Written by
Luis G. Dato |
I am sweetly perplexed by love sallies, releases,
By the countless retreats and the numberless captures,
By the petulant coldness and agreeable raptures,
By the whisper of phrases that hurts and then pleases,
I am drunk by the prodigal total of leases
From her body and spirit, her soul and her senses,
I revel in approaches and artless offenses,
In her challenging taunts and her tenderly teases.
Now will I disengage a red flower from her tresses,
And uplift her lithe form from a divan of roses,
For the zephyr of night too much passion opposes,
And in delicate folds now has rumpled her dresses.
On tomorrow’s new ventures the heart eager presses,
I repose now to ponder on life-soothing losses.
|
Written by
T S (Thomas Stearns) Eliot |
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
Line 161 ALRIGHT. This spelling occurs also in
the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest. 230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
"Well now that's done: and I'm glad it's over."
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe."
"My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised 'a new start'.
I made no comment. What should I resent?"
"On Margate Sands. 300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing."
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
|
Written by
Anne Sexton |
On the southwest side of Capri
we found a little unknown grotto
where no people were and we
entered it completely
and let our bodies lose all
their loneliness.
All the fish in us
had escaped for a minute.
The real fish did not mind.
We did not disturb their personal life.
We calmly trailed over them
and under them, shedding
air bubbles, little white
balloons that drifted up
into the sun by the boat
where the Italian boatman slept
with his hat over his face.
Water so clear you could
read a book through it.
Water so buoyant you could
float on your elbow.
I lay on it as on a divan.
I lay on it just like
Matisse's Red Odalisque.
Water was my strange flower,
one must picture a woman
without a toga or a scarf
on a couch as deep as a tomb.
The walls of that grotto
were everycolor blue and
you said, "Look! Your eyes
are seacolor. Look! Your eyes
are skycolor." And my eyes
shut down as if they were
suddenly ashamed.
|
Written by
Victor Hugo |
("Monseigneur le Duc de Bretagne.")
{VI., October, 1825.}
My lord the Duke of Brittany
Has summoned his barons bold—
Their names make a fearful litany!
Among them you will not meet any
But men of giant mould.
Proud earls, who dwell in donjon keep,
And steel-clad knight and peer,
Whose forts are girt with a moat cut deep—
But none excel in soldiership
My own loved cymbaleer.
Clashing his cymbals, forth he went,
With a bold and gallant bearing;
Sure for a captain he was meant,
To judge his pride with courage blent,
And the cloth of gold he's wearing.
But in my soul since then I feel
A fear in secret creeping;
And to my patron saint I kneel,
That she may recommend his weal
To his guardian-angel's keeping.
I've begged our abbot Bernardine
His prayers not to relax;
And to procure him aid divine
I've burnt upon Saint Gilda's shrine
Three pounds of virgin wax.
Our Lady of Loretto knows
The pilgrimage I've vowed:
"To wear the scallop I propose,
If health and safety from the foes
My lover be allowed."
No letter (fond affection's gage!)
From him could I require,
The pain of absence to assuage—
A vassal-maid can have no page,
A liegeman has no squire.
This day will witness, with the duke's,
My cymbaleer's return:
Gladness and pride beam in my looks,
Delay my heart impatient brooks,
All meaner thoughts I spurn.
Back from the battlefield elate
His banner brings each peer;
Come, let us see, at the ancient gate,
The martial triumph pass in state—
With the princes my cymbaleer.
We'll have from the rampart walls a glance
Of the air his steed assumes;
His proud neck swells, his glad hoofs prance,
And on his head unceasing dance,
In a gorgeous tuft, red plumes!
Be quick, my sisters! dress in haste!
Come, see him bear the bell,
With laurels decked, with true love graced,
While in his bold hands, fitly placed,
The bounding cymbals swell!
Mark well the mantle that he'll wear,
Embroidered by his bride!
Admire his burnished helmet's glare,
O'ershadowed by the dark horsehair
That waves in jet folds wide!
The gypsy (spiteful wench!) foretold,
With a voice like a viper hissing.
(Though I had crossed her palm with gold),
That from the ranks a spirit bold
Would be to-day found missing.
But I have prayed so much, I trust
Her words may prove untrue;
Though in a tomb the hag accurst
Muttered: "Prepare thee for the worst!"
Whilst the lamp burnt ghastly blue.
My joy her spells shall not prevent.
Hark! I can hear the drums!
And ladies fair from silken tent
Peep forth, and every eye is bent
On the cavalcade that comes!
Pikemen, dividing on both flanks,
Open the pageantry;
Loud, as they tread, their armor clanks,
And silk-robed barons lead the ranks—
The pink of gallantry!
In scarfs of gold the priests admire;
The heralds on white steeds;
Armorial pride decks their attire,
Worn in remembrance of some sire
Famed for heroic deeds.
Feared by the Paynim's dark divan,
The Templars next advance;
Then the tall halberds of Lausanne,
Foremost to stand in battle van
Against the foes of France.
Now hail the duke, with radiant brow,
Girt with his cavaliers;
Round his triumphant banner bow
Those of his foe. Look, sisters, now!
Here come the cymbaleers!
She spoke—with searching eye surveyed
Their ranks—then, pale, aghast,
Sunk in the crowd! Death came in aid—
'Twas mercy to that loving maid—
The cymbaleers had passed!
"FATHER PROUT" (FRANK S. MAHONY)
|
Written by
Omar Khayyam |
The day when the celestial war-horse of the golden
stars was saddled, when the planet Jupiter and the
Pleiades were created, from that day the Divan [Chief
Justice] of destiny fixed our lot. In what respect, then,
are we guilty, since such is the part that was made
for us?
|
Written by
Amitabh Mitra |
1
today
the evening has come back
in its finery
streets coil back in languor
i smell an aroma
like distant footsteps
lying on a divan
behind curtains
hiding shadows of
once
small talk
once
tiny kisses
i wait
i wait.
2
my nose had
touched you
as i uttered
i love you
lips that would never leave the crypt
of a season
strangely looking
for another reason
i let the kites wall the sky
threads slackened
pulling the sun far away
mosque windows
left a resolute
eyes closed down slowly on a ruddy
earth that took over
us
as always
3
let me go
i had told you then
your smile unleashed a sea
in the ravines
palaces were swept off
to a distant sky
and a painted afternoon burnt the fort
for ever
yes, we must all leave, you concluded
the reign has finally ended
to a long summer that had once brought us together
birds that had flown off somewhere
our kisses stayed only with hurts
breathing against ageless stones
and a rainbow that climbed an arid bastion
leaped to escape a promised
another day.
|
Written by
Johann Wolfgang von Goethe |
HE who knows himself and others
Here will also see,
That the East and West, like brothers,
Parted ne'er shall be.
Thoughtfully to float for ever
'Tween two worlds, be man's endeavour!
So between the East and West
To revolve, be my behest!
1833.*
|
Written by
Omar Khayyam |
What though 'tis fair to view, this form of man,
I know not why the heavenly Artisan
Hath set these tulip cheeks and cypress forms
To deck the mournful halls of earth's divan.
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