bastion leaped to escape a promised another day.


Written by Johann Wolfgang von Goethe | Create an image from this poem

ON THE DIVAN

 HE who knows himself and others

Here will also see,
That the East and West, like brothers,

Parted ne'er shall be.
Thoughtfully to float for ever 'Tween two worlds, be man's endeavour! So between the East and West To revolve, be my behest! 1833.
*
Written by Omar Khayyam | Create an image from this poem

What though 'tis fair to view, this form of man,

What though 'tis fair to view, this form of man,
I know not why the heavenly Artisan
Hath set these tulip cheeks and cypress forms
To deck the mournful halls of earth's divan.

Book: Reflection on the Important Things