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Best Famous Distractions Poems

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Written by Matthew Arnold | Create an image from this poem

The Buried Life

 Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest, We know, we know that we can smile! But there's a something in this breast, To which thy light words bring no rest, And thy gay smiles no anodyne.
Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And let me read there, love! thy inmost soul.
Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves--and yet The same heart beats in every human breast! But we, my love!--doth a like spell benumb Our hearts, our voices?--must we too be dumb? Ah! well for us, if even we, Even for a moment, can get free Our heart, and have our lips unchain'd; For that which seals them hath been deep-ordain'd! Fate, which foresaw How frivolous a baby man would be-- By what distractions he would be possess'd, How he would pour himself in every strife, And well-nigh change his own identity-- That it might keep from his capricious play His genuine self, and force him to obey Even in his own despite his being's law, Bade through the deep recesses of our breast The unregarded river of our life Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be Eddying at large in blind uncertainty, Though driving on with it eternally.
But often, in the world's most crowded streets, But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us--to know Whence our lives come and where they go.
And many a man in his own breast then delves, But deep enough, alas! none ever mines.
And we have been on many thousand lines, And we have shown, on each, spirit and power; But hardly have we, for one little hour, Been on our own line, have we been ourselves-- Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on for ever unexpress'd.
And long we try in vain to speak and act Our hidden self, and what we say and do Is eloquent, is well--but 't#is not true! And then we will no more be rack'd With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power; Ah yes, and they benumb us at our call! Yet still, from time to time, vague and forlorn, From the soul's subterranean depth upborne As from an infinitely distant land, Come airs, and floating echoes, and convey A melancholy into all our day.
Only--but this is rare-- When a belov{'e}d hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race Wherein he doth for ever chase That flying and elusive shadow, rest.
An air of coolness plays upon his face, And an unwonted calm pervades his breast.
And then he thinks he knows The hills where his life rose, And the sea where it goes.


Written by Matthew Arnold | Create an image from this poem

Buried Life The

 Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest, We know, we know that we can smile! But there's a something in this breast, To which thy light words bring no rest, And thy gay smiles no anodyne.
Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And let me read there, love! thy inmost soul.
Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves--and yet The same heart beats in every human breast! But we, my love!--doth a like spell benumb Our hearts, our voices?--must we too be dumb? Ah! well for us, if even we, Even for a moment, can get free Our heart, and have our lips unchain'd; For that which seals them hath been deep-ordain'd! Fate, which foresaw How frivolous a baby man would be-- By what distractions he would be possess'd, How he would pour himself in every strife, And well-nigh change his own identity-- That it might keep from his capricious play His genuine self, and force him to obey Even in his own despite his being's law, Bade through the deep recesses of our breast The unregarded river of our life Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be Eddying at large in blind uncertainty, Though driving on with it eternally.
But often, in the world's most crowded streets, But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us--to know Whence our lives come and where they go.
And many a man in his own breast then delves, But deep enough, alas! none ever mines.
And we have been on many thousand lines, And we have shown, on each, spirit and power; But hardly have we, for one little hour, Been on our own line, have we been ourselves-- Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on for ever unexpress'd.
And long we try in vain to speak and act Our hidden self, and what we say and do Is eloquent, is well--but 't#is not true! And then we will no more be rack'd With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power; Ah yes, and they benumb us at our call! Yet still, from time to time, vague and forlorn, From the soul's subterranean depth upborne As from an infinitely distant land, Come airs, and floating echoes, and convey A melancholy into all our day.
Only--but this is rare-- When a belov{'e}d hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race Wherein he doth for ever chase That flying and elusive shadow, rest.
An air of coolness plays upon his face, And an unwonted calm pervades his breast.
And then he thinks he knows The hills where his life rose, And the sea where it goes.
Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Private Life

 All this was written on the next day's list.
On which the busyness unfurled its cursive roots, pale but effective, and the long stem of the necessary, the sum of events, built-up its tiniest cathedral.
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(Or is it the sum of what takes place? ) If I lean down, to whisper, to them, down into their gravitational field, there where they head busily on into the woods, laying the gifts out one by one, onto the path, hoping to be on the air, hoping to please the children -- (and some gifts overwrapped and some not wrapped at all) -- if I stir the wintered ground-leaves up from the paths, nimbly, into a sheet of sun, into an escape-route-width of sun, mildly gelatinous where wet, though mostly crisp, fluffing them up a bit, and up, as if to choke the singularity of sun with this jubilation of manyness, all through and round these passers-by -- just leaves, nothing that can vaporize into a thought, no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves, oh if -- the list gripped hard by the left hand of one, the busyness buried so deep into the puffed-up greenish mind of one, the hurried mind hovering over its rankings, the heart -- there at the core of the drafting leaves -- wet and warm at the zero of the bright mock-stairwaying-up of the posthumous leaves -- the heart, formulating its alleyways of discovery, fussing about the integrity of the whole, the heart trying to make time and place seem small, sliding its slim tears into the deep wallet of each new event on the list then checking it off -- oh the satisfaction -- each check a small kiss, an echo of the previous one, off off it goes the dry high-ceilinged obligation, checked-off by the fingertips, by the small gust called done that swipes the unfinishable's gold hem aside, revealing what might have been, peeling away what should .
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There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air, down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring? Who should it be? What fountain is expected to thrash forth mysteries of morning joy? What quail-like giant tail of promises, pleiades, psalters, plane-trees, what parapets petalling-forth the invisible into the world of things, turning the list into its spatial-form at last, into its archival many-headed, many-legged colony .
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Oh look at you.
What is it you hold back? What piece of time is it the list won't cover? You down there, in the theater of operations -- you, throat of the world -- so diacritical -- (are we all waiting for the phone to ring?) -- (what will you say? are you home? are you expected soon?) -- oh wanderer back from break, all your attention focused -- as if the thinking were an oar, this ship the last of some original fleet, the captains gone but some of us who saw the plan drawn-out still here -- who saw the thinking clot-up in the bodies of the greater men, who saw them sit in silence while the voices in the other room lit-up with passion, itchings, dreams of landings, while the solitary ones, heads in their hands, so still, the idea barely forming at the base of that stillness, the idea like a homesickness starting just to fold and pleat and knot-itself out of the manyness -- the plan -- before it's thought, before it's a done deal or the name-you're-known-by -- the men of x, the outcomes of y -- before -- the mind still gripped hard by the hands that would hold the skull even stiller if they could, that nothing distract, that nothing but the possible be let to filter through, the possible and then the finely filamented hope, the filigree, without the distractions of wonder -- oh tiny golden spore just filtering-in to touch the good idea, which taking-form begins to twist, coursing for bottom-footing, palpating for edge-hold, limit, now finally about to rise, about to go into the other room -- and yet not having done so yet, not yet -- the intake -- before the credo, before the plan -- right at the homesickness -- before this list you hold in your exhausted hand.
Oh put it down.
Written by Matthew Arnold | Create an image from this poem

Memorial Verses

 Goethe in Weimar sleeps, and Greece,
Long since, saw Byron's struggle cease.
But one such death remain'd to come; The last poetic voice is dumb-- We stand to-day by Wordsworth's tomb.
When Byron's eyes were shut in death, We bow'd our head and held our breath.
He taught us little; but our soul Had felt him like the thunder's roll.
With shivering heart the strife we saw Of passion with eternal law; And yet with reverential awe We watch'd the fount of fiery life Which served for that Titanic strife.
When Goethe's death was told, we said: Sunk, then, is Europe's sagest head.
Physician of the iron age, Goethe has done his pilgrimage.
He took the suffering human race, He read each wound, each weakness clear; And struck his finger on the place, And said: Thou ailest here, and here! He look'd on Europe's dying hour Of fitful dream and feverish power; His eye plunged down the weltering strife, The turmoil of expiring life-- He said: The end is everywhere, Art still has truth, take refuge there! And he was happy, if to know Causes of things, and far below His feet to see the lurid flow Of terror, and insane distress, And headlong fate, be happiness.
And Wordsworth!--Ah, pale ghosts, rejoice! For never has such soothing voice Been to your shadowy world convey'd, Since erst, at morn, some wandering shade Heard the clear song of Orpheus come Through Hades, and the mournful gloom.
Wordsworth has gone from us--and ye, Ah, may ye feel his voice as we! He too upon a wintry clime Had fallen--on this iron time Of doubts, disputes, distractions, fears.
He found us when the age had bound Our souls in its benumbing round; He spoke, and loosed our heart in tears.
He laid us as we lay at birth On the cool flowery lap of earth, Smiles broke from us and we had ease; The hills were round us, and the breeze Went o'er the sun-lit fields again; Our foreheads felt the wind and rain.
Our youth return'd; for there was shed On spirits that had long been dead, Spirits dried up and closely furl'd, The freshness of the early world.
Ah! since dark days still bring to light Man's prudence and man's fiery might, Time may restore us in his course Goethe's sage mind and Byron's force; But where will Europe's latter hour Again find Wordsworth's healing power? Others will teach us how to dare, And against fear our breast to steel; Others will strengthen us to bear-- But who, ah! who, will make us feel? The cloud of mortal destiny, Others will front it fearlessly-- But who, like him, will put it by? Keep fresh the grass upon his grave, O Rotha, with thy living wave! Sing him thy best! for few or none Hears thy voice right, now he is gone.
Written by Rainer Maria Rilke | Create an image from this poem

from The Tenth Elegy

 Ah, but the City of Pain: how strange its streets are:
the false silence of sound drowning sound,
and there--proud, brazen, effluence from the mold of emptiness--
the gilded hubbub, the bursting monument.
How an Angel would stamp out their market of solaces, set up alongside their church bought to order: clean and closed and woeful as a post office on Sunday.
Outside, though, there's always the billowing edge of the fair.
Swings of Freedom! High-divers and Jugglers of Zeal! And the shooting gallery with its figures of idiot Happiness which jump, quiver, and fall with a tinny ring whenever some better marksman scores.
Onward he lurches from cheers to chance; for booths courting each curious taste are drumming and barking.
And then--for adults only-- a special show: how money breeds, its anatomy, not some charade: money's genitals, everything, the whole act from beginning to end--educational and guaranteed to make you virile .
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Oh, but just beyond that, behind the last of the billboards, plastered with signs for "Deathless," that bitter beer which tastes sweet to those drinking it as long as they have fresh distractions to chew .
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, just beyond those boards, just on the other side: things are real.
Children play, lovers hold each other, off in the shadows, pensive, on the meager grass, while dogs obey nature.
The youth is drawn farther on; perhaps he's fallen in love with a young Lament .
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He pursues her, enters meadowland.
She says: "It's a long way.
We live out there .
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" Where? And the youth follows.
Something in her bearing stirs him.
Her shoulders, neck--, perhaps she's of noble descent.
Still, he leaves her, turns around, glances back, waves .
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What's the use? She's a Lament.



Book: Reflection on the Important Things